| St. Luke | |
|---|---|
 St. Luke, c.1625 Oil on canvas, 70 x 55 cm | |
| Artist | Frans Hals |
| Year | 1625 |
| Catalogue | Seymour Slive, Catalog 1974: #43 |
| Medium | Oil on canvas |
| Dimensions | 70 cm× 55 cm(28 in× 22 in) |
| Location | Odesa Museum of Western and Eastern Art, Odesa |
| Accession | 181 |
St. Luke is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in the Odesa Museum of Western and Eastern Art.
The painting shows St. Luke sitting at a desk reading with an ox at his elbow. [1] This painting was documented in the 18th century but was considered lost until the 1950s, when two tronies were discovered languishing in the storerooms of the Odesa Museum of Western and Eastern Art in 1958 by art historian Irina Linnik. At the time they were considered to be by unknown 19th-century painters, but Linnik recognized them as the work of a 17th-century master and eventually traced their history back to the 17th century, identifying them as two of four lost paintings by Hals of the evangelists, namely Luke and Matthew. [2] [3] After her work was published in 1959, the two paintings were included in the 1962 Frans Hals exhibition in the Frans Hals Museum. The international attention helped to spur art detectives and eventually the other two of John and Mark were also rediscovered.
In his 1989 catalog of the international Frans Hals exhibition, Slive included a detail of Hals' The Banquet of the Officers of the St Adrian Militia Company in 1627 with the head of Johan Damius to show that he was the probable model for St. Luke, though with a bit less hair. [4]
Damius and Luke:
The four evangelists by Hals:
Frans Hals the Elder was a Dutch Golden Age painter, chiefly of individual and group portraits and of genre works, who lived and worked in Haarlem.
Malle Babbe is a painting by the Dutch Golden Age painter Frans Hals, painted c. 1633-1635, and now in the Gemäldegalerie, in Berlin. The painting has also been titled as Hille Bobbe or the Witch of Haarlem. It was traditionally interpreted as a tronie, or genre painting in a portrait format, depicting a mythic witch-figure. The painting is now often identified as a genre-style portrait of a specific individual from Haarlem, known as Malle Babbe, who may have been an alcoholic or suffered from a mental illness.
The Banquet of the Officers of the St George Militia Company in 1616 refers to the first of several large schutterstukken painted by the Dutch painter Frans Hals for the St. George civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.
Isabella Coymans, was the Dutch wife of Stephanus Geraerdts best known for her portrait painted by Frans Hals.
Pieter Biesboer, is a Dutch art historian and prolific writer on 17th-century Dutch art. His specialty is art from Haarlem.
Odesa Museum of Western and Eastern Art is a museum of Fine Arts on Pushkin street in Odesa, Ukraine.
Henricus Petrus Baard, was director of the Frans Hals Museum from 1946-1972.
Yonker Ramp and His Sweetheart is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1623 and now in the Metropolitan Museum of Art, New York City. The painting has also been titled as Young Man and Woman in an Inn or Portrait of Pieter Ramp.
Shrovetide Revellers, also known as Merrymakers at Shrovetide, is a painting by the Dutch Golden Age painter Frans Hals, painted in around 1616–17. It is one of the earliest surviving works by Hals, and has been held by the Metropolitan Museum of Art, New York City since 1913. The painting shows people festivities at Shrovetide, an annual carnival of food and jollity which takes place before the Christian fasting season of Lent.
Claes Duyst van Voorhout is an oil-on-canvas portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1638 and now in the Metropolitan Museum of Art, New York City.
The Gypsy Girl, also known as Gypsy Girl, is an oil-on-wood painting by the Dutch Golden Age painter Frans Hals, painted in 1628-1630, and now in the Louvre Museum, in Paris. It is a tronie, a study of facial expression and unusual costume, rather than a commissioned portrait. The display of cleavage was not a common feature of costume seen in public in Hals' time and place.
Laughing Fisherboy is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1628 and now in Westphalia.
St. Matthew is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in the Odesa Museum of Western and Eastern Art, Odesa.
St. Mark is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625. It was purchased by Russian philanthropist Alisher Usmanov from the art dealer Colnaghi, London in September 2013 for the Pushkin Museum and donated by him to that museum in November that year, where it still hangs.
Portrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. The painting is an oil on panel and is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.
Man with a Beer Jug is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in the early 1630s, now in a private collection.
Portrait of Maria Pietersdochter Olycan is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1638, now in the São Paulo Museum of Art. It is considered a pendant to the portrait of Maria's husband Andries van Hoorn.
Portrait of a Man is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted c. 1660 and now in the Frick Collection, New York City. The man has been mistakenly identified as Michiel de Ruyter.
Irina Vladimirovna Linnik was a prominent Russian art historian. Considered an icon in Dutch art history and a leading specialist in Western European painting, Linnik's work was mainly concerned with the identification and attribution of 17th-century paintings from the Low Countries, France and Italy. Over the course of her career she identified, attributed and re-attributed around 250 different paintings.
