Never Mind the Bollocks, Here's the Sex Pistols is the only studio album by English punk rock band the Sex Pistols, released on 28 October 1977 through Virgin Records in the UK and on 11 November 1977 through Warner Bros. Records in the US. As a result of the Sex Pistols' volatile internal relationships, the band's lineup saw changes during the recording of the album. Original bass guitarist Glen Matlock left the band early in the recording process, and while he is credited as a co-writer on all but two of the tracks, he only performed bass and backing vocals on one track, "Anarchy in the U.K." Recording sessions continued with a new bass player, Sid Vicious, who is credited on two of the songs written by the band after he joined. While Vicious's bass playing appeared on two tracks, his lack of skill on the instrument meant that many of the tracks were recorded with guitarist Steve Jones playing bass instead. Drummer Paul Cook, Jones and singer Johnny Rotten appear on every track. The various recording sessions were led alternately by Chris Thomas or Bill Price, and sometimes both together, but as the songs on the final albums often combined mixes from different sessions, or were poorly documented who was present in the recording booth at the time, each song is jointly credited to both producers.
Radio City is the second studio album by the American rock group Big Star. Released February 20, 1974, Radio City was recorded during 1973 at Memphis' Ardent Studios. Though not a commercial success at the time, it is now recognized as a milestone album in the history of power pop music. Critically acclaimed upon its release, the record sold poorly, partly due to a lack of promotion and the distribution problems of the band's struggling record label, Ardent Records. The album included "September Gurls" and "Back of a Car", which remain among the most famous Big Star songs; both the Searchers and the Bangles have covered "September Gurls".
After the Gold Rush is the third studio album by the Canadian-American musician Neil Young, released in September 1970 on Reprise Records. It's one of four high-profile solo albums released by members of folk rock group Crosby, Stills, Nash & Young in the wake of their chart-topping 1970 album Déjà Vu. Young's album consists mainly of country folk music along with several rock tracks, including "Southern Man." The material was inspired by the unproduced Dean Stockwell-Herb Bermann screenplay After the Gold Rush.
Live! is a 1975 album by Bob Marley and the Wailers which was recorded live in concert during July 1975 at the Lyceum Theatre, London. "No Woman, No Cry " was released as a single.
Heart Like a Wheel is the fifth solo studio album by Linda Ronstadt, released in November 1974. It was Ronstadt's last album to be released by Capitol Records. At the time of its recording, Ronstadt had already moved to Asylum Records and released her first album there; due to contractual obligations, though, Heart Like a Wheel was released by Capitol.
Beyond Elysian Fields is the sixth studio album by Hugh Cornwell, released by Invisible Hands Music on 4 October 2004 in the UK, with a worldwide release in 2005. It was produced by Tony Visconti and Danny Kadar.
Gone Fishin' is the second studio album by San Francisco-based punk rock band Flipper, released in 1984 by Subterranean Records. The album's artwork featured a depiction of Flipper's tour van as a ready-to-cut-out-and-assemble centerpiece, with similar cutouts of the four band members on the back cover. At the time of the album's release, Subterranean offered extra empty covers of the album by mail order for $2 for those Flipper fans that wanted to have a cover to cut up and assemble. The album was reissued by Water Records on December 9, 2008, for the first time on CD, with liner notes provided by Buzz Osborne of the Melvins.
Buzzcocks is the seventh studio album by English pop punk band Buzzcocks. It was released on 18 March 2003 by record label Merge in the US and Cherry Red in the UK.
Think with Your Heart is the fifth studio album by American singer-songwriter Debbie Gibson, released on July 4, 1995, by SBK Records, a division of EMI Records. The album sold only 25,000 copies in the U.S., but was a minor success in Japan, peaking at No. 46 on Oricon's album charts, as well as some success in South Africa. The album was produced by Gibson herself, and largely recorded with a live orchestra and shows the maturity of Gibson as a musician.
Good Evening is a 1989 album by Marshall Crenshaw. Although critically well-received, it failed to chart.
Friend is an EP by the Brooklyn-based band Grizzly Bear, their first release following the critically acclaimed Yellow House. It was released on November 5, 2007 on Warp Records. The EP has tracks recorded during sessions for the Yellow House album, as well as covers of their songs by Band of Horses, CSS and Atlas Sound.
The Meditations are a reggae vocal harmony group from Jamaica formed in late 1974. They have released several studio albums and are still performing in the 2000s and today.
Rhythm of Love is the fifth album by American R&B/soul singer Anita Baker, released in 1994. The album peaked at #3 on the U.S. Billboard 200 and #1 on the Billboard Top R&B/Hip Hop chart and was certified double platinum, giving Baker her fourth platinum selling album.
Luxury You Can Afford is the seventh studio album by Joe Cocker, released in 1978 on Asylum Records, his only release for that label.
Bobby Whitlock is the debut solo album by American songwriter and rock musician Bobby Whitlock, released in early 1972. The album features all of the former members of Derek and the Dominos – Whitlock, Eric Clapton, Carl Radle and Jim Gordon – although never all together. Other contributors include George Harrison, the sessions for whose 1970 triple album All Things Must Pass had led to the formation of the Dominos; Delaney and Bonnie Bramlett; and ex-Manfred Mann bassist Klaus Voormann.
Terra Incognita is the third studio album by singer-songwriter and guitarist, Chris Whitley, released in 1997.
Live at Martyrs' is the fifth album by singer-songwriter and guitarist, Chris Whitley and his first live album. The performance is a compilation of songs from Whitley's first four albums, a previous collaboration, and two songs that would later appear on Rocket House (2001).
Rocket House is the seventh album by singer-songwriter and guitarist, Chris Whitley. It is his sixth studio album.
Long Way Around – An Anthology: 1991–2001 is the eighth album by singer-songwriter and guitarist, Chris Whitley. It is his first compilation album and includes hits, album tracks, rarities, and unreleased demos from 1991 to 2001.
Weed is the tenth album by singer-songwriter and guitarist, Chris Whitley. It is his eighth studio album.
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