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Chronocentrism is the assumption that certain time periods (typically the present) are better, more important, or a more significant frame of reference than other time periods, either past or future. The perception of more positive attributes such as morality, technology, and sophistication to one's own time could lead an individual as a member of a collectivity to impose their forms of time on others and impede the efforts towards more homogeneous temporal commons. [1]
Chronocentrism (from the Greek chrono- meaning "time") was coined by sociologist Jib Fowles in an article in the journal Futures in February, 1974. Fowles described chronocentrism as "the belief that one's own times are paramount, that other periods pale in comparison". [2] A critical view described it as the belief that only the present counts and that the past is irrelevant except to serve as a reference to a few basic assumptions about what went before. [3] More recently, it has been defined as "the egotism that one's own generation is poised on the very cusp of history". [4] The term had been used earlier in a study about attitudes to ageing in the workplace. Chronocentricity: "...only seeing the value of one's own age cohort...described the tendency for younger managers to hold negative perceptions of the abilities or other work-related competencies of older employees." [5] This type of discrimination is a form of ageism.
Chronocentrism as ethnocentrism is the perceiving and judging of a culture's historical values in terms of the standards of one's own time period.
The Long Now Foundation is an organization that encourages the use of 5-digit years, e.g. "02024" instead of "2024," to help emphasize how early the present time is in their vision of the timeline of humanity. The use of two-digit years before Y2K was an example of chronocentrism (in the early years of computing, the years 2000 and 1899 were believed to be too far in the future or the past, and thus of less importance than being able to save two digits in computerizing and typing out years).
The "Copernican time principle" is a temporal analog of the Copernican principle for space, which states that no spatial location is any more or less special of a frame of reference than any other spatial location (i.e., that our physical universe has no center). Some authors have extended this to also include that no point in time is any more or less special than any other point in time (e.g., in outdated steady-state theories), though this cannot be universally applied (e.g., the Big-Bang singularity is a special point in time that can be logically used as a frame of reference to date later events). [6]
Until the twentieth century, chronocentrism was the norm in musical performance because musicians assumed that playing styles survived largely unchanged from previous centuries. [7] For instance, Romantic musicians used contemporary styles when performing earlier repertoire. [7]
In physical cosmology, the Copernican principle states that humans are not privileged observers of the universe, that observations from the Earth are representative of observations from the average position in the universe. Named for Copernican heliocentrism, it is a working assumption that arises from a modified cosmological extension of Copernicus' argument of a moving Earth.
Space is a three-dimensional continuum containing positions and directions. In classical physics, physical space is often conceived in three linear dimensions. Modern physicists usually consider it, with time, to be part of a boundless four-dimensional continuum known as spacetime. The concept of space is considered to be of fundamental importance to an understanding of the physical universe. However, disagreement continues between philosophers over whether it is itself an entity, a relationship between entities, or part of a conceptual framework.
In physics, spacetime, also called the space-time continuum, is a mathematical model that fuses the three dimensions of space and the one dimension of time into a single four-dimensional continuum. Spacetime diagrams are useful in visualizing and understanding relativistic effects, such as how different observers perceive where and when events occur.
Time is the continuous progression of our changing existence that occurs in an apparently irreversible succession from the past, through the present, and into the future. It is a component quantity of various measurements used to sequence events, to compare the duration of events, and to quantify rates of change of quantities in material reality or in the conscious experience. Time is often referred to as a fourth dimension, along with three spatial dimensions. Scientists have theorized a beginning of time in our universe and an end. A cyclic model describes a cyclical nature, whereas the philosophy of eternalism views the subject from a different angle.
Pedology is a discipline within soil science which focuses on understanding and characterizing soil formation, evolution, and the theoretical frameworks for modeling soil bodies, often in the context of the natural environment. Pedology is often seen as one of two main branches of soil inquiry, the other being edaphology which is traditionally more agronomically oriented and focuses on how soil properties influence plant communities. In studying the fundamental phenomenology of soils, e.g. soil formation, pedologists pay particular attention to observing soil morphology and the geographic distributions of soils, and the placement of soil bodies into larger temporal and spatial contexts. In so doing, pedologists develop systems of soil classification, soil maps, and theories for characterizing temporal and spatial interrelations among soils. There are a few noteworthy sub-disciplines of pedology; namely pedometrics and soil geomorphology. Pedometrics focuses on the development of techniques for quantitative characterization of soils, especially for the purposes of mapping soil properties whereas soil geomorphology studies the interrelationships between geomorphic processes and soil formation.
A projected coordinate system – also called a projected coordinate reference system, planar coordinate system, or grid reference system – is a type of spatial reference system that represents locations on Earth using Cartesian coordinates (x, y) on a planar surface created by a particular map projection. Each projected coordinate system, such as "Universal Transverse Mercator WGS 84 Zone 26N," is defined by a choice of map projection (with specific parameters), a choice of geodetic datum to bind the coordinate system to real locations on the earth, an origin point, and a choice of unit of measure. Hundreds of projected coordinate systems have been specified for various purposes in various regions.
Heliocentrism is a superseded astronomical model in which the Earth and planets revolve around the Sun at the centre of the universe. Historically, heliocentrism was opposed to geocentrism, which placed the Earth at the center. The notion that the Earth revolves around the Sun had been proposed as early as the 3rd century BC by Aristarchus of Samos, who had been influenced by a concept presented by Philolaus of Croton. In the 5th century BC the Greek philosophers Philolaus and Hicetas had the thought on different occasions that the Earth was spherical and revolving around a "mystical" central fire, and that this fire regulated the universe. In medieval Europe, however, Aristarchus' heliocentrism attracted little attention—possibly because of the loss of scientific works of the Hellenistic period.
The Dialogue Concerning the Two Chief World Systems is a 1632 Italian-language book by Galileo Galilei comparing the Copernican system with the traditional Ptolemaic system. It was translated into Latin as Systema cosmicum in 1635 by Matthias Bernegger. The book was dedicated to Galileo's patron, Ferdinando II de' Medici, Grand Duke of Tuscany, who received the first printed copy on February 22, 1632.
The going-to future is a grammatical construction used in English to refer to various types of future occurrences. It is made using appropriate forms of the expression to be going to. It is an alternative to other ways of referring to the future in English, such as the future construction formed with will – in some contexts the different constructions are interchangeable, while in others they carry somewhat different implications.
Philosophy of space and time is the branch of philosophy concerned with the issues surrounding the ontology and epistemology of space and time. While such ideas have been central to philosophy from its inception, the philosophy of space and time was both an inspiration for and a central aspect of early analytic philosophy. The subject focuses on a number of basic issues, including whether time and space exist independently of the mind, whether they exist independently of one another, what accounts for time's apparently unidirectional flow, whether times other than the present moment exist, and questions about the nature of identity.
Continuity editing is the process, in film and video creation, of combining more-or-less related shots, or different components cut from a single shot, into a sequence to direct the viewer's attention to a pre-existing consistency of story across both time and physical location. Often used in feature films, continuity editing, or "cutting to continuity", can be contrasted with approaches such as montage, with which the editor aims to generate, in the mind of the viewer, new associations among the various shots that can then be of entirely different subjects, or at least of subjects less closely related than would be required for the continuity approach. When discussed in reference to classical Hollywood cinema, it may also be referred to as classical continuity.
Multisensory integration, also known as multimodal integration, is the study of how information from the different sensory modalities may be integrated by the nervous system. A coherent representation of objects combining modalities enables animals to have meaningful perceptual experiences. Indeed, multisensory integration is central to adaptive behavior because it allows animals to perceive a world of coherent perceptual entities. Multisensory integration also deals with how different sensory modalities interact with one another and alter each other's processing.
The self-referencing doomsday argument rebuttal is an attempt to refute the doomsday argument by applying the same reasoning to the lifetime of the doomsday argument itself.
In mathematics, physics, and engineering, spatial frequency is a characteristic of any structure that is periodic across position in space. The spatial frequency is a measure of how often sinusoidal components of the structure repeat per unit of distance.
In philosophy, temporality refers to the idea of a linear progression of past, present, and future. The term is frequently used, however, in the context of critiques of commonly held ideas of linear time. In social sciences, temporality is studied with respect to the human perception of time and the social organization of time. The perception of time in Western thought underwent significant changes in the three hundred years between the Middle Ages and modernity.
In physics, sound is a vibration that propagates as an acoustic wave through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the reception of such waves and their perception by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of 17 meters (56 ft) to 1.7 centimeters (0.67 in). Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges.
The visual N1 is a visual evoked potential, a type of event-related electrical potential (ERP), that is produced in the brain and recorded on the scalp. The N1 is so named to reflect the polarity and typical timing of the component. The "N" indicates that the polarity of the component is negative with respect to an average mastoid reference. The "1" originally indicated that it was the first negative-going component, but it now better indexes the typical peak of this component, which is around 150 to 200 milliseconds post-stimulus. The N1 deflection may be detected at most recording sites, including the occipital, parietal, central, and frontal electrode sites. Although, the visual N1 is widely distributed over the entire scalp, it peaks earlier over frontal than posterior regions of the scalp, suggestive of distinct neural and/or cognitive correlates. The N1 is elicited by visual stimuli, and is part of the visual evoked potential – a series of voltage deflections observed in response to visual onsets, offsets, and changes. Both the right and left hemispheres generate an N1, but the laterality of the N1 depends on whether a stimulus is presented centrally, laterally, or bilaterally. When a stimulus is presented centrally, the N1 is bilateral. When presented laterally, the N1 is larger, earlier, and contralateral to the visual field of the stimulus. When two visual stimuli are presented, one in each visual field, the N1 is bilateral. In the latter case, the N1's asymmetrical skewedness is modulated by attention. Additionally, its amplitude is influenced by selective attention, and thus it has been used to study a variety of attentional processes.
Serial memory processing is the act of attending to and processing one item at a time. This is usually contrasted against parallel memory processing, which is the act of attending to and processing all items simultaneously.
Spatiotemporal patterns are patterns that occur in a wide range of natural phenoma and are characterized by a spatial and temporal patterning. The general rules of pattern formation hold. In contrast to "static", pure spatial patterns, the full complexity of spatiotemporal patterns can only be recognized over time. Any kind of traveling wave is a good example of a spatiotemporal pattern. Besides the shape and amplitude of the wave, its time-varying position in space is an essential part of the entire pattern.
The question whether the use of language influences spatial cognition is closely related to theories of linguistic relativity—also known as the Sapir-Whorf hypothesis—which states that the structure of a language affects cognitive processes of the speaker. Debates about this topic are mainly focused on the extent to which language influences spatial cognition or if it does at all. Research also concerns differences between perspectives on spatial relations across cultures, what these imply, and the exploration of potentially partaking cognitive mechanisms.