Dottie | ||||
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Studio album by | ||||
Released | August 1978 | |||
Recorded | September 28–29, 1977 | |||
Studio | Jack Clement Recording (Nashville, Tennessee) | |||
Genre | ||||
Label | United Artists | |||
Producer | Larry Butler | |||
Dottie West chronology | ||||
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Singles from Dottie | ||||
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Dottie is a studio album by American country artist Dottie West. It was released in August 1978 via United Artists Records and contained ten tracks. It was the 26th studio album of West's career and her third with the United Artists label. Of its ten tracks, three were self-penned by West herself. One single was spawned from the album titled "Come See Me and Come Lonely", which reached the top 20 on the US country chart. Dottie also made the US country albums chart following its original release and was given a positive review by Record World magazine.
During the 1960s and early 1970s, Dottie West had found commercial success with self-penned songs featuring vocal performances that were considered "plaintive" and "heart wrenching". Songs like "Here Comes My Baby" (1964), "Paper Mansions" (1968), "Country Sunshine" (1973) and "Last Time I Saw Him" (1974). [2] In 1976, West moved to United Artists Records and started recording duets with Kenny Rogers, beginning with 1978's "Every Time Two Fools Collide". The song, along with several collaborative albums and further singles elevated and revived West's career. [3] "Every Time Two Fools Collide" would be followed by West's second United Artists solo album titled Dottie. [4]
Dottie was recorded at the Jack Clement Recording Studio, located in Nashville, Tennessee. The sessions for the album were held on September 28 and 29 of 1977. The album was produced by Larry Butler. [4] Dottie consisted of ten tracks [1] which were mostly considered to be ballads. [5] Three of the album's tracks were co-written by West herself: "Goodbye Is the Loneliest Word", "Decorate Your Conscience" and "Love Is Right". [4] Also included was a cover of Larry Gatlin's "Broken Lady". [5]
Dottie was originally released in August 1978 on United Artists Records. It was the 26th studio album released in West's career and her fourth with United Artists. The label originally distributed the album as a vinyl LP [4] and cassette. [6] Decades later, it was re-released to digital platforms including Apple Music. [7] Dottie was given a positive review by Record World magazine in August 1978. Reviewers praised Larry Butler's use of both string arrangements and more traditional country elements. They also highlighted several songs from the album as "standouts" including "Broken Lady" and "Decorate Your Conscience". [5]
Dottie spent a total of three weeks on the US Country Albums chart. On September 16, 1978, the album reached the number 47 position on the chart. It became West's second-lowest album to make the US country albums chart, with 1983's New Horizons being her lowest-charting. [8] The only single spawned from the album was "Come See Me and Come Lonely", which was first released by United Artists in May 1978. [9] Later that year, the single reached the top 20 of the US Hot Country Songs chart, peaking at number 17. In Canada, the single reached the number 28 position on their country chart. [10] [11]
No. | Title | Writer(s) | Length |
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1. | "Come See Me and Come Lonely" | Red Lane | 2:08 |
2. | "If I Could Just Find My Way" | Jim Weatherly | 3:20 |
3. | "Even If You Were Jesse James" | 2:17 | |
4. | "There's More to a Tear (Than Meets the Eye)" | 2:44 | |
5. | "Broken Lady" | Larry Gatlin | 2:16 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Goodbye Is the Loneliest Word" |
| 3:09 |
2. | "Decorate Your Conscience" |
| 3:41 |
3. | "Good 'Ol Nights" | Ben Peters | 2:40 |
4. | "Who's Gonna Love Me Now" |
| 2:55 |
5. | "Love Is Right" |
| 1:50 |
All credits are adapted from the liner notes of Dottie. [4]
Musical personnel
| Technical personnel
|
Chart (1978) | Peak position |
---|---|
US Top Country Albums (Billboard) [12] | 47 |
Region | Date | Format | Label | Ref. |
---|---|---|---|---|
North America | August 1978 | Vinyl LP | United Artists Records | [4] |
United Kingdom |
| [6] | ||
North America | circa 2023 |
| Capitol Records Nashville | [7] |
Wild West is a studio album by American country artist Dottie West. It was released by Liberty Records in February 1981. It was one of several albums that were part of West's commercial resurgence in the late 1970s and early 1980s. On the album were three singles: the chart-topping "Are You Happy?" and "What Are We Doin' in Love". The album itself was among West's highest-peaking, reaching the top five of the US country albums chart. It was met with favorable reviews from several music publications.
Special Delivery is a studio album by American country artist Dottie West. It was released by both Liberty Records and United Artists Records in November 1979. The album was released following a successful commercial comeback in West's career. Its new country pop production style was considered a departure from her previous recordings. The project consisted of ten tracks, six of which were composed by producers Randy Goodrum and Brent Maher. Three of the tracks were singles, including West's first solo chart-topper "A Lesson in Leavin'". Special Delivery reached the top 20 of the US country chart and was among her longest-running albums on the country survey
Here Comes My Baby is a studio album by American country music artist Dottie West. It was released in June 1965 on RCA Victor Records and was produced by Chet Atkins. It was West's debut studio album as a recording artist and was issued following the success of the title track in 1964. The latter song won a Grammy Award in early 1965 which prompted the issue of the album. Here Comes My Baby would start a series of studio recordings West would release for RCA.
Country Sunshine is a studio album by American country music artist Dottie West. It was released in November 1973 on RCA Victor Records. The album's ten tracks were produced by Billy Davis. Her 21st studio recording, Country Sunshine was released following the success of the title track. The song became a major hit after first being part of a Coca-Cola commercial. The album itself would reach major positions on national publication charts following its release.
When It's Just You and Me is a studio album by American country artist Dottie West. It was released in July 1977 via United Artists Records and contained 11 tracks. It was the 24th studio album in West's career and her first for the United Artists label. Of its 11 songs, four of them were spawned as singles: the title track, "Every Word I Write", "Tonight You Belong to Me" and "That's All I Wanted to Know". The title track reached the top 20 on the US and Canadian country singles charts. The album was reviewed positively by Billboard magazine following its original release.
Country and West is a studio album by American country music artist Dottie West. It was released in May 1970 on RCA Victor Records and was produced by Danny Davis. Her fourteenth studio album, Country and West spawned one single that became a minor hit on the national publication charts in 1970. It was also one of three studio albums West would release in 1970.
The discography of American country artist, Melba Montgomery contains 29 studio albums, eight compilation albums, 61 singles, one other charting song and has appeared on five albums. Of her studio albums, 22 are solo releases while seven are collaborative releases. Of her singles, 42 are solo releases while 18 are collaborative. Montgomery collaborated with George Jones on 1963's "We Must Have Been Out of Our Minds", which reached number three on the Billboard Hot Country Songs chart. Together, they recorded several studio albums including What's in Our Heart (1963), which reached number three on the Billboard Top Country Albums chart. The United Artists and Musicor labels issued several more singles by the pair. Among them were the top 25 songs "Multiply the Heartaches" (1965) and "Party Pickin'" (1967). She also collaborated with Gene Pitney during the sixties on the top 20 single "Baby Ain't That Fine" (1965). Both United Artists and Musicor issued several solo studio albums and singles by Montgomery during the sixties also. Among them was the charting single "Hall of Shame" (1963) and the 1967 LP, Don't Keep Me Lonely Too Long (1967).
I'm Only a Woman is a studio album by American country music artist Dottie West. It was released in May 1972 on RCA Victor Records and was produced by Jerry Bradley. The project was West's nineteenth studio album. Among the album's ten tracks were two charting singles issued between 1971 and 1972. It was West's only studio release issued in 1972 and third studio album not receive a Billboard chart placement.
Blanket on the Ground is a studio album by American country artist, Billie Jo Spears. It was released in February 1975 via United Artists Records and contained ten tracks. It was the seventh studio album of Spears's music career and her first with the United Artists label. The disc featured mostly ballads, many of which were cover tunes. The album was anchored by its title track, which topped the American country chart and became a pop commercial success in several countries. The disc itself reached the top five of the American country albums chart as well. AllMusic later gave the disc four out of five stars.
Billie Jo is a studio album by American country artist, Billie Jo Spears. It was released in October 1975 via United Artists Records and contained ten tracks. A mixture of new recordings and cover tunes were featured on the disc. Among them were the singles, "Stay Away from the Apple Tree" and "Silver Wings and Golden Rings". Both singles reached the top 20 of the North American country charts in 1975. The album itself reached the top 50 of the American country albums chart. It was the eighth studio album of Spears's career and her second with the United Artists label.
Have You Heard...Dottie West is a studio album by American country music artist Dottie West. It was released in October 1971 on RCA Victor Records and was produced by Jerry Bradley. The album was West's eighteenth studio record released in her career and second record to be released in 1971. The album included ten tracks, two of which became singles. The first single, "Six Weeks Every Summer ", became a minor hit on the country charts.
Melba Montgomery is a eponymous studio album by American country artist, Melba Montgomery. It was released in March 1978 via United Artists Records and was the twenty second studio disc of her career. The album featured a total of ten tracks, four of which were originally released as singles. Its most commercially-successful was a cover of "Angel of the Morning". The song reached both the American and Canadian country charts in 1978.
I'm Not Easy is a studio album by American country artist Billie Jo Spears. It was released in November 1976 via United Artists Records and contained 11 tracks. The disc featured many ballads, along with some uptempo tracks. Of its tracks, two singles were spawned: "Never Did Like Whiskey" and the title track. Both reached top 20 positions on the American country charts between 1976 and 1977. The disc itself charted on the American country albums chart and received mainly positive reviews from music publications.
"Lonely Hearts Club" is a song originally recorded by American country artist Billie Jo Spears. It was composed by Gene Simmons, Roger Bowling and Larry Butler. It was released as a single via United Artists Records in 1977, reaching the top 20 of the American country chart and the top ten of the Canadian country chart. It served as the title track of Spears's 1978 studio album.
"I've Got to Go" is a song originally recorded by American country artist Billie Jo Spears. It was written by Roger Bowling and Larry Butler. Released as a single in 1978 by United Artists Records, the song reached the top 20 of the American country chart and the top 30 of the Canadian country chart. It was spawned from Spears's 1978 studio album titled Lonely Hearts Club.
"'57 Chevrolet" is a song written by Roger Bowling that was originally recorded by American country artist Billie Jo Spears. It was released as a single by United Artists Records in 1978 and reached the top 20 of the American and Canadian country songs charts. It was also included on Spears's 1978 studio album titled Lonely Hearts Club. It was reviewed positively by critics following its release.
Lonely Hearts Club is a studio album by American country artist Billie Jo Spears. It was released in February 1978 via United Artists Records and contained 11 tracks. The album featured mostly new recordings, which included three singles: the title track, "I've Got to Go" "'57 Chevrolet". All three recordings reached the top 20 of the American country chart, while also reaching top positions in Canada. The album itself reached the American country albums chart. Lonely Hearts Club was met with positive reviews from critics.
"Love Ain't Gonna Wait for Us" is a song originally recorded by American country artist Billie Jo Spears. Written by Larry Butler and Ben Peters, the song was released as a single by United Artists Records in October 1978. It reached the top 30 of the American country chart later in the year and served as the title track for Spears's 1978 studio LP. It was given a positive review from Record World magazine.
Love Ain't Gonna Wait for Us is a studio album by American country artist Billie Jo Spears. It was released in October 1978 via United Artists Records and contained ten tracks. The disc featured mostly new recordings, along with several cover tunes. It featured a country pop production, overseen by Larry Butler. Two singles were spawned from the album: the title track and a cover of "Yesterday". It received a positive reception from Cashbox magazine.
"Every Word I Write" is a song written by Roger Bowling, Jan Crutchfield and George Richey, and recorded by American country music artist Dottie West. It was released in 1977 as the second single from the album When It's Just You and Me. The song reached the top 30 of the US country chart and the top 40 of the Canadian country chart. It was given a positive review from Billboard following its release.