Chain Gang (1955 song)

Last updated
UK sheet music ChainGangJimmyYoungSheetMusic.jpg
UK sheet music

"Chain Gang" is a 1955 song written by Sol Quasha and Herb Yakus. In 1956, a recording by American singer Bobby Scott reached number 13 on the US Billboard Hot 100, whilst a version by English singer Jimmy Young peaked at number 9 on the UK Singles Chart. A work song, its chart success followed that of the similarly themed "Sixteen Tons", a transatlantic number one for Tennessee Ernie Ford.

Contents

Chart versions

Bobby Scott

"Chain Gang"
Single by Bobby Scott
B-side "Shadrach"
ReleasedDecember 1955 [1]
Genre Pop
Length2:53
Label ABC-Paramount
Songwriter(s) Sol Quasha, Herb Yakus
Bobby Scott singles chronology
"Chain Gang"
(1955)
"I Had a Lover"
(1956)

Bobby Scott's version of "Chain Gang" was issued on ABC-Paramount in December 1955. [1] The song was Scott's first pop single; the teenage musician had already backed Louis Prima and Gene Krupa as a jazz pianist. [2] Gordon Whitey Mitchell, who played alongside Scott in the Gene Krupa Quartet, remembered him practicing his singing on tour "affecting a 'black' sound", and described "Chain Gang" as featuring "that same fake voice". [3]

The song employs a rhythm and blues-tinged arrangement. [4] It was included in a Billboard article rounding up 1956's rock and roll hit singles. [5]

Scott's recording was a hit, peaking at number 13 on the Billboard Hot 100. [6] It was the first hit for ABC-Paramount, founded in August 1955. [7] It sold over one million copies, and was awarded a gold disc. [8] "Chain Gang" was ultimately Scott's only hit single. [9]

Reviewing Scott's recording, Billboard described the song as "an earthy, folksy lament that seems to be a descendant of 'Sixteen Tons'" and praised Scott's "wonderful, warm, husky charm". [1] The song is included in Bruce Pollock's book Rock Song Index: The 7500 Most Important Songs of the Rock and Roll Era, with the writer describing it as an "early taste of jazz/rock". [10]

Jimmy Young

"Chain Gang"
Single by Jimmy Young
B-side "Capri in May"
ReleasedMarch 1956 [11]
Genre Pop
Length2:16
Label Decca
Songwriter(s) Sol Quasha, Herb Yakus
Jimmy Young singles chronology
"Someone on Your Mind"
(1955)
"Chain Gang"
(1956)
"Rich Man, Poor Man"
(1956)

Jimmy Young's version of "Chain Gang", recorded with Bob Sharples and His Music, was released as a single in the United Kingdom in March 1956. The single marked a change in style for Young, who was best known for his ballad recordings. [12] The recording employs a slapback echo effect on Young's vocal. [13] His last line is treated with a longer, sustained tape delay. [13]

An anonymous review in the Gramophone Record Review described the record as "quite one of the corniest attempts I've heard for some time. Poor Jimmy is completely submerged beneath all the hammering of the hard labour brigade." [14] Max Jones of the Daily Herald described the record as "not strong-voiced enough to sell it full blast, but still likely to make a hit". [15]

Writing in Yeah! Yeah! Yeah!: The Story of Modern Pop, British musician and journalist Bob Stanley described Young's "Chain Gang" as "just plain weird", citing the "caterwauling brass, whipcrack snare, moaning convicts" of the backing and spotlighting the song's climax in which "it trips out into proto-dub, Young's voice echoing into a void of tape delay and lonesome stand-up bass, oblique, dissolving". Stanley notes that the vocal production on "Chain Gang" bears similarities to that on "Heartbreak Hotel" but predates the Elvis Presley record's UK release. [13]

Young's version is among the 1950s and 1960s recordings listed in Mim Scala's memoir Diary of a Teddy Boy: A Memoir of the Long Sixties. [16]

Related Research Articles

Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations.

<span class="mw-page-title-main">Rockabilly</span> Early style of rock and roll music

Rockabilly is the earliest style of rock and roll music. It dates back to the early 1950s in the United States, especially the South. As a genre it blends the sound of Western musical styles such as country with that of rhythm and blues, leading to what is considered "classic" rock and roll. Some have also described it as a blend of bluegrass with rock and roll. The term "rockabilly" itself is a portmanteau of "rock" and "hillbilly", the latter a reference to the country music that contributed strongly to the style. Other important influences on rockabilly include western swing, boogie-woogie, jump blues, and electric blues.

<span class="mw-page-title-main">Red Nichols</span> American jazz musician

Ernest Loring "Red" Nichols was an American jazz cornetist, composer, and jazz bandleader.

<span class="mw-page-title-main">Tommy Dorsey</span> American jazz trombonist and bandleader (1905–1956)

Thomas Francis Dorsey Jr. was an American jazz trombonist, composer, conductor and bandleader of the big band era. He was known as the "Sentimental Gentleman of Swing" because of his smooth-toned trombone playing. His theme song was "I'm Getting Sentimental Over You". His technical skill on the trombone gave him renown among other musicians. He is widely considered one of the best Jazz musicians of all time. He was the younger brother of bandleader Jimmy Dorsey. After Dorsey broke with his brother in the mid-1930s, he led an extremely successful band from the late 1930s into the 1950s. He is best remembered for standards such as "Opus One", "Song of India", "Marie", "On Treasure Island", and his biggest hit single, "I'll Never Smile Again".

Sir Leslie Ronald Young, known professionally as Jimmy Young, was an English singer, disc jockey and radio personality. Early in his career in the 1950s he had two number ones, "Unchained Melody" and "The Man from Laramie", both in 1955, and several other top ten hits in the UK chart, but he became better known for his long-running show on BBC Radio 2, The JY Prog, which ran from 1973 until 2002.

"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song sings about a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.

<span class="mw-page-title-main">Unchained Melody</span> 1955 song by Alex North and Hy Zaret

"Unchained Melody" is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of "Unchained Melody" have been made by more than 670 artists, in multiple languages.

<span class="mw-page-title-main">She Loves You</span> 1963 single by the Beatles

"She Loves You" is a song written by John Lennon and Paul McCartney and recorded by English rock band the Beatles for release as a single in 1963. The single set and surpassed several sales records in the United Kingdom charts, and set a record in the United States as one of the five Beatles songs that held the top five positions in the charts simultaneously, on 4 April 1964. It remains the band's best-selling single in the United Kingdom and was the top-selling single of the 1960s there by any artist.

<span class="mw-page-title-main">The Great Pretender</span> 1955 song

"The Great Pretender" is a popular song recorded by The Platters, with Tony Williams on lead vocals, and released as a single in November 1955. The words and music were written by Buck Ram, the Platters' manager and producer who was a successful songwriter before moving into producing and management. The song reached No. 1 on Billboard's Top 100, and No. 5 on the UK charts.

"Blueberry Hill" is a popular American song published in 1940, best remembered for its 1950s rock and roll version by Fats Domino. The music was written by Vincent Rose, the lyrics by Larry Stock and Al Lewis. It was recorded six times in 1940. Victor Records released the recording by the Sammy Kaye Orchestra with vocals by Tommy Ryan on May 31, 1940. Gene Krupa's version was issued on OKeh Records on June 3 and singer Mary Small recorded a vocal version on the same label with Nat Brandwynne's orchestra, released June 20, 1940.

<span class="mw-page-title-main">Pinball Wizard</span> Song by the Who from the album Tommy

"Pinball Wizard" is a song written by Pete Townshend and performed by the English rock band the Who, featured on their 1969 rock opera album Tommy. The original recording was released as a single in 1969 and reached No. 4 in the UK charts and No. 19 on the U.S. Billboard Hot 100.

<span class="mw-page-title-main">Ain't That a Shame</span> 1955 single by Fats Domino

"Ain't That a Shame" is a song written by Fats Domino and Dave Bartholomew. Domino's recording of the song, originally stated as "Ain't It a Shame", released by Imperial Records in 1955, was a hit, eventually selling a million copies. It reached number 1 on the Billboard R&B chart and number 10 on the pop chart. The song is ranked number 438 on Rolling Stone magazine's 500 Greatest Songs of All Time list.

"My Heart Cries for You" is a popular song, adapted by Carl Sigman and Percy Faith from an 18th-century French melody. The song has been recorded by many singers, the most successful of which was recorded by Guy Mitchell which reached No. 2 on the Billboard charts in 1951.

<span class="mw-page-title-main">Cozy Cole</span> American drummer

William Randolph "Cozy" Cole was an American jazz drummer who worked with Cab Calloway and Louis Armstrong among others and led his own groups.

<span class="mw-page-title-main">Baby, Please Don't Go</span> Traditional blues standard

"Baby, Please Don't Go" is a traditional blues song that was popularized by Delta blues musician Big Joe Williams in 1935. Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.

<span class="mw-page-title-main">Back on the Chain Gang</span> 1982 single by The Pretenders

"Back on the Chain Gang" is a song written by Chrissie Hynde and originally recorded by her band the Pretenders, and released as a single by Sire Records in September 1982. The song also was released on The King of Comedy soundtrack album in March 1983 and later was included on the Pretenders' next album, Learning to Crawl, in January 1984.

Robert William Scott was an American musician, record producer, and songwriter.

Gordon "Whitey" Mitchell was an American jazz bassist and television writer/producer. He was born in Hackensack, New Jersey.

<i>See Jungle! See Jungle! Go Join Your Gang Yeah, City All Over! Go Ape Crazy!</i> 1981 studio album by Bow Wow Wow

See Jungle! See Jungle! Go Join Your Gang Yeah, City All Over! Go Ape Crazy! is the debut studio album by English new wave band Bow Wow Wow, released in October 1981 by RCA Records.

<span class="mw-page-title-main">A Certain Girl</span> 1961 single by Ernie K-Doe

"A Certain Girl" is a rhythm and blues song written by Allen Toussaint, with the credit listed under his pen name Naomi Neville. New Orleans R&B singer Ernie K-Doe recorded it in 1961. Minit Records released the song as the B-side of "I Cried My Last Tear".

References

  1. 1 2 3 "Review spotlight on... talent". Billboard. 31 December 1955. p. 28. Retrieved 26 November 2022.
  2. Feather, Leonard; Gitler, Ira (April 2007). The Biographical Encyclopedia of Jazz. Oxford University Press. ISBN   9780195320008 . Retrieved 26 November 2022.
  3. Mitchell, Gordon Whitey (2008). Hackensack to Hollywood: My Two Show Business Careers. BearManor Media. ISBN   978-1-59393-121-6 . Retrieved 26 November 2022.
  4. Zak, Albin (2010). I Don't Sound Like Nobody: Remaking Music in 1950s America. University of Michigan Press. ISBN   9780472116379 . Retrieved 26 November 2022.
  5. "Who juices the spotlight?". Billboard. 26 January 1957. p. 58. Retrieved 26 November 2022.
  6. Whitburn, Joel (2000). The Billboard Book of Top 40 Hits (7th ed.). ISBN   978-0823085545.
  7. "5 years of hits under AM-PAR flag". Billboard. 20 June 1960. p. 46. Retrieved 26 November 2022.
  8. Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins Ltd. p.  86. ISBN   0-214-20512-6.
  9. Talevski, Nick (7 April 2010). Rock Obituaries - Knocking On Heaven's Door. Music Sales. ISBN   9780857121172 . Retrieved 26 November 2022.
  10. Pollock, Bruce (1997). Rock Song Index: The 7500 Most Important Songs of the Rock and Roll Era. Taylor & Francis. ISBN   9781135462963 . Retrieved 26 November 2022.
  11. "Decca's Big Year" (PDF). Record Mirror: 16. 22 December 1956. Retrieved 24 November 2022.
  12. "Jimmy Young's Songs". Birmingham Post: 21. 13 March 1956. Retrieved 24 November 2022.
  13. 1 2 3 Stanley, Bob (13 September 2013). Yeah Yeah Yeah: The Story of Modern Pop. Faber & Faber. p. 74. ISBN   9780571281985.
  14. "Issues 27–38". Gramophone Record Review. 1956. Retrieved 25 November 2022.
  15. Jones, Max (1 March 1956). "Mack's marching into the hit parade". Daily Herald: 8. Retrieved 24 November 2022.
  16. Scala, Mimi (February 2009). Diary of a Teddy Boy: A Memoir of the Long Sixties. Goblin Press. ISBN   9780956149701 . Retrieved 25 November 2022.

[[Ca