This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)
|
Death | |
---|---|
Publication information | |
Publisher | DC Comics |
First appearance | The Sandman vol. 2, #8 (August 1989) |
Created by | Neil Gaiman (writer) Mike Dringenberg (artist) |
In-story information | |
Place of origin | France |
Team affiliations | The Endless |
Notable aliases | Grandmother Death (by Nada's tribe) Teleute (ancient Greek) Madame Mort |
Abilities |
|
Death of the Endless is a fictional anthropomorphic personification who appears in American comic books published by DC Comics. She first appeared in The Sandman vol. 2, #8 (August 1989), and was created by Neil Gaiman and Mike Dringenberg. [1]
In the DC Universe continuity, Death is both the end of life and a psychopomp. Like most anthropomorphic personifications of death, Death meets with the recently deceased and guides them into their new existence. Unlike most personifications of death, she also visits people as they are born, according to Destruction in the Sandman Special: The Song of Orpheus. Evidently, only she seems to remember these encounters. In the special issue, it is also revealed that Death was known in ancient Greece as Teleute. Just as her brother's, Dream's, realm/domain is known as "The Dreaming", Death's realm/domain is known as "The Sunless Lands".
Physically, Death is also opposite to the traditional western culture personification of death (see Grim Reaper). In The Sandman, Death instead appears as an attractive, pale goth girl dressed in casual clothes — often a black top and jeans. She also wears a silver ankh on a chain around her neck, and has a marking similar to the eye of Horus around her right eye. [2] She is pleasant, down-to-earth, perky, and has been a nurturing figure for both incarnations of Dream. This irony has helped make Death one of the most popular characters from Sandman. Death was named the fifteenth greatest comic book character by Empire . [3]
As Azrael , Death appears in Superboy , portrayed by Peggy O'Neal, and Teen Titans Go! , voiced by David Kaye. Kat Dennings voices the character in Audible's The Sandman (2019), while Kirby Howell-Baptiste portrays the character in the Netflix series The Sandman (2022). [4] [5]
Other personifications of Death have appeared in the DC Universe. In Captain Atom #42 Death appears alongside Black Racer of the New Gods and Nekron (a being embodying the will of "The Black", the solitude and peace death represents from Green Lantern ). The story stated that all three were equal, representing different aspects of death. Gaiman has denied this, however, and his stories make it clear that Death of the Endless is the ultimate personification of Death. It might be assumed, however, Nekron, the Racer, and the Black Flash are connected to her in some way. Alternatively, there may be multiple avatars or gods of Death in the DC universe, besides those claiming to be Death. Blackest Night has resolved this apparent contradiction or ambiguity, with Nekron no longer being referred to as an aspect of death but instead as a construct formed of darkness in response to the emerging light of the emotional spectrum.
A more traditional version of Death, a skeleton in a bluish or purplish cloak, appeared as host in such DC titles such as Weird Mystery Tales , House of Secrets , Ghosts , Weird War Tales (including being in the story in issue #94), DC Comics Presents #29, etc. Weird War Tales typically featured Death as a skeleton in some sort of military uniform relevant to the era and locality of the war depicted. This character appeared as recently as Elvira's House of Mystery #2 (February 1986). How this pre-Crisis Death relates to Gaiman's Death, if at all, is unclear, although her older brother Destiny appeared with the character, [6] and both Deaths have appeared with incarnations of Superman. Superman referred to the earlier Death with the term "Grim Reaper", so perhaps that could be regarded as a distinct character, however, in the pages of Weird War Tales, he called himself "Death." [7] He also appeared when Weird War Tales was published under the Vertigo imprint and in the 2010 Weird War Tales one-shot.
Death first appeared as a woman in The Witching Hour #56 (July 1975) in a tale told by Mordred (written by Carl Wessler and illustrated by Ruben Yandoc). She was depicted with short, curly, red-blonde hair, and was a rival for two men's affections. Both men die in successive car accidents.
In Swamp Thing vol. 2, #6, The Phantom Stranger met Death in the form of a middle-aged gentleman, possibly inspired by Death Takes a Holiday . In the story, a young woman, Margaret "Maggie" Brennan, had what should have been a minor head injury and at one glimpse of Death chose to become Death's bride. As someone newly dead herself, she taught Death that he needs to show compassion for the newly dead to allay their fears. He takes her advice and they both serve as aspects of Death. This version of Death was created by Mike W. Barr and Dan Spiegle. Maggie is blonde and bears only minor physical resemblance to Gaiman and Dringenberg's version, though her compassionate nature is a similarity. In The Spectre (vol. 2), The Phantom Stranger himself appeared to be the only psychopomp in the DC Universe.
The current incarnation of Death first appeared in the final chapter of Sandman's first story arc Preludes and Nocturnes , "The Sound of Her Wings", (issue #8) where she gave Dream direction and a degree of understanding. Death instantly became very popular with readers, and she appears at least briefly in each of the nine subsequent story arcs. However, Gaiman attempted to entice and tease readers by rationing out the number of appearances from Dream's family, so Death did not appear as frequently as one might expect for such a popular character. At the end of the ninth Sandman story arc The Kindly Ones , there is a lengthy and noteworthy appearance from Death, in which she finally brings her brother peace.
According to Gaiman, the initial visual design of Death was based on a friend of Dringenberg's named Cinamon Hadley. [8] From The Sandman Companion :
Death is the only major character whose visuals didn't spring from me; that credit goes to Mike Dringenberg. In my original Sandman outline, I suggested Death look like rock star Nico in 1968, with the perfect cheekbones and perfect face she has on the cover of her Chelsea Girl album. But Mike Dringenberg had his own ideas, so he sent me a drawing based on a woman he knew named Cinamon Hadley [9] — the drawing that was later printed in Sandman 11 — and I looked at it and had the immediate reaction of, "Wow. That's really cool". Later that day, Dave McKean and I went to dinner in Chelsea at the My Old Dutch Pancake House and the waitress who served us was a kind of vision. She was American, had long black hair, was dressed entirely in black — black jeans, T-shirt, etc. — and wore a big silver ankh on a silver necklace. And she looked exactly like Mike Dringenberg's drawing of Death.
Hadley died from colon cancer at the age of 48 on January 6, 2018. [10] [11]
McKean also used a series of professional English models for representations of Death on covers of Sandman. [12]
Despite some rumors, Death is not based on Gaiman's friend Tori Amos. [13]
Death is the second eldest of the Endless, [14] a family of anthropomorphic beings. [2] Death is an incomprehensibly powerful entity having been shown (in a flashback in Brief Lives ) to be virtually omniscient and being able to intimidate the Furies, who show no fear of the other Endless, simply by raising her voice in The Kindly Ones . The witch Thessaly mentions that Death is the only one of the Endless who is bound by no rules, supported in Dream's portion of Endless Nights in which she briefly makes an appearance at a conference designed to set functions for entities and leaves before it begins. In addition, it is mentioned in Brief Lives that she is the only one of the Endless who may survive the end of this incarnation of the universe. Death's realm is not portrayed in detail in the series, except for a brief scene in her "house" in the Sandman Special, Song of Orpheus , and later in The Books of Magic series. This is where she keeps her floppy hat collection, her goldfish Slim and Wandsworth and possibly her gallery. A brief glimpse of her realm can also be seen in The Little Endless Storybook , when Barnabas visits her, although this time in her "apartment suite".
One day every century, Death lives (and dies) as a mortal, in order to understand the value of the life she takes. She does this by becoming a mortal fated to die that day. At the end of Death: The High Cost of Living her Endless self briefly converses with her mortal self.
Death appeared in her Grim Reaper form in Harley Quinn (comic book) Vol 3 #63.
Death is an immortal being of virtual omnipotence, omniscience and omnipresence. She is not a god of death or agent of it, but Death itself: the end of life. As for the end of her role, Death has said: "When the last living thing dies, my job will be finished. I'll put the chairs on the tables, turn out the lights, and lock the universe behind me when I leave".
Death appeared in Captain Atom #42-43 (June–July 1990), in which she appeared alongside the Black Racer as one of several aspects of Death in the DC Universe. Gaiman reportedly took issue with this depiction, feeling that portraying her as merely an aspect of death diminished her importance. [15] Other Giffen stories that feature Death include the Ambush Bug Nothing Special one-shot (Sep. 1992) and a cameo in the Lobo comic book Lobo's Back #3 (Oct. 1992), in which she slaps Lobo for getting fresh with her. She observes the destruction of the Earth in Legion of Super-Heroes vol. 4 #38 (Dec. 1992).
Death's popularity saw her spun off into two solo miniseries, Death: The High Cost of Living (1993), and Death: The Time of Your Life (1996). Both were written by Gaiman and illustrated by Chris Bachalo, and dealt with Death's encounters with various mortals. Death: The High Cost of Living became the first comic released under the newly instigated Vertigo branding in 1993, at which point The Sandman also moved from the DC to Vertigo imprint. A third miniseries, The Girl who Would Be Death by Caitlín R. Kiernan, was about a girl who purchased an ankh stolen from Death and tried to become her. Death is never actually seen in the series, but she speaks and acts in the third and fourth issues of the four-issue series.
In 2003, the manga-style graphic novel Death: At Death's Door portrayed Death's activities during the fourth Sandman story arc Season of Mists . It was written and illustrated by Jill Thompson, and the format proved popular enough for Thompson to produce the similarly manga-influenced follow-up Dead Boy Detectives , featuring minor Sandman characters, and "featuring a cameo by Death". [16]
A one-shot issue titled Death Gallery (1994) was released as one of several art showcase comics from DC Comics spotlighting various Sandman characters released between 1994 and 1995. The Death Gallery featured representations of Death by more than thirty comics artists, including a rough sketch by Gaiman himself. In Endless Nights (2003) Gaiman shows Death several billion years ago, with a markedly different personality — forbidding and joyless.
She also appears in The Books of Magic (first volume, 1991, also written by Gaiman) at the very end of time, where her function is to set things in order and close the universe down. She meets Timothy Hunter and Mister E there after Mister E has taken Timothy all the way to the end of time, because only there can he kill Timothy without fear of interference. Death stops the murder on the grounds that "I took both of you billions of years ago". She sends Timothy back home, but forces Mister E to return the hard way. [17] John Ney Rieber included her in The Books of Magic (vol. 2 #3-4), in which she lets Timothy Hunter hang out at her house and hold her teddy bear, Cavendish, while he is recovering from the venom of the Manticore. Hunter later encounters Death walking in the rain in The Books of Magic #25, and there was later an arc about her in Hunter: The Age of Magic . In Hellblazer #120, Death appears briefly in a pub filled with ghosts.
She also appeared in Mike Carey's Lucifer series when the eponymous main character was wounded and nearly died. Initially it appears that Death has actually arrived for Lucifer, but in fact she is there for Elaine Belloc who dies (temporarily) saving Lucifer's life. Death admits she has arrived a little early and takes the opportunity to talk to Lucifer who is currently trapped between life and death.
In Madame Xanadu , the title character calls out to her while chained up and denied access to her youth potions during the French Revolution. As she is a survivor from the days of King Arthur, she grows very old very quickly without them. She summons Death and reads her own cards, interpreting her Death card as predictive of her future destiny on earth. Death is so amused by this interpretation that she grants Madame Xanadu immortality, revocable any time Xanadu wishes. [18] Death appeared in Action Comics #894, which was written by Paul Cornell. Gaiman helped write Death's dialogue to ensure that her characterization remained consistent with The Sandman. [15] [19] In the story, while searching for a black power ring, Lex Luthor encounters her. [20] She appears again in issue #900 and in The Flash (vol. 3) #6, part of the Brightest Day crossover.
In the AIDS-awareness eight-page comic Death Talks About Life by Gaiman and McKean (which was first included in various Vertigo titles, and later released as a stand-alone giveaway pamphlet), Death demonstrates safe sex by placing a condom on a banana held by John Constantine. Lightening the impact of the underlying message, she informs the reader that when one is through with the demonstration, "you can eat the banana". [21] This was used in high school health classes and is also reprinted as an addendum to the Death: The High Cost of Living trade paperback.
This version of Death also made a cameo appearance in the crossover special Avengers/JLA #2. She is represented in the Grandmaster's home base, alongside Deadman, Hela and the purple-robed version of Death native to the Marvel Universe, which, as the plots of other crossover comics have hinged upon, exists in the same continuum of fictional universes as DC's. Marvel's version of Death appears alternatively as a coldly beautiful woman in a purple robe or a walking skeleton (sometimes male and sometimes female in form, depending upon the context).
She made an appearance in the Marvel Universe, at the wedding of Rick Jones and Marlo Chandler in The Incredible Hulk #418 (handing Marlo a hair brush, a visual pun referring to Marlo's recent 'brush with death').
Audible released a drama version in July 2019, starring Neil Gaiman, James McAvoy, Taron Egerton, Michael Sheen, and Andy Serkis. Death was played by Kat Dennings.
Neil Richard MacKinnon Gaiman ; is an English author of short fiction, novels, comic books, graphic novels, nonfiction, audio theatre, and films. His works include the comic book series The Sandman and novels Stardust, American Gods, Coraline, and The Graveyard Book. He has won numerous awards, including the Hugo, Nebula, and Bram Stoker awards, as well as the Newbery and Carnegie medals. He is the first author to win both the Newbery and the Carnegie medals for the same work, The Graveyard Book (2008). In 2013, The Ocean at the End of the Lane was voted Book of the Year in the British National Book Awards. It was later adapted into a critically acclaimed stage play at the Royal National Theatre in London, England that The Independent called "...theatre at its best".
Preludes & Nocturnes is the first trade paperback collection of the comic book series The Sandman, published by the DC Comics imprint Vertigo. It collects issues #1–8. It is written by Neil Gaiman, illustrated by Sam Kieth, Mike Dringenberg and Malcolm Jones III, colored by Robbie Busch and lettered by Todd Klein.
Season of Mists is a 1990-1991 American eight-part comic and the fourth collection of issues in the DC Comics' The Sandman series. It collects issues #21–28. It was written by Neil Gaiman; illustrated by Kelley Jones, Mike Dringenberg, Malcolm Jones III, Matt Wagner, Dick Giordano, George Pratt, and P. Craig Russell; coloured by Steve Oliff and Daniel Vozzo; and lettered by Todd Klein.
The Sandman is a comic book written by Neil Gaiman and published by DC Comics. Its artists include Sam Kieth, Mike Dringenberg, Jill Thompson, Shawn McManus, Marc Hempel, Bryan Talbot, and Michael Zulli, with lettering by Todd Klein and covers by Dave McKean. The original series ran for 75 issues from January 1989 to March 1996. Beginning with issue No. 47, it was placed under DC's Vertigo imprint, and following Vertigo's retirement in 2020, reprints have been published under DC's Black Label imprint.
Dream of the Endless is a fictional anthropomorphic personification who first appeared in the first issue of The Sandman, written by Neil Gaiman and published by DC Comics. One of the seven Endless, who are inconceivably powerful beings older and greater than gods, Dream is both lord and personification of all dreams and stories, all that is not in reality. He has taken many names, including Morpheus and Oneiros, and his appearance can change depending on the person who is seeing him. Dream was named the sixth-greatest comic book character by Empire Magazine. He was also named fifteenth in IGN's 100 Top Comic Book Heroes list.
Vertigo Comics, also known as DC Vertigo or simply Vertigo, was an imprint of American comic book publisher DC Comics started by editor Karen Berger in 1993. Vertigo's purpose was to publish comics with adult content, such as nudity, drug use, profanity, and graphic violence, that did not fit the restrictions of DC's main line, thus allowing more creative freedom. Its titles consisted of company-owned comics set in the DC Universe, such as The Sandman and Hellblazer, and creator-owned works, such as Preacher, Y: The Last Man and Fables. The Vertigo branding was retired in 2020, and most of its library transitioned to DC Black Label.
Lucifer Samael Morningstar is a character who appears in American comic books published by DC Comics. He is an adaptation of Lucifer—the Biblical fallen angel and devil of Christianity—and is one of the most powerful beings in the DC Universe. Though various versions of the Devil have been presented by DC Comics, this interpretation by Neil Gaiman debuted in The Sandman #4 in 1989. Lucifer appears primarily as a supporting character in The Sandman and as the protagonist of the spin-off Lucifer.
Death: The High Cost of Living is a comic written by Neil Gaiman with art by Chris Bachalo and Mark Buckingham. It is a spin-off from Gaiman's best-selling Vertigo Comics series The Sandman, featuring the Sandman (Dream)'s elder sister, Death of the Endless. Its premise is that Death takes human form once a century, to remain grounded and in touch with humanity, an idea touched upon in several other media, for example in the 1934 film Death Takes a Holiday and in the Terry Pratchett novel Reaper Man.
Titania is a fictional character, a comic book faerie published by DC Comics. She first appeared in The Sandman #19, and was created by Neil Gaiman and Charles Vess. She is inspired by and implied to be the same as Titania as the faerie queen in William Shakespeare's play A Midsummer Night's Dream.
Cain and Abel are a pair of fictional characters in the DC Comics universe based on the biblical Cain and Abel. They are key figures in DC's "Mystery" line of the late 1960s and 1970s, which became the mature-readers imprint, Vertigo, in 1993.
Sandman Mystery Theatre was an ongoing comic book series published by Vertigo Comics, the mature-readers imprint of DC Comics. It ran for 70 issues and 1 annual between 1993 and 1999 and retells the adventures of the Sandman, a vigilante whose main weapon is a gun that fires sleeping gas, originally created by DC in the Golden Age of Comic Books. In a similar vein to Batman, the Sandman possesses no superhuman powers and relies on his detective skills and inventions.
Mike Dringenberg is an American comics artist best known for his work on DC Comics/Vertigo's Sandman series with writer Neil Gaiman.
Michael Zulli is an American artist known for his work as an animal and wildlife illustrator and as a comic book illustrator.
The Dreaming was a monthly comic series that ran for 60 issues and was revived in 2018. It is set in the same dimension of the DC universe as The Sandman and the stories occurred primarily within Dream's realm, The Dreaming, concentrating on characters who had played minor roles in The Sandman, including The Corinthian, Matthew the raven, Cain and Abel, Lucien the dream librarian, the faerie Nuala, Eve, and Mervyn Pumpkinhead. It also introduced a number of new characters, Echo and a new (white) dream raven, Tethys. After those characters were retconned the 2018 version of The Dreaming introduced new characters such as Hyperion Keeter, WAN, and the night hag, Dora. The 2020 spin-off / continuation, The Dreaming: Waking Hours introduced other new characters such as Linsy, Ruin, and most notably, Heather After, a direct descendant of Roderick Burgess. There were brief appearances by The Endless during the series, including cameos by Dream, Death, Destiny, and Desire.
The Little Endless Storybook is a picture book by Jill Thompson published by the Vertigo imprint of DC Comics. It features the popular Endless characters from Neil Gaiman's The Sandman comic book reimagined as toddlers. A second Little Endless Storybook, titled Delirium's Party, was released in 2011.
The Endless are a family of beings who appear in American comic books published by DC Comics. The members of the family include Death, Delirium, Desire, Despair, Destiny, Destruction, and Dream.
The Sandman Universe is a line of American comic books published by DC Comics under its imprints DC Vertigo and DC Black Label. The line launched to celebrate the 30th anniversary of Neil Gaiman's The Sandman (1989–1996) and Vertigo's 25th anniversary. The Sandman Universe began in August 2018, with a titular one-shot, which was followed by four ongoing series—House of Whispers, Lucifer, Books of Magic, and The Dreaming. Each comic is overseen by Gaiman but written by new creative teams.
Black Orchid is an American comic book written by Neil Gaiman with art by Dave McKean. It was published by DC Comics as a three-issue limited series from December 1988 to February 1989, and was later reprinted in trade paperback form. Black Orchid follows two girls, Flora and Suzy, who awaken in a greenhouse. Their journey to find out who they are leads them into contact with DC Universe figures like Batman and Swamp Thing, but also into conflict with criminal mastermind Lex Luthor, who seeks them for his own interests.
The Sandman is an American fantasy drama television series based on the 1989–1996 comic book written by Neil Gaiman and published by DC Comics. The series was developed by Gaiman, David S. Goyer, and Allan Heinberg for the streaming service Netflix and is produced by DC Entertainment and Warner Bros. Television. Like the comic, The Sandman tells the story of Dream/Morpheus, the titular Sandman. The series stars Tom Sturridge as the title character, with Boyd Holbrook, Vivienne Acheampong, and Patton Oswalt in supporting roles.