Consent (2023 British film)

Last updated
Consent
The main teen cast.jpg
Natalie surrounded by the boys in the WhatsApp group; Archie is to the immediate right of her
GenreDrama [1]
Created byEmma Dennis-Edwards
Screenplay byEmma Dennis-Edwards
Directed byNadira Amrani
Starring
  • Lashay Anderson
  • Tom Victor
Original languageEnglish
Production
Executive producerAysha Rafaele
Production locationWales
Running time50 minutes [2]
Production company Firebird Pictures
Original release
Network Channel 4
Release7 February 2023 (2023-02-07) [1]

Consent is a 2023 British television drama film set in an elite private school in England. It tells the story of a working-class Black girl who attends a previously all-male public school where misogyny is rife. She is raped while unconscious by one of the pupils and faces an uphill struggle for complaints to be taken seriously in the face of the power of the school and the boy's parents' wealth.

Contents

Background

Whilst social media has proved to be an amazing tool for young people to express themselves socially and politically it must also take some of the responsibility for the misogyny and sexual harassment that has become almost commonplace in our schools. I'm incredibly proud to have authored this single drama for Channel 4, a broadcaster well-known for bold, boundary-breaking, hard-hitting television, and telling this story and acting in it alongside some of Britain's finest upcoming talent has been a pleasure and privilege. [3]

Emma Dennis-Edwards

Ofsted, wrote Anita Singh in The Telegraph , reported [note 1] how "sexual harassment is a normal part of school life", which she says "is the starting point for Consent". [4] She says it was "inspired by true events", [3] as recorded in "numerous testimonies" she encountered. [1] According to Channel 4, the film attempts to demonstrate "what it feels like for young people in an environment where sexual expectations are distorted by the instant access to porn and where the lines of consent are minimised". [3] Hundreds of hours of testimony from both private and state schools were used as evidence as to teen culture, and Dennis-Edwards later expressed herself "shocked" at the toxicity of the culture she encountered. [3] Rafaele commented that while "school should be a safe, nurturing space", it was clear to her that very often the environment was toxic one. [1]

Cast

Main

Additional

Production

Channel 4 announced on 31 January 2023 that Rita Daniels, of the broadcaster's Drama Commissioning department, had commissioned the hour-long film from Firebird Pictures. [8] Consent was written by first-time screen writer Emma Dennis-Edwards, [8] directed by Nadira Amrani and executively produced by Aysha Rafaele. [3] [note 2] Burlingdale School scenes were filmed in Atlantic College, a Vale of Glamorgan boarding school near Cardiff. The capital was also the location for Natalie's house, while Archie and Alice's house was filmed in Penarth.[ citation needed ]

Premise

The story is told from the point of view of Natalie, a working class girl who has recently joined a prestigious, upper-class public school on a scholarship. Until recently, the school was entirely a boys school; the admission of girls into the sixth form is a relatively recent development. Natalie encounters a strongly misogynist lad culture thrives, and derogatory comments towards girls are an everyday occurrence. There is also a strong culture of watching and sharing porn among the boys. [3] The WhatsApp group comments such as "Stick your dick in her mouth. Shut her up" [9] are common and appear as actual characters when Archie gets a message; hence, in the scene where they all watch the same porn clip, all five appear on the sofa next Archie and start masturbating, seemingly together. [5] Natalie discovers what taking on an elite group means. [10]

Plot

Natalie is an intelligent and confident Black girl who attends Burlingdale School, [2] [11] an elite private school, on a scholarship. Natalie wins an award for her excellent debating skills and is named the debating club captain. Her best friend is Alice, the spoiled twin sister of Archie. [5] Archie is a popular boy part of a close-knit WhatsApp group and characterises the college, being "rich, privileged and an academic high achiever". [3] Nevertheless, Archie believes that he is not fitting in with this culture, as, for example, he sits on the bench during Rugby practise and has never had sex before. [2] Archie has been dating Natalie for some time, however Natalie does not want to have sex yet. [5] While taking their showers in the changing room, the other boys encourage Archie that he is owed "birthday sex". [2] Archie’s parents are divorced and his mother has remarried a younger man, who Archie loathes. Archie and Alice are celebrating their 18th birthday, and their mother and stepfather let them have a house party, leaving them alone for the night.

Alcohol and drugs arrive for the party and Natalie has too much to drink but refuses drugs. Archie, however, snorts cocaine with Raffy. Raffy's girlfriend has just broken up with him due to Raffy sharing nude photos of her on social media. She threatens to report him to the police due to her being only 17 in the photos. Meanwhile, Archie takes a near-unconscious Natalie to his bedroom, where he films himself having sex with her; Natalie's eyes barely flicker.

The porn culture among Archie's WhatsApp group, combined with a philosophy that if it cannot be proven to have happened it did not happen — in Raffy's words, "no face, no case" [10] — means that Archie films himself having sex with Natalie and shares it among the group. The next day, Natalie knows something is wrong but cannot recall specific events; she realises that Archie had sex with her, to which he claims she consented. Natalie is positive however that she was raped and complains to the school, and is supported by her Politics teacher Ms Parkinson. She loses the friendship of Alice, however, who sticks by her brother, and his parents call in their solicitors. [2] The WhatsApp group delete the video Archie sent them, intending to eradicate the evidence; however, one member, Kyle, leaves the group before they do so. Archie's parents threaten to sue the school for defamation in retaliation and the headmaster allows Archie to stay on condition he read a leaflet from Alcoholics Anonymous. Defeated by the school's closed ranks, Natalie no longer feels comfortable at the school and leaves, realising that she cannot defeat the school, parents and pupils on her own.

Natalie believes that now she has dropped out of education before she has completed her A-Levels, she will be unable to go to university.

Sometime later, Archie wins an award in assembly for essay writing. As he is shaking the headmaster's hand, Kyle, in the front row, sees Archie is not sorry for raping Natalie and finds the video of Archie and Natalie, which he never deleted from his phone, and texts it to her, also saying "I'm sorry". [1] She receives and watches it and realises this is the evidence she needed. The film closes with the audience hearing her call the police to report her rape. [1]

Reception

True responsibility for this state of affairs lies not with Lily, of course, nor even with Archie and his gleefully misogynistic mates, but with grownups like the school's headteacher who, typically, is much more interested in ensuring his pupils understand the meaning of "discretion" than the meaning of "consent". [5]

Ellen E. Jones, The Guardian

According to the marketing body for UK commercial television, Consent was watched by approximately 316,000 viewers at the time of broadcast, which combined with 83,000 VOSDAL viewers and 165,000 saving it for later, made it the 34th most-watched Channel 4 programme of the week, with 8.4% of their national audience. [12]

Consent has been described by Anita Singh in The Telegraph as "required viewing" for UK schools, particularly teenagers, and in style and construction [note 3] has been compared with John Hughes' 1980 Brat Pack film, Pretty in Pink . [4] Writing in Stylist magazine, Kayleigh Dray favourably compared the film's portrayal of its themes to such recent documentary pieces as Zara McDermott's 2021 [13] [6] Uncovering Rape Culture, which saw McDermott draw on her own experience of almost being raped. [14] In The Guardian , Barbara Ellen drew connections with the broader Metoo movement and how it intersects with the ethics of consent and peer-pressure. [9] The choice of casting the Archie character as the main protagonist was praised by Sophie McBain in the New Statesman , who suggested that had, for example, the film focussed on Raffy, it would have been far less powerful viewing. [11]

The acting out of their WhatsApp messages by the characters was criticised by Singh, which she suggested was "stagey" and detracted from the film's authenticity, as also, she felt the use of actors older than those they were portraying. [4]

Soma Sara, who founded the anti-rape website, Everyone's Invited, welcomed the film's release, stating in Glamour magazine that she saw it as restarting an urgent discussion in UK schools. [10] The film was described by Morgan Cormack in The Radio Times as "one of the most important watches" of the year, based mainly on its approach to themes such as porn culture, sexual harassment and misogyny, but also on how it suggested the inability or unwillingness of staff to recognise the extent of the issue. [1] Ellen E. Jones, writing in The Guardian considered that, in Consent, "there is a lot that is timely about ... [it] and a lot that is horribly timeless". [5] [note 4] She also notes issues of race highlighted when, for example, Raffy — "his hair an apt shade of Slytherin blonde" [5] — refers to the black, working-class Natalie as "trying to get Markled". [5] She compared the film, in some of its issues, as akin to The Inbetweeners , but with a tragic aggressive rather than humorous premise. [5] A similar comparison was made by McBain, who — describing Raffy as "cartoonishly awful" [11] [note 5] — compares him to The Inbetweeners' Jay Cartwright, had the latter "been born into the Andrew Tate generation". [11] Jones highlights Victor's careful portrayal, almost simultaneously, as both "a confused, fearful child and a dangerously self-pitying man". [5] Jones argues that, while the film appears to end on a positive note — with Natalie having both the courage and the evidence to report her rape: [5]

Anyone who saw Lucy Kirkwood's astounding Maryland  ... or Unbelievable , or who has followed, with horror, the trial of yet another Met police officer charged with rape, will not be so comforted. [5]

Notes

  1. Specifically that "the June 2021 Ofsted report into sexual abuse in schools paints a picture of educational institutions in which abuse and harassment is so endemic that victims 'often don't see the point of challenging or reporting this harmful behaviour because it's seen as a normal experience". [1]
  2. Dennis-Edwards' and Amrani's previous credits include Champion and Extraordinary respectively, while Rafaele earned a BAFTA award. [3]
  3. Singh comments "The set-up — sensitive rich boy, smart girl from a humble background — is straight out of the 1980s film Pretty in Pink, right down to the insufferable blond kid who dominates the group". [4]
  4. For example, Jones noted how the film touches on the contemporaneous case of Andrew Tate, but also how, historically, perpetrators have been protected by the powerful. [5]
  5. Singh also calls Raffy "a particularly cartoonish character". [4]

Related Research Articles

<span class="mw-page-title-main">Tentacle erotica</span> Sensual art genre involving tentacles or pseudopods

Tentacle erotica is a type of pornography most commonly found in Japan that integrates traditional pornography with elements of bestiality, fantasy, horror, and science fiction. It is found in some horror or hentai titles, with tentacled creatures having sexual intercourse, predominantly with females or, to a lesser extent, males. Tentacle erotica can be consensual but mostly contains elements of rape.

Sex-positive feminism, also known as pro-sex feminism, sex-radical feminism, or sexually liberal feminism, is a feminist movement centering on the idea that sexual freedom is an essential component of women's freedom. They oppose legal or social efforts to control sexual activities between consenting adults, whether they are initiated by the government, other feminists, opponents of feminism, or any other institution. They embrace sexual minority groups, endorsing the value of coalition-building with marginalized groups. Sex-positive feminism is connected with the sex-positive movement. Sex-positive feminism brings together anti-censorship activists, LGBT activists, feminist scholars, producers of pornography and erotica, among others. Sex-positive feminists believe that prostitution can be a positive experience if workers are treated with respect, and agree that sex work should not be criminalized.

<span class="mw-page-title-main">Catharine A. MacKinnon</span> American feminist scholar and legal activist

Catharine Alice MacKinnon is an American feminist legal scholar, activist, and author. She is the Elizabeth A. Long Professor of Law at the University of Michigan Law School, where she has been tenured since 1990, and the James Barr Ames Visiting Professor of Law at Harvard Law School. From 2008 to 2012, she was the special gender adviser to the Prosecutor of the International Criminal Court.

Rape pornography is a subgenre of pornography involving the description or depiction of rape. Such pornography either involves simulated rape, wherein sexually consenting adults feign rape, or it involves actual rape. Victims of actual rape may be coerced to feign consent such that the pornography produced deceptively appears as simulated rape or non-rape pornography. The depiction of rape in non-pornographic media is not considered rape pornography. Simulated scenes of rape and other forms of sexual violence have appeared in mainstream cinema, including rape and revenge films, almost since its advent.

Sexual consent is consent to engage in sexual activity. In many jurisdictions, sexual activity without consent is considered rape or other sexual assault.

Feminist views on pornography range from total condemnation of the medium as an inherent form of violence against women to an embracing of some forms as a medium of feminist expression. This debate reflects larger concerns surrounding feminist views on sexuality, and is closely related to those on prostitution, BDSM, and other issues. Pornography has been one of the most divisive issues in feminism, particularly in Anglophone (English-speaking) countries. This division was exemplified in the feminist sex wars of the 1980s, which pitted anti-pornography activists against pro-pornography ones.

Nancy Schwartzman is an American documentary filmmaker, member of the Directors Guild of America, and The Academy.

<i>The Conviction</i> 1991 film

The Conviction is a 1991 Italian drama film directed by Marco Bellocchio. It was entered into the 41st Berlin International Film Festival where it won the Silver Bear Special Jury Prize. Bellocchio wrote the script with his psychotherapist Massimo Fagioli; the two had previously collaborated on the 1986 film Devil in the Flesh.

The following outline is provided as an overview of and topical guide to human sexuality:

Slut-shaming is the practice of criticizing people, especially women and girls, who are perceived to violate expectations of behavior and appearance regarding issues related to sexuality. The term is used to reclaim the word slut and empower women and girls to have agency over their own sexuality. Gender-based violence can be a result of slut-shaming primarily affecting women. It may also be used in reference to gay men, who may face disapproval for promiscuous sexual behaviors. Slut-shaming rarely happens to heterosexual men.

Porn for women, women's porn or women's pornography is pornography aimed specifically at the female market, and often produced by women. It rejects the view that pornography is only for men, and seeks to make porn that women enjoy watching instead of what is being offered in male-centric mainstream pornography.

Anastasia Powell is a feminist criminologist at RMIT University, Melbourne, Australia.

<span class="mw-page-title-main">Women's rights in 2014</span> Time period in Womens right movement

2014 was described as a watershed year for women's rights, by newspapers such as The Guardian. It was described as a year in which women's voices acquired greater legitimacy and authority. Time magazine said 2014 "may have been the best year for women since the dawn of time". However, The Huffington Post called it "a bad year for women, but a good year for feminism". San Francisco writer Rebecca Solnit argued that it was "a year of feminist insurrection against male violence" and a "lurch forward" in the history of feminism, and The Guardian said the "globalisation of protest" at violence against women was "groundbreaking", and that social media had enabled a "new version of feminist solidarity".

<span class="mw-page-title-main">Pornhub</span> Pornographic video-sharing website owned by Aylo

Pornhub is a Canadian-owned internet pornography video-sharing website, one of several owned by adult entertainment conglomerate Aylo. As of December 2023, Pornhub is the 14th most visited website in the world and the second most visited adult website after XVideos.

<i>Ceci Nest Pas Un Viol</i>

Ceci N'est Pas Un Viol is a work of performance art by American artist Emma Sulkowicz. Released on 3 June 2015, the work consists of a website hosting an eight-minute video, introductory text and an open comments section. The video shows Sulkowicz having sex with an anonymous actor in a dorm room at Columbia University in New York City. It was directed by artist Ted Lawson in early 2015, while Sulkowicz was in the final year of a visual-arts degree at Columbia.

<span class="mw-page-title-main">MeToo movement</span> Social movement against sexual abuse and harassment

#MeToo is a social movement and awareness campaign against sexual abuse, sexual harassment, and rape culture, in which people publicize their experiences of sexual abuse or sexual harassment. The phrase "Me Too" was initially used in this context on social media in 2006, on Myspace, by sexual assault survivor and activist Tarana Burke. The hashtag #MeToo was used starting in 2017 as a way to draw attention to the magnitude of the problem.

<span class="mw-page-title-main">Carrie Goldberg</span> American attorney

Carrie Goldberg is an American lawyer specializing in sex crimes with her law firm C.A. Goldberg PLLC. She has represented: five clients who described sexual abuse committed by Harvey Weinstein; the former Democrat Member of Congress Katie Hill after her naked photos were published in the media; and the author Emma Cline after an ex-partner sued for plagiarism. Her legal cases with low-profile individuals—involving revenge porn, intimate partner violence and online abuse—often draw national media attention.

<span class="mw-page-title-main">Ginger Banks</span> American pornographic actress

Ginger Banks is an American webcam model, pornographic actress and sex worker advocate.

Deepfake pornography, or simply fake pornography, is a type of synthetic porn that is created via altering already-existing pornographic material by applying deepfake technology to the faces of the actors. The use of deepfake porn has sparked controversy because it involves the making and sharing of realistic videos featuring non-consenting individuals, typically female celebrities, and is sometimes used for revenge porn. Efforts are being made to combat these ethical concerns through legislation and technology-based solutions.

Everyone's Invited is an anti-rape movement organisation based in the United Kingdom, focused on exposing rape culture through "conversation, education and support." It was founded in June 2020 by Soma Sara, and allows survivors of rape culture to share their stories through testimonies shared anonymously on their website and Instagram profile.

References

  1. 1 2 3 4 5 6 7 8 9 Cormack 2023b.
  2. 1 2 3 4 5 Jessop 2023.
  3. 1 2 3 4 5 6 7 8 9 10 11 Cormack 2023a.
  4. 1 2 3 4 5 Singh 2023.
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Jones 2023.
  6. 1 2 Dray 2023.
  7. 1 2 3 4 5 6 Cormack 2023c.
  8. 1 2 C4 Press 2023.
  9. 1 2 Ellen 2023.
  10. 1 2 3 Ross 2023.
  11. 1 2 3 4 McBain 2023.
  12. Thinkbox 2023.
  13. BBC 2021.
  14. Cormack 2021.

Bibliography