| Brubeck and Rushing | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1960 | |||
| Recorded | January 29 – August 4, 1960 | |||
| Genre | Vocal jazz | |||
| Length | 36:14 | |||
| Label | Columbia CL1553 [1] | |||
| Producer | Teo Macero | |||
| Dave Brubeck chronology | ||||
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| Jimmy Rushing chronology | ||||
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Brubeck and Rushing is a 1960 album by The Dave Brubeck Quartet and the singer Jimmy Rushing. [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Penguin Guide to Jazz Recordings |  [3] |
The initial Billboard magazine review from 31 December 1960 commented that "This is surely a most intriguing jazz package. ...It's a swinging affair, with spontaneity and zest, and Brubeck is to be commended for being able to provide such a proper showcase for the vocalist" [4]
The album was reviewed by Scott Yanow at Allmusic who wrote that "On ten standards Brubeck, altoist Paul Desmond and the Quartet fit in perfectly behind the great swing/blues singer Jimmy Rushing who sounds rejuvenated by the fresh setting. This disc, a surprising success, is well worth searching for." [2]
James Andrew Rushing was an American singer and pianist from Oklahoma City, Oklahoma, U.S., best known as the featured vocalist of Count Basie's Orchestra from 1935 to 1948.
At Carnegie Hall is a jazz live album by the Dave Brubeck Quartet. It was recorded at the famed Carnegie Hall in New York City on Friday, February 22, 1963. Critic Thom Jurek described it as "one of the great live jazz albums of the 1960s". Critic Jim Santella wrote, "This is timeless music from a classic ensemble. Goosebumps are guaranteed."
Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 9
8, 6
4 and 5
4. The album is a subtle blend of cool and West Coast jazz.
Eugene Joseph Wright was an American jazz bassist who was a member of the Dave Brubeck Quartet.
Jazz Goes to College is a 1954 album documenting the North American college tour of the Dave Brubeck Quartet. It was Dave Brubeck's first album for Columbia Records. He was joined by alto saxophonist Paul Desmond, double bassist Bob Bates, and drummer Joe Dodge. The album was re-released on CD and cassette in the Columbia Jazz Masterpieces series in 1989 and on CD by Sony International in 2000.
Time Further Out is a jazz studio album by the Dave Brubeck Quartet. Recorded and released in 1961 on the Columbia label, the album features the lineup of the "Classic Quartet": pianist and leader Dave Brubeck, alto saxophonist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello. The album was recorded by engineer Fred Plaut and produced by Teo Macero.
Brubeck Time is a jazz album by The Dave Brubeck Quartet, a rare studio recording from that period of the band, when it was recording mostly live albums. It was recorded in the fall of 1954, and originally released in 1955 under the Columbia label as CL 622. In 1968, Columbia re-channeled the album for stereo and re-released it as Instant Brubeck under the Harmony label as HS 11253. It was later re-released again on CD in 1991 under the title Interchanges '54 as CK 47032, with the addition of four tracks from Jazz: Red Hot and Cool.
Gone with the Wind is a jazz album released by The Dave Brubeck Quartet in 1959 on Columbia CL 1347 (monophonic) and CS 8156 (stereo).
We're All Together Again for the First Time is a 1973 live album by Dave Brubeck and his quintet recorded at various locations in Europe. The album peaked at 20 on the Billboard Top Jazz Charts.
The Last Set at Newport is a 1971 live album by Dave Brubeck and his quartet recorded at the 1971 Newport Jazz Festival, shortly before a riot ensued. The album peaked at 16 on the Billboard Top Jazz Charts.
Live at the Berlin Philharmonie is a 1970 live album by Dave Brubeck and his trio with Gerry Mulligan recorded at the Berlin Philharmonie. It was reissued in 1995 with several bonus tracks. The album peaked at 21 on the Billboard Top Jazz Charts.
Tonight Only! is a 1961 album by the Dave Brubeck Quartet featuring the singer Carmen McRae.
Take Ten is an album recorded by American jazz saxophonist Paul Desmond featuring performances recorded in 1963 which were released on the RCA Victor label with cover art by Andy Warhol.
Bravo! Brubeck! is a 1967 live album by Dave Brubeck and his quartet, recorded during their tour of Mexico. The quartet were augmented by Chamin Correa on guitar, and the bongo and conga player Salvatore Agueros. It was released in 1967.
Buried Treasures is a 1967 live album by Dave Brubeck and his quartet, recorded during their tour of Mexico. It was released in 1998. A second live album recorded on their tour, Bravo! Brubeck!, was released in July 1967.
In Their Own Sweet Way is a 1998 studio album by pianist Dave Brubeck and his quintet. Brubeck was accompanied by his four sons on a recording for the first time.
Park Avenue South is 2003 live album by pianist Dave Brubeck and his quartet. The album was recorded over two nights in a branch of Starbucks in Manhattan.
Jazz: Red Hot and Cool is a jazz live album by The Dave Brubeck Quartet. It was recorded during one 1954 and two 1955 performances at the Basin Street East club in New York City. Released originally in 1955, this album was remastered and reissued in 2001, while adding two tracks that were not included in the original album.
Brubeck à la mode is 1960 studio album by pianist Dave Brubeck and his quartet.
Jazz Impressions of Eurasia is a studio album by pianist Dave Brubeck and his quartet recorded after, and inspired by, their 1958 world tour sponsored by the American state department during which they played 80 concerts in 14 countries, including Turkey, Iran, Iraq, India, Pakistan, and Afghanistan, over three months. In the liner notes to the album, Brubeck notes that "These sketches of Eurasia have been developed from random musical phrases I jotted down in my notebook as we chugged across the fields of Europe, or skimmed across the deserts of Asia, or walked in the alleyways of an ancient bazaar. ... I tried to create an impression of a particular locale by using some of the elements of their folk music within the jazz idiom." The album was recorded in July and August 1958 at the Columbia 30th St. Studios in New York.