Author | Herbert Marcuse |
---|---|
Country | United States |
Language | English |
Subjects | Capitalism, the New Left |
Publisher | Beacon Press |
Publication date | 1972 |
Media type | Print (Hardcover and Paperback) |
Pages | 138 |
ISBN | 0-8070-1532-6 (casebound) 0-8070-1533-4 (paperback) |
Counterrevolution and Revolt is a 1972 book by the philosopher Herbert Marcuse.
Marcuse writes that the western world has reached a new stage of development, in which "the defense of the capitalist system requires the organization of counterrevolution at home and abroad." He accuses the west of "practicing the horrors of the Nazi regime", and of helping to launch massacres in Indochina, Indonesia, the Congo, Nigeria, Pakistan, and the Sudan. [1]
He discusses the problems of the New Left, as well as other topics such as the political role of social ecology. Citing author Murray Bookchin's Post-Scarcity Anarchism (1971), Marcuse argues that ecology must be taken "to the point where it is no longer containable within the capitalist framework" by "extending the drive within the capitalist framework." Marcuse offers a discussion of the role of nature in Marxist philosophy informed by philosopher Alfred Schmidt's The Concept of Nature in Marx (1962). [2]
Marcuse also offers a discussion of art, including literature and music, in relation to revolution. He cites Arthur Schopenhauer's observation, in The World as Will and Representation (1818), that music "gives the innermost kernel preceding all form, or the heart of things". [3]
Counterrevolution and Revolt was first published by Beacon Press in 1972. [4]
Counterrevolution and Revolt was reviewed by the gay rights activist Jearld Moldenhauer in The Body Politic . Moldenhauer suggested that Marcuse found the gay liberation movement insignificant, and criticized Marcuse for ignoring it even though "many gay activists" had been influenced by his earlier book Eros and Civilization (1955). [5]
In Theory & Society , the intellectual historian Martin Jay called Counterrevolution and Revolt one of Marcuse's "major works". He suggested that Marcuse's comments about art reveal his indebtedness to Romanticism. [6] Brian Easlea described Marcuse's view that "Marx's notion of a human appropriation of nature is not altogether free from the hubris of domination" as courageous. He wrote that Marcuse "explicitly adds to his decades of social analysis a dimension that had always been implicit: the male-female relation", and that Marcuse's "condemnation of the established science and call for a new science would appear to be a condemnation of 'male' science and a call for a new 'female' science." [7] The philosopher Charles Crittenden considered Marcuse's advocacy of "working for change within the system" to be a retreat from his advocacy, in previous works such as An Essay on Liberation (1969), of revolutionary violence and confrontation as ways of achieving social transformation. [8] Andrew Light compared Marcuse's views to those of Murray Bookchin. [9]
Murray Bookchin was an American social theorist, author, orator, historian, and political philosopher. Influenced by G. W. F. Hegel, Karl Marx, Peter Kropotkin, he was a pioneer in the environmental movement. Bookchin formulated and developed the theory of social ecology and urban planning within anarchist, libertarian socialist, and ecological thought. He was the author of two dozen books covering topics in politics, philosophy, history, urban affairs, and social ecology. Among the most important were Our Synthetic Environment (1962), Post-Scarcity Anarchism (1971), The Ecology of Freedom (1982), and Urbanization Without Cities (1987). In the late 1990s, he became disenchanted with what he saw as an increasingly apolitical "lifestylism" of the contemporary anarchist movement, stopped referring to himself as an anarchist, and founded his own libertarian socialist ideology called "communalism", which seeks to reconcile and expand Marxist, syndicalist, and anarchist thought.
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Eros and Civilization: A Philosophical Inquiry into Freud is a book by the German philosopher and social critic Herbert Marcuse, in which the author proposes a non-repressive society, attempts a synthesis of the theories of Karl Marx and Sigmund Freud, and explores the potential of collective memory to be a source of disobedience and revolt and point the way to an alternative future. Its title alludes to Freud's Civilization and Its Discontents (1930). The 1966 edition has an added "political preface".
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Marxist aesthetics is a theory of aesthetics based on, or derived from, the theories of Karl Marx. It involves a dialectical and materialist, or dialectical materialist, approach to the application of Marxism to the cultural sphere, specifically areas related to taste such as art, beauty, and so forth. Marxists believe that economic and social conditions, and especially the class relations that derive from them, affect every aspect of an individual's life, from religious beliefs to legal systems to cultural frameworks. From one classic Marxist point of view, the role of art is not only to represent such conditions truthfully, but also to seek to improve them ; however, this is a contentious interpretation of the limited but significant writing by Marx and Engels on art and especially on aesthetics. For instance, Nikolay Chernyshevsky, who greatly influenced the art of the early Soviet Union, followed the secular humanism of Ludwig Feuerbach more than he followed Marx.
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Post-Scarcity Anarchism is a collection of essays by Murray Bookchin, first published in 1971 by Ramparts Press. In it, Bookchin outlines the possible form anarchism might take under conditions of post-scarcity. One of Bookchin's major works, its author's radical thesis provoked controversy for being utopian in its faith in the liberatory potential of technology.
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