Charlotte Rulkens | |
---|---|
Born | 1991 Netherlands |
Nationality | Dutch |
Education | Leiden University, University of Amsterdam |
Occupation(s) | Art historian, Curator, Researcher |
Charlotte Rulkens (born 1991) is a Dutch art historian, researcher, and curator specializing in seventeenth-century Dutch art, [1] particularly the work of Rembrandt and his painting techniques, and sixteenth-century Flemish still life painting. [2] [3]
She studied at Leiden University and the University of Amsterdam, and thereafter, held curatorial positions at the Frick Collection and the Mauritshuis. [4] Rulkens is noted for her extensive curatorial work at the Mauritshuis in The Hague, [5] [6] [7] where she curated several notable exhibitions. [8] [9] She is a research associate at the Vrije Universiteit in Amsterdam, and has been a member of the advisory board of the Rembrandt House Museum, since 2023. [10] [11]
During her time at the Mauritshuis she played a key role in the renewal of the Prince William V Gallery, and has since, been actively involved in initiatives to engage young professionals in museum governance and decision-making processes in the Netherlands. [4]
The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
The Mauritshuis is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th-century building was the residence of Count John Maurice of Nassau. It is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites.
The Laughing Cavalier (1624) is a portrait by the Dutch Golden Age painter Frans Hals in the Wallace Collection in London. It was described by art historian Seymour Slive as "one of the most brilliant of all Baroque portraits". The title is an invention of the Victorian public and press, dating from its exhibition in the opening display at the Bethnal Green Museum in 1872–1875, just after its arrival in England, after which it was regularly reproduced as a print, and became one of the best known old master paintings in Britain. The unknown subject is in fact not laughing, but can be said to have an enigmatic smile, much amplified by his upturned moustache.
Cornelis or Cornelius Ketel was a Dutch Mannerist painter, active in Elizabethan London from 1573 to 1581, and in Amsterdam till his death. Ketel, known essentially as a portrait-painter, was also a poet and orator, and from 1595 a sculptor as well.
Pieter Claeszoon van Ruijven has been known as Johannes Vermeer's main patron for the better part of the artist's career, but in 2023 his wife Maria de Knuijt was identified by the curators of the 2023 exhibition of Vermeer's works at the Rijksmuseum, in Amsterdam as the main patron due to her long-standing and supportive relationship with the artist. He built a sizeable estate from inheritances he and his wife received and fruitful investments. In 1669, he became the Lord of Spalant when he purchased land owned by Willem, Baron van Renesse.
Jacob Vrel was a Dutch, Flemish, or Westphalian painter of interiors and urban street scenes during the Dutch Golden Age (1588–1672). He was likely most active from 1654 to 1662.
Jacob Abrahamsz. Dissius was a Dutch typographer and printer. He inherited a collection of 21 of Johannes Vermeer's works, including The Milkmaid, Portrait of a Young Woman, A Girl Asleep, Woman Holding a Balance, and The Music Lesson. In 1680, he married Magdalena, daughter and sole heir of Vermeer's main patron Maria de Knuijt, her mother, with her father Pieter van Ruijven. Dissius died in 1695, and his collection was auctioned off in Amsterdam the following year.
Sir Christopher John White CVO FBA is a British art historian and curator. He is the son of the artist and art administrator Gabriel White. He has specialized in the study of Rembrandt and Dutch Golden Age painting and printmaking.
Self-Portrait with Dishevelled Hair, also known as Self-Portrait at an Early Age, is an early self-portrait by the Dutch Golden Age artist Rembrandt. The painting has been in the Rijksmuseum Amsterdam collection since 1960, and is an exercise in chiaroscuro. It is one of the earliest of over forty painted self-portraits by Rembrandt, there is a copy in the collection of the National Trust which was created by his workshop.
Walter Arthur Liedtke, Jr. was an American art historian, writer and Curator of Dutch and Flemish Paintings at the Metropolitan Museum of Art. He was known as one of the world's leading scholars of Dutch and Flemish paintings. He died in the 2015 Metro-North Valhalla train crash.
The Messenger is a 1674 oil painting by Johannes Verkolje which is in the collection of the Mauritshuis, in The Hague.
Eduard Siegfried"Eddy"de Jongh is a Dutch art historian specialized in iconography. He was professor of art history with a teaching assignment in iconography at Utrecht University between 1976 and 1989.
The Young Mother is an oil painting by Dutch artist Gerrit Dou, from 1658. The signature of the artist appears subtely in the stained glass window, GDOV.1658. This genre piece has been part of the collection of the Mauritshuis, in The Hague, since 1822.
Marrigje Rikken is a Dutch art historian, curator, and museum director, specializing in sixteenth- and seventeenth-century Netherlandish art.
Quentin Buvelot is a Dutch art historian. He works as the chief curator at the Mauritshuis in The Hague, and is regarded as a specialist in the painting of the Dutch Golden Age.
Ariane van Suchtelen is a Dutch art historian and museum curator, currently at the Mauritshuis.
Angela Jager is a Dutch art historian and curator, known for her research and contributions to the fields of Dutch Golden Age painting and Flemish painting. She is Curator of Dutch and Flemish Old Master Painting at the RKD – Netherlands Institute for Art History, in The Hague.
Lara Yeager-Crasselt is an American art historian and curator of seventeenth-century Dutch and Flemish art. She studied art history Vassar College and the University of Maryland, where she received her PhD.
Betsy Wieseman is an American curator and art historian specialized in the art of seventeenth-century Northern Europe. She is the Curator and Head of the Department of Northern European Paintings at the National Gallery of Art in Washington, D.C. Prior to joining the National Gallery of Art, she held curatorial positions at the Cleveland Museum of Art and the National Gallery in London.
Gero Seelig is a German art historian and curator based in Schwerin, Germany. He is the Old Masters Curator at the Staatliches Museum Schwerin, in Schwerin, where he has worked since 2001. He is specialized in German and Dutch artists from the sixteenth and seventeenth centuries and has published extensively on prints, drawings, and paintings from these periods.
{{cite book}}
: CS1 maint: others (link)