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References and depictions of Mexican revolutionary Emiliano Zapata, places and things named for and commemorating him.
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References and depictions of Mexican revolutionary Emiliano Zapata, places and things named for and commemorating him.
And many other towns, schools, streets, housing developments, etc. across the country
The Ruta Zapata through important sites in southeastern Morelos serves as a pilgrimage path for latter-day Zapata admirers.
Emiliano Zapata Salazar was a Mexican revolutionary. He was a leading figure in the Mexican Revolution of 1910–1920, the main leader of the people's revolution in the Mexican state of Morelos, and the inspiration of the agrarian movement called Zapatismo.
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera, was a prominent Mexican painter. His large frescoes helped establish the mural movement in Mexican and international art.
Viva Zapata! is a 1952 American Western film directed by Elia Kazan and starring Marlon Brando. The screenplay was written by John Steinbeck, using Edgcomb Pinchon's 1941 book Zapata the Unconquerable as a guide. The cast includes Jean Peters, and in an Academy Award-winning performance, Anthony Quinn.
Eufemio Zapata Salazar was a participant in the Mexican Revolution and the brother of Mexican revolutionary Emiliano Zapata. He was known as a womanizer, a macho man, and a very heavy drinker.
Zapata usually refers to Emiliano Zapata, a Mexican revolutionary. It may also refer to:
The Plan of Ayala was a document drafted by revolutionary leader Emiliano Zapata during the Mexican Revolution. In it, Zapata denounced President Francisco Madero for his perceived betrayal of the revolutionary ideals embodied in Madero's Plan de San Luis Potosí, and set out his vision of land reform. The Plan was first proclaimed on November 28, 1911, in the town of Ayala, Morelos, and was later amended on June 19, 1914. The Plan of Ayala was a key document during the revolution and influenced land reform in Mexico during the 1920s and 1930s. It was the fundamental text of the Zapatistas.
The Liberation Army of the South was a guerrilla force led for most of its existence by Emiliano Zapata that took part in the Mexican Revolution from 1911 to 1920. During that time, the Zapatistas fought against the national governments of Porfirio Díaz, Francisco Madero, Victoriano Huerta, and Venustiano Carranza. Their goal was rural land reform, specifically reclaiming communal lands stolen by hacendados in the period before the revolution. Although rarely active outside their base in Morelos, they allied with Pancho Villa to support the Conventionists against the Carrancistas. After Villa's defeat, the Zapatistas remained in open rebellion. It was only after Zapata's 1919 assassination and the overthrow of the Carranza government that Zapata's successor, Gildardo Magaña, negotiated peace with President Álvaro Obregón.
Arnold Belkin was a Canadian-Mexican painter credited for continuing the Mexican muralism tradition at a time when many Mexican painters were shifting away from it. Born and raised in western Canada, he trained as an artist there but was not drawn to traditional Canadian art. Instead he was inspired by images of Diego Rivera's work in a magazine to move to Mexico when he was only eighteen. He studied further in Mexico, focusing his education and his career mostly on murals, creating a type of work he called a "portable mural" as a way to adapt it to new architectural style. He also had a successful career creating canvas works as well with several notable series of paintings. He spent most of his life and career in Mexico except for a stay in New York City in the late 1960s to mid-1970s. His best known works are the murals he created for the University Autónoma Metropolitana in the Iztapalapa borough of Mexico City.
La Revolución de Emiliano Zapata is a Mexican rock band that broke sales records in Europe and Mexico with their hit song "Nasty Sex" at the height of the counterculture era of the early 1970s. Breaking ties with their original concept as the hippie era waned worldwide by the mid-1970s, they continued actively interpreting romantic ballads with considerable success. In 2009, they returned as a rock act.
Manuel Palafox Ibarrola, known as El Ave Negra, was a Mexican military who participated in the Mexican Revolution with the title of general, as well as being the trusted emissary, personal secretary and one of the most close revolutionaries to Emiliano Zapata.
Luz Jiménez or Luciana was an indigenous Mexican model and Nahuatl-language storyteller and linguistic informant from Milpa Alta, D.F.
The Convention of Aguascalientes was a major meeting that took place during the Mexican Revolution between the factions in the Mexican Revolution that had defeated Victoriano Huerta's Federal Army and forced his resignation and exile in July 1914.
Pablo González Garza was a general during the Mexican Revolution. He is considered to be the main organizer of the assassination of Emiliano Zapata.
Antonio Diaz Soto y Gama was a Mexican politician and revolutionary during the Mexican Revolution.
The Revolution Trilogy is a series of 1930s movies about the Mexican Revolution by Fernando de Fuentes. The three movies are El prisionero trece (1933), El compadre Mendoza (1934) and Vámonos con Pancho Villa (1936). All three share a disenchanted view of the conflict, as opposed to the more common romantic, folk, and heroic viewpoints present in more well-known productions.
Rina Lazo Wasem was a Guatemalan-Mexican painter. She began her career in mural painting with Diego Rivera as his assistant. She worked with him from 1947 until his death in 1957 on projects both in Mexico and Guatemala. Thereafter, she remained an active painter, better known for her mural works than canvases, although the latter have been exhibited in Mexico and other countries. This has made her one of Guatemala's best-known artists. She was a member of the Mexican muralism movement and criticized modern artists as too commercial and not committed to social causes. She believed muralism would revive in Mexico because of its historical value.
The History of Mexico is a mural in the stairwell of the National Palace in Mexico City by Diego Rivera. Produced between 1929 and 1935, the mural depicts Mexico's history from ancient times to the present, with particular emphasis on the struggles of the common Mexican people fighting against the Spanish, the French, and the dictators that controlled the country at different points in its history.
Zapata (1932) is a lithograph by the Mexican artist Diego Rivera (1886–1957) that depicts the Mexican revolutionary Emiliano Zapata (1879–1919) as he holds the reins of a horse among a group of campesinos (peasants). The lithographic edition was created and printed twelve years after Zapata's assassination. Zapata is based on Agrarian Leader Zapata (1931), one of eight "portable" frescoes produced explicitly for Rivera's solo exhibition at the Museum of Modern Art (MoMA) in 1931, which was adapted from his previous Revolt panel from a fresco titled The History of Cuernavaca and Morelos (1929–30) painted in the Palace of Cortés, Cuernavaca. There were 100 original prints of the lithograph, many of which are in the collections of various art museums.
Domingo Arenas was a Mexican revolutionary from the state of Tlaxcala. Born in the Nahua community of Zacatelco, he was raised as a farmer and worked as a shepherd, bread salesman and factory worker. At the beginning of the Mexican Revolution he join the forces of Francisco I. Madero, and at the fall of Madero joined the Zapatistas against the Constitutionalists by signing the Plan de Ayala. Discontented with how the Zapatistas treated the locals of Tlaxcala, he switched to support Venustiano Carranza against Emiliano Zapata. In 1916 he was killed by Zapatista general Gildardo Magaña in a botched parlay. At the height of their influence the Arenistas controlled most of Tlaxcala and Southern Puebla. The municipality of Domingo Arenas is named after him.