Demolition | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 30 June 1980 | |||
Recorded | April–May 1980 | |||
Studio | Jackson's Studios, Rickmansworth, England | |||
Genre | Heavy metal | |||
Length | 34:32 | |||
Label | Bronze | |||
Producer | Vic Maile | |||
Girlschool chronology | ||||
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Singles from Demolition | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Collector's Guide to Heavy Metal | 6/10 [2] |
Classic Rock | [3] |
Demolition is the first studio album by the British heavy metal band Girlschool. It was released in Europe on Bronze Records in 1980.
It was produced by experienced sound engineer Vic Maile. Demolition reached No. 28 in the UK Albums Chart, following the rising of the new wave of British heavy metal phenomenon. [4] The tour supporting the album included high-profile support slots at Black Sabbath and Uriah Heep shows.
"Race with the Devil" is a cover of the song originally performed by the British rock band The Gun.
The 2004 CD edition issued by Castle, a subsidiary of Sanctuary Records, contains bonus tracks and extensive sleevenotes by Record Collector 's Joe Geesin.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Demolition Boys" | Kim McAuliffe, Kelly Johnson | 3:39 |
2. | "Not for Sale" | Girlschool | 3:31 |
3. | "Race with the Devil" ( The Gun cover) | Adrian Gurvitz | 2:51 |
4. | "Take It All Away" | McAuliffe | 3:43 |
5. | "Nothing to Lose" | McAuliffe, Johnson | 4:30 |
No. | Title | Writer(s) | Length |
---|---|---|---|
6. | "Breakdown" | McAuliffe, Johnson | 3:05 |
7. | "Midnight Ride" | McAuliffe, Johnson, Enid Williams | 3:16 |
8. | "Emergency" | Girlschool | 2:50 |
9. | "Baby Doll" | Girlschool | 4:13 |
10. | "Deadline" | McAuliffe, Johnson | 2:54 |
No. | Title | Length |
---|---|---|
11. | "Take It All Away" (single version) | 3:12 |
12. | "It Could Be Better" (single version) | 2:55 |
13. | "Nothing to Lose" (demo version) | 3:47 |
14. | "Not for Sale" (demo version) | 3:30 |
15. | "Furniture Fire" (B-side of "Emergency" single) | 3:00 |
16. | "Take It All Away" | 3:32 |
17. | "Breakdown" | 3:24 |
18. | "Demolition Boys" | 3:02 |
19. | "Nothing to Lose" | 4:23 |
Chart (1980) | Peak position |
---|---|
UK Albums (OCC) [6] | 28 |
Date | Region | Label | Catalogue | Format | Notes |
---|---|---|---|---|---|
30 June 1980 | UK | Bronze | BRON 525 | vinyl | [7] |
1980 | Germany | Bronze | 202,426-320 | vinyl | |
1980 | Italy | Bronze | BROL 34526 | vinyl | |
1980 | Japan | Victor | VIP-6738 | vinyl | |
1991 | UK | Dojo/Castle | LOMA CD1 | CD | published in a double album compilation with Hit and Run |
2004 | Worldwide | Castle/Sanctuary | CMRCD949 | CD |
No Place to Run is the eighth studio album by English rock band UFO, released in January 1980 by Chrysalis Records. It was the band's first record to feature Paul Chapman, who replaced Michael Schenker on lead guitar.
Ace of Spades is the fourth studio album by English rock band Motörhead, released in October 1980 via Bronze Records. It is the band's most commercially successful album, peaking at number four on the UK Albums Chart and reaching gold status in the UK by March 1981. It was preceded by the release of the title track as a single in October, which peaked in the UK Singles Chart at No. 15 in early November.
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Girlschool are a British rock band that formed in the new wave of British heavy metal scene in 1978. Frequently associated with contemporaries Motörhead, they are the longest-running all-female rock band, still active after more than 40 years. Formed from a school band called Painted Lady, Girlschool enjoyed strong media exposure and commercial success in the UK in the early 1980s with three albums of "punk-tinged metal" and a few singles, but lost their momentum in the following years.
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Screaming Blue Murder is the third studio album by British heavy metal band, Girlschool. It was released on Bronze Records in 1982, and featured one line-up change in bassist Ghislaine 'Gil' Weston, formerly of The Killjoys, replacing the recently departed founding member Enid Williams. Nigel Gray, who had previously worked with The Police, produced the album.
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