Claw Boys Claw | |
---|---|
Background information | |
Origin | Amsterdam, Netherlands |
Genres | Rock, punk rock, rhythm & blues |
Years active | 1983–1997, 2006-present |
Labels | Polydor, PIAS |
Members | Peter te Bos John Cameron |
Past members | Allard Jolles Bobbie Rossini Marius Schrader Arno Kooy Geert de Groot Marc Lamb |
Website | www.clawboysclaw.nl |
Claw Boys Claw [1] are a Dutch band, formed in Amsterdam. The core members of the band are Peter te Bos (vocals) and John Cameron (guitar). [2] After some years of inactivity, the band started playing live again in 2007.
Claw Boys Claw never attained much commercial success, and a venture into the American market was unsuccessful.
Claw Boys Claw was founded in 1983 by guitarist Allard Jolles, at the time guitarist and singer of L'Attentat, though he played drums in his newly founded band. The original four members were Jolles, Peter Te Bos, John Cameron, and bassist Bobbie Rossini. Their "garage rock," as the Dutch termed it (a lo-fi mixture of rock and roll and punk), quickly gained popularity, and in 1984 the band releases their first album, Shocking Shades Of Claw Boys Claw, containing among others a cover of the song "Venus" by Shocking Blue. The album was recorded in three hours and cost 500 guilders (some $250 at the time), money the band had won in a talent show. While not a commercial success at the time, the album (which was reissued in 2008) was later called one of the best records in the history of Dutch pop music by Trouw . [3] Jolles leaves the band in May 1985 to focus on L'Attentat, and is replaced by Marius Schrader. [4]
The singles "So Mean" and "Indian Wallpaper" were successful in the underground scene, but the 1986 album With Love From The Boys, released by Polydor, broke through to a broader audience, selling 8000 copies. [5] That year the band played at Pinkpop festival in the Netherlands, and under the pseudonym "The Hipcats" opened up for Nick Cave and the Bad Seeds, playing mainly cover songs. [6] They even released a Christmas single, "Blue Bells." In 1987 the Claw Boys Claw played at the Roskilde Festival and released their third full-length album, Crack My Nut, their last on Polydor. There was disagreement between the band and their label: Peter Te Bos, in an interview with the leading Dutch music magazine, Muziekkrant OOR , complained that they received no support from their label and that their records were not promoted at all. [7] The band received the prestigious BV Popprijs [8] from the Christian-Democrat minister of culture Elco Brinkman, and Te Bos caused a stir by kissing the amazed Brinkman as he handed Te Bos the award; five years later the photograph was on the cover of André Nuchelman's study of the difficult relations between the Dutch government and popular music, "Dit gebonk dient tot het laatste toe te worden bestreden": Popmuziek en overheidsbeleid 1975–2001. [9]
Hoping to reach a larger audience, the band performed at the New Music Seminar in New York in 1988, but success in the United States never came about. They met with John Cale, who was interested in producing the band's next album. Despite having built a great reputation as live-artists, the band were dropped by Polydor because of disappointing sales. The band subsequently released the album Hitkillers on the Megadisc label, an album consisting of Nederpop covers. In February 1989, Rossini and Schrader left the band and were replaced by Marc Lamb en Arno Kooy from The Agentz. Despite trouble with personnel and disappointing commercial success, the band's reputation seemed solid, and they were called one of the most prominent bands of the 1980s. [3]
The Claw Boys Claw attempted a more accessible sound on Angelbite (1990). Rumors of a cooperation with John Cale had persisted, but Angelbite is produced by Steve Parker (who had worked with British band The Fall and Dutch singer Mathilde Santing), and recorded at ICP studios in Brussels. They played Parkpop in 1991, and Kooy was replaced by Geert de Groot (formerly of the Fatal Flowers). The Dutch press considered $uga[r] (1992) a highpoint for the band, and it established a style the band will follow on every album after, a circuitous and melodic "brooding swamp rock" [10] The album was recorded at Orkater studios in Amsterdam and produced by Magic Stick (Michel Schoots, of the Urban Dance Squad). The ballad "Rosie" was the band's first single to score in the Dutch Top 40, [11] and the song is still their best-known. [12]
In 1993 they played Pinkpop again and opened for U2 three nights in a row in the Kuip, [12] the largest crowd the band had ever played for, but after 1994's Nipple, recorded in the band's own studio and produced by Luc Suèr, the band lost momentum. Te Bos returned to his old profession, graphic design; the band released one more CD, Will-o-the-Wisp (recorded in Smecky Barrandov Studio in Prague, and produced by Henk Jonkers and Frank van der Weij), and played one more memorable show: in 1998, they played in Paradiso in Amsterdam, performing covers of Iggy and the Stooges as part of the "Marlboro Flashback" series, which even gave the Claw Boys Claw the rare opportunity for a TV-special. [13] The band stopped performing around 2000.
In the spring of 2006 the Claw Boys Claw were working on a new album and wanted to start touring again. According to Te Bos, he and Cameron had written some seventy songs since 2002, [14] some of which were released in February 2008 on Pajama Day, on the Belgian label Play It Again Sam. The album was welcomed by Dutch critics, who hailed their lyrical maturity, honesty, and musical ability. [2] Most critics noted that the Claw Boys Claw had dialed down the volume, but still praised the album—Belgian weekly HUMO said that the album contained the most exciting rock songs they had heard in years and gave it four out of five stars, [15] and while the reviewer from De Recensent found only three worthwhile songs on the CD, [14] the Dutch paper De Volkskrant thought it a brooding and dark album containing "beautiful secrets." [16] Dutch music magazine Muziekkrant OOR concurred, calling the album "swamp rock" full of tension, and "a record to take to bed." [17]
Starting on November 16, 2007, the group played live shows again with a new line-up. [18] online music magazine LiveXS calling their performance at the January 2008 Noorderslag festival in Groningen "legendary." [19] The "country's most legendary live band" played their first radio show in a decade in January 2008, for VPRO's 3VOOR12. [20] They continued to play all around the country, in The Hague on the night before the Koninginnedag celebrations, for instance. [21] [22] Their most visible show in 2008 was probably at Lowlands (alongside, for instance, the Sex Pistols), [23] [24] [25] a festival for which Te Bos also designed the logo and all other objects, even the gate to the festival grounds. [26] The band's dynamic live performances were honored with the 2008 "Iron Stage Beast", the VNPF LiveXS Award for best show; [27] [28] [29] LiveXS called the band "better than ever" in a review of a show in the Melkweg in December 2008. [30]
In honor of their 25th anniversary, on June 2, 2008, HipCat/PIAS Benelux released Shocking Shades Of Claw Boys Claw on CD, remastered with five additional tracks. Also reissued were $uga[r], with two additional tracks, Nipple, with three additional tracks, and Will-O-The-Wisp, with five additional tracks, all by EMI/Msi Music/Super D. [31] The band continued to tour and played a festival in Utrecht around Easter 2009. [32] A new album, Hammer, was released March 1, 2013. [33] [34] [35]
The VPRO is a Dutch public broadcaster that is part of the Dutch public broadcasting system. It was founded in 1926 as a liberal Protestant radio station. In the 1950s and 1960s, it gradually became social liberal rather than Protestant, and the original meaning of the acronym was eventually dropped.
Pinkpop is an annual music festival held at Landgraaf, Netherlands. It is usually held on the Pentecost weekend. If Pentecost falls on an early date in May, the festival is held later in June. Starting in 1970, at Burgemeester Damen Sportpark in the city of Geleen, Pinkpop is the oldest and longest running annual dedicated pop and rock music festival in the world.
Alquin was a Dutch progressive rock band which released four studio albums in the 1970s. The band split in 1977. They made a comeback in 2003 and in September 2005 they released a new album.
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"Dracula"/"The Rose" is a 7" single by Dutch rock and roll band Claw Boys Claw. "Dracula" had earlier been released on the Hitkillers album, a collection of covers of Dutch hits from the 1960s and 1970s. The B-side, "The Rose," was recorded in 1988 but never released. On March 25, 1989, "Dracula" reached No. 85 on the Dutch charts, where it spent a total of 4 weeks.
Nipple is the seventh studio album by Dutch rock and roll band Claw Boys Claw. Coming on the heels of the commercially successful $uga(r), Nipple continues musically where the previous album left off, in the area of "swamp rock." The album was not a great commercial success, reaching No. 71 on 10 December 1994 on the Dutch album chart; the three singles that came from the album did not chart.
Suga(r), originally stylized as '$ugǝ[r]', is the sixth studio album by Dutch rock band Claw Boys Claw. It's their first album on EMI productions. It is one of their commercially most successful albums, and musically it sees the former garage band move toward what would be called "swamp rock." It was the most successful album of their career, reaching No. 26 on 13 February 1993 on the Dutch album chart, and staying on the chart for 10 weeks. Of the three singles that came from the album, the first one, "Rosie," charted—the first time ever for a Claw Boys Claw single—and reached No. 22 on 30 January 1993.
Angelbite is the fifth studio album by Dutch rock and roll band Claw Boys Claw. The album comes at a transitional time; the band had been let go by Polydor and the two albums released on Megadisc had not been very successful. This is their sole release on the small label Solid. The band changed personnel also: early members Bobbie Rossini (bass) and Marius Schrader (drums) had left the band at the end of 1988, and were replaced by Arno Kooy and Marc Lamb, respectively. This was Kooy's sole recording with Claw Boys Claw; Lamb is still with the band.
Hitkillers/The Beast of Claw Boys Claw is a compilation album by Dutch rock and roll band Claw Boys Claw. The album, released on CD only, combines their fourth studio album Hitkillers and a selection of earlier songs, re-recorded and remixed.
With Love From The Boys is the second studio album by Dutch rock and roll band Claw Boys Claw and their first release on a major label. Their debut album, Shocking Shades of Claw Boys Claw, self-released on Hipcat, had been well received in the Dutch press, and in 1984 and 1985 they cemented their reputation as one of the country's best live acts, which was partly documented on a live EP, Live!, recorded in 1984 and released in 1985 also on Hipcat. Their live reputation culminated in a memorable show at Pinkpop 1986, and these successes had led Polydor to offer the band a long-term contract. The band had undergone one personnel change: founding member Allard Jolles left to focus on his other band, L'Attentat; he was replaced by Marius Schrader.
Shocking Shades of Claw Boys Claw is the debut studio album by Dutch rock and roll band Claw Boys Claw. The album was released on their own label, Hipcat Records. Claw Boys Claw had been founded in 1983 by drummer Allard Jolles, who played guitar and sang in L'Attentat, another band from the "Amsterdam Guitar School". They won a talent show in November 1983 and, with that money, paid for three hours' of studio time; the result was their debut album. Released in May 1984, the album proved popular despite the low-fi sound quality, and the band became quite a hit on the Dutch club circuit, thanks in no small part to their energetic stage presence. After the album was released, Jolles returned to L'Attentat, though he would sporadically work with Claw Boys Claw, producing Hitkillers/The Beast Of Claw Boys Claw, for instance.
Claw Boys Claw 3 in 1 is a compilation album by the Dutch rock and roll band Claw Boys Claw. The album, released on LP by Polydor, combined songs from the Indian Wallpaper 12-inch single (1985), the "So Mean" single (1985), and the 12-inch single Now! (1984).
Crack My Nut is the third studio album by Dutch rock and roll band Claw Boys Claw. This was their last album on Polydor, which terminated the band's record deal the next year, citing disappointing sales. The album was recorded when the band's popularity was reaching a high point. The band had played all over Europe and had gained a strong reputation as a live band. Crack My Nut was produced by the Australian producer Victor Van Vugt, and was recorded in the Hansa Tonstudio in Berlin.
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Pajama Day is a 2008 album by the Dutch rock band Claw Boys Claw, their first album since 1997's Will-O-The-Wisp.
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