This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages)
|
Dawn Avery | |
---|---|
Background information | |
Occupation(s) | Composer, cellist, vocalist, educator |
Instrument | Cello |
Dawn Avery (Mohawk name Ieriho:kwats) is a composer, cellist, vocalist, and educator. [1] Avery has worked with a range of musicians and is active in both language and cultural preservation as a musician and professor. Avery contributes to the preservation of musical culture by leading workshops and participating in traditional ceremonies. Described as part of a "dramatic increase" in American Indian art music in the 1990s, [1] her own music spans from traditional Mohawk and classical music, [1] [2] including orchestral music, to non-art genres such as downtempo. She is number three on Hirschfelder and Molin's "Thirteen Native Classical Musicians" list. [2]
She is active in indigenous language and cultural preservation as a musician, educator, and participant in Longhouse ceremonies. Avery leads workshops and produces projects as part of the Native Composer's Project.[ citation needed ] Avery Mohawk's name is Ieriho:kwats and she wears the turtle clan.[ citation needed ] She has a doctoral degree in ethnomusicology on Native Classical composition and Indigenous theory.[ citation needed ] Avery is also a professor at Montgomery College.[ citation needed ] She was awarded the 2012 Maryland Professor of the Year by the Council for Advancement and Support of Education and the Carnegie Foundation for the Advancement of Teaching. [3] [4]
Avery's exploration of sacred music led her to study the relationship between music and spirituality. She has led meditation groups and spiritual music performances at the Esalen Institute, the Omega Institute for Holistic Studies, Milan Sacred Music Festival, the Open Center in NYC, and Musicales Visuales in Mexico City.[ citation needed ] As a leader of meditation and creativity workshops, Avery has worked with healers such as the Dalai Lama, Rick Jarow, Ron Young, and Hilda Charleton.[ citation needed ]Rapidly Approaching Ecstasy: Music for Movement and Meditation features world grooves on the Hindu chakras along with a guided visualization track.[ citation needed ]Alchemy: Music for Meditation features tracks with various world music artists in duets with Avery on cello and voice.[ citation needed ]
While Avery performs solo, she has additionally collaborated on famous pieces, even receiving a Grammy nomination for her works as a vocalist and cellist on Grover Washington's album Breath of Heaven (1997).[ citation needed ] Other artists on the album include Luciano Pavarotti, Sting, John Cale, John Cage, R. Carlos Nakai and Joanne Shenandoah. Avery has toured around the world playing Delta blues with the Soldier String Quartet, Persian funk with Sussan Deyhim, and opera tic repertoire with the New York City Opera Company. Avery has also toured with the North American Indian Cello Project, in which she premieres contemporary classical works by Native composers. She has received awards for her classical works from Duke University, NYU, Meet the Composer, among others.[ citation needed ]
In 2023, Avery premiered Sacred World – Onenh’sa at the University of Michigan. It was a new indigenous soundscape work commissioned by Dr. Pamela Ruiter-Feenstra, the visiting carillon professor at the university. [5]
Avery's works are diverse as she explores various different genres. In an interview with Suzanne Gilchrest of 8 Strings and a Whistle, Avery proclaimed that she has been influenced by classical music, world music, rock, and jazz, as well as by musicians such as Ludwig van Beethoven, Coltrane, Pink Floyd, Johnny Whitehorse, and Sting. [6]
Avery's music can be heard on several award-winning films, including Basquiat , the Smithsonian's artwork Always Becoming by Nora Naranjo-Morse, several Rich-Heape Films and the movie Tadpole . Her most recent project and recording 50 Shades of Red features music, dance, film, and ritual. Tara Gatewood of Native America Calling said this downtempo work is a new genre in Native American music.[ citation needed ]
This album was first showcased to the public on October 18, 2014 for the first time at Montgomery College as part of the Department of Visual and Performing Arts on the Takoma Park/Silver Spring Campus as part of the college's Performing Arts Showcase Series. The showcase was an hour-long show, where Avery also incorporated a traditional dance to Down Tempo Native American music. [7] The theme throughout the album is love. Just as the name of the album suggests, it explores the many kinds or "shades" of love from sensual love to spiritual love. Some of her popular songs from this album are "Strawberry Field Forever, My Heart Is Strong," and "My Life with You". [8]
Her 2012 solo album Our Fire: Contemporary Native American Song won several nominations in the Indian Summer Awards, New Mexico Music Awards, and Native American Music Awards.[ citation needed ]
Our Fire consists of native contemporary songs, choral chants, jazz, and cello. Avery sings in English and Mohawk as well as playing the cello. Our Fire was nominated for Best Songwriting of the Year by the Native American Music Awards (NAMA). Grammy winner Larry Mitchell played the guitar and produced her album. [9]
This album is a meditation album that was constructed to instill inner peace and produce renewed energy. [10]
True consists of music around the world in a setting with influences from Africa, Native America, Brazil, Mexico, Greece, and other native places. In this piece Avery sings in many languages. This piece reflects her different styles from around the world. This also includes voice, percussion, cello, and guitar.
Avery first performed the Sarabande from Bach's Suite No. 5 for solo cello in C minor, interspersed with, "improvised vocal line in a traditional falsetto style and a Buffalo drum line composer by Avery and performed by Steven Alvarez," and credited to Bach/Avery under the title "Sarabande", which she later performed under the title, "two worlds", which has been described as an example of the "non-interference" as embodied by the Eastern Woodlands wampum belt. [1] Robinson emphasizes the difference between the two styles as a possible refusal or lack of desire or necessity to integrate, while writing with Levine, he and Robinson also discuss the, "unified...naturalize[d] mixtures," although they confirm that Indigenous musicians in writing, specifically R. Wallace and Avery, "often," emphasize, "common philosophies more than similar musical languages," and that this piece forces examination of these topics. [11]
Charles Mingus Jr. was an American jazz upright bassist, composer, bandleader, pianist, and author. A major proponent of collective improvisation, he is considered one of the greatest jazz musicians and composers in history, with a career spanning three decades and collaborations with other jazz greats such as Duke Ellington, Charlie Parker, Max Roach, and Eric Dolphy. Mingus's work ranged from advanced bebop and avant-garde jazz with small and midsize ensembles to pioneering the post-bop style on seminal recordings like Pithecanthropus Erectus (1956) and Mingus Ah Um (1959) and progressive big band experiments such as The Black Saint and the Sinner Lady (1963).
Yo-Yo Ma is an American cellist. Born to Chinese parents in Paris, remaining there until age 7, then raised and educated in New York City. He was a child prodigy, performing from the age of four and a half. He graduated from the Juilliard School and Harvard University, attended Columbia University, and has performed as a soloist with orchestras around the world. He has recorded more than 92 albums and received 19 Grammy Awards.
Sharon Isbin is an American classical guitarist and the founding director of the guitar department at the Juilliard School.
Indigenous music of Canada encompasses a wide variety of musical genres created by Aboriginal Canadians. Before European settlers came to what is now Canada, the region was occupied by many First Nations, including the West Coast Salish and Haida, the centrally located Iroquois, Blackfoot and Huron, the Dene to the North, and the Innu and Mi'kmaq in the East and the Cree in the North. Each of the indigenous communities had their own unique musical traditions. Chanting – singing is widely popular and most use a variety of musical instruments.
Emily Pauline Johnson, also known by her Mohawk stage name Tekahionwake, was a Canadian poet, author, and performer who was popular in the late 19th and early 20th centuries. Her father was a hereditary Mohawk chief, and her mother was an English immigrant.
Joanne Lynn Shenandoah was a Native American singer, composer, and multi-instrumentalist based in the United States. She was a citizen of the Oneida Indian Nation, Wolf clan, based in New York. Her music combined traditional melodies with a blend of modern instrumentation, and her lyrics conveyed her interests in nature, women's lives and Iroquois culture.
William Alan Hawkshaw was a British composer and performer, particularly of library music used as themes for movies and television programs. Hawkshaw worked extensively for the KPM production music company in the 1950s to the 1970s, composing and recording many stock tracks that have been used extensively in film and TV.
Constance Mary Demby was an American musician, composer, painter, sculptor, and multimedia producer. Her music included new age, ambient, and space music styles. She is best known for her 1986 album Novus Magnificat and her two experimental musical instruments, the sonic steel space bass and the whale sail.
Gabriela Lena Frank is an American pianist and composer of contemporary classical music.
Timothy Archambault is an American architect, composer, and musician who plays Native American flute. He lives in Miami, Florida.
Laura Elise Schwendinger was the first composer to win the American Academy in Berlin's Berlin Prize.
Tina Guo is a Chinese-born American cellist and erhuist from San Diego. Her international career as a cellist, electric cellist, erhuist, and composer is characterized by videos featuring theatrical backdrops and elaborate costumes, a range of genres, and an improvisatory style in film, television, and video game scores.
Maxine Neuman was an American cellist based in New York City.
Frances Elaine Keillor C.M. is a Canadian musicologist and pianist. She has been a professor of music at Carleton University since 1977, specializing in the music of Canadian composers and the music of North American indigenous groups.
Kristina Reiko Cooper is an American cellist. Although she first began her career as a classical artist, she has received critical acclaim for her diversity in music genres.
Jessie Montgomery is an American composer, chamber musician, and music educator. Her compositions focus on the vernacular, improvisation, language, and social justice.
Marlui Miranda is a Brazilian singer, musician, and researcher known for her performances of indigenous music from the Amazon. She has collaborated with Brazilian musicians Gilberto Gil, Egberto Gismonti, Milton Nascimento, and Nana Vasconcelos.
Heidi Aklaseaq Senungetuk is an Inupiaq scholar of ethnomusicology and a musician. She is the daughter of Ronald Senungetuk and Turid Senungetuk and granddaughter of Helen and Willie Senungetuk, and her family roots originate from Wales (Kiŋigin), Alaska. Senungetuk spent her childhood in Fairbanks, where her father founded the Native Art Center and acted as head of the Department of Art at the University of Alaska.