A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage.
Cavendish is a town in Windsor County, Vermont, United States. The town was likely named after William Cavendish, 4th Duke of Devonshire. The population was 1,392 at the 2020 census. The town of Cavendish includes the unincorporated villages of Cavendish and Proctorsville.
Wallpaper is used in interior decoration to cover the interior walls of domestic and public buildings. It is usually sold in rolls and is applied onto a wall using wallpaper paste. Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets.
The Vermont State House, located in Montpelier, is the state capitol of the U.S. state of Vermont. It is the seat of the Vermont General Assembly. The current Greek Revival structure is the third building on the same site to be used as the State House. Designed by Thomas Silloway in 1857 and 1858, it was occupied in 1859.
Shelburne Museum is a museum of art, design, and Americana located in Shelburne, Vermont, United States. Over 150,000 works are exhibited in 39 exhibition buildings, 25 of which are historic and were relocated to the museum grounds. It is located on 45 acres (18 ha) near Lake Champlain.
Faux painting or faux finishing are terms used to describe decorative paint finishes that replicate the appearance of materials such as marble, wood or stone. The term comes from the French word faux, meaning false, as these techniques started as a form of replicating materials such as marble and wood with paint, but has subsequently come to encompass many other decorative finishes for walls and furniture including simulating recognisable textures and surfaces.
The Prentis House, built in 1773 in Hadley, Massachusetts, by the Dickinson family, is typical of the indigenous style of saltbox architecture that developed in New England during the Colonial period and remained in use, particularly in rural areas, through the American Revolution. The Prentis House was relocated to the Shelburne Museum in Shelburne, Vermont, and furnished with 17th and 18th century period furniture and decorative arts.
The Dorset House is an exhibit building at Shelburne Museum in Shelburne, Vermont, United States; it houses the museum's collection of 900 wildfowl decoys.
The Hat and Fragrance Textile Gallery is an exhibit space at Shelburne Museum in Shelburne, Vermont which houses quilts, hatboxes, and various other textiles. The name "Hat and Fragrance" refers both to Electra Havemeyer Webb's collection of hatboxes and to the fragrant, herbal sachets used to preserve textiles. In 1954, Shelburne Museum was the first museum to exhibit quilts as works of art; prior to this exhibition quilts were only shown as accessories in historic houses.
Stencil House, built in 1804 on one hundred-acre farm in Columbus, New York, was modeled after a Capen house, a small, side-gabled structure prevalent throughout the colonies in the 17th and 18th centuries. Named after Parson Joseph Capen of Topsfield, Massachusetts, who built one of the earliest such structures in 1692, Capen houses reflect the British influence on early Puritan architecture. The house is now an 18th-century period historic house museum located at the Shelburne Museum in Shelburne, Vermont.
The Charlotte Meeting House was built in 1840 by the Methodist congregation of Charlotte, Vermont. In 1952 it was moved to the Shelburne Museum in Shelburne, Vermont. It now serves as an exhibit building on the museum grounds.
The U.S. Customhouse is a historic custom house located in San Francisco, California. It was built to house offices of the United States Customs Service.
The Decorated Farmhouses of Hälsingland is a World Heritage Site inscribed on 1 July 2012 as Sweden's fifteenth entry on the list. Seven farmhouses erected in the 19th century were eventually selected to represent the most distinguished and well preserved examples of local architectural and decorative tradition.
Mural with Blue Brushstroke is a 1986 mural painting by Roy Lichtenstein that is located in the atrium of the Equitable Tower in New York City. The mural was the subject of the book Roy Lichtenstein: Mural With Blue Brushstroke. The mural includes highlights of Lichtenstein's earlier works.
Ann Agee is an American visual artist whose practice centers on ceramic figurines, objects and installations, hand-painted wallpaper drawings, and sprawling exhibitions that merge installation art, domestic environment and showroom. Her art celebrates everyday objects and experiences, decorative and utilitarian arts, and the dignity of work and craftsmanship, engaging issues involving gender, labor and fine art with a subversive, feminist stance. Agee's work fits within a multi-decade shift in American art in which ceramics and considerations of craft and domestic life rose from relegation to second-class status to recognition as "serious" art. She first received critical attention in the influential and divisive "Bad Girls" exhibition, curated by Marcia Tucker at the New Museum in 1994, where she installed a functional, handmade ceramic bathroom, rendered in the classic blue-and-white style of Delftware. Art in America critic Lilly Wei describes Agee's later work as "the mischievous, wonderfully misbegotten offspring of sculpture, painting, objet d'art, and kitschy souvenir."
EverGreene Architectural Arts (EverGreene) is the largest specialty contractor in the U.S., providing design, restoration, conservation, and adaptive reuse services to commercial, government, institutional, sacred, and theater clients. Established in 1978 by Jeff Greene, EverGreene has grown from a small mural painting studio to a company of artists, conservators, craftsmen, and designers that work throughout the United States and abroad.
The Proctor-Clement House is a historic house at 85 Field Avenue in Rutland, Vermont. It was built in 1867 for Redfield Proctor, a prominent local lawyer and businessman who came to own the Vermont Marble Company and served as Governor of Vermont. A fine example of Italianate architecture, it now houses the Antique Mansion Bed and Breakfast. It was listed on the National Register of Historic Places in 1982.
Grasse Mount is a campus building of the University of Vermont (UVM), which is located on 411 Main Street in Burlington, Vermont. Built in 1804 for Captain Thaddeus Tuttle (1758–1836), a local merchant, the building was designed by architect and surveyor John Johnson and constructed by carpenter Abram Stevens. By 1824, Tuttle had lost his fortune and sold the property to Vermont Governor Cornelius Van Ness. Named after French Admiral François Joseph Paul de Grasse "Grasse Mount" was added to the National Register of Historic Places on April 11, 1973.
Jonas Wallström, born Andersson was a Swedish decorative painter. He is known for the use of stencils to create elaborate patterns and for decorating the interiors of World Heritage Site Gästgivars in Vallsta, Hälsingland.
Decorative painting in the Hälsingland region of Sweden has been practiced as a folk art tradition since the 16th century. Employed as a means of interior decoration in Hälsingland farmhouses, the tradition has been practiced by mostly self-taught and now forgotten artists. Wall paintings were usually applied with distemper paint after covering the hard wooden surface with coarse linen. Decorative painting of furniture was also a ubiquitous manifestation of the art style. Religious themes were predominant until the 18th century, after which the selection of motifs became more diverse. The first reliable attributions of preserved interiors to named artists concern works from that time period. During the early 19th century, classically trained artists started participating in, and influencing, the style, while an influx of folk artists skilled in the Dalcarlian tradition made their mark in the region. The practice of decorating walls with the assistance of stencils was also introduced as a more economical alternative to fashionable, but still very expensive, printed wallpaper. By the end of the 19th century the folk art tradition had degenerated and went into decline.
