Charles Jeremy "Chaz" Jankel is an English musician. In a music career spanning more than 40 years, he came to prominence in the late 1970s as the guitarist and keyboardist of the rock band Ian Dury and the Blockheads. With Dury, Jankel co-wrote some of the band's best-known songs including "Sex & Drugs & Rock & Roll", "Hit Me with Your Rhythm Stick" and "Reasons to Be Cheerful, Part 3".
"Sex & Drugs & Rock & Roll" is a song and single by Ian Dury. It was originally released as a Stiff Records single, with "Razzle in My Pocket" as the B-side, on 26 August 1977. The song was released under the single name "Ian Dury", but three members of the Blockheads appear on the record – the song's co-writer and guitarist Chaz Jankel, Norman Watt-Roy on bass and drummer Charlie Charles.
"Hit Me with Your Rhythm Stick" is a song by Ian Dury and the Blockheads, first released as a single on Stiff Records in the UK on 23 November 1978 and credited to "Ian & the Blockheads". Written by Dury and the Blockheads' multi-instrumentalist Chaz Jankel, it is the group's most successful single, reaching number one on the UK Singles Chart in January 1979 as well as reaching the top three in Ireland, Australia and New Zealand, and it was also a top 20 hit in several European countries.
Do It Yourself is a 1979 album by Ian Dury & the Blockheads. It was the first album to be credited to Ian Dury & the Blockheads rather than Ian Dury alone, although Dury had used the full band name for the "What a Waste" 7" single of 1978. The album was released in the wake of the chart-topping hit single "Hit Me with Your Rhythm Stick", and reached number two in the charts, behind ABBA's Voulez-Vous. Do It Yourself sold around 200,000 copies, and was Dury's second Platinum album.
Laughter is the third studio album by Ian Dury and the Blockheads; released in 1980, it was the last studio album Dury made for Stiff Records. It was also the last studio album he made with the Blockheads, until 1998's Mr. Love Pants, though a live album Warts 'n' Audience was produced in 1991.
Lord Upminster is the second solo studio album by the English rock and roll singer-songwriter Ian Dury, released by Polydor Records in September 1981.
4,000 Weeks' Holiday is a studio album by Ian Dury and the Music Students, released on 27 January 1984 by Polydor Records. It is Dury's only studio album with the Music Students and his fifth overall.
Ten More Turnips from the Tip is the fourth and final studio album by Ian Dury and the Blockheads, and Dury's ninth overall. It was compiled and released in 2002, two years after Dury's death in March 2000.
Mr. Love Pants is a 1998 album by Ian Dury and the Blockheads, released on East Central One under Dury's own label Ronnie Harris Records.
"What a Waste" is a song and single by Ian Dury and the Blockheads, originally released in 1978 on the Stiff Records single BUY 27 "What a Waste" / "Wake Up and Make Love with Me". The song has remained in The Blockheads' set following Dury's death.
The Bus Driver's Prayer & Other Stories is the seventh solo album by Ian Dury, released in 1992 by Demon. Despite being recorded after the successful live reunion of Ian Dury and the Blockheads, inspired by the death of their drummer Charley Charles, the album is not a Blockheads record. All of the band, however, except bassist Norman Watt-Roy, appear on the album.
Straight from the Desk is a live album by Ian Dury & the Blockheads recorded on 23 December 1978 at the Ilford Odeon, Ilford, East London.
The Blockheads are an English rock band formed in London in 1977. Originally fronted by lead singer Ian Dury as Ian Dury and the Blockheads or Ian and the Blockheads, the band has continued to perform since Dury's death in 2000. As of March 2023 members included Chaz Jankel, Nathan King (bass), Mick Gallagher, John Turnbull, John Roberts (drums), and Mike Bennett. There is a rolling line-up of saxophonists that includes Gilad Atzmon, Terry Edwards, Dave Lewis, and from time to time, the original sax player, Davey Payne. Between 2000 and 2022, the band's lead vocalist and main lyricist was Derek Hussey.
"Spasticus Autisticus" is a song written by Ian Dury and co-written by Chaz Jankel, released both as a single and on Dury's second solo studio album Lord Upminster (1981).
Byzantium were an English rock band of the 1970s who released three albums and performed one Peel Session. They are perhaps best remembered for their role in the early careers of Shane Fontayne, Chaz Jankel and Robin Sylvester.
Formed in 1977 to promote Ian Durys' album New Boots and Panties!! on the first Stiff Records tour of the UK, Chaz Jankel, Norman Watt-Roy, Charlie Charles, John Turnbull and Mick Gallagher became known as 'The Blockheads'. As 'Ian Dury & The Blockheads' they went back out on tour, this time without Jankel, and in 1978 released "What a Waste"/"Wake Up and Make Love with Me" a single that reached number five in the UK charts. They were then joined by saxophonist Davey Payne and toured the US supporting Lou Reed across North America, ending with their own dates in California.
Chazablanca is the third solo studio album by the English singer and multi-instrumentalist Chaz Jankel. It was originally released in 1983, on the label A&M.
Chas Jankel is the debut solo studio album by the English singer and multi-instrumentalist Chaz Jankel. It was originally released in 1980, on the label A&M. Ian Dury and The Blockheads's first and only album without Jankel, Laughter, was released the same year.
Looking at You is the fourth solo studio album by the English singer and multi-instrumentalist Chaz Jankel. It was originally released in 1985, on the label A&M. It was his last solo album until 2001's Out of the Blue, as well as his last to be released on A&M, after Jerry Moss, the recording executive of A&M, rejected the release of his fifth album and terminated his recording career with the label in the same year.
Certain Things Are Likely is the third studio album by the English pop band Kissing the Pink, released in 1986 by Magnet Records. Kissing the Pink co-produced the majority of the album with frequent collaborator Peter Walsh at various notable studios in Southern England. Magnet Records remixed most of the album in an attempt to make the album sound more commercial, using Phil Harding, which at the time Nick Whitecross explained "this record is like a ticket for us to go to as many people as possible". The album continued to express similar themes and values in their lyrics found on their previous albums, such as their deadpan surrealist humor and mordantly satirical social commentary.
