The following is the list of 145 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Claus Grimm in 1989. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own. Most of these works are still considered autograph, though one has since been reattributed to Judith Leyster. In addition to this list, Grimm added comments and additional entries to Seymour Slive's lists of lost and doubtful paintings. He also rejected several Slive attributions, making his list is considerably shorter. The autograph catalogue entries are as follows:
Cat. no. | Image | Title | Year | Size | Inventory no. | Gallery | Location |
---|---|---|---|---|---|---|---|
1 | Portrait of Jacobus Zaffius (fragment of original?) | 1611 | 54.6 x 41.2 cm | OSI-511/486 | Frans Hals Museum | Haarlem | |
2 | Portrait of an unknown man | 1612–1616 | 73.7 × 55.2 cm | 32.821 | Brooklyn Museum | New York City, NY | |
3 | Portrait of Pieter Cornelisz van der Morsch | 1616 | 88.1 x 69.5 cm | 61.42.2 | Carnegie Museum of Art | Pittsburgh, PA | |
4 | The Banquet of the Officers of the St George Militia Company in 1616 | 1616 | 175 × 324 cm | OSI-109 | Frans Hals Museum | Haarlem | |
5 | Portrait of Catharina Hooft with her Nurse | 1619–1620 | 86 x 65 cm | 801G | Gemäldegalerie | Berlin | |
6 | Portrait of an unknown man with a skull in his hand | c.1611 | 94 × 72.5 cm | 38.6 (pendant to 267) | The Barber Institute of Fine Arts | Birmingham | |
7 | Portrait of a Woman Standing | c.1611 | 94.2 × 71.1 cm | 267 (pendant to 38.6) | Devonshire Collection | Chatsworth House | |
8 | Portrait of an unknown woman (face later replaced and landscape background added) | c.1618 | 112 x 91 cm | private collection | Toronto, Canada | ||
9 | Portrait of an unknown man | 1619 | 89 x 76 cm | 1366 | Musée des Beaux-Arts de Dijon | Dijon | |
10 | Portrait of Paulus van Beresteyn | 1620s | 137.1 x 104 cm | R.F. 424 (pendant to R.F. 425) | Musée du Louvre | Paris | |
11 | Portrait of the family Gijsbert Claesz van Campen (fragment; baby in lower left added by Salomon de Bray in 1628) | c. 1620 | 151 × 163.6 cm | left part of 4732 | Toledo Museum of Art | Toledo, OH | |
12 | Portrait of Three Children with a Goat Cart (fragment of Gijsbert Claesz van Campen family group) | c. 1620 | 152 x 107.5 cm | 4732 (right fragment) | Koninklijke Musea voor Schone Kunsten of Belgium | Brussels | |
13 | Sitting boy, possible fragment of the portrait of the family Gijsbert Claesz van Campen | 1621–1622 | 52 x 45.7 cm | Private collection | Brussels | ||
14 | Portrait of a Man Standing (Kassel) | 1618–1620 | 102.5 × 79 cm | 213 (pendant to 214) | Museum Schloss Wilhelmshöhe | Kassel, DE | |
15 | Portrait of a Woman Standing (Kassel) | 1618–1620 | 103 × 82.5 cm | 214 (pendant to 213) | Museum Schloss Wilhelmshöhe | Kassel, DE | |
16 | (Possibly) portrait of Isaac Massa | 1622 | 107 × 85 cm | Devonshire Collection | Chatsworth House | ||
17 | The Smoker, also known as "Three Heads" | 1623–1625 | 46.7 x 49.5 cm | 89.15.34 | The Metropolitan Museum of Art | New York City, NY | |
18 | Portrait of Tieleman Roosterman (the Laughing Cavalier ) | 1624 | 83 x 67 cm | 84 | The Wallace Collection | London | |
19 | Laughing boy | c. 1625 | 30.45 cm diameter | 1032 | Mauritshuis | The Hague | |
20 | Portrait of a Bearded Man with a Ruff | 1625 | 76.2 x 63.5 cm | 49734 | The Metropolitan Museum of Art | New York City, NY | |
21 | Portrait of Jacob Pietersz Olycan | 1625 | 124.6 x 97.3 cm | 459 (pendant to 460) | Mauritshuis | The Hague | |
22 | Portrait of Aletta Hanemans (1606–1653) | 1625 | 124.8 x 98.2 cm | 460 (pendant to 459) | Mauritshuis | The Hague | |
23 | Portrait of Willem van Heythuysen posing with a sword | 1625–1630 | 204.5 x 134.5 cm | 14101 | Alte Pinakothek | Munich | |
24 | The Lute Player (Hals) | c. 1623–1624 | 70 x 62 cm | R.F. 1984-32 | Musée du Louvre | Paris | |
25 | Portrait of a man with beard and ruff collar | c. 1630 | 68.5 × 56.5 cm | private collection | unknown | ||
26 | Marriage Portrait of Isaac Massa and Beatrix van der Laen | 1622 | 140 x 166.5 cm | A 133 | Rijksmuseum, Amsterdam | Amsterdam | |
27 | The Banquet of the Officers of the St Adrian Militia Company in 1627 | 1627 | 183 × 266.5 cm | OSI-111 (1913) | Frans Hals Museum | Haarlem | |
28 | Young woman (The Gypsy Girl - Malle Babbe) | c. 1625 | 57.8 x 52.1 cm | M.I. 926 | Musée du Louvre | Paris | |
29 | Portrait of Michiel de Wael | 1625 | 121 x 95.8 cm | 1931.45O | Taft Museum of Art | Cincinnati, OH | |
30 | Portrait of Isaak Abrahamsz. Massa | 1626 | 79.7 × 65.1 cm | 54/31 | The Art Gallery of Ontario | Toronto, Canada | |
31 | Portrait of Michiel Jansz van Middelhoven (1562–1638) | 1610–1626 | 87 x 70 cm | Collection Adolphe Schloss | unknown | ||
32 | Portret van Sara Andriesdr Hessix | 1626 | 87 x 70 cm | Museu Calouste Gulbenkian | Lisbon | ||
33 | Boy with a Glass and a Lute | 1625–1630 | 100 x 90 cm | Guildhall Art Gallery | London | ||
34 | Young Man with a Skull | c. 1626–28 | 92.2 x 80.8 cm | NG6458 | National Gallery | London | |
35 | Portrait of a Woman in a Chair | 1627 | 87 x 67 cm | 1954.287 | The Art Institute of Chicago | Chicago, IL | |
36 | The Banquet of the Officers of the St George Militia Company in 1627 | 1627 | 179 × 257.5 cm | OSI-110 | Frans Hals Museum | Haarlem | |
37 | Boy with flute | 1623–1625 | 62 x 55 cm | 801A | Gemäldegalerie | Berlin | |
38 | Two singing boys with a lute and a music book | 1620–1625 | 76 x 52 cm | GK 215 | Museum Schloss Wilhelmshöhe | Kassel, DE | |
39 | Portrait of a man with the jawbone of a cow in his hand (Pieter Verdonck) | c. 1627 | 46.7 x 35.6 cm | NG1200 | National Gallery of Scotland | Edinburgh | |
40 | Two laughing boys with mug of beer | 1626–1627 | 68 x 56.5 cm | Br.L.4 | Museum Boijmans Van Beuningen | Rotterdam | |
41 | The evangelist Luke | 1625 | 70 x 55 cm | 181 | Odessa Museum of Western and Eastern Art | Odessa | |
42 | The evangelist Matthew | 1625 | 70 x 55 cm | 180 | Odessa Museum of Western and Eastern Art | Odessa | |
43 | The evangelist Mark | 1625–1630 | 68 × 52 cm | Pushkin Museum | Moscow | ||
44 | Portrait of an unknown man | 1625–1649 | 115.5 x 91.5 cm | 1910.1.69 | The Frick Collection | New York City, NY | |
45 | Portrait of Lucas de Clercq (....-1652) | c. 1635 | 126.5 x 93 cm | SK-C-556 (pendant to SK-C-557) | Rijksmuseum | Amsterdam | |
46 | Boy with a glass and a pewter jug | 1625–1630 | 38 cm diameter | G2476 | Staatliches Museum Schwerin | Schwerin | |
47 | Laughing boy with a flute | 1625–1630 | 37.3 cm diameter | G2475 | Staatliches Museum Schwerin | Schwerin | |
48 | Portrait of a seated young man with a broad brim hat | 1626–1929 | 29.3 × 23.2 cm | 1940.1.12 | National Gallery of Art | Washington, D.C | |
49 | Portrait of a man with a pleated collar | 1634 | 68 x 58 cm | Museo Nacional de San Carlos | Mexico City | ||
50 | Portrait of Cunera van Baersdorp | 1625 | 116.7 x 91.5 cm | Private collection | England | ||
51 | The Merry Drinker | 1630 | 81 x 66.5 cm | SK A 135 | Rijksmuseum | Amsterdam | |
52 | Portrait of Cornelis Coning | 1630 | 106.5 × 81 cm | 1981.030.000 | Allentown Art Museum | Allentown, Pennsylvania | |
53 | Portrait of an unknown man with gloves | 1630 | 116,8 x 90,2 cm | RCIN 405349 | Royal Collection | London | |
54 | Young woman (by Frans Hals) with a display of fruit and vegetables (by Claes van Heussen) | 1630 | 157 x 200 cm | private collection | London | ||
55 | Portrait of an unknown man | 1630–1633 | 75 × 58 cm | 800 (pendant of 801) | Gemäldegalerie | Berlin | |
56 | Portrait of Nicolaes Woutersz van der Meer | 1631 | 128 x 100.5 cm | OSI-117 (pendant to OSI-118) | Frans Hals Museum | Haarlem | |
57 | Portrait of Cornelia Claesdr Vooght | 1631 | 126.5 x 101 cm | OSI-118 (pendant to OSI-117) | Frans Hals Museum | Haarlem | |
58 | The 'Mulatto' | 1628–1630 | 72 x 57.5 cm | 1017 | Museum der bildenden Künste | Leipzig | |
59 | Laughing man with crock, known as 'Peeckelhaeringh' | c. 1628–1630 | 75 x 61.5 cm | 216 | Museum Schloss Wilhelmshöhe | Kassel, DE | |
60 | The Officers of the St Adrian Militia Company in 1633 | 1633 | 207 x 337 cm | OSI-112 | Frans Hals Museum | Haarlem | |
61 | Portrait of Pieter van der Broecke | 1633 | 71.2 x 61 cm | cat.51 | Kenwood House | London | |
62 | Portrait of an Elderly Lady | 1633 | 102.5 × 86.9 cm | 1937.1.67 | National Gallery of Art | Washington, D.C | |
63 | Portrait of a Man in his Thirties | 1633 | 64.8 x 50.2 cm | cat.1251 | National Gallery | London | |
64 | Portrait of an old woman in ruff collar and diadem cap | c. 1633 | 40 x 37.5 cm | Private collection | unknown | ||
65 | Portrait of a man in a Yellowish-gray Jacket | c.1633 | 24.5 × 19.5 cm | 1358 | Gemäldegalerie Alte Meister | Dresden | |
66 | Portrait of a man in a Black Jacket | c.1633 | 24.5 x 20 cm | 1359 | Gemäldegalerie Alte Meister | Dresden | |
67 | Portrait of a man with hat | c. 1634 | 24.5 x 19.5 cm | 618 | Mauritshuis | The Hague | |
68 | Portrait of an unknown man | 1634 | 73 x 54 cm | Timken Museum of Art | San Diego, CA | ||
69 | Portrait of an unknown woman | 1634 | 73.0 x 56.2 cm | 23.27 | Detroit Institute of Arts | Detroit, MI | |
70 | The company of Captain Reinier Reael and Lieutenant Cornelis Michielsz. Blaeuw, known as the ‘Meagre Company’ | 1633–1637 | 209 x 429 cm | SK C 374 | Rijksmuseum | Amsterdam | |
71 | Portrait of an unknown man | 1634 | 82.5 × 70 cm | 4158 | Szépmüvészeti Múzeum | Budapest | |
72 | Portrait of a young woman aged 28 | 1634 | 112.2 x 83.2 cm | 51.107 | Baltimore Museum of Art | Baltimore, MD | |
73 | Portrait of Nicolaes Hasselaer (1593–1635). Brewer, Captain-major of the Amsterdam civic guard | c. 1630–1633 | 79.5 × 66.5 cm | SK A 1246 (pendant to SK A 1247) | Rijksmuseum | Amsterdam | |
74 | Portrait of Sara Wolphaerts van Diemen (1593–1667 | c. 1630–1633 | 79.5 × 66.5 cm | SK-A-1247 (pendant to SK A 1246) | Rijksmuseum | Amsterdam | |
75 | Portrait of an officer | 1631 | 88 × 66 cm | Museo de Arte de São Paulo | São Paulo | ||
76 | Portrait of Tieleman Roosterman | 1634 | 117 × 87 cm | 1999.173 | The Cleveland Museum of Art | Cleveland, OH | |
77 | Portrait of Catharina Brugmans | 1634 | 115 x 85 cm | (pendant to 1999.173) | private collection | The Hague | |
78 | Portrait of an unknown woman | 1630–1633 | 75 × 58 cm | 801 (pendant of 800) | Gemäldegalerie | Berlin | |
79 | Portrait of a man, incorrectly called Johannes Saeckma (1572–1636) | c.1635 | 121 x 90 cm | 1276 (possible pendant of 72) | Museum Boijmans Van Beuningen | Rotterdam | |
80 | Portrait of a woman, incorrectly called Hylck Boner | 1635 | 116.5 x 93.3 cm | 1910.1.72 | The Frick Collection | New York City, NY | |
81 | Portrait of Claes Duyst van Voorhout | c.1638 | 80.6 x 66 cm | The Metropolitan Museum of Art | New York City, NY | ||
82 | Portrait of (possibly) Maria Larp ( -1675) | 1635–1638 | 83.4 x 68.1 cm | 6413 | National Gallery | London | |
83 | Portrait of an unknown man | c.1638 | 78.9 x 63.5 cm | Kremer collection | unknown | ||
84 | Portrait of a Gentleman in White | 1637 | 67.5 × 57 cm | L55.45 | California Palace of the Legion of Honor | San Francisco, CA | |
85 | Portrait of a man facing left | 1637 | 67.5 x 57 cm | Staatsgalerie Stuttgart | Stuttgart | ||
86 | Portrait of a woman facing right and holding a fan | 1637 | 67.5 x 57 cm | Stuttgart Staatsgalerie | Stuttgart | ||
87 | Portrait of a standing man holding a glove | 1637 | 93 x 67 cm | private collection | unknown | ||
88 | Portrait of a standing woman holding a glove | 1637 | 93 x 67 cm | private collection | unknown | ||
89 | Portrait of Jean de la Chambre | 1638 | 20.6 x 16.8 cm | 6411 | National Gallery | London | |
90 | Boy Pointing | c.1638 | 41.5 x 39 cm | private collection | London | ||
91 | Portrait of Aeltje Dircksdr. Pater (1597–1678) | 1638 | 66.5 × 52.3 cm | 1948.137 | The Cleveland Museum of Art | Cleveland, OH | |
92 | Portrait of Pieter Tjarck | 1635–1638 | 85.25 x 69.09 cm | M.74.31 | Los Angeles County Museum of Art | Los Angeles, CA | |
93 | Portrait of an unknown 38-year-old man | 1638 | 89 x 69.8 cm | Nationalmuseum | Stockholm | ||
94 | Portrait of an unknown 41-year-old woman | 1638 | 89.1 x 70.2 cm | Nationalmuseum | Stockholm | ||
95 | Portrait of Captain Andries van Hoorn | 1638 | 86 × 67 cm | 185 P (pendant to 186 P) | São Paulo Museum of Art | São Paulo | |
96 | Portrait of Maria Pietersdr Olycan | 1638 | 86 × 67 cm | 186 P (pendant to 185 P) | São Paulo Museum of Art | São Paulo | |
97 | Portrait of an unknown man | 1638 | 94.4 × 70.5 cm | 77 (pendant of 78) | Städel Museum | Frankfurt am Main | |
98 | Portrait of an unknown woman | 1638 | 94.4 × 70.5 cm | 78 (pendant of 77) | Städel Museum | Frankfurt am Main | |
99 | portrait of a 52-year-old man with ruff collar holding a hat | 1639 | 115 x 89.5 cm | private collection | unknown | ||
100 | Portrait of a Member of the Haarlem Civic Guard | 1636–1638 | 86 × 69 cm | 1937.1.68 | National Gallery of Art | Washington, D.C | |
101 | Portrait of Pieter Jacobsz Olycan | c. 1639 | 111.1 x 86.7 cm | sn251 | The John and Mable Ringling Museum of Art | Sarasota, FL | |
102 | Portrait of Maritge Claesdr. Voogt (1572–1644) | 1639 | 128 x 94.5 cm | SK-C-139 | Rijksmuseum | Amsterdam | |
103 | Portrait of an unknown woman with folded hands | 1644–1645 | 61.4 x 47 cm | National Gallery | London | ||
104 | Portrait of a sitting woman in a painted oval | 1639 | 69.5 x 58 cm | stolen from Kunstmuseum Düsseldorf | unknown | ||
105 | The Officers of the St George Militia Company in 1639 | 1639 | 218 × 421 cm | OSI-113 | Frans Hals Museum | Haarlem | |
106 | Portrait of a man, possibly Johan de Wael (1594–1663) | 1638 | 69.7 x 54 cm | (pendant of 1948.137) | Private collection | Germany | |
107 | Portrait of an unknown man, possibly Albert van Nierop | c.1640 | 120 x 95 cm | WRM 2529 (pendant of WRM 2530) | Wallraf-Richartz-Museum | Cologne | |
108 | Portrait of an unknown woman, possibly Cornelia van der Meer | c.1640 | 120 x 94.5 cm | WRM 2530 (pendant of WRM 2529) | Wallraf-Richartz-Museum | Cologne | |
109 | Portrait of a man facing right | 1640–1642 | 29.5 x 23.5 cm | Staatliche Kunstsammlungen | Kassel, DE | ||
110 | Portrait of a man facing left | 1640–1642 | 30.5 x 24.5 cm | Staatliche Kunstsammlungen | Kassel, DE | ||
111 | Drinking woman (Malle Babbe) with an owl on her shoulder | 1630–1635 | 75 x 64 cm | 801C | Gemäldegalerie | Berlin | |
112 | Regenten of the Grote of St. Elisabeth Gasthuis, Haarlem 1641 | 1641 | 153 x 252 cm | OSI-114 | Frans Hals Museum | Haarlem | |
113 | Portrait of Mr. Bodolphe | 1643 | 122.4 × 97.5 cm | 1961.18.23 (pendant to 1961.18.24) | Yale University Art Gallery | New Haven, CT | |
114 | Portrait of Mrs. Bodolphe | 1643 | 122.4 × 97.5 cm | 1961.18.24 (pendant to 1961.18.23) | Yale University Art Gallery | New Haven, CT | |
115 | Portrait of an elderly man facing right with hat and ruff collar | 1643 | 92.7 x 75 cm | private collection | unknown | ||
116 | Portrait of a man | 1640–1642 | 79.2 x 65.3 cm | Kiel, Schloss Museum | Kiel | ||
117 | Portrait of an unknown woman | 1640–1642 | 78 x 65 cm | Coburg, Veste Coburg | Coburg, DE | ||
118 | Portrait of Paulus Verschueren (1606–1667) | 1643 | 118.7 × 94 cm | 26.101.11 | The Metropolitan Museum of Art | New York City, NY | |
119 | Fragment of a male portrait | 1643–1644 | 39 x 31.5 cm | private collection | unknown | ||
120 | Portrait of Joseph Coymans | 1644 | 33 x 27 1/2 in | (pendant to 1938.231) | Wadsworth Atheneum | Hartford, CT | |
121 | Portrait of Dorothea Berck | 1644 | 83.8 × 69.6 cm | 1938.231 | Baltimore Museum of Art | Baltimore, MD | |
122 | Portrait of an artist (possibly Harmen Hals) | 1644 | 82.6 x 64.8 cm | 94.1023 | The Art Institute of Chicago | Chicago, IL | |
123 | Portrait of a man, possibly Adriaen Jansz. van Ostade (1610–1685) | 1645–1648 | 94 × 75 cm | 1937-1-70 | National Gallery of Art | Washington, D.C | |
124 | Portrait of a standing man holding a glove | 1644–1645 | 88 x 65 cm | private collection | unknown | ||
125 | Portrait of a young man with folded arms | 1644 | 79.5 x 58.4 cm | private collection; on loan to FHM | Haarlem | ||
126 | Portrait of Jasper Schade van Westrum | 1645 | 80 × 67.5 cm | O638 | National Gallery in Prague | Prague | |
127 | Portrait of Willem Coymans, a.k.a. Balthasar Coymans | 1645 | 77 × 64 cm | 1937.1.69 | National Gallery of Art | Washington, D.C | |
128 | Portrait of Johannes Hoornbeeck | 1645 | 80 x 68 cm | 2245 | Koninklijke Musea voor Schone Kunsten of Belgium | Brussels | |
129 | Portrait of a man leaning over the back of a chair with a black hat | 1646–1648 | 68 x 56 cm | 1937.1.71 | National Gallery of Art | Washington, D.C | |
130 | Portrait of Stephanus Geeraerdts ( -1671) | 1648–1650 | 115.4 × 87.5 cm | 674 | Royal Museum of Fine Arts, Antwerp | Antwerp | |
131 | Portrait of Isabella Coymans ( -1689) | 1648–1650 | 116 × 86 cm | (pendant to 674) | Private collection | unknown | |
132 | Portrait of an unknown man | 1648–1650 | 63.5 x 53.5 cm | 1942.9.28 | National Gallery of Art | Washington, D.C | |
133 | Portrait of a man facing forward | 1650–1652 | 65 x 56.5 cm | Private collection | unknown | ||
134 | Portrait of a man with long hair and a mustache | 1650–1652 | 84.7 x 67 cm | 816 | Hermitage Museum | St. Petersburg (Russia) | |
135 | Portrait of an unknown man | 1650–1652 | 115 x 84.5 cm | 1942.9.29 | National Gallery of Art | Washington, D.C | |
136 | Portrait of an unknown man | 1650–1652 | 110.5 x 86.3 cm | 91.26.9 | The Metropolitan Museum of Art | New York City, NY | |
137 | Portrait of Tyman Oosdorp | c. 1656 | 89 x 70 cm | 801H | Gemäldegalerie | Berlin | |
138 | Portrait of a man, possibly a minister | 1660 | 37 x 29.8 cm | SK A 2859 | Rijksmuseum | Amsterdam | |
139 | Portrait of an unknown man | 1658–1660 | 35.5 x 29.5 cm | Yale University Art Gallery | New Haven, CT | ||
140 | Portrait of a man | c. 1660 | 31.6 x 25.5 cm | 928 | Mauritshuis | The Hague | |
141 | Portrait of an unknown man | after 1650 | 113 × 81.9 cm | 1917.1.70 | The Frick Collection | New York City, NY | |
142 | Portrait of Willem Croes (d.1666) | 1662–1666 | 47.1 × 34.4 cm | 8402 | Alte Pinakothek | Munich | |
143 | Group portrait of the Regents of the Old Men's Almshouse | 1664 | 172.5 x 256 cm | OSI-115 | Frans Hals Museum | Haarlem | |
144 | Portrait of a man with a tassle collar | 1660–1666 | 70 x 58.5 cm | Kunsthaus Zurich | Zurich | ||
145 | Portrait of Isaac Massa with a large floppy hat | 1661–1663 | 79.5 × 66.5 cm | 219 | Museum Schloss Wilhelmshöhe | Kassel, DE |
Isabella Coymans, was the Dutch wife of Stephanus Geraerdts best known for her portrait painted by Frans Hals.
Shrovetide Revellers, also known as Merrymakers at Shrovetide, is a painting by the Dutch Golden Age painter Frans Hals, painted in around 1616–17. It is one of the earliest surviving works by Hals, and has been held by the Metropolitan Museum of Art, New York City since 1913. The painting shows people festivities at Shrovetide, an annual carnival of food and jollity which takes place before the Christian fasting season of Lent.
Claes Duyst van Voorhout is an oil-on-canvas portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1638 and now in the Metropolitan Museum of Art, New York City.
Willem van Heythuysen posing with a sword is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625-1630, and now in the Alte Pinakothek, in Munich. It shows the Haarlem cloth merchant Willem van Heythuysen in a theatrical pose with a rapier.
St. Mark is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625. It was purchased by Russian philanthropist Alisher Usmanov from the art dealer Colnaghi, London in September 2013 for the Pushkin Museum and donated by him to that museum in November that year, where it still hangs.
Portrait of a Woman Standing is a painting by the Dutch Golden Age painter Frans Hals, painted in 1610–1615 and now in Chatsworth House. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.
Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing, in the same museum.
Catharina Both van der Eem is a painting by the Dutch Golden Age painter Frans Hals, painted in 1620 and now in Louvre Museum. It is considered a pendant portrait to the Portrait of Paulus van Beresteyn, in the same museum.
Portrait of Cunera van Baersdorp is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in a private collection. It is considered a pendant portrait to the Portrait of a Man Standing, now identified as Cunera's husband Michiel de Wael.
Portrait of a Woman in a Chair is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1627 and now in the Art Institute of Chicago. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.
Portrait of Maritge Claesdr. Vooght is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1639 and now in a private collection. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Pieter Jacobsz Olycan.
Portrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. The painting is an oil on panel and is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.
Portrait of Anna van der Aar is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1626 and now in the Metropolitan Museum of Art, in New York. It is considered a pendant portrait to that of her husband, the writer Petrus Scriverius.
Portrait of Catharina Brugman is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1634 and now in a private collection. It is considered a pendant to the portrait of Catharina's husband Tieleman Roosterman.
Portrait of Sara Wolphaerts van Diemen is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted around 1630–1633 and now in the Rijksmuseum, in Amsterdam. It is considered a pendant to the portrait of Sara's husband Nicolaes Hasselaer.
Portrait of Feyntje van Steenkiste is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted around 1635 and now in the Rijksmuseum, in Amsterdam. It is considered a pendant to the portrait of Feyntje's husband Lucas de Clercq.
Portrait of Hylck Boner is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1635 and now in the Frick Collection. It is considered a pendant to the portrait of Hylck's husband Johannes Saeckma.
The following is the list of 222 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Seymour Slive in 1974. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own. Most of these works are still considered autograph, but in the intervening half-century since Slive's work began, several others have been added to the list, including a few from Slive's "L" list of 20 lost paintings and a few from his "D" list of 81 doubtful attributions. In addition to these 101 rejections, Slive occasionally mentions other engravings and paintings in various catalogue entries, including as much provenance as possible, which has enabled scholars to make a few attributions based on those as well. The full number of paintings referenced in the Slive 1974 catalogue, whether by catalogue entry, illustration, or publication reference, is over 400. The autograph catalogue entries are as follows:
The Portrait of a Man in a Wide-Brimmed Hat is a work by the Dutch Golden-Age artist Frans Hals. It was painted in about 1625–1635 and hangs in the Herzogliches Museum, part of the Friedenstein Palace complex at Gotha, Germany. It was stolen in 1979, recovered in 2019, and restored in 2020–2021.