Author | J. G. Ballard |
---|---|
Language | English |
Genre | Postmodern novel, transgressive fiction, dystopian |
Publisher | Jonathan Cape |
Publication date | June 1973 |
Publication place | United Kingdom |
Media type | Print (Hardcover and paperback) |
Pages | 224 |
ISBN | 0-224-00782-3 |
OCLC | 797233 |
823/.9/14 | |
LC Class | PZ4.B1893 Cp PR6052.A46 |
Preceded by | The Atrocity Exhibition |
Followed by | Concrete Island |
Crash is a novel by British author J. G. Ballard, first published in 1973 with cover designed by Bill Botten. It follows a group of car-crash fetishists who, inspired by the famous crashes of celebrities, become sexually aroused by staging and participating in car accidents.
The novel was released to divided critical reception, with many reviewers horrified by its provocative content. It was adapted into a controversial 1996 film of the same name by David Cronenberg.
The story is told through the eyes of narrator James Ballard, named after the author himself, but it centers on the sinister figure of Dr. Robert Vaughan, a former TV scientist turned "nightmare angel of the highways". [1] James meets Vaughan after being injured in a car crash near London Airport. Gathering around Vaughan is a group of alienated people, all of them former crash victims, who follow him in his pursuit to re-enact the crashes of Hollywood celebrities such as Jayne Mansfield and James Dean, in order to experience what the narrator calls "a new sexuality, born from a perverse technology". Vaughan's ultimate fantasy is to die in a head-on collision with movie star Elizabeth Taylor. [2]
The Papers of J. G. Ballard at the British Library include two revised drafts of Crash (Add MS 88938/3/8). Scanned extracts from Ballard's drafts are included in Crash: The Collector's Edition, ed. Chris Beckett. [3]
In 1971, Harley Cokeliss directed a short film entitled Crash! based on a chapter in J. G. Ballard's book The Atrocity Exhibition , where Ballard is featured, talking about the ideas in his book. British actress Gabrielle Drake appeared as a passenger and car-crash victim. Ballard later developed the idea, resulting in Crash. In his draft of the novel he mentioned Drake by name, but references to her were removed from the published version. [4]
Throughout Crash I have used the car not only as a sexual image, but as a total metaphor for man's life in today's society. As such the novel has a political role quite apart from its sexual content, but I would still like to think that Crash is the first pornographic novel based on technology. In a sense, pornography is the most political form of fiction, dealing with how we use and exploit each other in the most urgent and ruthless way. Needless to say, the ultimate role of Crash is cautionary, a warning against that brutal, erotic and overlit realm that beckons more and more persuasively to us from the margins of the technological landscape. [5]
— J. G. Ballard, Crash
Crash has been difficult to characterize as a novel. At some points in his career, Ballard claimed that Crash was a "cautionary tale", a view that he would later regret, asserting that it is in fact "a psychopathic hymn. But it is a psychopathic hymn which has a point". [6] Likewise, Ballard previously characterized it a science fiction novel, a position he would later take back.[ citation needed ]
Jean Baudrillard wrote an analysis of Crash in Simulacra and Simulation in which he declared it "the first great novel of the universe of simulation". He made note of how the fetish in the story conflates the functionality of the automobiles with that of the human body and how the characters' injuries and the damage to the vehicles are used as equivalent signs. To him, the hyperfunctionality leads to the dysfunction in the story. Quotes were used extensively to illustrate that the language of the novel employs plain, mechanical terms for the parts of the automobile and proper, medical language for human sex organs and acts. The story is interpreted as showing a merger between technology, sexuality, and death, and he further argued that by pointing out Vaughan's character takes and keeps photos of the car crashes and the mutilated bodies involved. Baudrillard stated that there is no moral judgment about the events within the novel but that Ballard himself intended it as a warning against a cultural trend. [7]
The novel received divided reviews when originally published. One publisher's reader returned the verdict "This author is beyond psychiatric help. Do Not Publish!" [8] A 1973 review in The New York Times was equally horrified: "Crash is, hands-down, the most repulsive book I've yet to come across." [9]
However, retrospective opinion now considers Crash to be one of Ballard's best and most challenging works. Reassessing Crash in The Guardian , Zadie Smith wrote, "Crash is an existential book about how everybody uses everything. How everything uses everybody. And yet it is not a hopeless vision." On Ballard's legacy, she writes: "In Ballard's work there is always this mix of futuristic dread and excitement, a sweet spot where dystopia and utopia converge. For we cannot say we haven't got precisely what we dreamed of, what we always wanted, so badly." [10]
The Normal's 1978 song "Warm Leatherette" was inspired by the novel as was "Miss the Girl," a 1983 single by The Creatures. The Manic Street Preachers' song "Mausoleum" from 1994's The Holy Bible contains the famous Ballard quote about his reasons for writing the book, "I wanted to rub the human face in its own vomit. I wanted to force it to look in the mirror." [11] John Foxx's album Metamatic contains songs that have Ballardian themes, such as "No-one Driving".
An apparently unauthorized adaptation of Crash called Nightmare Angel was filmed in 1986 by Susan Emerling and Zoe Beloff. This short film bears the credit "Inspired by J. G. Ballard". [12]
James Graham Ballard was an English novelist and short-story writer, satirist and essayist known for psychologically provocative works of fiction that explore the relations between human psychology, technology, sex and mass media. Ballard first became associated with New Wave science fiction for post-apocalyptic novels such as The Drowned World (1962). He later courted controversy with the short-story collection The Atrocity Exhibition (1970), which includes the 1968 story "Why I Want to Fuck Ronald Reagan", and later the novel Crash (1973), a story about car-crash fetishists.
Christopher Riche Evans was a British computer scientist and author.
Jean Baudrillard was a French sociologist and philosopher with an interest in cultural studies. He is best known for his analyses of media, contemporary culture, and technological communication, as well as his formulation of concepts such as hyperreality. Baudrillard wrote about diverse subjects, including consumerism, critique of economy, social history, aesthetics, Western foreign policy, and popular culture. Among his most well-known works are Seduction (1978), Simulacra and Simulation (1981), America (1986), and The Gulf War Did Not Take Place (1991). His work is frequently associated with postmodernism and specifically post-structuralism. Nevertheless, Baudrillard had also opposed post-structuralism, and had distanced himself from postmodernism.
Hyperreality is a concept in post-structuralism that refers to the process of the evolution of notions of reality, leading to a cultural state of confusion between signs and symbols invented to stand in for reality, and direct perceptions of consensus reality. Hyperreality is seen as a condition in which, because of the compression of perceptions of reality in culture and media, what is generally regarded as real and what is understood as fiction are seamlessly blended together in experiences so that there is no longer any clear distinction between where one ends and the other begins.
The map–territory relation is the relationship between an object and a representation of that object, as in the relation between a geographical territory and a map of it. Mistaking the map for the territory is a logical fallacy that occurs when someone confuses the semantics of a term with what it represents. Polish-American scientist and philosopher Alfred Korzybski remarked that "the map is not the territory" and that "the word is not the thing", encapsulating his view that an abstraction derived from something, or a reaction to it, is not the thing itself. Korzybski held that many people do confuse maps with territories, that is, confuse conceptual models of reality with reality itself. These ideas are crucial to general semantics, a system Korzybski originated.
High-Rise is a 1975 novel by British writer J. G. Ballard. The story describes the disintegration of a luxury high-rise building as its affluent residents gradually descend into violent chaos. As with Ballard's previous novels Crash (1973) and Concrete Island (1974), High-Rise inquires into the ways in which modern social and technological landscapes could alter the human psyche in provocative and hitherto unexplored ways. It was adapted into a film of the same name, in 2015, by director Ben Wheatley.
The Atrocity Exhibition is an experimental novel of linked stories or "condensed novels" by British writer J. G. Ballard.
Concrete Island is a novel by British writer J. G. Ballard, first published in 1974.
White Noise is the eighth novel by Don DeLillo, published by Viking Press in 1985. It won the U.S. National Book Award for Fiction.
Simulacra and Simulation is a 1981 philosophical treatise by the philosopher and cultural theorist Jean Baudrillard, in which he seeks to examine the relationships between reality, symbols, and society, in particular the significations and symbolism of culture and media involved in constructing an understanding of shared existence.
The Drowned World (1962), by J. G. Ballard, is a British science fiction novel that depicts a post-apocalyptic future in which global warming, caused by increased solar radiation, has rendered uninhabitable much of the surface of planet Earth. The story follows a team of scientists researching environmental developments in the flooded city of London. The novel is an expansion of the novella "The Drowned World", which was first published in Science Fiction Adventures magazine, in the January 1962 issue, Vol. 4, No. 24.
Crash is a 1996 Canadian erotic thriller film written, produced and directed by David Cronenberg, based on J. G. Ballard's 1973 novel of the same name. Starring James Spader, Deborah Kara Unger, Elias Koteas, Holly Hunter and Rosanna Arquette, it follows a film producer who, after surviving a car crash, becomes involved with a group of symphorophiliacs who are aroused by car crashes and tries to rekindle his sexual relationship with his wife.
Low-Flying Aircraft and Other Stories is a collection of science fiction short stories by British writer J. G. Ballard published in 1976.
The Kindness of Women is a 1991 novel by British author J. G. Ballard, a sequel to his 1984 novel Empire of the Sun. The Kindness of Women drew on the author's boyhood in Shanghai during World War II, presenting a lightly fictionalized treatment of Ballard's life from Shanghai through to adulthood in England, culminating with an account of the making of Steven Spielberg's 1987 film Empire of the Sun. A non-fiction account of the same experiences can be found in Ballard's autobiography, Miracles of Life.
The Unlimited Dream Company is a novel by British writer J. G. Ballard, first published in 1979. It was nominated for the John W. Campbell Memorial Award in 1980. It won the British Science Fiction Association Award in the same year.
"Why I Want to Fuck Ronald Reagan" (1968), by J. G. Ballard, is a short story written in the style of a scientific report on a series of experiments intended to measure the psychosexual appeal of the Californian politician Ronald Reagan, who then was governor of the state of California, and also a candidate for the 1968 Republican presidential nomination, which he lost to Richard Nixon.
A simulacrum is a representation or imitation of a person or thing. The word was first recorded in the English language in the late 16th century, used to describe a representation, such as a statue or a painting, especially of a god. By the late 19th century, it had gathered a secondary association of inferiority: an image without the substance or qualities of the original. Literary critic Fredric Jameson offers photorealism as an example of artistic simulacrum, in which a painting is created by copying a photograph that is itself a copy of the real thing. Other art forms that play with simulacra include trompe-l'œil, pop art, Italian neorealism, and French New Wave.
"Studio 5, The Stars" is a short story by British author J. G. Ballard. First appearing in the February 1961 edition of Science Fantasy ; it was reprinted in the collection Billennium the following year. It later appeared in The Four-Dimensional Nightmare (1964), Vermilion Sands (1971) and The Complete Short Stories of J. G. Ballard (2006).
Harley Cokeliss is an American director, writer and producer of film and television.
Alan N. Shapiro is an American science fiction and media theorist. He is a lecturer and essayist in the fields of science fiction studies, media theory, posthumanism, French philosophy, creative coding, technological art, sociology of culture, software theory, robotics, artificial intelligence, and futuristic and transdisciplinary design. Shapiro's book and other published writings on Star Trek have contributed to a change in public perception about the importance of Star Trek for contemporary culture. His published essays on Jean Baudrillard - especially in the International Journal of Baudrillard Studies - have contributed to a change in public perception about the importance of Baudrillard's work for culture, philosophy, sociology, and design.