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David Warren Brubeck was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, meters, and tonalities.
Joseph Albert Morello was an American jazz drummer best known for serving as the drummer for pianist Dave Brubeck, as part of the Dave Brubeck Quartet, from 1957 to 1972, including during the quartet's "classic lineup" from 1958 to 1968, which also included alto saxophonist Paul Desmond and bassist Eugene Wright. Morello's facility for playing unusual time signatures and rhythms enabled that group to record a series of albums that explored them. The most notable of these was the first in the series, the 1959 album Time Out, which contained the hit songs "Take Five" and "Blue Rondo à la Turk". In fact, "Take Five", the album's biggest hit was specifically written by Desmond as a way to showcase Morello's ability to play in 5
4 time.
Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 9
8, 6
4 and 5
4. The album is a subtle blend of cool and West Coast jazz.
The Incredible Jazz Guitar of Wes Montgomery is an album by the American jazz guitarist Wes Montgomery. Most of its tracks exemplify two of Montgomery's distinguishing techniques: "thumb picking" and the use of octaves.
Eugene Joseph Wright was an American jazz bassist who was a member of the Dave Brubeck Quartet.
Darius Brubeck is an American jazz keyboardist and educator. He is the son of jazz legend Dave Brubeck. He spent many years in Durban, South Africa, as a professor and head of the Centre for Jazz and Popular Music at the University of Natal.
Take Five Live is a 1962 live album by American jazz singer Carmen McRae with pianist Dave Brubeck, focusing on interpretations of his songs. This was McRae's second album with Brubeck; their first, Tonight Only with the Dave Brubeck Quartet, was released in 1961.
The Real Ambassadors is a jazz musical developed in the late 1950s and early 1960s by Dave and Iola Brubeck, in collaboration with Louis Armstrong and his band. It addressed the Civil Rights Movement, the music business, America's place in the world during the Cold War, the nature of God, and a number of other themes. It was set in a fictional African nation called Talgalla, and its central character was based on Armstrong and his time as a jazz ambassador. It was the first major large scale musical collaboration between Dave and Iola Brubeck and served as a template for their future musical collaborations. Songs from the musical were recorded by Columbia Records and a soundtrack album was released in 1962, just before the show's premiere at the 1962 Monterey Jazz Festival with an all star cast.
Jazz Goes to College is a 1954 album documenting the North American college tour of the Dave Brubeck Quartet. It was Dave Brubeck's first album for Columbia Records. He was joined by alto saxophonist Paul Desmond, double bassist Bob Bates, and drummer Joe Dodge. The album was re-released on CD and cassette in the Columbia Jazz Masterpieces series in 1989 and on CD by Sony International in 2000.
How My Heart Sings! is an album recorded by jazz musician Bill Evans in 1962, at the same time as Moon Beams.
Brubeck Plays Brubeck is a jazz album by pianist Dave Brubeck. The cover features design by S. Neil Fujita.
The Milken Archive of Jewish Music is a collection of material about the history of Jewish Music in the United States. It contains roughly 700 recorded musical works, 800 hours of oral histories, 50,000 photographs and historical documents, an extensive collection of program notes and essays, and thousands of hours of video footage documenting recording sessions, interviews, and live performances.
"In Your Own Sweet Way" is a 1955 jazz standard, and one of the most famous compositions by Dave Brubeck. It was written around 1952, but its copyright notice was dated 1955. Brubeck's wife Iola, for whom the song was written, later wrote a lyric for the song, which led to singers such as Carmen McRae recording it. Although an earlier live recording is known, "In Your Own Sweet Way" was first released on Brubeck's 1956 studio album Brubeck Plays Brubeck.
All the Things We Are is a jazz album by Dave Brubeck released by Atlantic Records on May 25, 1976, featuring two alto saxophonists, Lee Konitz and Anthony Braxton, and two drummers, Alan Dawson and Roy Haynes. This album was completed through two recording sessions at the CI Recording Studios in New York City on different dates.
We're All Together Again for the First Time is a 1973 live album by Dave Brubeck and his quintet recorded at various locations in Europe. The album peaked at 20 on the Billboard Top Jazz Charts.
Brandenburg Gate: Revisited is a studio album by The Dave Brubeck Quartet accompanied by an orchestra arranged by Howard Brubeck.
In Their Own Sweet Way is a 1998 studio album by pianist Dave Brubeck and his quintet. Brubeck was accompanied by his four sons on a recording for the first time.
The Crossing is 2001 studio album by pianist Dave Brubeck and his quartet.
Dave Brubeck and Jay & Kai at Newport is a split live album featuring selections from Dave Brubeck's Quartet with Paul Desmond and the J. J. Johnson/Kai Winding Quintet performances at the 1956 Newport Jazz Festival which was released on the Columbia label.
Organic-Lee is an album by American jazz saxophonist Lee Konitz and organist Gary Versace recorded in 2006 and released on the Danish SteepleChase label.
References
- ↑ Mergner, Lee (November 29, 2010). "In Dave Brubeck's Own Sweet Way". JazzTimes . Archived from the original on January 4, 2011.
- ↑ McNally, Owen (November 25, 2012). "Jazz's Dave Brubeck's 92nd Birthday Dec. 6". Courant.com. Retrieved June 2, 2021.
