Christian Ide Hintze

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Christian Ide Hintze giving a lecture at University of Barcelona, 2009 2009-Universitaet-Barcelona.jpg
Christian Ide Hintze giving a lecture at University of Barcelona, 2009

Christian Ide Hintze (December 26, 1953, Vienna - February 2012) was an Austrian poet and performance artist, who focused on the transition from literary to cross-media forms.

Contents

Biography

Between 1972 and 1974 Christian Ide Hintze worked as a Super-8 filmmaker and street singer in Scandinavia, England, France and Spain, between 1974 and 1978 – in addition to studying theater and communications at the University of Vienna – as a distributor of megaphone, poster and leaflet texts in Austria, Germany, Switzerland and Holland. [1] His actions resulted in numerous charges of "obstructing pedestrian traffic" and "contamination of public buildings". [2] In 1976 he was arrested and interrogated by the police in East Berlin. [3] In 1978 he was expelled from the book fair in Stuttgart [4] and convicted of criminal damage in Vienna (for pasting banners, posters and poems onto the Burgtheater). [5] In 1979 the Austrian filmmaker Alfred Kaiser published a film about his work in public spaces. [6]

In the 1980s Hintze undertook several 'pilgrimages' to the Greek island of Lesbos to celebrate his favourite poet, Sappho, [7] and created a series of multi-media poem cycles ("tetralogies"), using "gestures", "graphemes", "phonemes", "audio", and "video" as elements. [8] The works oscillate between semantic and non-semantic structures and are multilingual. [9] They have been presented at ateliers, festivals and public areas and have led to collaborations with Allen Ginsberg, [10] Henri Chopin, [11] Emil Siemeister [12] and Falco. [13] "What Ide aims at is a poetry to be perceived not only with the brain, but also with the whole body; the sensorial poetry, capable of achieving the 'communication monopoly' he had long pined for." [14]

In 1984 Hintze built a poet's temple near the underground station of Karlsplatz in Vienna. The "LI-TE“, a closed-circuit installation in public space, consisted of 4 letter sculptures, a wooden trumpet cross and a hut where the author lived and worked for three weeks. The temple was sponsored by GRUNDIG-Austria and had 3 live cameras and 11 monitors equipped to run the 16 video loops. [15]

"The golden flood", a volume of written poetry that portraits the conditions of vagrancy, appeared in 1987, [16] was translated into several languages and received comprehensive reviews in Germany, Switzerland, Cuba, Vietnam and Argentina. "His searches have something in common with the best "exteriorismo" of Nicaraguan poetry (Cardenal, Coronel Urtecho) or with the striking uninhibitedness of the American "beatnik" movement." [17] "Pindar, Klopstock, Whitman, Rilke, Eliot, Ginsberg, Brinkmann. It is to this tradition that Hintze's book "The golden flood" belongs." [18]

In 1993 Hintze undertook, at the invitation of Miguel Barnet and the Cuban writers’ union UNEAC, a reading tour of Cuba. [19] In the same year he taught, as the first Western author, at the Institute of Literature Nguyên Du in Hanoi (Vietnam). [20] In 1995 he was the first German-language author who taught at the Jack Kerouac School of Disembodied Poetics in Boulder, Colorado (USA). In 1996, he was the co-initiator of the "escuela de poesía" in Medellín (Colombia) [21]

His project "Writing in Water" was realized in 1998 in the spa Oberlaa, Vienna. Hintze wanted to find out whether the emergence of language and phenomena such as rhyme and refrain have something to do with the phylogenetic origin of man out of water. [22]

In 2004 he took part in the Austrian pre-selection show of the Eurovision Song Contest and reached the third place. His contribution, the song "Link Love!", is a statement against racism and for mutual cultural understanding. The text consists of multilingual versions of "I love you". [23]

In 2008 and 2009 he presented his concept of a "7fold poetics" at the Orivesi college of Art, the University of Barcelona [24] and at the Poetry Festival in Oslo. Hintze considers the genesis of poetry to comprise 3 stages (mythical: oral-performative poetry, historical: literary poetry, digital: multi-media poetry) [25] and introduces 7 categories of creation and communication: acoustic, visual, literary, performative, interactive, infrastructural and instructive. [26] "Hintze's unusual theory holds that only after a long period of domination by writing, with the discovery of new media, audio and video tapes, and subsequently of digital technologies and the internet, did poetry return to its roots." [27]

Christian Ide Hintze engages in language policy, propagates lower case writing, [28] organizes cross-cultural events and has run, since 1992, the vienna poetry school. [29] Those who have taught there include Allen Ginsberg, Humberto Ak'abal, Nick Cave, [30] H. C. Artmann, Anne Waldman, Blixa Bargeld, Falco, Wolfgang Bauer, Fernando Rendón, Henri Chopin, Ed Sanders, Ayu Utami and Inger Christensen.

Hintze's works have been presented at festivals and exhibitions in Hall in Tirol (1974), Esslingen (1976), Vienna (1981), Ljubljana (1983), Turino (1984), [31] The Hague (1985), [32] Tokyo (1986), Bern (1987), Buenos Aires (1993), Stockholm (1993), Medellín (1995/1996/2011), [33] Rosario (1996), Berlin (1998), Barcelona (2000), Jakarta (2001), Milano (2007), Novi Sad (2008) and Oslo (2009). [34]

Selected works

acoustic
visual
literary
performative
interactive
infrastructural
instructive

Teachings

Editor (selection)

Comments

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References

  1. comments on Christian Ide Hintze's poetic work Archived April 1, 2011, at the Wayback Machine
  2. Otto Grabner, Ilse Tasler: Vorspiel zu "Hölderlin" von Peter Weiss Archived March 25, 2012, at the Wayback Machine . Falter Nr. 26/27. Vienna, June 1977.
  3. documentation: Christian Ide Hintze: Zettelalbum. Street diary. Schönemann Verlag. Kisslegg 1978. ISBN   3-921825-12-1
  4. Thomas Borgmann: Der Dichter Christian "Ide" Hintze in Stuttgart Archived March 25, 2012, at the Wayback Machine . Stuttgarter Zeitung. Stuttgart, November 17, 1978.
  5. Peter Pisa: Gefördert, bestraft Archived March 25, 2012, at the Wayback Machine . Kurier. Vienna, June 5, 1978.
  6. Friederike Mayröcker: Fast ein Messias. Resultat eines Zwiegesprächs zwischen Ernst Jandl und Friederike Mayröcker über den Film "Zetteldämmerung" Archived March 25, 2012, at the Wayback Machine . Neues Forum. Vienna, March / April 1981.
  7. references to Hintze's admiration for Sappho can be found throughout his oeuvre. In a review on "The golden flood" the "Süddeutsche Zeitung" says (Munich, November 17/18, 1987): "The concluding (eleven-page) invocation of Sappho and her "colourful throne of eternal Aphrodite" is magnificent."
  8. I-Tetralogy Archived April 1, 2011, at the Wayback Machine
  9. MedienKunstArchiv Düsseldorf, Titel: http://188.246.4.141/servlet/collectioning?col=14406&r=1000 V-IDE-ODIS-TANZ II [ permanent dead link ]. Künstler: Ide Hintze. Jahr: 1982/83. Länge: 61:09 min
  10. in a dialogue with Hintze Ginsberg says (Boulder, Colorado, 1990): "One subject between us is this sense of messianic poetic revolution. We both have ideas about it. But I think your ideas and my ideas are different". Listen to Hintze: ampf, poetic revolution. CD, track 43.
  11. Hintze: Autoren als Revolutionäre, Mikrofone in der Brust. Dialogue with Henri Chopin. edition selene. Vienna 2002. ISBN   3-85266-176-5
  12. video performance with Emil Siemeister Entire performance: Christian Ide Hintze and Emil Siemeister: mamama papapa. Dialogue writer – drawer. DVD. Modena / [a:o]. Vienna 2011. ISBN   978-3-9502923-1-2
  13. Christian Ide Hintze: Falco Lyrics Complete. Residenz Verlag. Vienna 2009. ISBN   978-3-7017-1529-9
  14. Denisa Mirena Piscu: Sound Poetry – three poets trying to escape the abusive domination of word: Henri Chopin, Sainkho Namtchylak, Christian Ide Hintze. Master thesis (lucrare de disertatie). University of Bucuresti. Bucuresti, Romania 2009
  15. David N. Marinelli: Christian Ide Hintze: the man who makes poetry in public park. Danube Weekly. Vienna, September 18, 1984.
  16. Christian Ide Hintze: Die goldene Flut (The golden flood). Gedichte (poems). Cologne 1987. ISBN   3-462-01815-9.
  17. Pedro de la Hoz: Ide Hintze, esperanzadora rebeldía Archived March 25, 2012, at the Wayback Machine . Granma. La Habana, 11 de Julio de 1996.
  18. Hannelore Schlaffer: Grüner Schnee im Feuer, Chr. I. Hintzes Gedichte Archived April 7, 2012, at the Wayback Machine . Stuttgarter Zeitung. Stuttgart, June 18, 1988.
  19. Pedro de la Hoz: Ide Hintze, revolution en la poesía Archived April 7, 2012, at the Wayback Machine . Granma. La Habana, 14 de Diciembre de 1993.
  20. Van Hoc: Christian Ide Hintze Archived July 23, 2011, at the Wayback Machine . Hanoi, Vietnam 1993.
  21. Escuela de Poesía de Medellín Archived May 29, 2011, at the Wayback Machine
  22. Writing in Water Archived April 1, 2011, at the Wayback Machine
  23. Link Love
  24. Glòria Bordons, Lis Costa: Poesia contemporània, tecnologies i educació. Publicacions i edicions Universitat de Barcelona. Book & DVD. Barcelona 2010. ISBN   978-84-475-3430-2
  25. Christian Ide Hintze: On Poetry. Orivesi College of Art. Orivesi, Finland, November 15, 2008
  26. 7fold poetics Archived April 1, 2011, at the Wayback Machine
  27. Dragan Stojanovic: Cyber Sappho. Vecernje Novosti. Belgrade, Serbia, August 30, 2008. English Archived March 25, 2012, at the Wayback Machine translation
  28. Christian Ide Hintze: lower case only. laptop manifesto. Vienna, June 2008.
  29. Anita Pani: Laboratory for a new generation. The School of Poetry in Vienna Archived April 18, 2011, at the Wayback Machine .
  30. Nick Cave, Falco and Allen Ginsberg at the Vienna Poetry School. Viva la Poesía. Book and CD edited by Christian Ide Hintze. Residenz Verlag. Vienna - Salzburg - Frankfurt 2002. ISBN   3-7017-1337-5
  31. Torino Film Festival 1984
  32. World Wide Video Festival. The Hague 1985
  33. Festival internacional de Poesía de Medellín 1995
  34. Oslo Poesiefestival 2009 Archived February 3, 2011, at the Wayback Machine
  35. André Bucher: Lyrische Performances Archived March 25, 2012, at the Wayback Machine . Neue Zürcher Zeitung. Zurich, January 14, 1993.
  36. Peter Henisch: Die Zeit auf kleinen Zetteln Archived March 25, 2012, at the Wayback Machine . Kurier. Vienna, February 3, 1979.
  37. Paul Konrad Kurz: Lyrische Herzmission Archived March 25, 2012, at the Wayback Machine . Süddeutsche Zeitung. Munich, November 17/18, 1987.
  38. Julian Schutting: Rather transformations than performances Archived March 25, 2012, at the Wayback Machine
  39. Olli-Pekka Tennilä: Ide Hintzen äänirunouskurssin jälkipuintia Archived March 25, 2012, at the Wayback Machine Keskustelun vuoksi / On Ide Hintze's voice poetry course. Särö 4/2008, a review of literature and culture. Porvoo, December 2008.
  40. Marylin Bobes in: Pedro de la Hoz: Ide Hintze, revolución en la poesía Archived April 7, 2012, at the Wayback Machine . Granma, Havana, December 12, 1993.
  41. Paul Konrad Kurz: Lyrische Herzmission Archived April 7, 2012, at the Wayback Machine . Sueddeutsche Zeitung, Munich, November 17/18, 1987.
  42. Friederike Mayröcker: Almost a Messiah Archived March 25, 2012, at the Wayback Machine . Result of a dialogue between Ernst Jandl and Friederike Mayröcker. Neues Forum, Vienna, March / April 1981
  43. Vinh Khai Huynh: Preface to triêu dâng ành vàng Archived April 24, 2012, at the Wayback Machine . Van Hoc. Hanoi, September 1993.
  44. Miguel Barnet: The histrionic way. Video document. Havana, December 1993
  45. Susana Rosano: Sonidos, imàgines y gestos Archived April 24, 2012, at the Wayback Machine . La Capital. Rosario, July 14, 1996.
  46. Dragan Stojanović: Cyber Sappho Archived March 25, 2012, at the Wayback Machine . Vecernje Novosti. Belgrade, August 30, 2008.
  47. Henri Chopin Archived April 1, 2011, at the Wayback Machine . Paris 1993.
  48. Aleksis Salusjärvi: Teaching is one form of poetry Archived March 25, 2012, at the Wayback Machine . Särö, a review of literature and culture. Porvoo, December 2008.
  49. Julian Schutting: Rather transformations than performances Archived March 25, 2012, at the Wayback Machine . Vienna, September 2009.