| The Last Time We Saw Paris | ||||
|---|---|---|---|---|
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| Live album by | ||||
| Released | 1968 | |||
| Recorded | 1967 in Paris, France | |||
| Genre | Jazz | |||
| Length | 48:56 | |||
| Label | Columbia CS9672 [1] | |||
| Producer | Teo Macero | |||
| Dave Brubeck chronology | ||||
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The Last Time We Saw Paris is a 1968 live album by Dave Brubeck and his quartet, recorded in Paris during their final tour. [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
The initial Billboard review of the album from 29 June 1968 felt that "Brubeck fans will cherish this one...The improvisations of "Swanee River" are provocative and imaginative". [3]
The album was reviewed by Scott Yanow at Allmusic who wrote that "this LP is full of timeless performances". Yanow also felt that "Throughout these extended renditions, Brubeck and altoist Paul Desmond rekindle some of the magic from their concerts of the early '50s while also simultaneously showing just how far they had grown as musicians". [2]
At Carnegie Hall is a jazz live album by the Dave Brubeck Quartet. It was recorded at the famed Carnegie Hall in New York City on Friday, February 22, 1963. Critic Thom Jurek described it as "one of the great live jazz albums of the 1960s". Critic Jim Santella wrote, "This is timeless music from a classic ensemble. Goosebumps are guaranteed."
"Take Five" is a jazz standard composed by saxophonist Paul Desmond and originally recorded by the Dave Brubeck Quartet for their album Time Out at Columbia Records' 30th Street Studios in New York City on July 1, 1959. Two years later it became a sleeper hit and the biggest-selling jazz single ever. Revived since in numerous movie and television soundtracks the piece still receives significant radio airplay. The single was inducted into the Grammy Hall of Fame in 1996.
Jazz Goes to College is a 1954 album documenting the North American college tour of the Dave Brubeck Quartet. It was Dave Brubeck's first album for Columbia Records. He was joined by alto saxophonist Paul Desmond, double bassist Bob Bates, and drummer Joe Dodge. The album was re-released on CD and cassette in the Columbia Jazz Masterpieces series in 1989 and on CD by Sony International in 2000.
Brubeck Time is a jazz album by The Dave Brubeck Quartet, a rare studio recording from that period of the band, when it was recording mostly live albums. It was recorded in the fall of 1954, and originally released in 1955 under the Columbia label as CL 622. In 1968, Columbia re-channeled the album for stereo and re-released it as Instant Brubeck under the Harmony label as HS 11253. It was later re-released again on CD in 1991 under the title Interchanges '54 as CK 47032, with the addition of four tracks from Jazz: Red Hot and Cool.
Gone with the Wind is a jazz album released by The Dave Brubeck Quartet in 1959 on Columbia CL 1347 (monophonic) and CS 8156 (stereo).
Countdown—Time in Outer Space is a studio album released by the Dave Brubeck Quartet in 1962 on Columbia LP record CS 8575 (stereo) and CL 1775 (mono). The front cover features the 1959 painting Orange and Black Wall by Franz Kline. In Australia the album appeared on the Coronet label. It was re-released, for the first time in digital format, in 2004 as part of a compact disc collection titled Dave Brubeck: For All Time. It was again released as part of the box set The Dave Brubeck Quartet: the Columbia Studio Albums Collection 1955-1966. Both CD re-releases feature a bonus track titled "Fatha".
Bossa Nova U.S.A. is a studio album released by the Dave Brubeck Quartet in 1963 by Columbia originally in the United States as LP record CS 8798 (stereo) and CL 1998 (mono) and in England as SBPG 62127. It was also released by CBS in Australia, as catalog SPB 233.038.
We're All Together Again for the First Time is a 1973 live album by Dave Brubeck and his quintet recorded at various locations in Europe. The album peaked at 20 on the Billboard Top Jazz Charts.
The Last Set at Newport is a 1971 live album by Dave Brubeck and his quartet recorded at the 1971 Newport Jazz Festival, shortly before a riot ensued. The album peaked at 16 on the Billboard Top Jazz Charts.
Live at the Berlin Philharmonie is a 1970 live album by Dave Brubeck and his trio with Gerry Mulligan recorded at the Berlin Philharmonie. It was reissued in 1995 with several bonus tracks. The album peaked at 21 on the Billboard Top Jazz Charts.
Jackpot! is a 1966 live album by Dave Brubeck, recorded at the Tropicana Hotel in Las Vegas. It was released in 1968.
Brubeck and Rushing is a 1960 album by The Dave Brubeck Quartet and the singer Jimmy Rushing.
Angel Eyes is a 1965 studio album by Dave Brubeck and his quartet of music by Matt Dennis. The album peaked at 122 on the Billboard 200. The cover features a photo of model Terry Reno, who also appeared on the cover of My Favorite Things.
Brubeck in Amsterdam is a 1962 live album by Dave Brubeck and his quartet recorded on 3 December at the Concertgebouw in Amsterdam, though unreleased until 1969. Six of the tracks are from Brubeck's musical The Real Ambassadors.
Tonight Only! is a 1961 album by the Dave Brubeck Quartet featuring the singer Carmen McRae.
Bravo! Brubeck! is a 1967 live album by Dave Brubeck and his quartet, recorded during their tour of Mexico. The quartet were augmented by Chamin Correa on guitar, and the bongo and conga player Salvatore Agueros. It was released in 1967.
Buried Treasures is a 1967 live album by Dave Brubeck and his quartet, recorded during their tour of Mexico. It was released in 1998. A second live album recorded on their tour, Bravo! Brubeck!, was released in July 1967.
Jazz: Red Hot and Cool is a jazz live album by The Dave Brubeck Quartet. It was recorded during one 1954 and two 1955 performances at the Basin Street East club in New York City. Released originally in 1955, this album was remastered and reissued in 2001, while adding two tracks that were not included in the original album.
Brubeck à la mode is 1960 studio album by pianist Dave Brubeck and his quartet.
Jazz Impressions of Eurasia is a studio album by pianist Dave Brubeck and his quartet recorded after, and inspired by, their 1958 world tour sponsored by the American state department during which they played 80 concerts in 14 countries, including Turkey, Iran, Iraq, India, Pakistan, and Afghanistan, over three months. In the liner notes to the album, Brubeck notes that "These sketches of Eurasia have been developed from random musical phrases I jotted down in my notebook as we chugged across the fields of Europe, or skimmed across the deserts of Asia, or walked in the alleyways of an ancient bazaar. ... I tried to create an impression of a particular locale by using some of the elements of their folk music within the jazz idiom." The album was recorded in July and August 1958 at the Columbia 30th St. Studios in New York.
