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Comfort Woman | ||||
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Studio album by | ||||
Released | October 14, 2003 | |||
Genre | soul [1] | |||
Label | Maverick | |||
Producer | Me'shell Ndegeocello, Allen Cato | |||
Me'shell Ndegeocello chronology | ||||
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Comfort Woman is the fifth solo album by the American singer-songwriter Me'shell Ndegeocello. It was released on October 14, 2003, on Maverick Records. The album peaked at No. 150 on the Billboard 200 list that year. It also peaked at No. 43 on Billboard's R&B Album chart. It was Ndegeocello's final record released by Maverick, ending her ten-year contract.
Critics compared the album's "austere" style to that of Ndegeocello's third album, Bitter (1999). [1] Writing for Launch , critic Dan Leroy described the album as "spare, dub-influenced soul". [1] A review in Uncut called it Ndegeocello's Let's Get It On and noted the influence of both Ndegeocello's previous work and earlier Black musicians on the album. [2] The album also drew comparison to Imagination's Body Talk (1981). [2]
"Body" features half-whispered vocals and keyboards similar to those of Stevie Wonder. [2] The guitars on "Liliquoi Moon" drew comparison to Prince, while Uncut referred to "Love Song #3" as a "narcotised Prince ballad". [2]
In contrast to some of Ndegeocello's previous albums, the lyrics of Comfort Woman are generally apolitical, focusing instead on the subject of love. [1]
Aggregate scores | |
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Source | Rating |
Metacritic | 70/100 [3] |
Review scores | |
Source | Rating |
AllMusic | [4] |
Blender | [5] |
Entertainment Weekly | B+ [6] |
The Guardian | [7] |
Los Angeles Times | [8] |
LA Weekly | (favorable) [9] |
Rolling Stone | [10] |
Village Voice | [11] |
Vibe | [12] |
Upon its release, Comfort Woman received generally favorable reviews from music critics. [3] In the November 1, 2003, issue of Billboard , the album received a "Critics' Choice" designation, signifying a recent release "highly recommended because of (its) musical merit." [13]
On the Billboard 200 chart dated November 1, 2003, Comfort Woman debuted and peaked at number 150. [14] That week, it also debuted on the Top R&B/Hip-Hop Albums chart at number 43. [15]
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