Devon County War Memorial | |
---|---|
United Kingdom | |
For approximately 11,600 men and women from Devon killed in the First World War | |
Unveiled | 1921 |
Location | 50°43′22″N3°31′54″W / 50.7227094°N 3.5315417°W Cathedral Green, Exeter, Devon |
Designed by | Sir Edwin Lutyens |
THE COUNTY OF DEVON TO HER GLORIOUS DEAD / 1914–1919 / TE DEUM LAUDAMUS / 1939–1945 | |
Listed Building – Grade II* | |
Official name | Devon County War Memorial and Processional Way |
Designated | 16 April 2009 |
Reference no. | 1393228 |
The Devon County War Memorial is a First World War memorial, designed by Sir Edwin Lutyens and situated on Cathedral Green in Exeter, the county town of Devon, in the south west of England. It is one of fifteen War Crosses designed by Lutyens with similar characteristics, and one of two to serve as a civic memorial in a city. The first proposal for the county's war memorial was to complete the construction of a cloister at Exeter Cathedral to be dedicated to Devon's war dead, but this scheme was abandoned due to lack of funds. After considering multiple proposals, the Devon County War Memorial Committee commissioned Lutyens to design a War Cross instead. The committee chose to site the memorial on the green of Exeter Cathedral after scouting several locations. A war memorial for Exeter itself was being considered concurrently, but the committees for the two projects failed to work together, resulting in two separate memorials—the county memorial by the cathedral and Exeter City War Memorial in Northernhay Gardens.
The memorial takes the form of a simple cross. Hewn from a single block of granite quarried from Haytor on Dartmoor, it stands just to the west of the cathedral, in alignment with the altar. The cross stands on a granite plinth, which itself sits on three steps. It was unveiled by the Prince of Wales on 16 May 1921. After archaeological excavations took place in the 1970s, the area was remodelled to create a processional way between the memorial and the cathedral. The memorial is a grade II* listed building, part of a "national collection" of Lutyens' war memorials. Since 2015, all of Lutyens' memorials in England have been protected by listed building status.
During the aftermath of the First World War, thousands of war memorials were built across Britain. Amongst the most prominent designers of memorials was the architect Sir Edwin Lutyens, described by Historic England as "the leading English architect of his generation". [1] Prior to the First World War, Lutyens established his reputation designing country houses for wealthy patrons, including Castle Drogo to the west of Exeter. Following the war he devoted much of his time to memorialising the casualties. He served as one of the three principal architects to the Imperial War Graves Commission (IWGC) and designed numerous war memorials for towns and villages across Britain, as well as several elsewhere in the Commonwealth. His most famous design was The Cenotaph in London, which became the focus for the national Remembrance Sunday commemorations. [1] [2]
The Devon County memorial is one of fifteen War Crosses designed by Lutyens to a similar specification between 1920 and 1925. Most of Lutyens' War Crosses were commissioned for small villages, but the Devon County memorial is one of two commissioned as a civic memorial in a city—the other being the York City War Memorial. [1] [2] [3] [4]
The first proposal to commemorate Devon's war dead came from the Dean of Exeter in December 1918, a month after the signing of the armistice. The Dean suggested that a cloister could be built at Exeter Cathedral, possibly containing a monument, to serve as a war memorial but the idea was abandoned early in 1919 due to a lack of funds. Another proposal which attracted attention in the local media was for the construction of a new wing at the Royal Devon and Exeter Hospital. [5] The idea of building a war memorial at all proved controversial—the chairman of the local branch of the National Federation of Discharged and Demobilized Sailors and Soldiers felt that the funds would be better spent caring for surviving veterans and condemned the idea of a memorial as a "useless waste of money". [6] Devon County Council formed the County War Memorial Committee, chaired by Hugh Fortescue, 4th Earl Fortescue, to consider 23 proposals including several submitted by the public. [7]
The committee was reliant on public donations and realised that it was unlikely to raise a large sum of money as communities across Devon would be focusing on their own commemorations and commissioning individual war memorials. Despite this, the committee was determined to erect some sort of memorial to the county's war dead, and as a compromise sought a simple but elegant monument. [6] They commissioned Lutyens in 1920 and opted for his War Cross design. The committee considered several potential sites, including Cawsand Beacon on Dartmoor and the Haldon Hills in south Devon, but the committee's preferred location was the cathedral close of Exeter, Devon's county town. [8] The specific site was chosen so that the memorial would be visible from the High Street and Broadgate. [2] With its remaining funds, the Devon County War Memorial Committee supported the construction of a battlefield memorial at La Ville-aux-Bois-lès-Pontavert in France to honour the 2nd Battalion of the Devonshire Regiment, who endured particularly heavy fighting at Bois des Buttes during the Third Battle of the Aisne. [9] [10]
The memorial is one of two major war memorials in Exeter, the other being the Exeter City War Memorial in Northernhay Gardens (the former grounds of Rougemont Castle). Exeter Cathedral also contains memorials to the Devonshire Regiment and the Wessex Field Ambulance. The city war memorial was the responsibility of a separate committee under the authority of Exeter City Council. The city and county memorial committees conspicuously failed to co-operate. According to Sir James Owen, chairman of the city committee, the city offered a joint committee but the county "slammed the door in our face", while Lord Fortescue accused the city of proceeding with its own project without any discussion with the county. Both committees wanted to design the principal memorial for Devon with the other simply contributing funds, but neither was willing to relinquish control. The result was that two very different memorials were constructed in Exeter—the city's memorial takes the form of a figure of Victory on a large pedestal surrounded by further sculptures to form a cross. [11]
The project proceeded simply once the design was agreed. The memorial was built on the Cathedral Green, just to the west of the cathedral itself, in alignment with the altar—according to historian Hazel Harvey, "it faces east, standing on a hypothetical line drawn from the high altar through the nave of the cathedral". [2] It lies to the northwest of a metal cross, the steeple finial from the church of St Mary Major, Exeter, marking the former location of that building which was demolished in 1971. [12]
The memorial takes the form of a 30-foot (9.1-metre) granite cross, quarried from Haytor on Dartmoor, and hewn from a single stone—the largest Lutyens was able to acquire. [1] [2] [13] The cross is formed of a tapering flattened hexagonal shaft to which chamfered arms, no wider than the base, are moulded close to the top. It stands on a three-tiered base and a rectangular plinth, which itself sits on three stone steps as is customary for Lutyens' war memorials. The central tier of the base bears the inscription "THE COUNTY OF DEVON TO HER GLORIOUS DEAD / 1914–1919 / TE DEUM LAUDAMUS / 1939–1945". [1] [14] Upon its completion, Lutyens said of the monument, "it is very simple and a monolith and its subtlety in line means labour, care and thought. [...] It should endure forever". [1] [13]
The memorial was unveiled on Whit Monday, 16 May 1921, by the Prince of Wales (later King Edward VIII), with Lutyens in attendance. [1] [2] [15] At the unveiling ceremony, Lord Fortescue gave a speech in which he estimated that 11,600 men and women from Devon had been killed while serving in the war. He later stated that some 63,700 (8,000 regulars, 36,700 volunteers, and 19,000 conscripts) had served in the armed forces. [8] The names of the fallen were recorded on a roll of honour, of which three copies were made: one for Exeter Cathedral, one to be held by the county council, and one which the Prince of Wales placed in a hollow in the base of the war memorial. The prince's visit generated considerable excitement in the area. Thousands of people lined the street to greet his motorcade and shops on the High Street hung out banners with welcoming messages. After the unveiling, Edward spent ten days touring the local area. [16]
Archaeological excavations in the western part of the Cathedral Green in 1971 uncovered the remains of several Roman buildings including baths. The ruins were re-buried due to a lack of funds for preservation work, [17] [18] but were scheduled as an ancient monument. [19] In 1974, a processional way between the war memorial and the cathedral was commissioned from Sir Geoffrey Jellicoe. His design—which was implemented after further excavations took place in 1976—consisted of a square forecourt at the west front of the cathedral from which a set of wide, shallow steps lead up to a platform at the memorial, emphasising its alignment with the altar and strengthening its visual connection with the cathedral. [1] [17] [20] An inscription was added in 1979 giving the dates of the Second World War. [21] A set of metal railings—described by author Tim Skelton as "an unfortunate addition"—was erected around the foot of the memorial in 2006 in response to problems with vandalism and anti-social behaviour. [22] [23]
On 16 April 2009, the memorial—including the processional way—was designated a grade II* listed building for its special architectural or historic interest, a status which provides legal protection from unauthorised demolition or modification. [1] In November 2015, as part of commemorations for the centenary of the First World War, Lutyens' war memorials were recognised as a "national collection". All 44 of his free-standing memorials in England were listed or had their listing status reviewed and their National Heritage List for England list entries updated and expanded. [24]
Sir Edwin Landseer Lutyens was an English architect known for imaginatively adapting traditional architectural styles to the requirements of his era. He designed many English country houses, war memorials and public buildings. In his biography, the writer Christopher Hussey wrote, "In his lifetime (Lutyens) was widely held to be our greatest architect since Wren if not, as many maintained, his superior". The architectural historian Gavin Stamp described him as "surely the greatest British architect of the twentieth century".
William Reginald Courtenay, 11th Earl of Devon PC, styled Lord Courtenay between 1835 and 1859, was a British politician who served as Chancellor of the Duchy of Lancaster from 1866 to 1867 and as President of the Poor Law Board from 1867 to 1868.
Manchester Cenotaph is a war memorial in St Peter's Square, Manchester, England. Manchester was late in commissioning a First World War memorial compared with most British towns and cities; the city council did not convene a war memorial committee until 1922. The committee quickly achieved its target of raising £10,000 but finding a suitable location for the monument proved controversial. The preferred site in Albert Square would have required the removal and relocation of other statues and monuments, and was opposed by the city's artistic bodies. The next choice was Piccadilly Gardens, an area already identified for a possible art gallery and library; but in the interests of speedier delivery, the memorial committee settled on St Peter's Square. The area within the square had been had been purchased by the City Council in 1906, having been the site of the former St Peter's Church; whose sealed burial crypts remained with burials untouched and marked above ground by a memorial stone cross. Negotiations to remove these stalled so the construction of the cenotaph proceeded with the cross and burials in situ.
Southampton Cenotaph is a First World War memorial designed by Sir Edwin Lutyens and located in Watts Park in the southern English city of Southampton. The memorial was the first of dozens by Lutyens to be built in permanent form and it influenced his later designs, including the Cenotaph in London. It is a tapering, multi-tiered pylon which culminates in a series of diminishing layers before terminating in a sarcophagus which features a recumbent figure of a soldier. In front is an altar-like Stone of Remembrance. The cenotaph contains multiple sculptural details including a prominent cross, the town's coat of arms, and two lions. The names of the dead are inscribed on three sides. Although similar in outline, later cenotaphs by Lutyens were much more austere and featured almost no sculpture. The design uses abstract, ecumenical features and lifts the recumbent soldier high above eye level, anonymising him.
Exeter War Memorial, also known as The Northernhay War Memorial is a war memorial in Northernhay Gardens in the city of Exeter, Devon. Designed by John Angel, it was erected by public subscription in 1923 and cost over £6,000.
Edward Bowring Stephens, was a British sculptor from Devon. He was honorary secretary of the Institute of Sculptors circa 1861.
The Civil Service Rifles War Memorial is a First World War memorial located on the riverside terrace at Somerset House in central London, England. Designed by Sir Edwin Lutyens and unveiled in 1924, the memorial commemorates the 1,240 members of the Prince of Wales' Own Civil Service Rifles regiment who were killed in the First World War. They were Territorial Force reservists, drawn largely from the British Civil Service, which at that time had many staff based at Somerset House.
The Gerrards Cross Memorial Building is a community centre and First World War memorial in the village of Gerrards Cross in Buckinghamshire, to north west of London, England. The building was designed by British architect Sir Edwin Lutyens, known for designing the Cenotaph in London and numerous other war memorials; it is the only instance of Lutyens designing a war memorial with a functional purpose, rather than as a monument in its own right.
The Arch of Remembrance is a First World War memorial designed by Sir Edwin Lutyens and located in Victoria Park, Leicester, in the East Midlands of England. Leicester's industry contributed significantly to the British war effort. A temporary war memorial was erected in 1917, and a committee was formed in 1919 to propose a permanent memorial. The committee resolved to appoint Lutyens as architect and to site the memorial in Victoria Park. Lutyens's first proposal was accepted by the committee but was scaled back and eventually cancelled due to a shortage of funds. The committee then asked Lutyens to design a memorial arch, which he presented to a public meeting in 1923.
The South African War Memorial is a First World War memorial in Richmond Cemetery in the London Borough of Richmond upon Thames. Designed by architect Sir Edwin Lutyens, the memorial is in the form of a cenotaph, similar to that on Whitehall, also by Lutyens. It was commissioned by the South African Hospital and Comforts Fund Committee to commemorate the 39 South African soldiers who died of their wounds at a military hospital in Richmond Park during the First World War. The memorial was unveiled by General Jan Smuts in 1921 and was the focus of pilgrimages from South Africa through the 1920s and 1930s, after which it was largely forgotten until the 1980s when the Commonwealth War Graves Commission took responsibility for its maintenance. It has been a grade II listed building since 2012.
Spalding War Memorial is a First World War memorial in the gardens of Ayscoughfee Hall in Spalding, Lincolnshire, in eastern England. It was designed by the architect Sir Edwin Lutyens. The proposal for a memorial to Spalding's war dead originated in January 1918 with Barbara McLaren, whose husband and the town's Member of Parliament, Francis McLaren, was killed in a flying accident during the war. She engaged Lutyens via a family connection and the architect produced a plan for a grand memorial cloister surrounding a circular pond, in the middle of which would be a cross. The memorial was to be built in the formal gardens of Ayscoughfee Hall, which was owned by the local district council. When McLaren approached the council with her proposal, it generated considerable debate within the community and several alternative schemes were suggested. After a public meeting and a vote in 1919, a reduced-scale version of McLaren's proposal emerged as the preferred option, in conjunction with a clock on the town's corn exchange building.
Northampton War Memorial, officially the Town and County War Memorial, is a First World War memorial on Wood Hill in the centre of Northampton, the county town of Northamptonshire, in central England. Designed by architect Sir Edwin Lutyens, it is a Stone of Remembrance flanked by twin obelisks draped with painted stone flags standing in a small garden in what was once part of the churchyard of All Saints' Church.
Norwich War Memorial is a First World War memorial in Norwich in Eastern England. It was designed by Sir Edwin Lutyens, the last of his eight cenotaphs to be erected in England. Prior to Lutyens' involvement, several abandoned proposals had been made for commemorating Norwich's war dead, and by 1926 the newly elected lord mayor was determined to see the construction of a memorial before he left office. He established an appeal to raise funds for local hospitals in memory of the dead as well as a physical monument. He commissioned Lutyens, who designed an empty tomb (cenotaph) atop a low screen wall from which protrudes a Stone of Remembrance. Bronze flambeaux at either end can burn gas to emit a flame. Lutyens also designed a roll of honour, on which the names of the city's dead are listed, which was installed in Norwich Castle in 1931.
The York City War Memorial is a First World War memorial designed by Sir Edwin Lutyens and located in York in the north of England. Proposals for commemorating York's war dead originated in 1919 but proved controversial. Initial discussions focused on whether a memorial should be a monument or should take on some utilitarian purpose. Several functional proposals were examined until a public meeting in January 1920 opted for a monument. The city engineer produced a cost estimate and the war memorial committee engaged Lutyens, who had recently been commissioned by the North Eastern Railway (NER) to design their own war memorial, also to be sited in York.
The North Eastern Railway War Memorial is a First World War memorial in York in northern England. It was designed by Sir Edwin Lutyens to commemorate employees of the North Eastern Railway (NER) who left to fight in the First World War and were killed while serving. The NER board voted in early 1920 to allocate £20,000 for a memorial and commissioned Lutyens. The committee for the York City War Memorial followed suit and also appointed Lutyens, but both schemes became embroiled in controversy. Concerns were raised from within the community about the effect of the NER memorial on the city walls and its impact on the proposed scheme for the city's war memorial, given that the two memorials were planned to be 100 yards apart and the city's budget was a tenth of the NER's. The controversy was resolved after Lutyens modified his plans for the NER memorial to move it away from the walls and the city opted for a revised scheme on land just outside the walls; coincidentally the land was owned by the NER, whose board donated it to the city.
Southend-on-Sea War Memorial, or Southend War Memorial, is a First World War memorial in Southend-on-Sea, Essex, in south-eastern England. It was designed by Sir Edwin Lutyens and unveiled in 1921. Southend-on-Sea is a seaside resort famous for its pleasure pier, which was used by the military during the First World War. The town was a stopping point for soldiers en route to the front and, as the war drew on, several buildings in Southend were converted into hospitals.
Hove War Memorial is a First World War memorial designed by Sir Edwin Lutyens and located on Grand Avenue in Hove, part of the city of Brighton and Hove, on the south coast of England. Hove was the site of one of the earliest recruiting events at the beginning of the war and later of several military hospitals. Over 600 men from the town were killed during the war, a quarter of them from the local regiment alone. A war memorial committee was established in 1919 and Lutyens was engaged as architect. A design was agreed in 1920 after two unsuccessful proposals; Lutyens chose the site from several options.
Fordham War Memorial is a First World War memorial in the village of Fordham in Cambridgeshire in eastern England. The memorial was designed by Sir Edwin Lutyens with sculpture by Sir George Frampton and closely resembles Hove War Memorial in East Sussex, which was also a collaboration between Lutyens and Frampton. It was unveiled in 1921 and is today a grade II listed building.
Abinger Common War Memorial is a First World War memorial in the village of Abinger Common in Surrey, south-eastern England. The memorial was destroyed by a German bomb during the Second World War and rebuilt in the late 1940s. One of 15 war crosses by Sir Edwin Lutyens, it is a grade II listed building.
King's Somborne War Memorial is a First World War memorial in the village of King's Somborne in Hampshire in southern England. The memorial was designed by Sir Edwin Lutyens and unveiled in 1921; it is a grade II listed building.
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