Yonker Ramp and His Sweetheart is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1623 and now in the Metropolitan Museum of Art, New York City. The painting has also been titled as Young Man and Woman in an Inn or Portrait of Pieter Ramp.
Shrovetide Revellers, also known as Merrymakers at Shrovetide, is a painting by the Dutch Golden Age painter Frans Hals, painted in around 1616–17. It is one of the earliest surviving works by Hals, and has been held by the Metropolitan Museum of Art, New York City since 1913. The painting shows people festivities at Shrovetide, an annual carnival of food and jollity which takes place before the Christian fasting season of Lent.
Claes Duyst van Voorhout is an oil-on-canvas portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1638 and now in the Metropolitan Museum of Art, New York City.
Willem van Heythuysen posing with a sword is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625-1630, and now in the Alte Pinakothek, in Munich. It shows the Haarlem cloth merchant Willem van Heythuysen in a theatrical pose with a rapier.
St. Mark is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1625. It was purchased by Russian philanthropist Alisher Usmanov from the art dealer Colnaghi, London in September 2013 for the Pushkin Museum and donated by him to that museum in November that year, where it still hangs.
Portrait of a Man in a Yellowish-gray Jacket is an oil-on-panel portrait painting by the Dutch Golden Age painter Frans Hals, painted in 1633 and now in the Staatliche Kunstsammlungen Dresden, Dresden.
Portrait of a Woman Standing is a painting by the Dutch Golden Age painter Frans Hals, painted in 1610–1615 and now in Chatsworth House. It is considered a pendant portrait, but the sitter is unknown and therefore the pendant is not certain.
Portrait of a Woman Standing (Kassel) is a painting by the Dutch Golden Age painter Frans Hals, painted in 1618–1620 and now in Gemäldegalerie Alte Meister (Kassel). It is considered a pendant portrait to the Portrait of a Man Standing, in the same museum.
Catharina Both van der Eem is a painting by the Dutch Golden Age painter Frans Hals, painted in 1620 and now in Louvre Museum. It is considered a pendant portrait to the Portrait of Paulus van Beresteyn, in the same museum.
Portrait of Cunera van Baersdorp is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1625 and now in a private collection. It is considered a pendant portrait to the Portrait of a Man Standing, now identified as Cunera's husband Michiel de Wael.
Portrait of Maritge Claesdr. Vooght is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1639 and now in a private collection. It is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Pieter Jacobsz Olycan.
Portrait of Cornelia Claesdr. Vooght is a painting by the Dutch Golden Age painter Frans Hals, painted in 1631 and now in the Frans Hals Museum. The painting is an oil on panel and is considered a pendant portrait to that of her husband, the Haarlem brewer and mayor Nicolaes Woutersz van der Meer.
Portrait of Anna van der Aar is an oil-on-panel painting by the Dutch Golden Age painter Frans Hals, painted in 1626 and now in the Metropolitan Museum of Art, in New York. It is considered a pendant portrait to that of her husband, the writer Petrus Scriverius.
Portrait of Catharina Brugmans is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1634 and now in a private collection. It is considered a pendant to the portrait of Catharina's husband Tieleman Roosterman.
Portrait of Sara Wolphaerts van Diemen is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted around 1630–1633 and now in the Rijksmuseum, in Amsterdam. It is considered a pendant to the portrait of Sara's husband Nicolaes Hasselaer.
Portrait of Feyntje van Steenkiste is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted around 1635 and now in the Rijksmuseum, in Amsterdam. It is considered a pendant to the portrait of Feyntje's husband Lucas de Clercq.
Portrait of Hylck Boner is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1635 and now in the Frick Collection. It is considered a pendant to the portrait of Hylck's husband Johannes Saeckma.
The following is the list of 222 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Seymour Slive in 1974. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own. Most of these works are still considered autograph, but in the intervening half-century since Slive's work began, several others have been added to the list, including a few from Slive's "L" list of 20 lost paintings and a few from his "D" list of 81 doubtful attributions. In addition to these 101 rejections, Slive occasionally mentions other engravings and paintings in various catalogue entries, including as much provenance as possible, which has enabled scholars to make a few attributions based on those as well. The full number of paintings referenced in the Slive 1974 catalogue, whether by catalogue entry, illustration, or publication reference, is over 400. The autograph catalogue entries are as follows:
The following is the list of 145 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Claus Grimm in 1989. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own. Most of these works are still considered autograph, though one has since been reattributed to Judith Leyster. In addition to this list, Grimm added comments and additional entries to Seymour Slive's lists of lost and doubtful paintings. He also rejected several Slive attributions, making his list is considerably shorter. The autograph catalogue entries are as follows:
