Colma | ||||
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Studio album by | ||||
Released | March 24, 1998 | |||
Genre | Ambient, alternative rock | |||
Length | 54:27 | |||
Label | CyberOctave, Higher Octave Music, Virgin, EMI | |||
Producer | Buckethead, Extrakd and Bill Laswell | |||
Buckethead chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Colma is the fourth studio album by guitarist Buckethead. It was released on March 24, 1998, on CyberOctave records. The album was recorded for Buckethead's mother, who at the time was sick with colon cancer, and he wanted to make an album which she would enjoy listening to while recovering. [2]
Berklee College of Music alumna Teri Untalan appeared as a guest musician on two tracks of the album. In a 2009 interview, she recalled Buckethead as being "an odd one, an elusive character." [3]
Colma is somewhat of a departure for the artist, featuring more acoustic guitar than is typical of his albums. [4] Additionally, Colma mostly contains simple bass guitar, lead guitar, and drum patterns, in contrast to much of Buckethead's music that emphasizes speed and virtuosity. [5]
Critical reception was mixed to positive. James Lien of CMJ New Music Monthly writes that Colma's melodies are "geometric and mathematical-sounding, almost like Bach or modern classical music." [5] Andy Gill of The Independent describes the mood of the album as "reflective" saying, "[Buckethead uses] the dry, neutral tone favoured by jazz guitarists on a series of discreet instrumentals." [6]
Gill describes the tracks "Ghost" and "Hills of Eternity" as being "ruminative, sluggish pieces sprinkled with limpid droplets of guitar." [6] He also thought the title-track, "Colma", closed the album "like the twinkle of a long-dead star." [6] Reviewer Jeff Clutterbuck of The Daily Vault considers "Watching the Boats With My Dad" to be an authentic, emotional track writing that "[It] is so wistful and flows so gently, you have to believe it was inspired by a real moment." [7] On the other hand, "Big Sur Moon" offers a change of style in guitar playing showcasing Buckethead's consistent quick rhythmic ability on acoustic guitar. [7]
Rick Anderson of Allmusic gave the album three stars out of a possible five, writing "the material is surprisingly pleasant" for Buckethead, with a "contemplative" quality to most songs. Anderson criticized the "unimaginative production" and thought Buckethead's lackluster bass playing was disappointing compared to his guitar work. [1]
All tracks are written by Buckethead.
No. | Title | Length |
---|---|---|
1. | "Whitewash" | 4:44 |
2. | "For Mom" | 5:10 |
3. | "Ghost" | 5:29 |
4. | "Hills of Eternity" | 5:07 |
5. | "Big Sur Moon" | 1:13 |
6. | "Machete" | 6:18 |
7. | "Wishing Well" | 4:03 |
8. | "Lone Sal Bug" | 5:32 |
9. | "Sanctum" | 3:42 |
10. | "Wondering" | 2:16 |
11. | "Watching the Boats with My Dad" | 5:07 |
12. | "Ghost/Part 2" | 2:31 |
13. | "Colma" | 3:15 |
Total length: | 54:27 |
Bryan Kei Mantia, known professionally as Brain, is an American rock drummer. He has played with bands such as Primus, Guns N' Roses, Praxis, and Godflesh, and with other performers such as Tom Waits, Serj Tankian, Bill Laswell, Bootsy Collins, Les Claypool, and Buckethead. He has also done session work for numerous artists and bands.
William Otis Laswell is an American bass guitarist, record producer, and record label owner. He has been involved in thousands of recordings with many collaborators from all over the world. His music draws from funk, world music, jazz, dub, and ambient styles.
Praxis is the name of an experimental rock project, led by producer/bassist Bill Laswell and featuring guitarist Buckethead and drummer Brain in nearly every incarnation of the band.
Colonel Claypool's Bucket of Bernie Brains (C2B3) was an experimental rock supergroup featuring bassist Les Claypool, guitarist Buckethead, keyboardist Bernie Worrell and drummer Bryan "Brain" Mantia.
Ejigayehu Shibabaw, known by her stage name Gigi, is an Ethiopian singer. She has performed the music of Ethiopia in combination with a wide variety of other genres, often in collaboration with her husband Bill Laswell, a bassist and producer.
The Deli Creeps were an avant-garde band consisting of singer Maximum Bob, guitarist Buckethead, drummer Pinchface and various bass players, most recently Daniel Monti. Though Buckethead is the only member who makes a consistent effort to hide his identity, little is known about the other members of the band. Deli Creeps have never released an official album, but many of their songs have been repurposed for Buckhead's solo albums.
Monsters and Robots is Buckethead's fifth studio album, released April 20, 1999, by Higher Octave records. A large part of the album was co-written with Les Claypool, who also plays bass on several tracks and lends his vocals to the track "The Ballad of Buckethead".
Electric Tears is the ninth studio album by Buckethead. It is considered one of his most emotional and introspective albums, bearing many similarities to his previous release Colma. The entire album is played solely on acoustic and electric guitar.
Disembodied is Buckethead's second album under the name Death Cube K. It was released on July 22, 1997 by ION Records, and was produced by Bill Laswell.
Buckethead is an American guitarist and multi-instrumentalist. Buckethead's discography currently includes 435 studio albums, 1 live album, 4 special releases, 5 demo tapes, 3 solo DVD video releases, 2 DVD video releases with Cornbugs, 3 music videos, 3 solo videography releases, and 16 videography releases with other artists.
The Burning World is the sixth studio album by American experimental rock band Swans. It was released in 1989, through record label Uni Records; the band's only major-label release. Co-produced by Bill Laswell and band leader Michael Gira, the album features a major stylistic shift from their past releases, being very tuneful and accessible compared to the bleak, industrialized sound from their past records. It received a mixed reception and was a commercial disappointment; the band was dropped from the record label following its poor performance.
Transmutation (Mutatis Mutandis) is the first album by Bill Laswell's ever-changing "supergroup" Praxis. The album was released in 1992 and features Buckethead on guitar, Bootsy Collins on bass and vocals, Brain on drums, Bernie Worrell on keyboards and DJ AF Next Man Flip on turntables.
Sacrifist is the second album by Bill Laswell's experimental music project Praxis, released in 1993 on Laswell's label Subharmonic. Originally, the album was intended to be a Rammellzee project, but soon was converted into the second Praxis album, after suggestions made by John Zorn.
Tennessee 2004 is a live album by the experimental rock band Praxis, released in 2007 but recorded at the Bonnaroo Music and Arts Festival near Manchester, Tennessee during the early morning hours of June 12, 2004.
Funkcronomicon is a 1995 various artists collection of tracks produced by Bill Laswell under the name Axiom Funk, after Laswell's associated record label. It is a 2-CD set that was released by Island Records. Funkcronomicon features heavy participation from various members of Parliament-Funkadelic, to the degree that Funkcronomicon is widely considered to be a full-fledged P-Funk album. The album features what may be Pedro Bell's last authentic artistic renderings, as well as P-Funk guitarist Eddie Hazel's last recordings before his death in 1992. The album comprises newly recorded tracks, as well as tracks that have been featured on other Bill Laswell productions. Produced and compiled at Greenpoint Studio in the Greenpoint neighborhood of Brooklyn, New York, Funkcronomicon contains songs that were recorded as early as Maceo Parker's For All the Kings Men (1989) period. The album title is a play on Necronomicon, a fictional book.
Arc of the Testimony is the second and final album by the American jazz fusion band Arcana. It was released on bassist Bill Laswell's Axiom label on October 14, 1997. Unlike the trio configuration on the first album, this project features a spacier, slightly less abstract form of fusion music. Bill Laswell and drummer Tony Williams composed and developed the music, and co-produced the album together.
Unison is the first album of Japanese composer Shin Terai, released in 1999. The album features contributions of bassist and producer Bill Laswell, avant-garde guitarists Buckethead and Nicky Skopelitis, and Parliament-Funkadelic keyboardist Bernie Worrell. The album met very good reviews from critics mainly because of the soft guitars and the funky bass.
Pieces of Woo: The Other Side is an album by the former Parliament-Funkadelic keyboardist Bernie Worrell. It was released by CMP Records in 1993. None of the tracks contain drums or percussion. Pieces of Woo features Fred Wesley, Buckethead, and Umar Bin Hassan.
Brian Patrick Carroll, known professionally as Buckethead, is an American guitarist, songwriter, and multi-instrumentalist. He has received critical acclaim for his innovative electric guitar playing. His music spans several genres, including progressive metal, funk, blues, bluegrass, ambient, and avant-garde music. He performs primarily as a solo artist, although he has collaborated with a wide variety of artists such as Bill Laswell, Bootsy Collins, Bernie Worrell, Iggy Pop, Les Claypool, Serj Tankian, Bill Moseley, Mike Patton, Viggo Mortensen, That 1 Guy, Bassnectar, and Skating Polly. He was also a member of Guns N' Roses from 2000 to 2004. He has recorded 435 studio albums, four special releases, and one EP. He has performed on more than fifty albums by other artists.
Message from Home is an album by saxophonist Pharoah Sanders. It was recorded in New York City and Brooklyn, New York, and was released in 1996 by Verve Records. On the album, which was produced by Bill Laswell, Sanders is joined by kora player Foday Musa Suso, guitarist Dominic Kanza, violinist Michael White, keyboardists William Henderson, Jeff Bova, and Bernie Worrell, bassists Charnett Moffett and Steve Neil, and percussionists Aiyb Dieng and Hamid Drake.