Yonker Ramp and His Sweetheart | |
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Artist | Frans Hals |
Year | 1623 |
Catalogue | Seymour Slive, Catalog 1974: #20 |
Medium | Oil on canvas |
Dimensions | 105 cm× 79 cm(41 in× 31 in) |
Location | Metropolitan Museum of Art, Bequest of Benjamin Altman, 1913, New York City |
Accession | 14.40.602 |
Website | MET online |
Yonker Ramp and His Sweetheart is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1623 and now in the Metropolitan Museum of Art, New York City. The painting has also been titled as Young Man and Woman in an Inn or Portrait of Pieter Ramp.
The painting shows the face of a smiling woman leaning up against a young cavalier who is holding a flask above his head as if he has just taken it from her, apparently as part of a joke. With his left hand, the young cavalier is holding the head of a dog. The couple stand before a partially open curtain which shows a room beyond with a smiling man carrying a dish and a burning fireplace behind him.
The painting was for a long time considered to be a portrait of a young ensign of the Haarlem schutterij, Pieter Ramp. This has been rejected however as the female shows a strong resemblance to the young woman portrayed in Hals' Shrovetide Revellers. Both are considered to be genre works today, so the models could be anyone in Hals circle such as his children or pupils. In his 1910 catalog of Frans Hals works Hofstede de Groot noted this painting had a copy in London and wrote:
139. JUNKER RAMP AND HIS GIRL. B. 13 ; M. 209.- In an interior a young cavalier, seen to the hips, stands facing three-quarters right. He wears a doublet with lace collar and wristbands, and a broad-brimmed hat with a plume. In his right hand he holds up a wine-glass, at which he laughs heartily. He grasps with his left hand the head of a dog, which is in the right-hand bottom corner. Behind him to the right stands a girl who smiles at the spectator. She lays her right hand on his right shoulder, and touches his left shoulder with her left hand. In the right background is a chimney-piece with two long pictures. In front of it a young man comes forward; he looks towards the left and carries something. On the left, beside the chimney-piece, hangs another picture. Signed on the edge of the chimney-piece, F. Hals 1623; canvas on panel, 42 inches by 31 inches. A repetition of this picture is in the Heseltine collection [see 140]. Sales. J. A. Versijden van Varick, Leyden, October 29, 1791, No. 103 (130 florins). Copes van Hasselt of Haarlem, Amsterdam, April 20, 1880, No. 1. Pourtales, Paris. In the possession of the London dealer Duveen. In the collection of B. Altman, New York. [1]
In his 1989 catalog of the international Frans Hals exhibition (which did not include this painting because it can never be lent out) Slive claimed it is the only genre work by Hals that is dated. [2] Slive did mention in his discussion of Hals' Four evangelists that another interpretation is possible, namely that this painting could possibly be a Hals interpretation of the biblical Prodigal son . [3] In the same year that Slive was writing, Claus Grimm rejected the attribution of this painting to Frans Hals, though he conceded it was probably after a painting by Hals, calling it a copy of a lost original. [4]
Hals' positioning of the two figures with a major figure accompanied by "an accomplice" was common to many of his paintings of the 1620s:
Jacobus Hendriksz Zaffius also known as Saffius or Saffio, was a Catholic pastor in Haarlem.
The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute.
Shrovetide Revellers, also known as Merrymakers at Shrovetide, is a painting by the Dutch Golden Age painter Frans Hals, painted in around 1616–17. It is one of the earliest surviving works by Hals, and has been held by the Metropolitan Museum of Art, New York City since 1913. The painting shows people festivities at Shrovetide, an annual carnival of food and jollity which takes place before the Christian fasting season of Lent.
Claes Duyst van Voorhout is an oil-on-canvas portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1638 and now in the Metropolitan Museum of Art, New York City.
Young Man with a Skull is an oil on canvas painting by the Dutch Golden Age painter Frans Hals, created in 1626-1628, now in the National Gallery, in London. The painting was previously thought to be a depiction of Shakespeare's Hamlet holding the skull of Yorick, but is now considered to be a vanitas, a reminder of the precarious nature of life and the inevitability of death.
Laughing Fisherboy is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1628 and now in Westphalia.
Willem van Heythuysen posing with a sword is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625-1630, and now in the Alte Pinakothek, in Munich. It shows the Haarlem cloth merchant Willem van Heythuysen in a theatrical pose with a rapier.
St. Mark is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625. It was purchased by Russian philanthropist Alisher Usmanov from the art dealer Colnaghi, London in September 2013 for the Pushkin Museum and donated by him to that museum in November that year, where it still hangs.
Portrait of a Woman Standing is a painting by the Dutch Golden Age painter Frans Hals, painted in 1610–1615 and now in Chatsworth House. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.
Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing, in the same museum.
Catharina Both van der Eem is a painting by the Dutch Golden Age painter Frans Hals, painted in 1620 and now in Louvre Museum. It is considered a pendant portrait to the Portrait of Paulus van Beresteyn, in the same museum.
Portrait of Cunera van Baersdorp is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in a private collection. It is considered a pendant portrait to the Portrait of a Man Standing, now identified as Cunera's husband Michiel de Wael.
Portrait of Maritge Claesdr. Vooght is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1639 and now in a private collection. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Pieter Jacobsz Olycan.
Portrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. The painting is an oil on panel and is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.
Portrait of Feyntje van Steenkiste is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted around 1635 and now in the Rijksmuseum, in Amsterdam. It is considered a pendant to the portrait of Feyntje's husband Lucas de Clercq.
Portrait of Maria Pietersdochter Olycan is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1638, now in the São Paulo Museum of Art. It is considered a pendant to the portrait of Maria's husband Andries van Hoorn.
Portrait of Hylck Boner is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1635 and now in the Frick Collection. It is considered a pendant to the portrait of Hylck's husband Johannes Saeckma.
Portrait of a Dutch Family is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted c. 1635 and now in the Cincinnati Art Museum, Cincinnati.
Family Group in a Landscape is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted c. 1645-1648, and now in the Museo Thyssen-Bornemisza, in Madrid.
Portrait of a Man is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted c. 1660 and now in the Frick Collection, New York City. The man has been mistakenly identified as Michiel de Ruyter.