Shango is an Orisha, a deity in Yoruba religion. Genealogically speaking, Shango is a royal ancestor of the Yoruba as he was the fourth Alaafin of the Oyo Kingdom prior to his posthumous deification. Shango has numerous manifestations, including Airá, Agodo, Afonja, Lubé, and Obomin. He is known for his powerful double axe (Oṣè). He is considered to be one of the most powerful rulers that Yorubaland has ever produced.
Oshun, also known as Ọṣun in some traditions like Trinidad Orisha, is an orisha, a spirit, or a deity that reflects one of the manifestations of the Yorùbá Supreme Being in the Ifá oral tradition and Yoruba-based religions of West Africa. She is one of the most popular and venerated Orishas. Oshun is an important river deity among the Yorùbá people. She is the orisha of divinity, femininity, fertility, beauty and love. She is connected to destiny and divination.
Religious music is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.
Orishas are spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it, such as Cuban, Dominican and Puerto Rican Santería and Brazilian Candomblé. The preferred spelling varies depending on the language in question: òrìṣà is the spelling in the Yoruba language, orixá in Portuguese, and orisha, oricha, orichá or orixá in Spanish-speaking countries.
The Yoruba religion, or Isese, comprises the traditional religious and spiritual concepts and practice of the Yoruba people. Its homeland is in present-day Southwestern Nigeria, which comprises the majority of Oyo, Ogun, Osun, Ondo, Ekiti, Kwara and Lagos States, as well as parts of Kogi state and the adjoining parts of Benin and Togo, commonly known as Yorubaland. It shares some parallels with the Vodun practiced by the neighboring Fon and Ewe peoples to the west and to the religion of the Edo people and Igala people to the east. Yoruba religion is the basis for a number of religions in the New World, notably Santería, Umbanda, Trinidad Orisha, and Candomblé. Yoruba religious beliefs are part of Itàn (history), the total complex of songs, histories, stories, and other cultural concepts which make up the Yoruba society.
The Batá drum is a double-headed drum shaped like an hourglass with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the yoruba land and used for traditional and religious activities among the Yoruba. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land.
The talking drum is an hourglass-shaped drum from West Africa, whose pitch can be regulated to mimic the tone and prosody of human speech. It has two drumheads connected by leather tension cords, which allow the player to change the pitch of the drum by scraping the cords between their arm and body.
Babalú-Aye, Oluaye, Ṣọpọna, Ayé in Trinidad Orisha, or Obaluaiye, is one of the orishas or manifestations of the supreme creator god Olodumare in the Yoruba religion of West Africa. Babalú-Aye is the spirit of the Earth and strongly associated with infectious disease, and healing.
The music of the ancient Mayan courts is described throughout native and Spanish 16th-century texts and is depicted in the art of the Classic Period. The Maya played instruments such as trumpets, flutes, whistles, and drums, and used music to accompany funerals, celebrations, and other rituals. Although no written music has survived, archaeologists have excavated musical instruments and painted and carved depictions of the ancient Maya that show how music was a complex element of societal and religious structure. Most of the music itself disappeared after the dissolution of the Maya courts following the Spanish Conquest. Some Mayan music has prevailed, however, and has been fused with Spanish influences.
Kélé is an Afro-Saint Lucian religion, originated from the Djiné people of the Babonneau region. Its primary deities are Ogun, Shango and Eshu. Kélé ceremonies include the drumming of the tanbou manman and the tanbou ich of the Batá drum family. The religion has its origins in African slaves of the Babonneau region. The religion is strongly connected to the Ogun festival in Nigeria. Repressed by the Roman Catholic church until the early 1960s, it had been practiced in secrecy underground. The ritual includes the display of smooth stones and iron or steel items in honor of Ogun. The faith itself is believed by some scholars to be a Saint Lucian version of Yoruba religion.
Oba means ″ruler″ in the Bini and Yoruba languages. Kings in Benin land, and others around like the modern republics of Benin, Nigeria and Togo, make use of it as a pre-nominal honorific. An example of a Bini bearer is Oba Ewuare II of Benin.Yoruba bearers include Oba Ogunwusi of Ile-Ife, Oba Aladetoyinbo Ogunlade.
The Yoruba of West Africa are responsible for a distinct artistic tradition in Africa, a tradition that remains vital and influential today.
The Yoruba people are a West African ethnic group who mainly inhabit parts of Nigeria, Benin, and Togo. The areas of these countries primarily inhabited by the Yoruba are often collectively referred to as Yorubaland. The Yoruba constitute more than 52 million people in Africa, are over a million outside the continent, and bear further representation among members of the African diaspora. The vast majority of the Yoruba population is today within the country of Nigeria, where they make up 21% of the country's population according to CIA estimations, making them one of the largest ethnic groups in Africa. Most Yoruba people speak the Yoruba language, which is the Niger-Congo language with the largest number of native or L1 speakers.
Ṣọ̀pọ̀na is the god of smallpox in the Yoruba religion. The Yoruba people took their traditions about Shapona to the New World when they were transported in the slave trade. He has become known as Babalú-Ayé, among many other names, in the Orisha religion that developed in the Americas.
Gbedu literally means "big drum" and is a percussion instrument traditionally used in ceremonial Yoruba music in Nigeria and Benin. More recently, the word has come to be used to describe forms of Nigerian Afrobeats music.
Reindeer in Siberian shamanism reflect the cultural, as well as the economic, relationship between the native peoples of Siberia, a region of Northern Asia, and the reindeer that live there. It involves the nomadic reindeer herders, those that hunt wild reindeer and those who maintain domesticated ones. Their religious beliefs reflect the spiritual philosophy of shamanism, and their traditions often involve reindeer in several steps of the process of practicing their religion.
Trinidad Orisha, also known as Orisha religion and Shango, is a syncretic religion in Trinidad and Tobago and the Caribbean, originally from West Africa. Trinidad Orisha incorporates elements of Spiritual Baptism, and the closeness between Orisha and Spiritual Baptism has led to use of the term "Shango Baptist" to refer to members of either or both religions. Anthropologist James Houk described Trinidad Orisha as an "Afro-American religious complex", incorporating elements mainly of traditional African religion and Yoruba and incorporates some elements of Christianity, Hinduism, Islam, Buddhism, Judaism, Baháʼí, and Amerindian mythologies.
Music of African heritage in Cuba derives from the musical traditions of the many ethnic groups from different parts of West and Central Africa that were brought to Cuba as slaves between the 16th and 19th centuries. Members of some of these groups formed their own ethnic associations or cabildos, in which cultural traditions were conserved, including musical ones. Music of African heritage, along with considerable Iberian (Spanish) musical elements, forms the fulcrum of Cuban music.
The Dammam is a large double-headed cylinder drum or frame drum played by Shias in Iraq and Iran in religious ceremonies. The dammām is usually struck with the left hand and a curved stick in the right hand, especially during passion plays in the mourning month of Muharram or to wake up the devotees early in the morning of Ramadan.
Nafir, also nfīr, plural anfār, Turkish nefir, is a slender shrill-sounding straight natural trumpet with a cylindrical tube and a conical metal bell, producing one or two notes. It was used as a military signaling instrument and as a ceremonial instrument in countries shaped by Islamic culture in North Africa, the Middle East and South Asia. In Ottoman, Persian and Mugulin miniatures, the nafīr is depicted in battle scenes.
