This article needs additional citations for verification .(April 2011) |
Chris & Cosey | |
---|---|
Background information | |
Also known as | Carter Tutti, CTI, Conspiracy International, Carter Tutti Void |
Genres | |
Years active | 1981–present |
Labels |
|
Members | |
Website | chrisandcosey |
Chris & Cosey, sometimes known as Carter Tutti, are a musical duo formed in 1981, consisting of couple Chris Carter (electronics) and Cosey Fanni Tutti (voice, electronics, guitar, cornet), both previously (and as of 2020 the sole surviving) members of industrial music pioneers Throbbing Gristle. [1] [2] Since the release of their 1981 debut album Heartbeat, the group have expanded on the rhythmic ideas of Throbbing Gristle while adding synthesized pop elements to their sound. [3]
When Throbbing Gristle broke up in 1981, [4] members Carter and Tutti signed with Rough Trade Records and began recording as Chris & Cosey. [5] [6] They recorded four albums for the label using electronics, sampling, Cosey's vocals and cornet playing. [7] In 1983, they formed their own independent record label Creative Technology Institute (aka CTI) [8] to release more experimental works and collaborations. [6] The first CTI projects, Elemental 7 and European Rendezvous, were released through Cabaret Voltaire's DoubleVision label. [9]
In the late 1980s and early 1990s, the duo worked with a number of independent labels such as Nettwerk (Canada), Play It Again Sam (Belgium), Staalplaat (Netherlands), Wax Trax! (USA), and World Serpent Distribution (UK). [10] In 1992, for artistic and health reasons, the duo stopped touring and concentrated on studio work. [11] They returned to performing live in 1998, as documented on the Union album.
Since the couple began collaborating, Carter and Tutti have worked with a variety of similarly respected and recognized avant-garde artists including Monte Cazazza, Coil, Current 93, John Duncan, Erasure, Eurythmics, Boyd Rice, and Robert Wyatt. The 1988 album Core is a collection of these collaborations. [12]
Carter and Tutti's tracks have been remixed by world-renowned DJs including Carl Craig, Cosmic Connection, Fred Giannelli, Daniel Miller, μ-Ziq, Vapourspace [13] and Andrew Weatherall. [14]
Carter and Tutti have released two ongoing CD series of instrumental music: The Library Of Sound (L.O.S.) and Electronic Ambient Remixes (E.A.R.), currently with four volumes each. The E.A.R. series are remixes of material released solo by Carter or Tutti. Tracks from both these instrumental series have been used internationally in gallery installations, performed at numerous electronic music festivals, utilized on TV and radio broadcasts and within Hollywood movie trailers. [15]
To greet the 21st century, Chris & Cosey became Carter Tutti, celebrating the rebirth with a series of concerts which were documented on the live album LEM Festival October 2003. The rebirth was completed by the release of the studio album Cabal later that year. Both also appeared as guests on the 2006 Current 93 album Black Ships Ate the Sky .
Carter and Tutti re-engaged with Throbbing Gristle, which reformed with all four original members for a December 2004 All Tomorrow's Parties festival appearance, and recorded several new studio albums over the following years – TG Now (2004) and Part Two (2007). They also performed a short series of concerts in Europe and the United States in 2009, with a rare tour-only release album, The Third Mind Movements . (Ostensibly, the few remaining copies were sold via mail-order through the Throbbing Gristle website [16] upon completion of the tour).
In October 2010 Throbbing Gristle began a European tour; however, several days following the band's first tour date at the Hackney Dissenting Academy, [17] London, Throbbing Gristle's website announced that Genesis P-Orridge was no longer willing to perform with the band, and would return home to New York. Chris, Cosey and Peter 'Sleazy' Christopherson finished the tour without P-Orridge, performing under the name X-TG. [18] [19]
Carter and Tutti performed with Nik Colk Void of Factory Floor at Mute's Short Circuit Festival in May 2011. A live album of the show, with an additional studio track, was released as Transverse in 2012, under the name Carter Tutti Void. [20] [21]
Industrial music is a genre of music that draws on harsh, mechanical, transgressive, or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments and punk provocation." The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries.
Industrial Records is a record label established in 1976 by industrial music and visual arts group Throbbing Gristle. The group created the label primarily for self-releases but also signed several other groups and artists. The label gave a name to the industrial music genre.
Throbbing Gristle were an English music and visual arts group formed in Kingston upon Hull by Genesis P-Orridge and Cosey Fanni Tutti, later joined by Peter "Sleazy" Christopherson and Chris Carter. They are widely regarded as pioneers of industrial music. Evolving from the experimental performance art group COUM Transmissions, Throbbing Gristle made their public debut in October 1976 in the COUM exhibition Prostitution, and released their debut single "United/Zyklon B Zombie" and debut album The Second Annual Report the following year. P-Orridge's lyrics mainly revolved around mysticism, extremist political ideologies, sexuality, dark or underground aspects of society, and idiosyncratic manipulation of language inspired by the techniques of William S. Burroughs.
Desertshore is the third studio album by German musician Nico. It was released in December 1970 on the Reprise label and co-produced by John Cale and Joe Boyd.
Cosey Fanni Tutti is an English performance artist, musician and writer, best known for her time in the avant-garde groups Throbbing Gristle and Chris & Cosey.
Chris Carter is an English musician, best known for being a member of Throbbing Gristle and the duo Chris & Cosey, both with his longtime partner Cosey Fanni Tutti.
Part Two is an album by English industrial band Throbbing Gristle, released in 2007 through record label Mute Records.
20 Jazz Funk Greats is the third studio album by British industrial music group Throbbing Gristle, released in December 1979 by the band's Industrial Records label. Known for its tongue-in-cheek title and artwork, it has been hailed as the band's best work, with Fact naming it the best album of the 1970s and Pitchfork naming it the best industrial album of all time.
Unnatural History III, subtitled Joyful Participation in the Sorrows of the World, is the third and final release in the Unnatural History series of compilation albums by British experimental band Coil. Unlike the compilations Stolen & Contaminated Songs and Gold Is the Metal with the Broadest Shoulders, the Unnatural History albums collect songs from more than one era of Coil's work.
Heathen Earth is a live album by the English industrial band Throbbing Gristle, released in 1980 through Industrial Records.
TG+ is a box set by Throbbing Gristle. The 10-CD set contains Throbbing Gristle live performances, all digitally remastered by Chris Carter. The set is a follow-up to TG24. These recordings represent the final ten live TG recordings that were not included in the TG24 release. Other than CDs, the set contains an inlay with five laser cut metal plates that are about the size of a business card. Each plate is a variation of the TG logo.
"United/Zyklon B Zombie" is the debut single by industrial band Throbbing Gristle. It was released in 7" vinyl format in May 1978, through the band's own Industrial Records.
TG Now is an album by English industrial band Throbbing Gristle. It was released in 2004 through the band's own record label Industrial Records and was their first album of original material since 1982's Journey Through a Body.
The Second Annual Report is the debut album by English industrial music group Throbbing Gristle, released in November 1977 through Industrial Records. It contains live and studio recordings made from October 1976 to September 1977. The Second Annual Report is considered one of the first industrial albums.
D.o.A: The Third and Final Report of Throbbing Gristle is the second studio album by English industrial band Throbbing Gristle. It was released in 1978 by their Industrial Records label.
The following is the discography of the industrial music group Throbbing Gristle.
In the Shadow of the Sun is an improvised musical score by Throbbing Gristle for the 1981 Derek Jarman film of the same name.
"Discipline" is a song by the English electronic group Throbbing Gristle.
Robert Donnachie (1952–2000), known under the stage name of Robert Rental, was a British pioneer of the post-punk DIY industrial electronic music scene in the United Kingdom.
Other, Like Me: The Oral History of COUM Transmissions and Throbbing Gristle, also shorter titled Other, Like Me, is a 2020 American-British documentary film on the music and art groups Throbbing Gristle and COUM Transmissions, which covers the history of both projects in archival film footage and photos and interviews with their members.