Dorothy Moskowitz

Last updated

Dorothy Moskowitz
Also known asDorothy Moskowitz Falarski
Born1940 (age 8384)
New York, US
Genres
OccupationsMusician, songwriter, teacher
InstrumentsVocals
Years active1963–present
Labels
Website dorothymoskowitz.com

Dorothy Moskowitz (born 1940) is an American singer and songwriter, who was most notably a lead vocalist in the experimental rock band the United States of America. Moskowitz and the band, though not too commercially successful, produced some of the earliest examples of electronic rock. Following the band's demise, Moskowitz continued her music career, and was a member of Country Joe's All-Star Band. [1]

Contents

Biography

Early life

Moskowitz attended a Jewish parochial school where she sang in fluent Hebrew. [2] Throughout her childhood into her college years, Moskowitz played piano and learned proper vocal techniques through a variety of schoolings and work. In high school, she worked as an accompanist in a children's dance studio. During her studies at Barnard College, Moskowitz also began writing her first compositions, including the college's official Alma Mater song. Moskowitz commented on the experience saying, "Had I gone to a place like Oberlin, where there were serious musicians, I might never have had the audacity to do what I did. As it turned out, Barnard College taught me audacity, if nothing else. Its lack of music reputation wasn't a stumbling block. It was actually an opportunity in disguise." Moskowitz eventually earned a degree in government, and briefly had a stint at Columbia University where she was informally trained by Otto Luening. [3]

In the spring of 1963, she met Joseph Byrd in New York and started a relationship with him. The two's first album they worked on was a Christmas album called The Life Treasury of Christmas Music, which was released in 1963. [4] Together, they also developed a record series narrating the history of the United States in which Moskowitz produced, provided research, and liner notes. Later in 1963, the two moved to California to enroll in UCLA. It was here that Moskowitz learned about vocal styles of different cultures, and taught a class called "Feminism and I". She also contributed to an Indian-music album by Gayathri Rajapur and Harihar Rao in 1965. By 1966, Moskowitz and Byrd had separated, and she returned to New York for a year. Byrd then asked her to join his new band, the United States of America, which she did. The band designed its debut album to be more melodic in nature, but conflicts with the label would cause issues over who controlled the recording sessions. [5]

The United States of America

In the summer of 1967, Moskowitz arrived to become a vocalist and songwriter in band activities. Moskowitz collaborated with Byrd in writing much of the band's material. Other members of the United States of America were Gordon Marron (electric violin, ring modulator), Rand Forbes (electric bass), Craig Woodson (drums, percussion), and Ed Bogas (organ, piano). Some of the band's compositions contained allusions to left-wing political themes. The band was innovative as they used early synthesizers, and other sound alterations to create a form of electronic avant-garde rock. Following a single live performance, the band was signed to the major Columbia label for what would be the group's only album in 1968. By the time recording started, Byrd and Moskowitz's influence proved to be central to the group's overall experimental sound. [5] [6]

Recording of the album proved to be a trying task for the band and producer, David Rubinson. The band needed to hard-wire the components together, and the synthesizers, mixed on eight-track, were layered on one oscillator at a time. Moskowitz, in particular, sang through a ring modulator and electric filtering, which created a unique, eerie effect specific to the era. Every instrument, including the percussion playing, was electronically altered through amplifiers. The LP, The United States of America , was released in 1968 and charted at number 181 on the Billboard 200 , but was still cited as a disappointment. It became relatively well known in the UK through the inclusion of one track, "I Won't Leave My Wooden Wife For You, Sugar", on a popular budget sampler album, The Rock Machine Turns You On . [7]

Following the release of the band's album, it conducted its only tour in which the band proved capable of replicating the album's material. However, the band suffered from the diverse personalities and political views, which caused inner turmoil. The final factor that resulted in the band's break-up stemmed from a gig in Orange County, California, in which three members were busted for possession of marijuana, leaving only Moskowitz and Byrd to perform. [7] Commenting on her electrically affected vocals, Moskowitz stated, "I have no regrets about the electronic excess under which my voice was buried. It was part of the aesthetic and I was the one who insisted on singing through a ring modulator". [8]

Later career and life

In 1972, Moskowitz became a featured member of Country Joe's All-Star Band, an experience she remembered fondly, saying: "I often refer to the Country Joe days as an example of the kind of musical life I had before raising a family and doing children's music". [3] The group toured and was recorded live at the Fete, and the song, "Sweet Marie", appeared on the 1990 compilation album, The Best of Country Joe: The Vanguard Years. Moskowitz and the band also took part in McDonald's 1973 album, Paris Sessions. [9] Later in the year, the band broke up, and Moskowitz went on to perform with several other acts like Steamin' Freeman. [10]

As a San Francisco-based voiceover artist in the mid-1970s, Moskowitz provided vocals for "Cracks," a short cartoon produced for Sesame Street . The short became an enigmatic piece of lost media, with a search started in the late 2000s before it was found and made widely available online in 2013. [11] In 1978, she recorded the album Yesterdays with jazz pianist Dick Fregulia. [12] [13] In the 1980s and 1990s she composed music for children. In 2003, Moskowitz became a music teacher for elementary schools in Piedmont, California, introducing students to the basics of brass instruments and vocal techniques.

In 2021, Moskowitz provided vocals for two songs on the Todd Tamanend Clark album Whirlwind of the Whispering Worlds, [14] and in the same year she recorded the album The Secret Life of Love Songs with novelist and critic Tim Lucas. [12] In 2023, she released the album Under an Endless Sky, recorded with Italian electronic composer Francesco Paolo Paladino, as Dorothy Moskowitz & The United States of Alchemy; the other member is lyricist/writer Luca Ferrari. She has also collaborated with Swedish musician Peter Olof Fransson, and worked on a solo album. [12]

She has two daughters. [15]

Related Research Articles

<span class="mw-page-title-main">Gram Parsons</span> American singer-songwriter (1946–1973)

Ingram Cecil Connor III, known professionally as Gram Parsons, was an American singer, songwriter, guitarist, and pianist. He recorded as a solo artist and with the International Submarine Band, the Byrds, and the Flying Burrito Brothers, popularizing what he called "Cosmic American Music", a hybrid of country, rhythm and blues, soul, folk, and rock.

<i>A Hard Days Night</i> (album) 1964 studio album by the Beatles

A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing that included selections from George Martin's film score. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.

<span class="mw-page-title-main">Buffalo Springfield</span> Canadian-American folk rock band

Buffalo Springfield was a rock band formed in Los Angeles by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966 to 1968. Their music combined elements of folk music and country music with influences from the British Invasion and psychedelic rock. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house.

<span class="mw-page-title-main">The United States of America (band)</span> American avant-garde band

The United States of America was an American experimental rock band founded in Los Angeles in 1967 by composer Joseph Byrd and vocalist Dorothy Moskowitz, with electric violinist Gordon Marron, bassist Rand Forbes and drummer Craig Woodson. Their 1968 self-titled album, often cited as an early showcase for the use of electronic devices in rock music, was met with critical acclaim and minor chart success. They disbanded shortly after its release.

<span class="mw-page-title-main">Belinda Carlisle</span> American singer (born 1958)

Belinda Jo Carlisle is an American singer and songwriter. She gained fame as the lead vocalist of the Go-Go's, the most successful all-female rock band of all time, and went on to have a prolific career as a solo artist.

<span class="mw-page-title-main">Bernie Leadon</span> American musician (b. 1947)

Bernard Matthew Leadon III is an American singer, musician, songwriter, and founding member of the Eagles, for which he was inducted into the Rock and Roll Hall of Fame in 1998. Prior to the Eagles, he was a member of three country rock bands: Hearts & Flowers, Dillard & Clark, and the Flying Burrito Brothers. He is a multi-instrumentalist coming from a bluegrass background. He introduced elements of this music to a mainstream audience during his tenure with the Eagles.

<i>The Notorious Byrd Brothers</i> 1968 studio album by the Byrds

The Notorious Byrd Brothers is the fifth album by the American rock band the Byrds, and was released in January 1968, on Columbia Records. The album represents the pinnacle of the Byrds' late-'60s musical experimentation, with the band blending together elements of psychedelia, folk rock, country, electronic music, baroque pop, and jazz. With producer Gary Usher, they made extensive use of a number of studio effects and production techniques, including phasing, flanging, and spatial panning. The Byrds also introduced the sound of the pedal steel guitar and the Moog modular synthesizer into their music, making it one of the first LP releases on which the Moog appears.

<span class="mw-page-title-main">Hey Joe</span> 1962 song written and composed by Billy Roberts

"Hey Joe" is an American song from the 1960s that has become a rock standard and has been performed in many musical styles by hundreds of different artists. The lyrics tell of a man who is on the run and planning to head to Mexico after shooting his unfaithful wife. In 1962, Billy Roberts registered "Hey Joe" for copyright in the United States.

<i>Fifth Dimension</i> (album) 1966 studio album by the Byrds

Fifth Dimension is the third album by the American rock band the Byrds and was released in July 1966 on Columbia Records. Most of the album was recorded following the February 1966 departure of the band's principal songwriter Gene Clark. In an attempt to compensate for Clark's absence, guitarists Jim McGuinn and David Crosby increased their songwriting output. In spite of this, the loss of Clark resulted in an album with four cover versions and an instrumental, which critics have described as "wildly uneven" and "awkward and scattered". However, it was the first Byrds album not to include any songs written by Bob Dylan, whose material had previously been a mainstay of the band's repertoire.

<span class="mw-page-title-main">If I Needed Someone</span> Song composed by George Harrison

"If I Needed Someone" is a song by the English rock band the Beatles, written by George Harrison, the group's lead guitarist. It was released in December 1965 on their album Rubber Soul, except in North America, where it appeared on the June 1966 release Yesterday and Today. The song reflects the reciprocal influences shared between the Beatles and the American band the Byrds. On release, it was widely considered to be Harrison's best song to date. A recording by the Hollies was issued in Britain on the same day as Rubber Soul and peaked at number 20 on the national singles chart.

<span class="mw-page-title-main">Joseph Byrd</span> American songwriter

Joseph Hunter Byrd Jr. is an American composer, musician and academic. After first becoming known as an experimental composer in New York City and Los Angeles in the early and mid-1960s, he became the leader of The United States of America, an innovative but short-lived band that integrated electronic sound and radical political ideas into rock music. In 1968 he recorded the album The American Metaphysical Circus, credited to Joe Byrd and the Field Hippies. After working as a record producer, arranger, and soundtrack composer, he became a university teacher in music history and theory.

<i>The United States of America</i> (album) 1968 studio album by The United States of America

The United States of America is the only studio album by American rock band the United States of America. Produced by David Rubinson, it was released in 1968 by Columbia Records. The album combined rock and psychedelia with then-uncommon electronic instrumentation and experimental composition, along with an approach reflecting an anti-establishment, leftist political stance.

The Vejtables were an American rock band from Millbrae, California, United States. They recorded for the Autumn label and found limited success with such songs as "I Still Love You" and a cover version of Tom Paxton's "The Last Thing on My Mind".

"Turn! Turn! Turn!", also known as or subtitled "To Everything There Is a Season", is a song written by Pete Seeger in 1959. The lyrics – except for the title, which is repeated throughout the song, and the final two lines – consist of the first eight verses of the third chapter of the biblical Book of Ecclesiastes. The song was originally released in 1962 as "To Everything There Is a Season" on the folk group the Limeliters' album Folk Matinee, and then some months later on Seeger's own The Bitter and the Sweet.

<span class="mw-page-title-main">Hard Coming Love</span> 2004 single by The United States of America

"Hard Coming Love" is the second song on the 1968 album The United States of America, by the band The United States of America. It was written by Joe Byrd and Dorothy Moskowitz and is sung by Moskowitz.

<span class="mw-page-title-main">There She Goes Again</span> 1967 song by the Velvet Underground

"There She Goes Again" is a song by American rock band the Velvet Underground. It first appeared on their debut studio album, The Velvet Underground & Nico (1967). The syncopated guitar riff is taken from the 1962 Marvin Gaye song "Hitch Hike". Guitarist Sterling Morrison has stated:

Metronomically, we were a pretty accurate band. If we were speeding up or slowing down, it was by design. If you listen to the solo break on "There She Goes Again," it slows down—slower and slower and slower. And then when it comes back into the "bye-bye-byes" it's double the original tempo, a tremendous leap to twice the speed.

<i>The American Metaphysical Circus</i> 1969 studio album by Joe Byrd and The Field Hippies

The American Metaphysical Circus is a 1969 album by Joseph "Joe" Byrd. It was recorded after his departure from the band The United States of America, and featured some of the earliest recorded work in rock music extensively utilizing synthesizers and vocoder, along with an extended group of West Coast studio musicians Byrd named "The Field Hippies".

Todd Tamanend Clark is an American poet, composer, multi-instrumentalist, cultural historian, author, artist, and activist. He is known for "his musical blend of Native American heritage, glam fashion consciousness, cyberpunk attitude, and lyrical approach to scientific and sociological subjects."

<span class="mw-page-title-main">Wasn't Born to Follow</span> 1968 song by The Byrds

"Wasn't Born to Follow", also known as "I Wasn't Born to Follow", is a song written by Gerry Goffin and Carole King. Goffin wrote the lyrics and King provided the music. The song was first recorded by the Byrds on their 1968 album, The Notorious Byrd Brothers. King's short-lived band the City also recorded the song for their 1968 album, Now That Everything's Been Said. It has also been covered by many other artists, including the Monkees, the Lemon Pipers, Dusty Springfield, and as a solo recording by King. The Byrds recording was featured in the 1969 film Easy Rider and was released as a single in the UK and Germany in the same year as a result.

<span class="mw-page-title-main">Ricky Byrd</span> American musician

Ricky Byrd is a rock and roll guitar player, singer, songwriter and producer. He spent over a decade as a member of Joan Jett and the Blackhearts, where he contributed music and background vocals to two platinum albums, I Love Rock 'n Roll and Up Your Alley, the gold certified Album, and four others for the band.

References

  1. Jason Ankeny. "The United States of America – Biography". allmusic.com. Retrieved March 23, 2015.
  2. https://blues.gr/m/blogpost?id=1982923%3ABlogPost%3A487039
  3. 1 2 "Dorothy Moskowitz Interview" (PDF). terrascope.co.uk. Retrieved March 23, 2015.
  4. "The Life Treasury of Christmas Music". discogs.com. Retrieved March 30, 2015.
  5. 1 2 Kevin Holm-Hudson (October 18, 2013). Progressive Rock Reconsidered. Routledge. ISBN   9781135710224 . Retrieved March 23, 2015.
  6. "the United States of America". last.fm. Retrieved March 23, 2015.
  7. 1 2 "THE UNITED STATES OF AMERICA". richieunterberger.com. Retrieved March 23, 2015.
  8. Magazine, Various Mojo (November 2007). The Mojo Collection: 4th Edition. Canongate Books. ISBN   9781847676436 . Retrieved March 23, 2015.
  9. Bill Belmont. "Country Joe McDonald". countryjoe.com. Retrieved March 23, 2015.
  10. "Profile: Dorothy Moskowitz". discogs.com. Retrieved March 23, 2015.
  11. "The Crack Monster: The mystery behind the creepiest cartoon on 'Sesame Street'". PRI.org. Studio 360. Retrieved February 20, 2019.
  12. 1 2 3 "The United States of America's singer Dorothy Moskowitz returns!", Mojo, April 2023, p.20
  13. "Yesterdays", Dick Fregulia Jazz Piano. Retrieved 20 April 2023
  14. "WHIRLWIND OF THE WHISPERING WORLDS, by Todd Tamanend Clark".
  15. "Interview Between Dorothy Falarski Tri-school Brass and Vocal Teacher and Vicky O'Bresly HPC President" (PDF). google.com. Retrieved March 23, 2015.