Cornelia Wulkopf

Last updated

Cornelia Wulkopf
Born1952 (age 6869)
Education Hochschule für Musik Detmold
OccupationOperatic mezzo-soprano
Organization Bavarian State Opera
Website www.corneliawulkopf.de

Cornelia Wulkopf (born 1952) is a German operatic mezzo-soprano and contralto. A long-time member of the Bavarian State Opera, she has performed leading parts at international opera houses and festivals. She made her debut at the Bayreuth Festival in the Jahrhundertring and sang in Franz Schmidt's Das Buch mit sieben Siegeln at the Salzburg Festival.

Contents

Career

Born in Braunschweig, Wulkopf trained after school to be a nurse for children, from 1968 to 1971. [1] She studied voice at the Hochschule für Musik Detmold with Helmut Kretschmar, Günther Weißenborn and Rainer Weber. In 1976, she was awarded first prize in the competition for German music colleges (Wettbewerb der deutschen Musikhochschulen) and won first prizes at the Bundeswettbewerb Gesang in Berlin, in the categories of Opera and Concert. [2]

She made her stage debut in 1977 at the Bayreuth Festival as Floßhilde and Siegrune in the Jahrhundertring , the centenary production of Wagner's Der Ring des Nibelungen , conducted by Pierre Boulez and staged by Patrice Chéreau. [1]

From the 1977/78 season, [3] she was a member of the Bavarian State Opera in Munich, where she performed first as Erda in the Ring, then as Schwertleite and Waltraute, as Magdalene in Wagner's Die Meistersinger von Nürnberg , and Brangäne in his Tristan und Isolde . [1] Leading roles included Orpheus in Gluck's Orpheus und Euridice , Ulrica" in Verdi's Ein Maskenball , Azucena in his Der Troubadour , and the Witch in Humperdinck's Hänsel und Gretel . In 1988, she was named a Bavarian Kammersängerin. [3] From 1990, she has worked freelance. [3] She performed as a guest at the house in roles such as the mother in Berg's Lulu in the 2015/16 season, conducted by Kirill Petrenko, alongside Marlis Petersen in the title role. [4]

Beginning in 1980, she appeared as a guest at major opera houses in Germany, such as the Hamburg State Opera, the Staatsoper Hannover where she also appeared as the Nurse in Die Frau ohne Schatten by Richard Strauss, in Karlsruhe and Berlin. In Europe, she sang at the Vienna State Opera, at La Scala, the Liceu in Barcelona and the Zurich Opera House, among others. [3] She appeared at more international festivals, including the Bregenzer Festspiele, Festspillene i Bergen, Festival de Radio France et Montpellier and Ravello Festival. In 2005, she appeared as Baronin Grünwiesel in Henze's Der junge Lord in a production of the Theater Klagenfurt. [5] She sang the role of Filipjewna in Tschaikovky's Eugen Onegin at the Staatsoper Stuttgart in 2008, conducted by Marc Soustrot. [6] She appeared as the Old Baroness in Barber's Vanessa at the Theater Gießen in 2009, [7] and as Aunti in Britten's Peter Grimes at the Teatro Regio Turino in 2010, alongside Neil Shicoff in the title role. [8]

In concert, she performed the Salzburg Festival in 1981, singing the alto part of Das Buch mit sieben Siegeln by Franz Schmidt. [1] She has collaborated with conductors Karl Richter, Wolfgang Sawallisch, Seiji Ozawa, Václav Neumann, Eugen Jochum, Leif Segerstam, Marek Janowski, Carlos Kleiber, Marc Albrecht, Christian Thielemann, in Germany and abroad. She gave recitals with pianists Sawallisch, Helmut Deutsch, Rainer Weber and Klaus Schilde. She has appeared on radio and television. [1]

Recordings

Wulkopf recorded the role of Apollo in Mozart's Apollo et Hyacinthus in 1981, conducted by Leopold Hager, of Marzelline in his Le nozze di Figaro in 1987, conducted by Colin Davis, and of Gertrude in Marschner's Hans Heiling in 2004, conducted by Renato Palumbo  [ it ]. [9]

In 1982, she recorded Beethoven's Mass in C major and Mozart's Litany, K. 243, conducted by Günter Wand. [10] She recorded the alto part in Bach's Mass in B minor, conducted by Sergiu Celibidache, in a live concert at the Munich Gasteig in 1990. [11]

Her recordings also include: [11]

Related Research Articles

Bernd Weikl Austrian operatic baritone (born 1942)

Bernd Weikl is an Austrian operatic baritone, particularly known for his performances in the stage works by Richard Wagner. He also has written books and directed operas.

Res Fischer was one of the few true German contraltos of the 1930s and 1940s, and was one of the most powerful singing-actresses of her day, performing internationally. She appeared in first recordings of complete operas, and created roles including Carl Orff's Antigonae.

<i>Schwarzschwanenreich</i>

Schwarzschwanenreich, Op. 7, is an opera in German in three acts composed by Siegfried Wagner in 1910 to his own libretto. It premiered on 5 November 1918 in Karlsruhe at the court theatre Großherzogliches Hoftheater.

Marga Schiml German opera singer (born 1945)

Marga Schiml is a German opera singer who sings mezzo-soprano and alto. She has appeared at major European opera houses and festivals, such as the Vienna State Opera, the Deutsche Oper Berlin, the Hamburg State Opera and La Scala, at the Salzburg Festival and the Bayreuth Festival. She is also an academic voice teacher.

Ilse Gramatzki is a German operatic mezzo-soprano and contralto who performed at major European opera houses. A member of both the Cologne Opera and the Frankfurt Opera she is known for singing parts by Mozart, contemporary opera and parts by Wagner at the Bayreuth Festival including the Jahrhundertring.

Kari Løvaas is a Norwegian operatic soprano who made an international career, mostly using the German spelling of her name, Kari Lövaas, outside Scandinavia. She has performed at international festivals such as the Salzburg Festival and the Lucerne Festival in both opera and concert. She participated in complete recordings of rarely performed operas, including works by Haydn and composers of the 20th century, has recorded Lieder and has regularly appeared in choral concerts.

Leonore Kirschstein

Leonore Kirschstein was a German soprano in opera and concert.

Margot Guilleaume was a German operatic soprano, a member of the Hamburgische Staatsoper. She was an academic teacher at the Musikhochschule Hamburg from 1950 to 1978, and was known beyond Germany as a singer in oratorio and concert.

Margit Neubauer is an Austrian operatic mezzo-soprano who was for decades a member of the Oper Frankfurt. She appeared at international festivals such as the Salzburg Festival. Her repertory ranges from Baroque opera to premieres of new works.

Mechthild Georg is a German operatic mezzo-soprano, and a professor of voice at the Musikhochschule Köln.

Marcel Cordes

Marcel Cordes was a German baritone in opera and concert. He was regarded as a leading baritone of German origin for Italian opera in the 1950s and 1960s. He appeared at major opera houses in Europe, and made recordings of complete operas and excerpts, including in 1956 the first complete recording of Carl Orff's Die Kluge.

Elisabeth Speiser is a Swiss operatic soprano, who is known especially for singing Lieder. She has appeared internationally.

Alicia Nafé is an Argentinian operatic mezzo-soprano, who has performed leading parts at international opera houses and festivals. She is known for singing the title role in Bizet's Carmen.

Marianne Schech

Marianne Schech was a German operatic soprano and academic who appeared internationally. She was a member of the Bavarian State Opera from 1946 to 1970. She is known for leading roles in works by Richard Wagner and Richard Strauss, playing, for example, the Dyer's Wife in the U.S. premiere of Die Frau ohne Schatten by Richard Strauss at the San Francisco Opera in 1959. She made several recordings, including in 1951 the role of Elisabeth in Wagner's Tannhäuser, conducted by Robert Heger, in 1960 the role of Chrysothemis in Elektra by Richard Strauss, conducted by Karl Böhm, and Senta in Wagner's Der fliegende Holländer, conducted by Franz Konwitschny.

Ruth Hesse is a German operatic mezzo-soprano and contralto. She was a member of the Deutsche Oper Berlin from 1962 to 1995, and appeared internationally, including the Bayreuth Festival and the Salzburg Festival. She appeared regularly at the Vienna State Opera from 1965 to 1988, and was appointed an Austrian Kammersängerin in 1982. In Berlin, she took part in the world premiere of Henze's Der junge Lord.

Rosl Schwaiger was an Austrian operatic coloratura soprano. She was a member of the Vienna State Opera and the Bayerische Staatsoper, known for singing Mozart roles such as Blonde, Susanna and Zerlina. She appeared at European opera houses and festivals and was especially popular at the Salzburg Festival, where she appeared for decades in opera and sacred concerts.

Sylvia Geszty Hungarian-German operatic soprano

Sylvia Geszty was a Hungarian-German operatic coloratura soprano who appeared internationally, based first at the Staatsoper Berlin in East Berlin and from 1970 at the Staatstheater Stuttgart. She is remembered as Mozart's Queen of the Night and an ideal Zerbinetta in Ariadne auf Naxos, but also performed Baroque opera and in the world premiere of Kurt Schwaen's Leonce und Lena.

Elisabeth Lindermeier was a German operatic soprano. A member of the Bavarian State Opera, she performed internationally, including at the Royal Opera House in London in the English premiere of Die Liebe der Danae by Richard Strauss. She appeared in recordings and films.

Liselotte Hammes is a German operatic soprano and academic voice teacher. While based at the Cologne Opera, she performed internationally. One of her signature roles is Sophie in Der Rosenkavalier by Richard Strauss, which she performed at the Glyndebourne Festival, among other European opera houses.

Lilian Benningsen was an Austrian operatic mezzo-soprano and contralto. She made an international career based at the Bavarian State Opera for decades, where she first appeared as Eboli in Verdi's Don Carlos. She created several roles, such as Carolina in Henze's Elegie für junge Liebende at the 1961 Schwetzingen Festival. Her recordings include both operas and concerts.

References

  1. 1 2 3 4 5 "Cornelia Wulkopf" (in German). Bayreuth Festival. Archived from the original on 19 June 2018. Retrieved 18 June 2018.
  2. Kutsch, Karl J.; Riemens, Leo, eds. (2004). Wulkopf, Cornelia. Großes Sängerlexikon (in German). 4. Walter de Gruyter. p. 1108. ISBN   978-3-59-844088-5.
  3. 1 2 3 4 "Cornelia Wulkopf" (in German). Bavarian State Opera . Retrieved 18 June 2018.
  4. Kalchschmid, Michael (25 May 2015). "Opern-Diskographie: Verzeichnis aller Audio- und Video-Gesamtaufnahmen". Die Deutsche Bühne (in German). Retrieved 26 June 2018.
  5. Scherzer, Ernst (27 October 2005). "Ein Exzentriker, der imponiert - Klagenfurter Stadttheater: "Der junge Lord"". Wiener Zeitung (in German). Retrieved 26 June 2018.
  6. Rudiger, Georg (2 December 2008). ""Eugen Onegin" / Das Gewicht des großen Operntons". Frankfurter Rundschau (in German). Retrieved 26 June 2018.
  7. "Opulente Klänge und kluge Regie lassen Handlung erblühen". Wetterauer Zeitung (in German). Retrieved 26 June 2018.
  8. "Peter Grimes". Teatro Regio Torino. Archived from the original on 26 June 2018. Retrieved 26 June 2018.
  9. 1 2 3 Steiger, Wilfried (2008). Opern-Diskographie: Verzeichnis aller Audio- und Video-Gesamtaufnahmen (in German). Walter de Gruyter. pp. 283, 294, 645. ISBN   978-3-11-095596-5.
  10. 1 2 Cookson, Michael (2016). "Opern-Diskographie: Verzeichnis aller Audio- und Video-Gesamtaufnahmen". musicweb-international.com. Retrieved 26 June 2018.
  11. 1 2 3 "Mass in B minor BWV 232 / Conducted by Sergiu Celibidache". Bach Cantatas Website. Retrieved 26 June 2018.