Faytinga | |
|---|---|
 | |
| Background information | |
| Birth name | Dahab Faid Tinga |
| Born | 10 June 1964 Asmara, Ethiopian Empire (now Eritrea) |
| Origin | Eritrea |
| Genres | World, Kunama |
| Labels | Cobalt |
| Website | faytinga |
Dahab Faytinga (born 10 June 1964), known professionally as Faytinga, is an Eritrean singer and musician. [1] [2] She belongs to the Nilotic Kunama and Tigrinya ethnic groups. [3] [4]
Faytinga was born on 10 June 1964 in Asmara, Ethiopian Empire, now called Eritrea from her Tigrinya mother and Kunama father,who was a revered freedom fighter among the ethnic group. The state of anarchy that ensued in 1942 after the defeat of the Italian army, forced her father to form a military band to defend the Kunama people against the raids they suffered. He was given the nickname of 'Fighting gun' (taken from his name 'Faid Tinga') by the British administration in the early 1950s. Between 1952 and 1962, he was elected enthusiastically to represent the Kunama people. At the end of the Federal arrangement he was imprisoned several times by the Ethiopian Government for his pro-Eritrean work. He was a political prisoner when the Ethiopian military regime came to power and he was freed by the EPLF in 1974 when they stormed the prison in Asmara. Faid Tinga Longhi was a hero for the Kunama people. [5] [6] [7]
in 1977, at the age of fourteen, Faytinga joined the liberation struggle and she became a combatant during the Eritrean War of Independence until the liberation in 1991. [2] [8] [9] After being given military and political training at Bilekat, she was assigned to the public administration department. In 1987 she started to work with the Department of National Guidance to set up the Kunama radio programme. She then joined the cultural troupe as a Kunama language singer. In the late 1980s, Faytinga was reassigned to the public administration department in Kassala, Sudan and later Tokombia, where she was elected as member of the assembly of the National Union of Eritrean Women’s of Tokombia district. [10]
In 1990, Faytinga toured the US and Europe as a member of The National Folkloric Troupe of Eritrea called the Sibrit Cultural Troupe. [11] After releasing her first album “Sala Da Goda” on tape, she toured for the first time as a solo artist in 1995. Faytinga won the 2nd prize and 1st East African women singer at the 2000 Ma’ Africa in Benoni, South Africa. It took until 1999 and an appearance at the Africolor festival in France, [12] before she could record her first album "Numey". [13] [14]
Faytinga composes her own songs and also interprets work from well-known poets and composers from Eritrea. When singing, she plays the krar, a small lyre.
The CD album "Numey" is Faytinga's first international release on the Paris-based Cobalt label. All of the songs on this album of hers are in her native Kunama language, which belongs to the Nilo-Saharan family.
In 2003, Faytinga released her second album "Eritrea". Besides the krar and wata, she also brought guitar, flute, and percussion sounds.
Faytinga has always been interested in music and developed her style ‘in the field’ that represents her own blend of several traditional music forms. [15] [16]
Faytinga has been performing around the world representing Eritrea as a 'cultural ambassador' for her country. [17] As Marco Cavallarin wrote in the Italian journal Africa e Mediterraneo, 'Faytinga interprets the profound culture of her country and its most ancient and more recent history, from the origins of the Kunama people to the war of liberation from the invading Ethiopia'. [18] She participated in particular to Expo 2005 in Aichi, Japan [19] and to Expo 2010 in Shanghai, China. [20] She also attended the Earth Summit 2002 held in Johannesburg, South Africa. [21] In addition, she has been collaborated with other artists such as the group Ouï-Dire in an attempt to mix her voice, her music and culture with that of other continents. [22] [23]
Faytinga's music or photos are featured in various books, [24] [25] [26] expositions, [27] blogs, [28] [29] [30] video documentaries, [31] and other.
On 30 August 2004, in an interview with Joel Savage for The Voice Magazine she said that “I sing about peace, love, and togetherness, since war, conflict and other disturbances did not bring any positive change to Africa, but it only creates refugee crisis, pains, agony, discomfort and economic hardship. I bring a music of hope to the people.” With this spirit Faytinga played at the FLOG International music Festival in Florence (2004). [32] [33]
Numey; Milobe; Amajo; Lagàla Fàla Fesso; Kundura; Aleyda; Alemuye; Milomala; Asàmen Gàna; Salada Goda
Goda Anna; Hakuma Tia; Degsi; Leledia; Eritrea; Amajo; Laganga; Alemuye; Taham Bele; Sema 'Ett; Buba
Faytinga is one of the first artists from Eritrea engaged in support of people living with HIV and AIDS. She has participated in numerous World AIDS Day events including as guest-star singer on 1 December 2003 during the event held at the Hotel Intercontinental, [44] and in June 2005, together with Kenyan singer Achieng Abura in an exceptional gala diner concert for the benefit of women and children affected by HIV and AIDS. She also performed on the occasion of the opening of the Namibia gender-based violence Art Exhibition on 10 December 2013 at UNAIDS Headquarters in Geneva. [45] In 2022, together with Eritrean musician and singer Temesghen Yared, she developed an Eritrean version of the “World on Our Shoulders” song, also called the “Resolution Song”. [46] The Resolution Song brings together voices from all over the world in a demonstration of global unity and a call for action to protect the planet. The Eritrean version of this song is featured with 16 other versions in the "Resolution Song" album released on Earth Day, 22 April 2022.
The music of Eritrea, is a diverse mix of traditional and popular styles originating from ancient to modern times. The nine major ethnic groups of Eritrea—Afar, Bilen, Hedareb, Kunama, Nara, Rashaida, Saho, Tigre and Tigrinya—celebrate autonomous music-making expressed through a rich heritage of vocalists, instrumentalists and activities within the country and throughout the international diaspora. The country's music is informed by a range of ethnolinguistic group dynamics in the region, by its shared pre-colonial history with and revolutionized independence from Ethiopia, and by its exposure to globalized American music in the mid-twentieth century.
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