The Senufo people, also known as Siena, Senefo, Sene, Senoufo, and Syénambélé, are a West African ethnolinguistic group. They consist of diverse subgroups living in a region spanning the northern Ivory Coast, the southeastern Mali and the western Burkina Faso. One sub-group, the Nafana, is found in north-western Ghana.
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as African American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present, when considering the totality of the visual culture from the continent of Africa.
A caryatid is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term karyatides literally means "maidens of Karyai", an ancient town on the Peloponnese. Karyai had a temple dedicated to the goddess Artemis in her aspect of Artemis Karyatis: "As Karyatis she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants".
Relief is a sculptural technique where the sculpted elements remain attached to a solid background of the same material. The term relief is from the Latin verb relevo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.
Ashur-nasir-pal II was king of Assyria from 883 to 859 BC.
The Saramaka, Saamaka or Saramacca are one of six Maroon peoples in the Republic of Suriname and one of the Maroon peoples in French Guiana. In 2007, the Saramaka won a ruling by the Inter-American Court for Human Rights supporting their land rights in Suriname for lands they have historically occupied, over national government claims. It was a landmark decision for indigenous peoples in the world. They have received compensation for damages and control this fund for their own development goals.
The Gẹlẹdẹ spectacle of the Yoruba is a public display by colorful masks which combines art and ritual dance to amuse, educate and inspire worship. Gelede celebrates “Mothers”, a group that includes female ancestors and deities as well as the elderly women of the community, and the power and spiritual capacity these women have in society. Focusing not only on fertility and motherhood but also on correct social behavior within the Yoruba society.
The diverse culture of Ivory Coast, a coastal West African country bordered by Ghana, Liberia, Mali, Burkina Faso, and Guinea, is exemplified by a multitude of ethnic groups, events, festivals, music, and art.
Janet Scudder, born Netta Deweze Frazee Scudder, was an American sculptor and painter from Terre Haute, Indiana, who is best known for her memorial sculptures, bas-relief portraiture, and portrait medallions, as well as her garden sculptures and fountains. Her first major commission was the design for the seal of the New York Bar Association around 1896. Scudder's Frog Fountain (1901) led to the series of sculptures and fountains for which she is best known. Later commissions included a Congressional Gold Medal honoring Domício da Gama and a commemorative medal for Indiana's centennial in 1916. Scudder also displayed her work at numerous national and international exhibitions in the United States and in Europe from the late 1890s to the late 1930s. Scudder's autobiography, Modeling My Life, was published in 1925.
The Barberini ivory is a Byzantine ivory leaf from an imperial diptych dating from Late Antiquity, now in the Louvre in Paris. It represents the emperor as triumphant victor. It is generally dated from the first half of the 6th century and is attributed to an imperial workshop in Constantinople, while the emperor is usually identified as Justinian, or possibly Anastasius I or Zeno. It is a notable historical document because it is linked to queen Brunhilda of Austrasia. On the back there is a list of names of Frankish kings, all relatives of Brunhilda, indicating the important position of queens within Frankish royal families. Brunhilda ordered the list to be inscribed and offered it to the church as a votive image.
Traditional African masks play an important role in certain traditional African rituals and ceremonies.
Most African sculpture was historically in wood and other organic materials that have not survived from earlier than at most a few centuries ago; older pottery figures are found from a number of areas. Masks are important elements in the art of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin depending on the use of the object, but wide regional trends are apparent; sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa. Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies; today many are made for tourists as "airport art". African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.
The Thracian horseman is the name given to a recurring motif of a horseman depicted in reliefs of the Hellenistic and Roman periods in the Balkans. Inscriptions found in Romania identify the horseman as Heros, apparently the word heros used as a proper name.
Wadsworth Aikens Jarrell is an American painter, sculptor and printmaker. He was born in Albany, Georgia, and moved to Chicago, Illinois, where he attended the Art Institute of Chicago. After graduation, he became heavily involved in the local art scene and through his early work he explored the working life of blacks in Chicago and found influence in the sights and sounds of jazz music. In the late 1960s he opened WJ Studio and Gallery, where he, along with his wife, Jae, hosted regional artists and musicians.
The Sandobele are members of the Sandogo, an authoritative women's society of the Senufo people, who practice divination. The Senufo inhabit the savannas and tropical rain forests of northern Côte d'Ivoire and the nearby land in Mali and Burkina Faso. The Sandogo is responsible for sustaining positive relationships with the spirit world through divination and for protecting the purity of each kinship group. The word Sandobele originates from the Senufo language.
Art in Sierra Leone has a long and significant tradition of carving and ceremonial works like masks and cloth for initiation and protection. Although art styles are oftentimes ascribed to a single ethnic group, the styles and processes are spread throughout the country and many artists move between the different ethnic groups in the country.
Luba art refers to the visual and material culture of the Luba people. Most objects were created by people living along the Lualaba River and around the lakes of the Upemba Depression, or among related peoples to the east in what is now the Democratic Republic of the Congo.
This wooden female ancestor figure by an unknown Senufo artisan is part of the African collection of the Indianapolis Museum of Art, which is in Indianapolis, Indiana. Carved in the first half of the 20th century, it displays the artist's skill with form and respect for the powerful female half of the primordial couple.
The kponyungo is a ritual mask created by the Senufo people, an ethnolinguistic group residing in Africa's Ivory Coast.
Korhogo cloth is an African textile made by the Senufo people of Korhogo, Ivory Coast. Often described as being in the shadows of bogolafini and kente, korhogo comes in neutral and earthy tones like browns, blacks and creams. Korhogo is made by hand painting designs on hand woven and hand spun cotton fabric. The paintings are done using a specially fermented mud-based and natural vegetal pigment that darkens over time, and designs are usually drawn on using a stencil. They are decorated with symbols of humans, natural elements like the sun, moon and stars and animals, all of which are rooted in Senufo culture and mythology. The Senufo use the cloth as a shield against vengeful spirits by wearing or hanging them in homes/shrines. Korhogo is commissioned for hunters and rite of passage events like funerals/special ceremonies.
