"Frans Hals" | ||||
---|---|---|---|---|
Single by McCarthy | ||||
B-side |
| |||
Released | March 1987 | |||
Genre | Indie pop | |||
Label | Pink Label | |||
Songwriter(s) | Malcolm Eden | |||
McCarthy singles chronology | ||||
|
"Frans Hals" is a single by McCarthy released in March 1987; their last on Pink Label. The b-sides were "The Fall (remix)" and "Kill Kill Kill Kill" and "Frans Hals (version)".
The single is not on any of the group's three studio albums. It can be found on the releases A La Guillotine and That's All Very Well But... .
Dutch Golden Age painter Frans Hals was the subject of the song and the lyrics were inspired by John Berger's comments on Hals in his 1972 book, Ways of Seeing .
Frans Hals the Elder was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem.
The Frans Hals Museum is a museum located in Haarlem, the Netherlands.
Judith Jans Leyster was a Dutch Golden Age painter of genre works, portraits, and still lifes. Her work was highly regarded by her contemporaries, but largely forgotten after her death. Her entire oeuvre came to be attributed to Frans Hals or to her husband, Jan Miense Molenaer. In 1893, she was rediscovered and scholars began to attribute her works properly.
McCarthy were a British indie pop band, formed in Barking, Greater London, England in 1984 by schoolmates Malcolm Eden and Tim Gane with John Williamson and Gary Baker (drums). Lætitia Sadier later joined the band on vocals for their final studio album.
That's All Very Well But... is a best-of compilation of the band McCarthy.
Dirck Hals, born at Haarlem, was a Dutch Golden Age painter of merry company scenes, festivals and ballroom scenes. He played a role in the development of these types of genre painting. He was somewhat influenced by his elder brother Frans Hals, but painted few portraits.
Malle Babbe is a painting by the Dutch Golden Age painter Frans Hals, painted c. 1633-1635, and now in the Gemäldegalerie, in Berlin. The painting has also been titled as Hille Bobbe or the Witch of Haarlem. It was traditionally interpreted as a tronie, or genre painting in a portrait format, depicting a mythic witch-figure. The painting is now often identified as a genre-style portrait of a specific individual from Haarlem, known as Malle Babbe, who may have been an alcoholic or suffered from a mental illness.
Banquet of the officers of the Calivermen Civic Guard, Haarlem formerly known as The Banquet of the Officers of the St Adrian Militia Company in 1627, refers to a schutterstuk painted by Frans Hals, in 1627, for the St. Adrian civic guard of Haarlem. Today it is considered one of the main attractions of the Frans Hals Museum, in Haarlem.
The Banquet of the Officers of the St George Militia Company is an oil-on-canvas painting by the Dutch artist Frans Hals, painted from 1626 - 1627, during the Dutch Golden Age. Today, the piece is considered one of the main attractions of the Frans Hals Museum.
The Officers of the St George Militia Company in 1639 refers to the last and largest schuttersstuk painted by Frans Hals for the St. George civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum in Haarlem.
The Merry Drinker is an oil-on-canvas painting by Dutch artist Frans Hals, from c. 1628–1630. The painting has dimensions of 81 by 66.5 centimeters. It is in the collection of the Rijksmuseum, in Amsterdam.
The Regentesses of the Old Men's Almshouse Haarlem is a regents group portrait of four regentesses and their servant painted by Frans Hals, c. 1664, for the Oude Mannenhuis in Haarlem, the Netherlands. It forms a pendant with the Regents of the Old Men's Almshouse.
The Regents of the Old Men's Almshouse is a regents group portrait of five regents and their servant painted by Frans Hals in 1664 for the Oude Mannenhuis in Haarlem, the Netherlands. It forms a pendant with the Regentesses of the Old Men's Almshouse.
The Gypsy Girl, also known as Gypsy Girl, is an oil-on-wood painting by the Dutch Golden Age painter Frans Hals, painted in 1628-1630, and now in the Louvre Museum, in Paris. It is a tronie, a study of facial expression and unusual costume, rather than a commissioned portrait. The display of cleavage was not a common feature of costume seen in public in Hals' time and place.
St. Luke is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in the Odesa Museum of Western and Eastern Art.
St. Matthew is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in the Odesa Museum of Western and Eastern Art, Odesa.
St. Mark is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625. It was purchased by Russian philanthropist Alisher Usmanov from the art dealer Colnaghi, London in September 2013 for the Pushkin Museum and donated by him to that museum in November that year, where it still hangs.
Portrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. The painting is an oil on panel and is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.
The Portrait of a Man in a Wide-Brimmed Hat is a work by the Dutch Golden-Age artist Frans Hals. It was painted in about 1625–1635 and hangs in the Herzogliches Museum, part of the Friedenstein Palace complex at Gotha, Germany. It was stolen in 1979, recovered in 2019, and restored in 2020–2021.