"Finally" | ||||
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Single by CeCe Peniston | ||||
from the album Finally | ||||
B-side | "We Got a Love Thang" (remix) | |||
Released | September 30, 1991 | |||
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Label | A&M | |||
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CeCe Peniston singles chronology | ||||
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"Finally" (7-inch mix without rap) on YouTube |
"Finally" is a song by American singer-songwriter CeCe Peniston, released in September 1991 by A&M Records as her debut single from her first album of the same name (1992). Co-written by her, it received critical acclaim, becoming Peniston's first (and biggest) hit song, peaking at number five on the US Billboard Hot 100 in January 1992. Prior to that, the track was a major success on the Billboard Hot Dance Club Play chart, where it spent two weeks at number one in late 1991. In addition, a dance remix of the song, the "Choice Mix", peaked at number two on the UK Singles Chart in March 1992. The remix appeared on many dance music compilations in the early '90s. Its music video was directed by Claude Borenzweig. Billboard ranked "Finally" among the "500 Best Pop Songs of All Time" in 2023. [2]
Peniston grew up in Phoenix and began writing pop songs during school. The words of "Finally" were purportedly penned during a chemistry class, while thinking about dating in college. [3] [4] In 1989 and 1990, she won the Miss Black Arizona pageant, and took the Miss Galaxy pageant a short time later.
Her music career began in January 1991, when Felipe "DJ Wax Dawg" Delgado, her friend and a record producer based also in Phoenix, asked Peniston to record back-up vocals for Tonya Davis, a rapper known as Overweight Pooch. [5] [6] Though Overweight Pooch's album flopped on the market, Manny Lehman (a DJ and executive producer) had noticed the powerful voice of the back-up vocalist, Peniston. He offered Delgado a chance to produce a track for Peniston to cultivate her potential as a solo artist. Delgado called hometown friend and music producer, Rodney K. Jackson, to help co-produce Peniston's single, which would become "Finally".
Peniston was 21 years old when "Finally" was released. When asked about the song in a 2012 interview, Peniston said,
"It was actually a poem that I had turned into a song, and it was the very first song that I had written. I was doing backup for someone else, and they asked if I had something else and I was like yeah, something I've written, and I didn't know if they'd like it. You know, you don't really understand your gifts at that point, so when he said I have a hit, I was just like okay. At the time I didn't understand what it means to have a number one song, I really had no idea. They said you have a hit on your hands and you're going to have to go to Europe. All of a sudden I was traveling the world, one show turned into two, that little girl from Arizona was going everywhere! You know, I had been here and there, a couple of trips, but nothing at all like this. It was overwhelming." [7]
The remix of this song is based on the piano riff from the house music classic "Someday" by CeCe Rogers from 1987. The song is performed in the key of B minor [8] with a tempo of 120 beats per minute, following a chord progression of G(9) – G/A – Bm, and Peniston's vocals span from B3 to D5. [9] In 2017, Peniston told about recording the song,
"It was a great experience making this song. I remember being in the studio with producer Felipe Delgado, and we didn't have the second verse written. I had forgotten some of the lyrics and just ad-libbed some of them–that "yeah-yeah" part. They ended up sampling that, and it became a big part of the song. It's amazing how those raw moments happen." [10]
The song was released in September 1991, [11] when it became an instant dance anthem, peaking in October at the top of the Billboard Hot Dance Music/Club Play chart in the United States for two weeks, while achieving respectable chart success overseas the following year. The song was re-released in the United Kingdom, where it reached a new peak of number two in its second week at the UK Singles Chart, on March 22, 1992. [12] It was held off reaching the top spot by Shakespears Sister's "Stay". "Finally" also charted at number-one in Zimbabwe and on the RPM Dance/Urban chart in Canada, and number 8 in Australia and New Zealand. In Europe, the song reached number 3 in Belgium and number 5 in the Netherlands and Ireland. Following the single's success, Peniston completed her first album, Finally, in two months.
J.D. Considine from The Baltimore Sun felt the song "is a delightful surprise, marrying a muscular, insinuating groove to Peniston's soulful, insistent vocals." [13] Larry Flick from Billboard complimented it as "a delicious peak-hour houser that is in a vein similar to Alison Limerick's "Where Love Lives". Peniston wraps her lovely alto around a hook that seeps into the brain and body and never lets go." [14] He also remarked that Peniston "proves her potential as a future diva on this brain-embedding, spine-stirring house anthem." [15] Amy Linden from Entertainment Weekly commented, "The slammin’ house/pop single of the moment? It's CeCe Peniston's 'Finally,' and its sheer joy and verve." She explained further, "Grooving in the fabulousness of her newfound Mr. Right, and sorta amazed that it all happened, she wails deliciously, making you believe that true love will conquer all and that someday your prince (or princess) will come." [16] Dave Sholin from the Gavin Report described it as a "bright and infectious" debut release and concluded, "I had a preview of this song back in July and have been in love with it ever since!" [17] Dennis Hunt from Los Angeles Times viewed it as "lively". [18]
Pan-European magazine Music & Media stated that "this newcomer gives further evidence that dance is still developing into a more song-oriented direction. The violins give the tune the ambiance of "Backstabbers" by the O'Jays." [19] Andy Beevers from Music Week complimented it as an "extremely classy and catchy garage-styled debut", naming it Pick of the Week in the category of Dance. [20] A reviewer from People Magazine felt that it's "overflowing with verve and loaded up with joyous girlie glee", noting the "ecstatic, beat-heavy power" of the track. [21] James Hamilton from the Record Mirror Dance Update labeled it as "cheerful wailing" and a "ex–Miss America's catchy Crystal Waters–type US pop smash". [22] Adam Higginbotham from Select declared "Finally" as "a superb slice of feel-good pop music. From its bassline – purloined from Ce Ce (no relation) Rogers' classic garage tune 'Someday' – to the inanely cheery lyrics." [23] Tom Doyle from Smash Hits viewed it as a "rousing house song". [24] Steve Pick from St. Louis Post-Dispatch wrote, "This is a catchy disco number, building energy through repetition of the simple hookline and a solid bass/drum throb. Get on the dance floor to this one, and you'll move." [25]
Bill Lamb from About.com featured "Finally" in their list of "The Top 100 Best Party Songs", describing it as an "upbeat, celebratory song about love". [26] Steven E. Flemming, Jr. from Albumism noted that it "skillfully melded the insistent grace of all that’s right about dance production values with grand vocals." [27] AllMusic editor Craig Lytle felt that the song and its follow-up, "We Got a Love Thang", "employ that rapid dancehall groove better known as house music". [28] Stopera and Galindo from BuzzFeed remarked, "When it comes to ‘90s dance songs you’d be hard-pressed to find another song that so perfectly incorporates other music genres that made the decade so great – i.e., R&B, house, and pop – which is what makes “Finally" the quintessential ‘90s dance song. And honestly, it's a feel-good hit! Just try being in a bad mood after listening to it!" [29] A writer from Complex said that "this was the sound of the early 1990s, when everything was turning colorful and bright." [30] Pop Rescue called it "a great track, with that fantastic hand-clap, bassline and piano opening", adding that Peniston's vocals are "sublime". [31]
A music video was made for "Finally", directed by Claude Borenzweig. It is very simple, showing Peniston performing the song within a variety of shapes and colors, sometimes with a guy dancing. [32] The video was later made available by Vevo on YouTube in 2009. [33]
DJ Magazine ranked "Finally" number 64 in their list of "Top 100 Club Tunes" in 1998. [34] VH1 ranked it number 29 in their list of the "100 Greatest Dance Songs" in 2000. MTV Dance ranked the song number 28 in their list of "The 100 Biggest '90s Dance Anthems of All Time" in November 2011. [35] Heart TV ranked "Finally" number three in their list of "55 Biggest '90s Club Classics" in March 2017. [36] BuzzFeed ranked the song number one in "The 101 Greatest Dance Songs of the '90s" in 2017, writing, "When it comes to ‘90s dance songs you’d be hard-pressed to find another song that so perfectly incorporates other music genres that made the decade so great – i.e., R&B, house, and pop – which is what makes “Finally" the quintessential ‘90s dance song." [37]
Slant Magazine ranked it number 37 in their list of "The 100 Best Dance Songs of All Time" in 2020. The Guardian ranked it number 66 in their "The 70 Greatest No 2 Singles – Ranked!" in 2022. Alexis Petridis wrote, "House music as pure pop-soul, "Finally" was a hymn to an idealised boyfriend sung by a former Miss Black Arizona." [38] Same year, Pitchfork ranked it number 87 in their countdown of "The 250 Best Songs of the 1990s" in 2022. [39] In October 2023, Billboard listed "Finally" number 447 in their "Best Pop Songs of All Time". [2] The magazine praised its "magic moment"; "Peniston sings the word “finally” about 20 times in this song, but it’s lucky no. 13 where she destroys the word on the break, growling it out and turning a song about meeting the man of your dreams from a cloying concept into a hard-won victory cry." [2]
Year | Publisher | Country | Accolade | Rank |
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1991 | The Face | United Kingdom | "Singles of the Year" | 5 |
1998 | DJ Magazine | United Kingdom | "Top 100 Club Tunes" | 64 |
2000 | VH1 | United States | "100 Greatest Dance Songs" | 29 |
2005 | Bruce Pollock | United States | "The 7,500 Most Important Songs of 1944–2000" | Unranked |
2005 | Süddeutsche Zeitung | Germany | "1020 Songs 1955–2005"[ citation needed ] | Unranked |
2011 | Max | Australia | "1000 Greatest Songs of All Time" [40] | 919 |
2011 | MTV Dance | United Kingdom | "The 100 Biggest 90's Dance Anthems of All Time" [35] | 28 |
2013 | Complex | United States | "15 Songs That Gave Dance Music a Good Name" [30] | Unranked |
2015 | Robert Dimery | United States | "1,001 Songs You Must Hear Before You Die, and 10,001 You Must Download (2015 Update)" | 1002 |
2017 | Heart TV | United Kingdom | "55 Biggest '90s Club Classics" [36] | 3 |
2017 | BuzzFeed | United States | "The 101 Greatest Dance Songs Of the '90s" | 1 |
2018 | About.com | United States | "The Top 100 Best Party Songs of All Time" [41] | 60 |
2019 | Billboard | United States | "Billboard's Top Songs of the '90s" [42] | 297 |
2020 | Daily Mirror [ unreliable source? ] | United Kingdom | "Top 50 Happiest Songs Ever" [43] | 23 |
2020 | PopMatters | United States | "15 Landmark Dance Tracks of 1991" [44] | Unranked |
2020 | Slant Magazine | United States | "The 100 Best Dance Songs of All Time" [45] | 37 |
2022 | Billboard | United States | "Best LGBTQ Anthems of All Time" [46] | 44 |
2022 | Classic Pop | United Kingdom | "90s Dance – The Essential Playlist" [47] | 5 |
2022 | The Guardian | United Kingdom | "The 70 Greatest No 2 Singles – Ranked!" [38] | 66 |
2022 | Pitchfork | United States | "The 30 Best House Tracks of the ’90s" [48] | Unranked |
2022 | Pitchfork | United States | "The 250 Best Songs of the 1990s" [39] | 87 |
2022 | Rolling Stone | United States | "200 Greatest Dance Songs of All Time" [49] | 83 |
2022 | Time Out | United Kingdom | "The 50 Best Gay Songs to Celebrate Pride All Year Long" [50] | 48 |
2023 | Billboard | United States | "Best Pop Songs of All Time" [2] | 447 |
ASCAP Awards
Billboard Music Video Awards
| BMI Awards
VH1 Awards
Winter Music Conference Awards
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Management
Production
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Weekly charts
| Year-end charts
Decade-end charts
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Region | Certification | Certified units/sales |
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United Kingdom (BPI) [90] | Platinum | 600,000‡ |
United States (RIAA) [91] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
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United Kingdom | September 30, 1991 |
| A&M | [11] |
United Kingdom (re-release) | March 9, 1992 | [92] |
"Finally '97" | |
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Single by CeCe Peniston | |
from the album Finally (1997 reissue) | |
B-side |
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Released | September 1, 1997 [93] |
Length | 3:26 (Classic Funk radio mix) |
Label | A&M |
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Music video | |
"Classic Funk Radio Mix" on YouTube |
In 1997, "Finally" was remixed by Eric Kupper to enhance the overseas issue of Peniston's album Finally , which was re-released in Europe and Japan along with her greatest collection, The Best Of CeCe Peniston . The new remixed version of the song titled "Classic Funk Mix" (or "Finally '97") successfully re-entered the British charts, peaking on September 13 at number 26 on the UK Singles Chart, [94] meaning Peniston had three chart entries with one and the same title (in March 92, in September 97).
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Chart (1997) | Peak position |
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Europe (Eurochart Hot 100) [95] | 79 |
UK Singles (OCC) [94] | 26 |
"Finally 2k8" | |
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Promotional single | |
from the album Mastermix: Pro Dance 08 | |
Released | 2008 |
Length | 7:05 |
Label | Bimbo Rock |
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In mid-2008, the song was remixed by Kam Denny, an Australian DJ and producer, and Paul Zala, an electrohouse DJ based in Melbourne. Subtitled as "Kam Denny & Paul Zala Remix", or rather "Vandalism Remix", the promotional single was released in Australia on Bimbo Rock, a local indie dance/electro label formed by TV Rock. The new adaptation gained underground house music popularity and entered the local Club Tracks Chart, topping for four weeks at number one. [96]
Weekly charts
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"Finally 2011" | |
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Single by CeCe Peniston featuring Joyriders | |
Released | October 3, 2011 |
Length | 2:58 (Roman Hunter airplay mix) |
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"Finally" featuring Joyriders on YouTube |
For the 20th anniversary of "Finally", Peniston made a number of additional remixes of the song for Paul Oakenfold, featuring Joyriders, and supported also by music video. [99] Originally, the song was to be attached to her cancelled studio album CeCe. [100]
Release 1
Release 2
Deep House Selection, Volume 6 (The Finest Deep House Tunes)
The song features in the 1994 Australian drag-comedy The Adventures of Priscilla, Queen of the Desert, with the main characters lip-synching to the song during a performance. [101]
For her ninth tour Showgirl: The Homecoming Tour that resumed on November 11, 2006, at Sydney Entertainment Centre (ended on January 23, 2007), Kylie Minogue used elements of Peniston's song when performing her 2000 comeback single "Spinning Around", co-written by Paula Abdul. [102]
In July 2014, British singer Matt Fishel included a cover version of the song on his virtual EP Cover Boy . The accompanying video won the category for Best Lyric Video at the 2014 LGBT-based RightOutTV Music & Video Award. [103]
In 2015, the song was also used in an advertisement for Ariel detergent in the Philippines, along with modified lyrics to promote the product. [104] The commercial has since spawned numerous parodies poking fun at the campy nature of the commercial and the song used, with numerous people and fictional characters lip-syncing to the tune. [105]
Cecilia Veronica "CeCe" Peniston is an American singer and former beauty queen. In the early 1990s, she scored five number one hits on the U.S. Billboard Hot Dance Music/Club Play. Her signature song "Finally" reached the number 5 spot on the Hot 100 and number 2 in the UK Top 75.
"Missing" is a song by English musical duo Everything but the Girl, taken from their eighth studio album, Amplified Heart (1994). It was written by the two band members, Tracey Thorn and Ben Watt, and was produced by Watt and John Coxon. It was taken as the second single off the album on 8 August 1994 by Blanco y Negro Records in the United Kingdom and by Atlantic Records in the United States. It initially did not achieve much success until it was remixed by Todd Terry and re-released in 1995, resulting in worldwide success, peaking at or near the top of the charts in many countries. The release of the remixed version of "Missing" gave an indication of the band's future experimentation with more electronic dance music on subsequent albums. Its music video was directed by Mark Szaszy.
Finally is the debut album by American singer CeCe Peniston, released on January 30, 1992, by A&M Records. Prior to the release of this album, Peniston released her debut single "Finally", which topped the US Billboard Hot Dance Music Club Play chart on October 26, 1991, peaking eventually at number five on the Billboard Hot 100 and at number two in the UK Singles Chart. The album yielded two additional singles which achieved dance number one status in the US; "We Got a Love Thang", co-written by Chantay Savage, and "Keep On Walkin'", written in collaboration with Kym Sims. Both songs entered the UK Singles Chart top 10 and the Billboard Hot 100 top 20 in the US. Despite the success of the singles, the album itself climbed only to number seventy on the US Billboard 200. However, during its thirty-six weeks long presence in the chart it sold over 554,000 copies in the US. The album peaked at number ten on the UK Albums Chart. The total worldwide sales of the album surpassed 3,000,000 units. Two further tracks were released from the album which were more in the R&B field; "Inside That I Cried" charted at number ten in the US R&B chart and at number forty-two in the UK, while "Crazy Love" peaked at number thirty-one in the US and at number forty-four in the UK. The album was part of the resurgence of dance music in the United States during the mid-1990s.
"Sesame's Treet" is a 1992 single by the English rave group Smart E's. It is a remix of "Can You Tell Me How to Get to Sesame Street?", with the song's title being a pun on "Sesame Street". The song reached No. 2 on the UK Singles Chart in July 1992 and peaked within the top 10 in Australia, Ireland, and New Zealand. In the United States, it reached No. 60 on the Billboard Hot 100 chart and topped the Billboard Maxi-Singles Sales ranking.
American recording artist CeCe Peniston entered the music industry as a backup vocalist on the Overweight Pooch's album Female Preacher, released in July 1991 on A&M Records. Shortly before that, she was featured on the B-side to 12-inch single "I Can't Take the Power" by male rapper Marvelous JC. Besides her vocal performance on the Pooch's only charting track, "I Like It", she was given a credit for co-writing two compositions; "Kickin' Da Blues" and the titular "Female Preacher". Soon after, the singer pursued a solo career. By now, Peniston has released four studio albums including one as a member of The Sisters of Glory, two remix collections, one live album, four compilations and one live extended play (EP). Her singles discography features twenty-nine physical releases, twenty-one digital-only, seven promotional recordings and twenty-six other appearances; regardless of their format. She has also been included on one video album and has made fourteen music videos.
Thought 'Ya Knew is the second solo studio album by American singer-songwriter CeCe Peniston, released on January 10, 1994, by A&M Records, and on February 10 in Japan. For this album, Peniston once again collaborated with Chicago-based producer Steve "Silk" Hurley, along with other producers Carsten Schack and Kenneth Karlin from Denmark, David Morales, Sir Jinx, and on one track also with the multiple Grammy Award-nominee Brian McKnight.
"Somebody Else's Guy" is a 1984 song written and popularized by Jocelyn Brown. On the US soul chart, the single peaked at number two and stalled at number 75 on the Hot 100, but in the UK it made the pop top 20. On the disco chart, "Somebody Else's Guy" peaked at number 13. It was the title track of Brown's debut solo album, released the same year.
"Before I Lay (You Drive Me Crazy)" is a 1996 song by American musician CeCe Peniston, released as a duet with JoJo Hailey of Jodeci. The single was released as the second single from the singer's third and final studio album, I'm Movin' On (1996). It peaked at number fifty-two on the US Billboard R&B chart, while reaching number twenty-one on the Billboard Bubbling Under Hot 100 Singles chart (a virtual equivalent to number 121 on the Billboard Hot 100).
"Movin' On" is a song by American musician CeCe Peniston, released on July 23, 1996, as the lead single from her third studio album, I'm Movin' On (1996). The track is produced by Dave Hall and charted at number twenty-nine on the US Billboard R&B chart. It also reached number 83 on the Billboard Hot 100. A remixed version of the song peaked at number ten on the Billboard Hot Dance Music/Maxi-Singles Sales chart and entered the top 30 in Japan.
"Keep Givin' Me Your Love" is a song by American singer-songwriter CeCe Peniston, originally from her second studio album, Thought 'Ya Knew (1994). While in the US, it was issued as the fifth single release in 1995, in the UK the song was released as the second single in April 1994. After peaking at number 35 on the UK Singles Chart, it reached at number four on the US Billboard Hot Dance Music/Club Play chart in March 1995 and was Peniston's first song that failed to enter the Billboard Hot 100, stopping at number one on the Bubbling Under Hot 100 Singles chart. The song was also classified the Billboard Hot Dance Breakouts number one in the category of Maxi-Singles Sales on March 4 and the Billboard Hot Dance Breakouts number three for the category of Club Play Singles on January 21, 1995.
"Hit by Love" is a song by American singer-songwriter CeCe Peniston, released in July 1994 as the fourth single from her second album, Thought 'Ya Knew (1994). The song was her fifth number-one hit on the US Billboard Dance Club Play chart. Issued in Europe with "I'm Not Over You" on B-side, it peaked at number 33 on the UK Singles Chart and number 90 on the Billboard Hot 100 chart.
"I'm in the Mood" is a song by American singer and songwriter CeCe Peniston, released in December 1993 by A&M Records as the first commercial single from her second studio album, Thought 'Ya Knew (1994). The composition scored the singer her fourth number one on the US Billboard Hot Dance Music/Club Play chart, and also entered the top 10 of the Billboard Hot R&B chart, peaking at number seven. On the Billboard Hot 100 and Cash Box Top 100, the song peaked at number 32 and 28, respectively. In Europe, "I'm in the Mood" made number 16 on the UK Top 75, as well as entering the top 30 in the Netherlands and Switzerland. The music video was directed by Antoine Fuqua. In a 2011 interview for Boy Culture, TypePad's blogging service, Peniston disclosed that she had actually expected a better reception of the single.
"Crazy Love" is a song by American musician CeCe Peniston, released on her debut album, Finally on A&M Records. The title was first issued in the UK as the fourth single from the album, peaking at number forty-four, while in the US, it reached number thirty-one on the R&B chart in February 1993 after its peak at number ninety-seven on the Billboard Hot 100.
"Inside That I Cried" is a song by American singer CeCe Peniston, released as the fifth and last single from her debut album, Finally (1992), on A&M Records. The single release includes "Hitmix", a medley of her songs "Finally", "We Got a Love Thang", "Keep On Walkin'", "Lifeline" and "It Should Have Been You", all taken from the album. "Inside That I Cried" reached the top 10 of the American Billboard Hot R&B Singles & Tracks chart and peaked at number 94 on the US Billboard Hot 100. In the United Kingdom, the song reached number 42 on the UK Singles Chart.
"Keep On Walkin'" is a song by American musician CeCe Peniston, recorded for her debut album, Finally (1992), on A&M Records. Written by Steve Hurley, Marc Williams and Kym Sims, it was released in May 1992 as the singer's third single from the album and was her third number one on the US Billboard Hot Dance Music/Club Play chart. The single additionally peaked at number three on the US R&B chart, number 15 on the Hot 100, and number 10 in the United Kingdom.
"We Got a Love Thang" is a song by American singer-songwriter CeCe Peniston, originally released in January 1992 by A&M Records as the second single from her debut album, Finally (1992). The song was co-written by Chantay Savage and produced by Steve "Silk" Hurley, and became the second number one hit for the artist, remaining on the top of the Billboard Hot Dance Music/Club Play chart for two weeks. In the United Kingdom, the title scored number six, while on the Billboard Hot 100, it reached number twenty. The song contains a sample of the drum break from "Rock with You" by Michael Jackson.
"I Like It" is a 1991 song by Overweight Pooch featuring CeCe Peniston, who contributed vocals on the record. The single was written by E.L. Linnear and Felipe Delgado, and reached number sixteen in the US Billboard Hot Dance Music/Club Play chart, and number fifty-eight in the UK Singles Chart
"You Are the Universe" is a song by British acid jazz and funk group the Brand New Heavies, released in June 1997. The composition was issued as the third single taken from their fourth album, Shelter (1997), which remains the only Brand New Heavies album recorded with American singer Siedah Garrett, who afterwards left the group to concentrate on her own songwriting. The song charted at number twenty-one in UK, and at number eleven within the British Chart-Track.
"I'm Not Over You" is a song by American singer-songwriter and former beauty queen CeCe Peniston, originally recorded for her second album, Thought 'Ya Knew (1994), which was released on A&M Records. The single achieved number two on the Billboard Dance Club Songs chart, and number ten on the Billboard Hot R&B/Hip-Hop Songs chart. On the Billboard Hot 100, the song charted at number forty-one. The B-side of the single included "Searchin'", which was previously released only for promotional purposes.
#29 in 1991, #2 in 1992, #26 in 1997
#29
#2
#26
CeCe Peniston "Finally 2008 (Kam Denny & Paul Zala Mix)" #1
#33
CeCe Peniston "Finally 2008" #17
It's the twentieth anniversary of 'Finally,' which is nice. I'm about to do a remix of it with Paul Oakenfold.