Cornelia Claesdr Voogt | |
---|---|
Artist | Frans Hals |
Year | 1631 |
Catalogue | Hofstede de Groot, Catalog 1910: #211 |
Medium | Oil on panel |
Dimensions | 126.5 cm× 101 cm(49.8 in× 40 in) |
Location | Frans Hals Museum, Haarlem |
Portrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. The painting is an oil on panel and is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.
This painting was documented by Hofstede de Groot in 1910, who wrote:
201. CORNELIA CLAESDR. VOOGT (born 1578), wife of Nicolaes van der Meer. M. 54. Three-quarter-length. She sits in a large arm-chair, seen almost in full face, but slightly inclined to the left. She looks at the spectator. Her left hand rests on the arm of the chair, her right hand on her lap. She wears a cap, a black dress with a fur cape, a ruff, and lace wristbands. In the left-hand top corner hangs her coat-of-arms. [Pendant to 200.] Inscribed below the coat-of-arms, "AETAT SVAE 53 (and under this) ANo 1631"; panel, 51 inches by 40 inches. In the collection of Fabricius van Leyenburg. In the Haarlem Municipal Museum, bequeathed by Fabricius van Leyenburg in 1883; 1907 catalogue, No. 125. [1]
In 1974 Seymour Slive listed this painting as Hals' first example of a portrait at three-quarter length of a woman sitting in a chair. At that time both this painting and its pendant were considered completely original, so Slive then assumed that the Hals portrait of Cornelia's sister Maritge was influenced by this one because the sitters were sisters. [2] Today both this painting and its pendant are considered original Hals portraits, but x-ray photographs show different faces under the faces we see today, leading to the possibility that these portraits once belonged to other sitters. [3]
Husband and wife
Sisters
Jacobus Hendriksz Zaffius also known as Saffius or Saffio, was a Catholic pastor in Haarlem.
The Banquet of the Officers of the St George Militia Company in 1616 refers to the first of several large schutterstukken painted by the Dutch painter Frans Hals for the St. George civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum, Haarlem.
Isabella Coymans, was the Dutch wife of Stephanus Geraerdts best known for her portrait painted by Frans Hals.
Nicolaes Woutersz van der Meer was a Dutch brewer, magistrate and mayor of Haarlem, best known today for his portrait with its pendant of his wife Cornelia Claesdr Voogt, both painted by Frans Hals in 1631.
Willem Claesz Vooght (1572–1630), was a mayor of Haarlem best known today for the portrait painted of him by the painter Frans Hals.
Aletta Hanemans (1606–1653), was a Dutch brewer. She became the brewer of the Hoeffijser in Haarlem. She is best known today for her marriage portrait by Frans Hals, painted when she married the brewer, magistrate, and later mayor of Haarlem, Jacob Pietersz Olycan in 1624.
Claes Duyst van Voorhout is an oil-on-canvas portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1638 and now in the Metropolitan Museum of Art, New York City.
The Gypsy Girl, also known as Gypsy Girl or Young Woman (La Bohémienne)(and sometimes erroneously referred to as Malle Babbe) is an oil-on-wood painting by the Dutch Golden Age painter Frans Hals, painted in 1628–1630, and now in the Louvre Museum, in Paris. It is a tronie, a study of facial expression and unusual costume, rather than a commissioned portrait.
Portrait of a Woman Standing is a painting by the Dutch Golden Age painter Frans Hals, painted in 1610–1615 and now in Chatsworth House. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.
Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing, in the same museum.
Catharina Both van der Eem is a painting by the Dutch Golden Age painter Frans Hals, painted in 1620 and now in Louvre Museum. It is considered a pendant portrait to the Portrait of Paulus van Beresteyn, in the same museum.
Portrait of Cunera van Baersdorp is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in a private collection. It is considered a pendant portrait to the Portrait of a Man Standing, now identified as Cunera's husband Michiel de Wael.
Portrait of Maritge Claesdr. Vooght is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1639 and now in a private collection. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Pieter Jacobsz Olycan.
Portrait of Anna van der Aar is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1626 and now in the Metropolitan Museum of Art, in New York. It is considered a pendant portrait to that of her husband, the writer Petrus Scriverius.
Portrait of Catharina Brugman is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1634 and now in a private collection. It is considered a pendant to the portrait of Catharina's husband Tieleman Roosterman.
Portrait of Sara Wolphaerts van Diemen is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted around 1630–1633 and now in the Rijksmuseum, in Amsterdam. It is considered a pendant to the portrait of Sara's husband Nicolaes Hasselaer.
Portrait of Feyntje van Steenkiste is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted around 1635 and now in the Rijksmuseum, in Amsterdam. It is considered a pendant to the portrait of Feyntje's husband Lucas de Clercq.
Portrait of Maria Pietersdochter Olycan is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1638, now in the São Paulo Museum of Art. It is considered a pendant to the portrait of Maria's husband Andries van Hoorn.
Portrait of Hylck Boner is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1635 and now in the Frick Collection. It is considered a pendant to the portrait of Hylck's husband Johannes Saeckma.
Portrait of a Man is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted c. 1660 and now in the Frick Collection, New York City. The man has been mistakenly identified as Michiel de Ruyter.