| Coat of arms of Moscow | |
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| Adopted | 23 November 1993 (current version) |
The coat of arms of Moscow depicts a horseman with a spear in his hand slaying a basilisk and is identified with Saint George and the Dragon. The heraldic emblem of Moscow has been an integral part of the coat of arms of Russia since the 16th century.
Yaroslav the Wise (died 1054) was the ruler of Kievan Rus with an image of Saint George on his seal. [1] [2] Saint George was his personal patron saint; he was baptised George. Saint George was also the patron saint of Yaroslav's great-grandson, Yury Dolgoruky, who - according to tradition - founded the city of Moscow shortly before his death in 1157. (The name "Yury" is a Russian-language equivalent of "George".)[ citation needed ]
A century later, Alexander Nevsky (lived 1221-1263) resumed this usage. Several of his coins depict a horseman slaying a basilisk or a dragon, though the beast is not always visible.[ citation needed ] Alexander's motivation for reverting to Mstislav's emblem is disputed. It is possible that the image referred to his own victories over the Swedish and German crusaders in the Battle of the Neva (1240) and the Battle of the Ice (1242).
Alexander's great-grandson, Ivan II, was the first ruler of Moscow to employ as his emblem the standing warrior with a sword in his hand. Ivan's son Dmitry Donskoy chose to represent this warrior riding a horse with a spear in his hand. Historians traditionally connect Dmitry's symbol with his victory over the Mongols in the Battle of Kulikovo, although historical clues are scarce. At about the same time, a similar symbol, the Vytis, emerged as a state emblem in the rival Grand Duchy of Lithuania.
The symbol of the horseman passed down through the generations: from Dmitry to his son Vasily I, then to Vasily II and Ivan III. A coin which featured the image became known as kopeck, from kopyo, the Russian word for "spear".
At first the charging horseman was interpreted as showing the figure of the ruling tsar slaying an enemy intruding into the Russian lands. This attitude was clearly expressed by the Muscovite statesman Grigory Kotoshikhin, among others. On the title page of the 1663 Bible, the heraldic horseman appears to have the face of Tsar Alexis.
After the Russian Revolution, the heraldic symbols of the Russian Empire were banned. On September 22, 1924, the Moscow Governorate Soviet adopted a new emblem which features a red star, the sickle and hammer symbol, and the Monument to the Soviet Constitution . On the red scroll it says: Московский совет рабочих крестьянских и красноармейских депутатов (Moscow council of the deputies of the workers, the peasants, and the Red Army). According to the official description, its imagery reflects the union of the city and the countryside. The new emblem failed to gain popularity and was rarely used. [4] The city of Moscow was separated from the governorate in 1931.
After the dissolution of the Soviet Union, the heraldic representation of Moscow reverted in 1993 to the version used between 1883 and 1918, with some minor modifications.
As the Russian Orthodox Church does not allow sculptural representations of saints, no statues of Saint George and the Dragon were erected in Moscow prior to the Revolution. After the emblem was restored on November 23, 1993, a cluster of statues on the subject were unveiled in Poklonnaya Gora, Tsvetnoi Boulevard, Manege Square, and other places in Moscow. Most of these were sculpted by Zurab Tsereteli, who also had other versions of the subject installed in such cities as New York City.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
In a legend, Saint George—a soldier venerated in Christianity—defeats a dragon at Dragon Hill, Uffington. The story goes that the dragon originally extorted tribute from villagers. When they ran out of livestock and trinkets for the dragon, they started giving up a human tribute once a year. This was acceptable to the villagers until a princess was chosen as the next offering. The saint thereupon rescues the princess and kills the dragon. The narrative was first set in Cappadocia in the earliest sources of the 11th and 12th centuries, but transferred to Libya in the 13th-century Golden Legend.
The national emblem of Belarus features a ribbon in the colors of the national flag, a silhouette of Belarus, wheat ears and a red star. It is sometimes referred to as the coat of arms of Belarus, although in heraldic terms this is inaccurate as the emblem does not respect the rules of conventional heraldry. The emblem is an allusion to one that was used by the Byelorussian SSR, designed by Ivan Dubasov in 1950, with the biggest change being a replacement of the Communist hammer and sickle with a silhouette of Belarus. The Belarusian name is Dziaržaŭny hierb Respubliki Biełaruś, and the name in Russian is Gosudarstvennyĭ gerb Respubliki Belarusʹ.
The coat of arms of Lithuania is a mounted armoured knight holding a sword and shield, known as Vytis. Since the early 15th century, it has been Lithuania's official coat of arms and is one of the oldest European coats of arms. It is also known by other names in various languages, such as Waykimas, Pagaunė in the Lithuanian language or as Pogonia, Pogoń, Пагоня in the Polish, and Belarusian languages. Vytis is translatable as Chase, Pursuer, Knight or Horseman, similar to the Slavic vityaz. Historically – raitas senovės karžygys or in heraldry – raitas valdovas.
The coat of arms of Ukraine is a blue shield with a golden trident. It is colloquially known as the tryzub.
Jelita is a Polish coat of arms. It was used by several szlachta families.
The coat of arms of Russia derives from the earlier coat of arms of the Russian Empire. Though modified more than once since the reign of Ivan III (1462–1505), the current coat of arms is directly derived from its medieval original, with the double-headed eagle having Byzantine and earlier antecedents. The general tincture corresponds to the fifteenth-century standard.
The eagle is used in heraldry as a charge, as a supporter, and as a crest. Heraldic eagles can be found throughout world history like in the Achaemenid Empire or in the present Republic of Indonesia. The European post-classical symbolism of the heraldic eagle is connected with the Roman Empire on one hand, and with Saint John the Evangelist on the other.
The coat of arms of Georgia is one of the national symbols of Georgia. The coat of arms is partially based on the medieval arms of the Georgian royal house and features Saint George, the traditional patron saint of Georgia. In addition to St. George, the original proposal included additional heraldic elements found on the royal seal, such as the seamless robe of Jesus, but this was deemed excessively religious and was not incorporated into the final version.
Christina Ingesdotter was a Swedish princess and a princess consort of Veliky Novgorod, Rostov and Belgorod, by marriage to Grand Prince Mstislav I of Kiev.
Russian heraldry involves the study and use of coats of arms and other heraldic insignia in the country of Russia. Compare the socialist heraldry of the Soviet period of Russian history (1917–1991).
An equestrian seal is a type of seal used in the European Middle Ages, characterized by the depiction of the owner as a mounted warrior in full armour. Originating in the high medieval period, the type was frequently used throughout the 13th to 14th centuries. Continued use into the 15th and 16th centuries was mostly limited to high nobility, especially royalty, while lower nobility switched to the use of simple heraldic seals.
The State Emblem of the Soviet Union was the official symbol of the Union of Soviet Socialist Republics adopted in 1923 and used until the dissolution of the state in 1991. Although it technically is an emblem rather than a coat of arms, since it does not follow traditional heraldic rules, in Russian it is called герб, the word used for a traditional coat of arms.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
Throughout the early Middle Ages, the Rurikid knyazes of the Kievan Rus' used unique symbols to denote property rights over various items. They are depicted on punches, seals, and coins of the Rurikids. In contrast to Western European heraldry, where coats of arms belonged to entire families, or were inherited without changes by firstborn sons, Rurikid symbols were personal, with every knyaz devising an emblem of their own for themselves.
The Rus' chronicle, Russian chronicle or Rus' letopis was the primary Rus' historical literature. Chronicles were composed from the 11th to the 18th centuries, generally written in Old East Slavic, about Kievan Rus' and subsequent Rus' principalities and history. They were one of the leading genres of Old Rus' literature in medieval and early modern Eastern and Central Europe.
The coat of arms of Nizhny Novgorod is the official symbol of the city from December 20, 2006.
Heraldry is the system of visual identification of rank and pedigree which developed in the European High Middle Ages, closely associated with the courtly culture of chivalry, Latin Christianity, the Crusades, feudal aristocracy, and monarchy of the time. Heraldic tradition fully developed in the 13th century, and it flourished and developed further during the Late Middle Ages and the Early Modern period. Originally limited to nobility, heraldry is adopted by wealthy commoners in the Late Middle Ages. Specific traditions of Ecclesiastical heraldry also develop in the late medieval period. Coats of arms of noble families, often after their extinction, becomes attached to the territories they used to own, giving rise to municipal coats of arms by the 16th century.
The coat of arms of Sevastopol is a heraldic symbol representing the city of Sevastopol, Crimea. It is featured in the middle of the flag of Sevastopol on a red background.
The coat of arms of Smolensk is the official heraldic symbol of the city of Smolensk, Smolensk region, Russia. A bird Gamayun on a sable cannon with an or gun carriage is depicted on an argent escutcheon. The coat of arms is embellished with a number of honourable decorations that depict the history of the city.
