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"Do You Want It Right Now" | ||||
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Single by Siedah Garrett | ||||
from the album Fast Forward | ||||
Released | 1985 | |||
Recorded | 1985 | |||
Genre | Freestyle | |||
Length | 5:36 | |||
Label | Qwest | |||
Songwriter(s) |
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Producer(s) | Tom Bahler | |||
Siedah Garrett singles chronology | ||||
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"Do You Want It Right Now" is a song by American singer Siedah Garrett from the 1985 film Fast Forward . It was a bigger hit for Degrees of Motion in 1991. It has also been recorded by Taylor Dayne for her debut studio album, Tell It to My Heart (1988). A lyric sample of it was also used in Gat Decor's song "Passion", as well as in Armand Van Helden's 2007 hit "I Want Your Soul".
In 1988, American singer Taylor Dayne recorded her version of "Do You Want It Right Now" for her debut studio album, Tell It to My Heart (1988), and despite never being released as a single it is one of the most well-known versions of the song.
Andrew Panos from Number One described the song as a "saucy number", noting Dayne's "'I'm a chick who goes for what she wants' attitude". [1] Matthew Collin from Record Mirror declared it as a "glossy pop" song, that "glow like a nuclear reactor gone critical." [2]
"Do You Want It Right Now" | ||||
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Single by Degrees of Motion | ||||
from the album Degrees of Motion | ||||
Released | 1991 | |||
Genre | ||||
Label | Esquire Records | |||
Songwriter(s) |
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Producer(s) | Richie Jones | |||
Degrees of Motion singles chronology | ||||
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Music video | ||||
"Do You Want It Right Now" on YouTube |
American group Degrees of Motion released a version of "Do You Want It Right Now" in 1992, reaching #31 on the UK Singles Chart in May 1992. The song was re-released in 1994, peaking at #26 in June. [3] It wasn't their most successful single, Degrees of Motion had a top 10 single with "Shine On" in 1994, prior to the re-release of Do You Want it Right Now?. It featured Biti Strauchn on vocals. British magazine Mixmag ranked the song number 54 in its "100 Greatest Dance Singles Of All Time" list in 1996. [4]
Larry Flick from Billboard wrote, "Producer Ric Wake has previously been at the helm for hits by pop divas like Mariah Carey and Taylor Dayne—and his magic touch is warmly felt here. Sizzling, seductive vocals jump over percussive, bass-driven synth instrumentation." [5] Electronic dance and clubbing magazine Mixmag commented, "'Good groovy tune', said the sticker in the record shop. Fiver for an import. Snapped it up and I've played it ever since, Biti's optimistic love-song vocal swaying high above an uproarious, lean 'n' funky piano groove. It became a big club hit when FFRR picked it up for release and remains a classic because, well, it just is."
Andy Beevers from Music Week felt the song "is a superb commercial garage out that was a club fave on US import. Given some mainstream radio play, it could well follow in the footsteps of 'Too Blind to See It' and 'Finally'." [6] On the 1994 re-release, Alan Jones gave it four out of five and named it Pick of the Week, calling it a "glorious house anthem", adding, "Watch it fly." [7] Seamus Quinn from NME named it Single of the Week, stating that the original 'King Street Mix' "is practically perfect: shuffling heavy drums and sub bass rhythm, brilliant horns, disco guitar licks and smooth organs. The happy "so in love" vocals are a dream." [8] James Hamilton from the Record Mirror Dance Update remarked that "this Richie Jones produced breathily surging diva wailed garage shuffler" has the "current sound" with keyboards by Eric Kupper. [9] Alex Kadis from Smash Hits wrote, "Well, it's a strapping dancerama of a song and deserves more recognition than it got last time around". [10]
In 1995, British DJ, Dave Lambert picked "Do You Want It Right Now" as one of his "classic cuts", calling it a "gorgeous garage classic. Perfect end of the night tune." [11]
In 1996, British DJ duo Sharp Boyz chose the track as one of their favourites. George Mitchell said, "It's a favourite of ours, the best vocal-with-piano track ever made. It's so uplifting, you never get tired of it. It gives me goose pimples." [12]
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Chart (1992) | Peak position |
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Europe (European Dance Radio) [13] | 17 |
UK Singles (OCC) | 31 |
UK Dance ( Music Week ) [14] | 2 |
Chart (1994) | Peak position |
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Scotland (OCC) [15] | 46 |
UK Singles (OCC) | 26 |
UK Dance (OCC) | 24 |
UK Dance ( Music Week ) [16] | 2 |
UK Club Chart ( Music Week ) [17] | 12 |
Gat Decor released an instrumental Ibiza anthem called "Passion" in 1992, it peaked at #29 on the UK Singles Chart. Four years later the instrumental was remixed and re-released as "Passion (Do You Want it Right Now Edit)" with the vocals by Beverly Skeete. This became the biggest hit version of Do You Want it Right Now, peaking at #6 on the UK Singles Chart in March 1996. [18]
"Poison" is a song by English electronic music group the Prodigy, released on 6 March 1995 by XL and Mute as the fourth and final single from their second studio album, Music for the Jilted Generation (1994). It was written by Liam Howlett and Maxim Reality, and produced by Howlett. Reality performs the vocals on the track. "Poison" was a number one hit in Finland, while peaking inside the top five in Ireland and Norway. Additionally, it peaked within the top-30 in Sweden and Switzerland. The music video for the song was directed by Walter Stern.
"Not Over Yet" is a song by British dance act Grace. Originally released in 1993 under the band name State of Grace, it was re-released in March 1995 as the first single from their only album, If I Could Fly (1996). It received critical acclaim from music critics, peaking at number six on the UK Singles Chart and number-one on the US Billboard Hot Dance Music/Club Play chart. Lead vocals and backing vocals were performed by singer Patti Low. In 1995, the lead vocals were replaced by new frontwoman and singer, Dominique Atkins for the album release, although Low's backing vocals remained in place. This Atkins/Low combination appeared on all subsequent re-releases and remixes of the track. The woman who appears in the accompanying music video is Low.
"Feel What You Want" is a song by American club music singer-songwriter Kristine W, released in 1994 as the first single from her debut album, Land of the Living (1996). It was produced by British producer Rollo and became a huge number-one club hit in both the UK and US. The song also reached number four in the Netherlands and number 22 in Belgium. On the Eurochart Hot 100, it peaked at number 83 in September 1994. On the UK Singles Chart, it charted three times; first time at number 33 in 1994, then at number 40 with a 1997 remix by German producer Peter Ries and last time in 2001 at number 85. "Feel What You Want" was also featured on the soundtrack of Grand Theft Auto: Liberty City Stories on the Rise FM radio station. Its music video was directed by Lindy Heymann.
"Tell It to My Heart" is a song performed by American singer, songwriter and actress Taylor Dayne, released in July 24, 1987 by Arista Records as her first single from her debut album, Tell It to My Heart (1988). The single was Dayne's first major exposure, and she soon became known for her up-tempo, dance-oriented music. The song was written by Chappell Music staff songwriter Seth Swirsky and Ernie Gold, and produced by Ric Wake. Swirsky almost did not deliver the song to his publisher after he and his girlfriend decided it was not good enough. The song was originally recorded by Louisa Florio in 1987.
"Whatever You Want" is a song performed by American recording artist Tina Turner from her ninth studio album, Wildest Dreams (1996). It was written by Arthur Baker, Fred Zarr, and Taylor Dayne and is noted for its different levels of energy and strong vocal performance, as well as its orchestral arrangement and complex production, courtesy of producer Trevor Horn.
"U Sure Do" is a song by British dance music group Strike. Released in December 1994 by Fresh Records, it was their second single and reached number 31 in the UK charts. The song was a big UK club hit and after receiving regular play in clubs throughout 1994/1995 it was re-released and re-entered the chart in April 1995, reaching number four. It also peaked at number-one on the UK Dance Singles Chart. In 1997, it was featured on the group's only album, I Saw the Future.
"Can't Get Enough of Your Love, Babe" is a song written, recorded, and produced by American musician Barry White. Released in June 1974 as the first single from his third album, Can't Get Enough (1974), the song topped the US Billboard Hot 100 and Billboard R&B charts. It became one of White's signature tunes and achieved gold record status in the US. It was also his second American chart-topper, after "Love's Theme".
"Let Me Be Your Fantasy" is a song by British musical group Baby D. It was written and produced by band member Floyd Dyce and the vocals were sung by Dorothy Fearon. It was originally released by Production House Records in October 1992, when it reached No. 76 on the UK Singles Chart. In November 1994, London Records subsidiary Systematic re-released the song, and it subsequently became a UK No. 1 hit for two weeks. A partially black-and-white music video was produced to promote the single.
"Hideaway" is a song by American house music group De'Lacy, featuring vocals by Rainie Lassiter. It is the group's most successful single and is written by Kevin Hedge and Josh Milan, produced by Blaze and released by labels Easy Street, deConstruction and BMG. The 1995 Deep Dish remix peaked at number-one in Italy. It also reached number nine in the UK and number 38 on the Billboard Hot Dance Club Play chart in the US. A music video was made for the Deep Dish remix, featuring Lassiter performing at several sites in New York City. The song has been remixed and re-released several times. A remixed version, called "Hideaway 1998", which featured a mix by Nu‑Birth, peaked at number 21 in 1998. The song was released a third time in 2006 and reached number 82 in the Netherlands.
"Don't You Want Me" is a song recorded by British DJ and producer Francis Wright, known under the pseudonym of Felix, released in July 1992 as his debut single from his album, #1 (1993). Musically, it samples Jomanda's "Don't You Want My Love" and credited as Felix featuring Jomanda. Released on 27 July 1992 by various labels, the song reached number six on the UK Singles Chart reached number one in Finland, Spain, and Switzerland. It also went to number one on the US Billboard Hot Dance Club Play chart and on the European Hot 100 Singles chart. In 1995 and 1996, the song charted in the UK again, but in remixed form. British magazine Mixmag ranked the song number 98 in its "100 Greatest Dance Singles of All Time" list in 1996.
"Your Loving Arms" is a song by German singer-songwriter Billie Ray Martin, the former lead singer of Electribe 101. It was released by Magnet and Sire in October 1994 as the first single from the singer's debut solo album, Deadline for My Memories (1995). Written by Martin and David Harrow, it received critical acclaim and is known to be one of her most notable singles. It was produced by English electronic dance group the Grid and was originally released on October 31. The track found greater chart success in 1995, when it peaked at number one in Italy and on the US Billboard Hot Dance Club Songs chart, and number six on the UK Singles Chart. There were made two different music videos for the song. The success of "Your Loving Arms" earned Martin the prize for Best New Dance Solo Artist of 1995 at the International Dance Music Awards in Miami, and Mixmag featured it in the magazine's "100 Greatest Dance Singles of All Time" list.
"Playing with Knives" is a song by British electronic dance music group Bizarre Inc. It was their second single released through Vinyl Solution, as well as their second single to be written and produced as a trio. It is also the first single from their debut full-length album, Energique (1992). The song originally reached number 43 in the UK Singles Chart in March 1991. It was re-released later the same year and peaked at number four in the UK charts. In 1999, the song was released for a third time, charting at a peak of number 30.
"Where Love Lives (Come On In)" is a song by British singer-songwriter and former dancer Alison Limerick, released first time in November 1990. It was her solo-debut and received favorable reviews from music critics, becoming a massive club hit in the early 1990s in both the United Kingdom and United States. In 1991, the single peaked at number 27 in the UK and number three on the Billboard Hot Dance Club Play chart in the US. It was also voted Dance Track of 1991 by Billboard magazine. In 1992, it was included on Limerick's debut album, And Still I Rise. In 1996, it was released in a new remix by Dancing Divaz, peaking at number nine in the UK and number four on the dance chart in the US. The song is famous for the funked-up piano intro and remains the singer's most successful release. It is now widely regarded as one of the biggest club anthems of all time, and has been remixed and re-released several times.
"A Deeper Love" is a song written by American producers Robert Clivillés and David Cole, and performed by them as Clivillés & Cole featuring vocals by Deborah Cooper. Released by Columbia in 1991, the song was the duo's fifth number-one on the US Billboard Hot Dance Club Play chart. On other US charts, "A Deeper Love" peaked at number 83 on the soul singles chart and number 44 on the pop chart. Overseas, especially in Europe the single charted higher, going to number 15 in the UK and number eight on the Dutch Top 40.
"Pennies from Heaven" is a song by American electronic music group Inner City, released in 1992 as the third single from their fourth album, Praise (1992). Despite the title, it is not a cover of the 1936 song of the same name. It became the duo's fifth and final number-one single on the US Billboard Hot Dance Club Play chart, reaching the top of the chart in August 1992 for two weeks. In the UK, it peaked at number 24 on the UK Singles Chart, while reaching number two on the UK Dance Singles Chart. British magazine Mixmag ranked it number 62 in its "100 Greatest Dance Singles Of All Time" list in 1996.
"Beautiful People" is a song recorded by American singer-songwriter Barbara Tucker, who co-wrote it with India, Lem Springsteen and "Little" Louie Vega, who along with partner Kenny "Dope" Gonzalez, co-produced the track. It was released on March 2, 1994, as her first single by Strictly Rhythm Records, and was also Tucker's first of seven number-one singles on the US Billboard Hot Dance Club Play chart, reaching the top spot on April 16, 1994. On the UK Singles Chart, it peaked at number 23, while it topped both the UK Dance Singles Chart and the UK Club Chart.
"Rhythm Is a Mystery" is the debut single by British electronic music group K-Klass, released in 1991 by Deconstruction Records, and later included on the group's debut album, Universal (1993). Lead vocals are performed by Bobbi Depasois.
"U R the Best Thing" is the debut single of Northern Irish musical group D:Ream, included on their first album, D:Ream On Volume 1 (1993). Originally a club hit released in 1992, the song has been remixed and re-released twice: in 1993 and in 1994. The 1994 version, also known as the Perfecto mix, was most successful peaking at number three in Scotland, number four on the UK Singles Chart and number six in Ireland. It also peaked at number 13 on the Eurochart Hot 100. The 1993 version reached number one on the Billboard Hot Dance Club Play chart in the US. There were made three different music videos to promote the single; the 1994 version was directed by Marcus Nispel.
"Gotta Let You Go" is a song by American freestyle and house music singer Dominica. Written by Mohamed Moretta and produced by him with Mickey Garcia, it was released in 1994 by Ouland Music and became a hit in clubs. The song was also a top 40 hit in the Netherlands (34) and a top 90 hit in Germany (81). Several music videos has been produced for "Gotta Let You Go". In 2015, Northern Irish electronic music duo Bicep released a remix of the track.
"Passion" is a song by English electronic music group Gat Decor. It is their best-known work and was originally released in 1992 on Effective Records. The 12-inch single contained the original, instrumental version along with Darren Emerson's remix on the B-side. This was Emerson's first remix, and also his first record label. The 1992 release was an immediate success in underground dance clubs, and eventually became a hit on the UK Singles Chart, peaking at number 29. In 1996, a new version featuring vocals by Beverley Skeete reached number six in the UK.