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Dark Light | ||||
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Live album by | ||||
Released | June 1995 | |||
Recorded | Labatt's Hammersmith Apollo, London on 12 November 1994 | |||
Genre | Industrial rock | |||
Label | Numa, Cleopatra, Eagle | |||
Producer | Gary Numan | |||
Gary Numan chronology | ||||
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Alternative cover | ||||
Review scores | |
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Source | Rating |
AllMusic | [1] |
Dark Light is a live album by English musician Gary Numan. The album was released in June 1995 in the United Kingdom. The album was not released in the United States until August 1998. In April 2003 the album was remastered and reissued. The album was recorded at Numan's concert at Labatt's Hammersmith Apollo in London on 12 November 1994 during his Sacrifice Tour. The album reached number 107 on the UK Albums Chart. [2]
All tracks written by Gary Numan except where noted.
All timings are approximate and will vary slightly with different equipment.
CD One
CD Two
Same CD track listing as Numa release. Different front, rear and inner tray artwork.
Same CD track listing as Numa release. Different front, rear and inner tray artwork and an essay by Dominic Jones.
Gary Anthony James Webb, known professionally as Gary Numan, is an English musician. He entered the music industry as frontman of the new wave band Tubeway Army. After releasing two albums with the band, he released his debut solo album The Pleasure Principle in 1979, topping the UK Albums Chart. While his commercial popularity peaked in the late 1970s and early 1980s with hits including "Are 'Friends' Electric?" and "Cars", Numan maintains a cult following. He has sold over 10 million records.
Replicas is the second and final studio album by English new wave band Tubeway Army, released in April 1979 by Beggars Banquet Records. It followed their self-titled debut from the previous year. After this, Tubeway Army frontman Gary Numan would continue to release records under his own name, though the musicians in Tubeway Army would continue to work with him for some time. Replicas was the first album of what Numan later termed the "machine" phase of his career, preceding The Pleasure Principle and Telekon, a collection linked by common themes of a dystopian science fiction future and transmutation of man/machine, coupled with an androgynous image and a synthetic rock sound.
Sacrifice is the twelfth solo studio album by English musician Gary Numan, released in October 1994 by Numa Records. Its release is often cited as marking the start of a critical and artistic rejuvenation for Numan. The album was released in the US in 1997 with a different title, Dawn, based on the comic book character Dawn. It also carried cover art by Joseph Michael Linsner.
Pure is the fourteenth solo studio album by English musician Gary Numan, released in November 2000 by Eagle Records.
I, Assassin is the fourth solo studio album by English new wave musician Gary Numan, released on 10 September 1982 by Beggars Banquet. It peaked at No. 8 on the UK Album Chart. Three singles were released from the album: "Music for Chameleons", "We Take Mystery " and "White Boys and Heroes", all of which reached the UK Top 20.
Berserker is the sixth solo studio album by English musician Gary Numan, released on 9 November 1984, it was his first album to be released under Numan's own record label, Numa Records.
Warriors is the fifth solo studio album by English musician Gary Numan, released on 16 September 1983 by Beggars Banquet Records, it would be his last studio release for them.
The Fury is the seventh solo studio album by English musician Gary Numan, originally released in September 1985, it was Numan's second release on his self-owned Numa Records label. It saw him continuing to explore the sample-heavy industrial sound that he had developed for his previous album Berserker in 1984.
White Noise is a double live album by British musician Gary Numan and originally released in 1985. The album was reissued as a double CD in 1998 before a remastered version was released in 2003.
Living Ornaments '80 is a live album by British musician Gary Numan, first released in 1981. It was also issued as a limited edition box set with Living Ornaments '79 the same year. The original release was recorded at the Hammersmith Odeon on 16 September 1980, as a record of Numan's "Teletour".
Strange Charm is the eighth solo studio album by English musician Gary Numan, originally released in November 1986, it was Numan's third release on his self-owned Numa Records label. The album was not released in the United States until 1999 when it was issued in a digitally remastered form with five bonus tracks by Cleopatra Records. In the same year it was also reissued with bonus tracks in the United Kingdom by Eagle Records.
Machine + Soul is the eleventh solo studio album by English musician Gary Numan, released in 1992. It was a low point, released primarily to help pay off debt, and was the last of his efforts to make his music more radio-friendly. His subsequent work went in the much darker and more industrial direction that would revive his career.
Outland is the tenth solo studio album by English musician Gary Numan, released in March 1991. It was Numan's second and last studio album to be released by I.R.S. Records. It reached Number 39 on the UK charts. The songs "Heart" and "My World Storm" were released as singles; "Heart" charted at Number 43, while "My World Storm" eventually became a US-only promo single after a planned UK release was shelved due to the inner turmoil at the label around the release of the album. The latter however reached Number 46 on the US dance chart. The reaction to it was mixed with Q Magazine calling it 'repetitive and full of affection'.
Metal Rhythm is the ninth solo studio album by English musician Gary Numan, originally released in September 1988 by I.R.S. Records.
The Skin Mechanic is a live album released by British musician Gary Numan during his stint with IRS Records. The album was recorded in 1988 and released in 1989.
Dream Corrosion is a 1994 live album by the British electronic musician Gary Numan. It was recorded at the London Hammersmith Apollo on 6 November 1993, and was originally released under the Numa Records label.
Hybrid is a remix/cover album, consisting of songs by Gary Numan remixed by other artists, covers of Numan's early songs from his first three albums, plus three new tracks created specifically for the album. Hybrid was recorded in autumn of 2002 and released in March 2003 with a collaboration from various industrial rock/heavy rock musicians such as Rico, Sulpher and Alan Moulder. The album includes tracks originally found on the albums Tubeway Army, Replicas, The Pleasure Principle, Telekon, Sacrifice, Exile and Pure.
Jagged is the fifteenth solo studio album by English musician Gary Numan, his first original album in over five years, following Pure in 2000. Stylistically Jagged was a development of its predecessor's chorus-driven, anthemic industrial sound, utilising heavier electronics and more prominent live drumming. Although reaction to the new record was predominantly positive, critical opinion was more heavily divided than had been the case with the almost universal praise enjoyed by Pure. Reaching number 59 in the UK album charts, Jagged charted no higher than the earlier release, some commentators and fans regarding the long time between albums as a missed opportunity for consolidation in the wake of Pure's reception and the number 13 UK chart position attained by Numan's 2003 single with Rico, "Crazier". Jagged was the first album issued on Numan's own Mortal Records label, licensed to Cooking Vinyl. The US release, on Metropolis Records, included an alternate mix of "Fold" as a bonus track. In April Numan embarked on a tour of the UK, Europe and North America to promote the album.
Dead Son Rising is the sixteenth solo studio album by English musician Gary Numan, released on 15 September 2011 by Mortal Records.
"I Can't Stop" is a song by English musician Gary Numan, which was released in 1986 as the second single from his eighth studio album Strange Charm. It was written by Numan, and produced by Numan and the Waveteam. "I Can't Stop" reached No. 27 in the UK and remained on the charts for four weeks.