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Cultural materialism in literary theory and cultural studies traces its origin to the work of the left-wing literary critic Raymond Williams. Cultural materialism makes analysis based in critical theory, in the tradition of the Frankfurt School.
Cultural materialism emerged as a theoretical movement in the early 1980s along with new historicism, an American approach to early modern literature, with which it shares common ground. The term was coined by Williams, who used it to describe a theoretical blending of leftist culturalism and Marxist analysis. Cultural materialists deal with specific historical documents and attempt to analyze and recreate the zeitgeist of a particular moment in history.
Williams viewed culture as a "productive process", part of the means of production, and cultural materialism often identifies what he called "residual", "emergent" and "oppositional" cultural elements. Following in the tradition of Herbert Marcuse, Antonio Gramsci and others, cultural materialists extend the class-based analysis of traditional Marxism (Neo-Marxism) by means of an additional focus on the marginalized.
Cultural materialists analyze the processes by which hegemonic forces in society appropriate canonical and historically important texts, such as Shakespeare and Austen, and utilize them in an attempt to validate or inscribe certain values on the cultural imaginary. Jonathan Dollimore and Alan Sinfield, authors of Political Shakespeare , have had considerable influence in the development of this movement and their book is considered to be a seminal text. They have identified four defining characteristics of cultural materialism as a theoretical device:
Cultural materialists seek to draw attention to the processes being employed by contemporary power structures, such as the church, the state or the academy, to disseminate ideology. To do this they explore a text’s historical context and its political implications, and then through close textual analysis note the dominant hegemonic position. They identify possibilities for the rejection and/or subversion of that position. British critic Graham Holderness defines cultural materialism as a "politicized form of historiography".
Through its insistence on the importance of an engagement with issues of gender, sexuality, race and class, cultural materialism has had a significant impact on the field of literary studies, especially in Britain. Cultural materialists have found the area of Renaissance studies particularly receptive to this type of analysis. Traditional humanist readings often eschewed consideration of the oppressed and marginalized in textual readings, whereas cultural materialists routinely consider such groups in their engagement with literary texts, thus opening new avenues of approach to issues of representation in the field of literary criticism.
Literary theory is the systematic study of the nature of literature and of the methods for literary analysis. Since the 19th century, literary scholarship includes literary theory and considerations of intellectual history, moral philosophy, social prophecy, and interdisciplinary themes relevant to how people interpret meaning. In the humanities in modern academia, the latter style of literary scholarship is an offshoot of post-structuralism. Consequently, the word theory became an umbrella term for scholarly approaches to reading texts, some of which are informed by strands of sociology and continental philosophy.
Fredric Jameson is an American literary critic, philosopher and Marxist political theorist. He is best known for his analysis of contemporary cultural trends, particularly his analysis of postmodernity and capitalism. Jameson's best-known books include Postmodernism, or, The Cultural Logic of Late Capitalism (1991) and The Political Unconscious (1981).
Terence Francis Eagleton is an English literary theorist, critic, and public intellectual. He is currently Distinguished Professor of English Literature at Lancaster University.
Neo-Gramscianism applies a critical theory approach to the study of international relations (IR) and the global political economy (GPE) that explores the interface of ideas, institutions and material capabilities as they shape the specific contours of the state formation. The theory is heavily influenced by the writings of Antonio Gramsci. Neo-Gramscianism analyzes how the particular constellation of social forces, the state and the dominant ideational configuration define and sustain world orders. In this sense, the neo-Gramscian approach breaks the decades-old stalemate between the realist schools of thought and the liberal theories by historicizing the very theoretical foundations of the two streams as part of a particular world order and finding the interlocking relationship between agency and structure. Karl Polanyi, Karl Marx, Max Weber, Max Horkheimer, Theodor Adorno and Michel Foucault are cited as major sources within the critical theory of IR.
Materialist feminism highlights capitalism and patriarchy as central in understanding women's oppression. Under materialist feminism, gender is seen as a social construct, and society forces gender roles, such as bearing children, onto women. Materialist feminism's ideal vision is a society in which women are treated socially and economically the same as men. The theory centers on social change rather than seeking transformation within the capitalist system.
Jonathan G Dollimore is a British theorist in the fields of Renaissance literature, gender studies, queer theory, history of ideas, death studies, decadence, and cultural theory. He is the author of four academic books, a memoir, and numerous academic articles. With Alan Sinfield he was the co-editor of and key contributor to Political Shakespeare, and the co-originator of the critical practice known as cultural materialism. Dollimore is credited with making major interventions in debates on sexuality and desire, Renaissance literary culture, art and censorship, and cultural theory.
Alan Sinfield was an English theorist in the fields of Shakespeare and sexuality, modern theatre, gender studies, queer theory, queer studies, post-1945 politics and cultural theory. He was a professor of English at the University of Sussex, and the author of a dozen books, and is credited with a leading role in establishing queer studies in mainstream academic studies.
Hegemony and Socialist Strategy: Towards a Radical Democratic Politics is a 1985 work of political theory in the post-Marxist tradition by Ernesto Laclau and Chantal Mouffe. Developing several sharp divergences from the tenets of canonical Marxist thought, the authors begin by tracing historically varied discursive constitutions of class, political identity, and social self-understanding, and then tie these to the contemporary importance of hegemony as a destabilized analytic which avoids the traps of various procedures Mouffe and Laclau feel constitute a foundational flaw in Marxist thought: essentializations of class identity, the use of a priori interpretative paradigms with respect to history and contextualization, the privileging of the base/superstructure binary above other explicative models.
Andrew John Milner is a British-Australian cultural theorist and literary critic, Professor Emeritus of English and Comparative Literature at Monash University and Honorary Professor of English and Comparative Literary Studies at the University of Warwick. In 2013 he was Ludwig Hirschfeld Mack Visiting Professor of Australian Studies at the Institut für Englische Philologie, Freie Universität Berlin.
The sociology of literature is a subfield of the sociology of culture. It studies the social production of literature and its social implications. A notable example is Pierre Bourdieu's 1992 Les Règles de L'Art: Genèse et Structure du Champ Littéraire, translated by Susan Emanuel as Rules of Art: Genesis and Structure of the Literary Field (1996). For a concise overview of the "state-of-the-art" of the sociology of literature, look at Váňa (2020).
Stephen Gill, FRSC is Distinguished Research Professor of Political Science at York University, Toronto, Ontario, Canada. He is known for his work in International Relations and Global Political Economy and has published, among others, Power and Resistance in the New World Order, Power, Production and Social Reproduction, Gramsci, Historical Materialism and International Relations (1993), American Hegemony and the Trilateral Commission (1990) and The Global Political Economy: Perspectives, Problems and Policies.
Materialism or materialist may refer to:
Cultural studies is a field of theoretically, politically, and empirically engaged cultural analysis that concentrates upon the political dynamics of contemporary culture, its historical foundations, defining traits, conflicts, and contingencies. Cultural studies researchers generally investigate how cultural practices relate to wider systems of power associated with or operating through social phenomena, such as ideology, class structures, national formations, ethnicity, sexual orientation, gender, and generation. Cultural studies views cultures not as fixed, bounded, stable, and discrete entities, but rather as constantly interacting and changing sets of practices and processes. The field of cultural studies encompasses a range of theoretical and methodological perspectives and practices. Although distinct from the discipline of cultural anthropology and the interdisciplinary field of ethnic studies, cultural studies draws upon and has contributed to each of these fields.
New historicism, a form of literary theory which aims to understand intellectual history through literature and literature through its cultural context, follows the 1950s field of history of ideas and refers to itself as a form of "Cultural Poetics". It first developed in the 1980s, primarily through the work of the critic Stephen Greenblatt, and gained widespread influence in the 1990s. Greenblatt coined the term new historicism when he "collected a bunch of essays and then, out of a kind of desperation to get the introduction done, he wrote that the essays represented something called a 'new historicism'".
Political Economy in anthropology is the application of the theories and methods of historical materialism to the traditional concerns of anthropology, including, but not limited to, non-capitalist societies. Political Economy introduced questions of history and colonialism to ahistorical anthropological theories of social structure and culture. Most anthropologists moved away from modes of production analysis typical of structural Marxism, and focused instead on the complex historical relations of class, culture and hegemony in regions undergoing complex colonial and capitalist transitions in the emerging world system.
Graham Holderness is a writer and critic who has published as author or editor 60 books, mostly on Shakespeare, and hundreds of chapters and articles of criticism, theory and theology. He was one of the founders of British Cultural materialism, a pioneer of critical-creative writing, and a significant contributor to interdisciplinary work in Literature and Theology.
Dialectical materialism is a philosophy of science, history, and nature developed in Europe and based on the writings of Karl Marx and Friedrich Engels. Marxist dialectics, as a materialist philosophy, emphasizes the importance of real-world conditions and the presence of contradictions within things, in relation to but not limited to class, labor, and socioeconomic interactions. This is in contrast to the idealist Hegelian dialectic, which emphasizes the observation that contradictions in material phenomena could be resolved by analyzing them and synthesizing a solution whilst retaining their essence. Marx supposed that the most effective solution to the problems caused by said contradictory phenomena was to address and rearrange the systems of social organization at the root of the problems.
Historical materialism, also known as the materialist conception of history, is a methodology used by scientific socialists and Marxist historiographers to understand human societies and their development throughout history, arguing that historical changes in social structure are the result of material and technological conditions rather than ideals. This was first articulated by Karl Marx (1818–1883) as the "materialist conception of history". It is principally a theory of history which asserts that the material conditions of a society's mode of production, or in Marxist terms the union of a society's productive forces and relations of production, fundamentally determine society's organization and development. Historical materialism is a fundamental aspect of Marx and Engels' scientific socialism, arguing that applying a scientific analysis to the history of human society reveals fundamental contradictions within the capitalist system that will be resolved when the proletariat seizes state power and begins the process of implementing socialism.
Marxist cultural analysis is a form of cultural analysis and anti-capitalist cultural critique, which assumes the theory of cultural hegemony and from this specifically targets those aspects of culture which are profit driven and mass-produced under capitalism.
