Ciceronianus

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Ciceronianus ("The Ciceronian") is a treatise written by Desiderius Erasmus and published in 1528. [1] It attacks Ciceronianism, a style of scholarly Latin that closely imitated Cicero's style and voice. Many Ciceronians even refused to use specific words, even specific verb forms, if Cicero's writings did not include them verbatim. The Ciceronians validated this dogmatic approach by insisting that Cicero's style was the best style of Latin. In the 16th century, this style was popular among Renaissance humanists who wanted to recover Classical Latin. [2] Erasmus also sought to defend medieval Latinists whose allegedly barbarous style the Ciceronians had ridiculed.

Contents

While Erasmus published many works on literary topics, some scholars view Ciceronianus as his greatest contribution to literary criticism. [3]

Content

In Ciceronianus, Erasmus attacks Ciceronianism through his depiction of the character Nosoponus, a Ciceronian fanatic. [4] The treatise takes the form of a dialogue between the Nosoponus and his opponent Bulephorus, who represents Erasmus's view. Bulephorus's views are supported by Hypologus. [1]

Erasmus adopts an intentionally entertaining and satirical style. [1] Nosoponus is proud that he has not read any author other than Cicero in seven years, and he is compiling a lexicon of Cicero's words and phrases to help him in only using Cicero's exact style. [3] In the dialogue, Nosoponus's writing is comically laborious: he takes six nights to write a letter that contains six sentences, then revises it ten times and sets it aside for examination later. When Bulephorus objects to taking this long, Nosoponus replies that he avoids conversation as much as possible. Ciceronians are portrayed as having to write their ultra-sterilised prose in soundproof rooms to avoid any violation by real life, especially the distressingly vulgar speech of children and women.

Erasmus focuses on two main Ciceronian tenets: the idea that Cicero is the absolute standard for the Latin language and the idea that proper Latin style is only attainable through direct imitation of Cicero. [3] Erasmus believed that strictly imitating Cicero to the exclusion of other writers, styles, and modern vocabulary turned Latin into a dead language rather than a living and evolving means of international intellectual communication.

Some Ciceronian extremists, refusing to use words that Cicero had not used, resorted to pagan words and names to express Christian theological concepts, using, for example, "Jupiter Maximus" for God and "Apollo" for Jesus. [3] Erasmus saw Cicero's Latin as pagan, and therefore unsuited to translating holy texts. He argues that Latin must adapt to the times or become "utterly ridiculous". [4] He also asserts that if Cicero had been a Christian, he would have adapted his language to use Christian names and Biblical concepts. [3]

Response

Erasmus's Ciceronian contemporaries rejected Ciceronianus. In 1531, Julius Caesar Scaliger printed his first oration defending Cicero and the Ciceronians from Erasmus, Oratio pro M. Tullio Cicerone contra Des. Erasmum. [5] Scaliger dismissed Erasmus as "a literary parasite, a mere corrector of texts". In 1535, Étienne Dolet also published a riposte, Erasmianus, defending Ciceronian Latin, and, eight years after Erasmus's death, in 1544, the Italian scholar Giulio Camillo criticized Erasmus's views in Trattato dell’ Imitatione. [6]

Modern scholars have called Ciceronianus "extremely violent" in its literary and theological points of view [7] and "a major chapter in a searing polemic" under a "light and genial surface". [2]

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Ciceronianism was the tendency among the Renaissance humanists to imitate the language and style of Cicero and hold it up as a model of Latin. The term was coined in the 19th century from the much older term ciceronianus, 'a Ciceronian'. That term is contrasted with christianus (Christian) in Jerome in the 4th century. Erasmus employs it the same way in the title of his dialogue Ciceronianus (1528). During the Renaissance, however, the term could have both positive and negative connotations, depending on whether slavish or creative imitation was in view.

References

  1. 1 2 3 Robinson, Kate (April 21, 2015). "Fame with Tongue (Lingua verius quam calamo celebrem), or, The Gift of the Gab". Reformation & Renaissance Review. 6 (1): 107–123. doi:10.1558/rarr.6.1.107.52513 . Retrieved March 24, 2024.
  2. 1 2 Gotoff (1980). "Cicero vs. Ciceronianism in the 'Ciceronianus'". Illinois Classical Studies. 5: 163–173. JSTOR   23061196 . Retrieved March 9, 2024.
  3. 1 2 3 4 5 Monroe, Paul (1908). Editor's Introduction, Ciceronianus, or, A Dialogue on the Best Style. New York City: Teacher's College, Columbia University. p. 5–16.
  4. 1 2 Tunberg, Terence O. (1997). "Ciceronian Latin: Longolius and Others". Humanistica Lovaniensia. 46: 13–61. JSTOR   23973783 . Retrieved March 9, 2024.
  5. Carrington, Laurel (2000). "Book Reviews: Oratio pro M. Tullio Cicerone contra Des. Erasmum, 1531: Adversus Des. Erasmi Roterod: Dialogum Ciceronianum Oratio Secunda, 1537. Giulio Cesare Scaligero, Michel Magnien". The Sixteenth Century Journal. 31 (3): 847. doi:10.2307/2671115 . Retrieved March 24, 2024.
  6. Camillo Delminio, Giulio, Due Trattati ... l'uno delle Materie, che possono uenir sotto lo stile dell'eloquente: l'altro della Imitatione, (Venice: Nella stamperia de Farri, 1544). See Testo di Dell'imitazione, trattato di Giulio Camillo detto Delminio). For an English translation, see Robinson, ‘A Search for the Source of the Whirlpool of Artifice’ (University of Glasgow PhD thesis, 2002), 182-205.
  7. Zini, Fosca Mariani (2020). "Ciceronianism". Encyclopedia of Renaissance Philosophy: 1–4. Retrieved 24 March 2024.