Jazz Goes to College | ||||
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Live album by | ||||
Released | June 7, 1954 | |||
Recorded | 1954 | |||
Genre | Cool jazz, West Coast jazz [1] | |||
Length | 51:46 | |||
Label | Columbia | |||
Producer | George Avakian | |||
The Dave Brubeck Quartet chronology | ||||
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Original LP Cover | ||||
Alternate LP cover |
Jazz Goes to College is a 1954 album documenting the North American college tour of the Dave Brubeck Quartet. [2] It was Dave Brubeck's first album for Columbia Records. [3] He was joined by alto saxophonist Paul Desmond, double bassist Bob Bates, and drummer Joe Dodge. [2] The album was re-released on CD and cassette in the Columbia Jazz Masterpieces (CBS Jazz Masterpieces in Europe) series in 1989 and on CD by Sony International in 2000.
The college tour, in which the group crossed the country visiting major universities and junior colleges, was conceived by Brubeck's wife Iola as a way to introduce jazz to a new audience. [4] Brubeck described encountering resistance at the colleges, some of which were reluctant to allow him to perform, but found following initial forays that the quartet was in much demand. [4] As the quartet traveled across the country, he told the Jazz Education Journal, they would play as many as 90 colleges in a four-month period. [4]
"Balcony Rock", recorded at the University of Michigan in Ann Arbor, is a heavily improvised tune formed on an eight-bar blues led by alto saxophonist Paul Desmond. [2] "Out of Nowhere" was recorded at the University of Cincinnati and showcases Brubeck's timing, with passages that veer from atonal to melodic. [2] Recorded at Oberlin College, "Le Souk" features aggressive, frenetic piano by Brubeck, Bob Bates' propulsive double bass lines, and a firm backbeat by drummer Joe Dodge. [2] Desmond's melodies feature Middle Eastern influences. [3]
"Take the 'A' Train" has straightforward blows by Desmond and forceful interjections by Dodge. [2] "The Song Is You" showcases Desmond's lithe phrasing. [2] The quartet's reading of "Don't Worry 'Bout Me" expands on Brubeck's bluesy piano with an austere arrangement. [2] The final phrase of "I Want to Be Happy" exemplifies the quartet's energetic performance with a dramatic conclusion. [2]
Review scores | |
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Source | Rating |
AllMusic | [2] |
MSN Music (Expert Witness) | A [3] |
The Penguin Guide to Jazz Recordings | [5] |
Tom Hull | B+ [6] |
Following the album's release, the quartet was featured on the cover of Time magazine, with the accompanying article describing Brubeck as "the most exciting new jazz artist at work today". [7] Jazz Goes to College enjoyed widespread popularity among college students in the 1950s and early 1960s. [8] It was Columbia's fourth-best-selling pop album of 1954. [9]
In a retrospective five-star review, Allmusic's Lindsay Planer called the album a "perfect representation of the Dave Brubeck Quartet's pre- Time Out (1959) antics in the preferable concert performance setting", and wrote that the quartet's "support of Brubeck is uniformly flawless, ultimately producing what many consider as the most memorable music in the artist's cannon." [2] Samuel Chell of All About Jazz viewed it as an "essential recording" of "Brubeck-Desmond's greatest period, before the comparatively sterile, more formulaic studio albums, including Time Out , and found the music "soulful, in the moment, unrepeatable", writing that "the swing is generated internally and, rather than the body responding with visceral approval, the mind rocks and reels." [10] Robert Christgau, writing for MSN Music, applauded Paul Desmond's contributions and said that, particularly on the album's standards, he is "at his lyrical best". Christgau complimented Brubeck's "blocky" solos because, "in rhythm music, blocky generally beats tinkly." [3]
Credits are adapted from Allmusic. [11]
David Warren Brubeck was an American jazz pianist and composer, considered one of the foremost exponents of cool jazz. Many of his compositions have become jazz standards including "In Your Own Sweet Way" and "The Duke". Brubeck's style ranged from refined to bombastic, reflecting both his mother's classical training and his own improvisational skills. His music is known for employing unusual time signatures as well as superimposing contrasting rhythms, meters, and tonalities.
Paul Desmond was an American jazz alto saxophonist and composer, best known for his work with the Dave Brubeck Quartet and for composing that group's biggest hit, "Take Five". He was one of the most popular musicians to come out of the cool jazz scene.
"Take Five" is a jazz standard composed by saxophonist Paul Desmond and originally recorded by the Dave Brubeck Quartet for their album Time Out at Columbia Records' 30th Street Studios in New York City on July 1, 1959. Two years later it became a surprise hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks, the piece still receives significant radio airplay. The single was inducted into the Grammy Hall of Fame in 1996.
Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 9
8, 6
4 and 5
4. The album is a subtle blend of cool and West Coast jazz.
Take Five Live is a 1962 live album by American jazz singer Carmen McRae with pianist Dave Brubeck, focusing on interpretations of his songs. This was McRae's second album with Brubeck; their first, Tonight Only with the Dave Brubeck Quartet, was released in 1961.
Bob Bates was an American jazz bassist.
Time Further Out is a jazz studio album by the Dave Brubeck Quartet. Recorded and released in 1961 on the Columbia label, the album features the lineup of the "Classic Quartet": pianist and leader Dave Brubeck, alto saxophonist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello. The album was recorded by engineer Fred Plaut and produced by Teo Macero.
Brubeck Time is a jazz album by The Dave Brubeck Quartet, a rare studio recording from that period of the band, when it was recording mostly live albums. It was recorded in the fall of 1954, and originally released in 1955 under the Columbia label as CL 622. In 1968, Columbia re-channeled the album for stereo and re-released it as Instant Brubeck under the Harmony label as HS 11253. It was later re-released again on CD in 1991 under the title Interchanges '54 as CK 47032, with the addition of four tracks from Jazz: Red Hot and Cool.
Jazz at the College of the Pacific is a live album by Dave Brubeck Quartet. It was recorded and released in December 1953 on Fantasy Records as F 3223. The cover was designed by Ed Colker and drawn by Arnold Roth. Critic Nat Hentoff wrote on Down Beat magazine that the album "ranks with the Oberlin and Storyville sets as the best of Brubeck on record".
Gone with the Wind is a jazz album released by The Dave Brubeck Quartet in 1959 on Columbia CL 1347 (monophonic) and CS 8156 (Stereo).
Jazz at Oberlin is a live album by the Dave Brubeck Quartet. It was recorded in the Finney Chapel at Oberlin College in March 1953, and released on Fantasy Records as F 3245. The Fantasy Records album back cover states that drummer Lloyd Davis had a 103-degree fever during the performance.
Time In is a 1966 studio album by Dave Brubeck, the last of Brubeck's 'Time' series.
The Dave Brubeck Quartet is a jazz album released by The Dave Brubeck Quartet in several iterations between 1952 and 1962.
Brandenburg Gate: Revisited is a studio album by The Dave Brubeck Quartet accompanied by an orchestra arranged by Howard Brubeck.
Buried Treasures is a 1967 live album by Dave Brubeck and his quartet, recorded during their tour of Mexico. It was released in 1998. A second live album recorded on their tour, Bravo! Brubeck!, was released in July 1967.
Park Avenue South is 2003 live album by pianist Dave Brubeck and his quartet. The album was recorded over two nights in a branch of Starbucks in Manhattan.
Dave Brubeck and Jay & Kai at Newport is a split live album featuring selections from Dave Brubeck's Quartet with Paul Desmond and the J. J. Johnson/Kai Winding Quintet performances at the 1956 Newport Jazz Festival which was released on the Columbia label.
Jazz: Red Hot and Cool is a jazz live album by The Dave Brubeck Quartet. It was recorded during one 1954 and two 1955 performances at the Basin Street East club in New York City. Released originally in 1955, this album was remastered and reissued in 2001, while adding two tracks that were not included in the original album.
Newport 1958 is a live album by pianist Dave Brubeck and his quartet recorded at the 1958 Newport Jazz Festival in Rhode Island of music by and associated with Duke Ellington. Several of the tracks were later re-recorded in New York City due to sound problems with the live Newport recordings.
Jazz Impressions of Eurasia is a studio album by pianist Dave Brubeck and his quartet recorded after, and inspired by, their 1958 world tour sponsored by the American state department during which they played 80 concerts in 14 countries, including Turkey, Iran, Iraq, India, Pakistan, and Afghanistan, over three months. In the liner notes to the album, Brubeck notes that "These sketches of Eurasia have been developed from random musical phrases I jotted down in my notebook as we chugged across the fields of Europe, or skimmed across the deserts of Asia, or walked in the alleyways of an ancient bazaar. ... I tried to create an impression of a particular locale by using some of the elements of their folk music within the jazz idiom." The album was recorded in July and August 1958 at the Columbia 30th St. Studios in New York.