| Man with a Beer Jug | |
|---|---|
 Man with a Beer Jug, c.1630, oil on canvas, 83 cm x 66 cm | |
| Artist | Frans Hals |
| Year | c. 1630 |
| Catalogue | Seymour Slive, Catalog 1974: #74 |
| Medium | Oil on canvas |
| Dimensions | 83 cm× 66 cm(33 in× 26 in) |
| Location | Private collection |
Man with a Beer Jug is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in the early 1630s, now in a private collection.
This painting was documented by Seymour Slive in 1974, who claimed that it was in the collection of Henry Reichhold in White Plains, New York. [1] The figure of a red deer on the front of the beer jug corresponds with the house name "Het Rode Hert" of the Haarlem beer brewer Cornelis Guldewagen, whose portrait was painted by Hals in 1660. Though the genre of the work is similar to works painted by Hals in the early thirties, the rough brush strokes are more similar to his work in the sixties. Possibly, the man with the jug and Guldewagen himself are the same:
In an old genre painting of Haarlem from the 1650s, a man is transporting beer jugs with a horse-drawn sled. The jugs have a red deer on them, the symbol of Guldewagen's brewery: [2]
Frans Hals the Elder was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem.
Malle Babbe is a painting by the Dutch Golden Age painter Frans Hals, painted c. 1633-1635, and now in the Gemäldegalerie, in Berlin. The painting has also been titled as Hille Bobbe or the Witch of Haarlem. It was traditionally interpreted as a tronie, or genre painting in a portrait format, depicting a mythic witch-figure. The painting is now often identified as a genre-style portrait of a specific individual from Haarlem, known as Malle Babbe, who may have been an alcoholic or suffered from a mental illness.
Isabella Coymans, was the Dutch wife of Stephanus Geraerdts best known for her portrait painted by Frans Hals.
Laughing Boy is a circular oil-on-panel painting by the Dutch artist Frans Hals. It belongs to the tronie genre and was painted around 1625. It is in the collection of the Mauritshuis.
The Merry Drinker is an oil-on-canvas painting by Dutch artist Frans Hals, from c. 1628–1630. The painting has dimensions of 81 by 66.5 centimeters. It is in the collection of the Rijksmuseum, in Amsterdam.
Henricus Petrus Baard, was director of the Frans Hals Museum from 1946-1972.
Yonker Ramp and His Sweetheart is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1623 and now in the Metropolitan Museum of Art, New York City. The painting has also been titled as Young Man and Woman in an Inn or Portrait of Pieter Ramp.
Claes Duyst van Voorhout is an oil-on-canvas portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1638 and now in the Metropolitan Museum of Art, New York City.
The Gypsy Girl is an oil-on-wood painting by the Dutch Golden Age painter Frans Hals, painted in 1628-1630, and now in the Louvre Museum, in Paris. It is a tronie, a study of facial expression and unusual costume, rather than a commissioned portrait. The display of cleavage was not a common feature of costume seen in public in Hals' time and place.
St. Mark is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625. It was purchased by Russian philanthropist Alisher Usmanov from the art dealer Colnaghi, London in September 2013 for the Pushkin Museum and donated by him to that museum in November that year, where it still hangs.
Catharina Both van der Eem is a painting by the Dutch Golden Age painter Frans Hals, painted in 1620 and now in Louvre Museum. It is considered a pendant portrait to the Portrait of Paulus van Beresteyn, in the same museum.
Portrait of Cunera van Baersdorp is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in a private collection. It is considered a pendant portrait to the Portrait of a Man Standing, now identified as Cunera's husband Michiel de Wael.
Portrait of Maritge Claesdr. Vooght is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1639 and now in a private collection. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Pieter Jacobsz Olycan.
Portrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. The painting is an oil on panel and is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.
Portrait of Maria Pietersdochter Olycan is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1638, now in the São Paulo Museum of Art. It is considered a pendant to the portrait of Maria's husband Andries van Hoorn.
Portrait of Hylck Boner is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1635 and now in the Frick Collection. It is considered a pendant to the portrait of Hylck's husband Johannes Saeckma.
Family Group in a Landscape is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted c. 1645-1648, and now in the Museo Thyssen-Bornemisza, in Madrid.
Portrait of Mrs. Bodolphe is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1643 as half of a pair of pendant marriage portraits and is still together with its pendant in the Yale University Art Gallery, New Haven, Connecticut.
Portrait of a Man is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted c. 1660 and now in the Frick Collection, New York City. The man has been mistakenly identified as Michiel de Ruyter.
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