Deborah Kapchan is an American folklorist, writer, translator and ethnographer, specializing in North Africa and its diaspora in Europe. [1] In 2000, Kapchan became a Guggenheim fellow. She has been a Fulbright-Hays recipient twice, and is a Fellow of the American Folklore Society. [2] She is professor of Performance Studies at New York University, [2] and the former director of the Center for Intercultural Studies in Folklore and Ethnomusicology (now the Américo Paredes Center for Cultural Studies) at the University of Texas at Austin. [3]
After completing her Bachelors of Arts in English Literature and French at New York University while studying flute performance with Harold Jones in New York, Kapchan went to Morocco in 1982 as a Peace Corps volunteer. There she learned Moroccan Arabic, and in 1984 got a job doing ethnography in Marrakech and in El Ksiba, Morocco, for a project on literacy run by Daniel Wagner. This experience reoriented her life and in 1985 she returned to the United States to do a Master's degree in linguistics at Ohio University. She then went on to pursue a Ph.D. in folklore and folklife from the University of Pennsylvania. working with Roger Abrahams. Her doctoral concentration was on the verbal art of Morocco and women's performances in the public sphere.
In 1992-93, she was a visiting professor at Indiana University's Department of Folklore and Ethnomusicology. [4]
From 1993-2003 she was an assistant and associate professor of anthropology at the University of Texas at Austin, where she also directed The Center for Intercultural Studies in Folklore and Ethnomusicology (now the Américo Paredes Center for Cultural Studies) from 1996-2000. [1]
In 2003 she was appointed to a position in the Department of Performance Studies at New York University, joining folklorist Barbara Kirshenblatt-Gimblett and the founder of Performance Studies, Richard Schechner. [2]
Folklore is the body of expressive culture shared by a particular group of people, culture or subculture. This includes oral traditions such as tales, myths, legends, proverbs, poems, jokes, and other oral traditions. This also includes material culture, such as traditional building styles common to the group. Folklore also encompasses customary lore, taking actions for folk beliefs, including folk religion, and the forms and rituals of celebrations such as Christmas, weddings, folk dances, and initiation rites.
Folklore studies is the branch of anthropology devoted to the study of folklore. This term, along with its synonyms, gained currency in the 1950s to distinguish the academic study of traditional culture from the folklore artifacts themselves. It became established as a field across both Europe and North America, coordinating with Volkskunde (German), folkeminner (Norwegian), and folkminnen (Swedish), among others.
The corrido is a famous narrative metrical tale and poetry that forms a ballad. The songs often feature topics such as oppression, history, daily life for criminals, the vaquero lifestyle, and other socially relevant themes. Corridos were widely popular during the Mexican Revolution and in the Southwestern American frontier as it was also a part of the development of Tejano and New Mexico music, which later influenced Western music.
Gregorio Cortez Lira was born in the state of Tamaulipas, Mexico on June 22, 1875 and became a folk hero to the border communities of the United States and Mexico. After an altercation in which he killed Sheriff W. T. (Brack) Morris, Cortez went on the run from the Texas Rangers for thirteen days. He became the target of the largest manhunt in U.S. history from June 14, 1901 to June 22, 1901. He was accused of murdering two sheriffs and finally convicted of horse theft.
Barry Jean Ancelet is a Cajun folklorist in Louisiana French and ethnomusicologist in Cajun music. He has written several books, and under his pseudonym Jean Arceneaux, including poetry and lyrics to songs.
Henry Glassie College Professor Emeritus at Indiana University Bloomington, has done fieldwork on five continents and written books on the full range of folkloristic interest, from drama, song, and story to craft, art, and architecture. Three of his books -- Passing the Time in Ballymenone, The Spirit of Folk Art, and Turkish Traditional Art Today -- were named among the "Notable Books of the Year" by The New York Times. Glassie has won many awards for his work, including the Charles Homer Haskins Prize of the American Council of Learned Societies for a distinguished career of humanistic scholarship. A film on his work, directed by Pat Collins and titled Henry Glassie: Field Work, had its world premiere at the Toronto International Film Festival in 2019.
Américo Paredes was an American author born in Brownsville, Texas who authored several texts focusing on the border life that existed between the United States and Mexico, particularly around the Rio Grande region of South Texas. His family on his father’s side, however, had been in the Americas since 1580. His ancestors were sefarditas, or Spanish Jews who had been converted to Christianity, and in 1749—along with José de Escandón—they settled in the lower Rio Grande. The year of Paredes’ birth was the year of the last Texas Mexican Uprising, which was to portend the life Paredes was to lead. Throughout his long career as a journalist, folklorist and professor, Paredes was to bring focus to his Mexican American heritage, and the beauty of those traditions.
Richard Bauman is a folklorist and anthropologist, now retired from Indiana University Bloomington. He is Distinguished Professor emeritus of Folklore, of Anthropology, and of Communication and Culture. Before coming to IU in 1985, he was the Director of the Center for Intercultural Studies in Folklore and Ethnomusicology at the University of Texas and a faculty member in the UT Department of Anthropology. Just before retiring from Indiana, he was chair of the IU Department of Folklore and Ethnomusicology, as well as an important member of the Department of Anthropology and the Department of Communication and Culture.
John Holmes McDowell is a Professor in the Department of Folklore and Ethnomusicology at Indiana University Bloomington. He also serves as Director of the Diverse Environmentalisms Research Team (DERT) headquartered at Indiana University. Broadly speaking his work is centered on performance and communication as well as the interplay of creativity and tradition. Geographically most of his fieldwork has been in Mexico, Colombia, Cuba, Ecuador, and Ghana. His interests include Speech play and verbal art; the corrido of Greater Mexico; music, myth, and cosmology in the Andes; ecoperformativity; commemoration; folklorization; ethnopoetics; Latin America; the United States.
Beverly J. Stoeltje is an emeritus professor in both the Department of Folklore and Ethnomusicology and the Department of Anthropology at Indiana University Bloomington. She also serves as Affiliated Faculty in African Studies, American Studies, Cultural Studies, Gender Studies, and at the Russian-East European Institute. Stoelje has been described as one of the "official foremothers of feminist folkloristics".
Roger David Abrahams was an American folklorist whose work focused on the expressive cultures and cultural histories of the Americas, with a specific emphasis on African American peoples and traditions.
Dan Ben-Amos was an Israeli-American folklorist and academic who worked as a professor at the University of Pennsylvania, Philadelphia, where he held the Graduate Program Chair for the Department of Folklore and Folklife.
Folklore Institute refers to the folklore studies program of Indiana University Bloomington (USA). The Folklore Institute, together with the Ethnomusicology Institute, constitute the larger Department of Folklore and Ethnomusicology. The Department of Folklore and Ethnomusicology is a unit of the College of Arts and Sciences.
Judith O. Becker is an American academic and educator. She is a scholar of the musical and religious cultures of South and Southeast Asia, the Islamic world and the Americas. Her work combines linguistic, musical, anthropological, and empirical perspectives. As an ethnomusicologist and Southeast Asianist, she is noted for her study of musics in South and Southeast Asia, including Javanese gamelan, Burmese harp, music and trance, music and emotion, neuroscience, and a theoretical rapprochement of empirical and qualitative methods. Becker teaches at the University of Michigan. In 2000, Becker was named the Glenn McGeoch Collegiate Professor of Musicology at the University of Michigan, and she was named professor emerita of music in 2008. From 1993 to 1997, she was a Senior Fellow of the Michigan Society of Fellows.
Linda Dégh was a folklorist and professor of Folklore & Ethnomusicology at Indiana University, USA.
Judith McCulloh was an American folklorist, ethnomusicologist, and university press editor.
Mellonee Victoria Burnim is an American ethnomusicologist. A professor emerita at Indiana University Bloomington who specializes in African American gospel music, she previously served as director of the university's Archives of African American Music and Culture.
With His Pistol in His Hand is a book about Gregorio Cortez written by Américo Paredes. It was published by the University of Texas Press and first printed in 1958.
Ellen Stekert is an American academic, folklorist and musician. Stekert is a Professor Emerita of English at the University of Minnesota and a former president of the American Folklore Society.
Marcia Alice Herndon was an American ethnomusicologist and anthropologist. She specialized in the ways culture and music reflect each other. Herndon grew up in a family of country music performers in North Carolina. After completing her master's degree in 1964 at Tulane University, she performed classical music for several years. Earning a PhD in anthropology and ethnomusicology in 1971, she taught at the University of Texas at Austin, the University of California, Berkeley, and the University of Maryland. She is widely known for her contributions to Native American music studies with books such as Native American Music, as well as collaborating on Music as Culture, and Music, Gender, and Culture, which analyze the overlapping of musical forms and cultural structures.