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The society is so small that the death of one member—a little boy named Joey—seems likely to determine for many generations to come whether the emerging society will or won't be literate...As Ish thinks of it, each new baby is a candle lit against the dark. [12]
If skills and customs don't work in the new situation, these die out, or those holding them do. Children adapt naturally to the new situation, and immediately useful customs and skills are more interesting to them than reading and writing. The information in libraries is useless within a generation.
One custom that Stewart predicts could die out is racism. When there are fewer partners to choose from, mankind will not be able to afford to be too choosy in picking one's partner.
Another issue he brings up is how law and order will function, when the lawmakers, courts and enforcers are all gone. Even laws won't be immune to the pressure to survive. One of the characters in the book point out, "What laws?" when they have to determine the fate of an outsider. Stewart shows how people may come to worry about potential harm rather than justice when dealing with outsiders.
A 1949 book review says that Earth Abides parallels two biblical stories that shows mankind spreading out and populating the world:
...the dual themes are as old as Genesis...Not a flood but a swift and deadly new disease wipes out all but a few of the human race. Ish (for "Isherwood") is the Noah of this "Great Disaster." As material civilization begins to crumble, Ish gradually devolves into a kind of Adam who, inevitably, finds his Eve, Em (For "Emma"), a level-headed lady with Negro blood, and nature takes its time-worn course. Em is hailed by Ish as "The Mother of Nations." [14]
According to one reviewer, there is another tale of the fall of civilization that George R. Stewart could have taken account of, the story of Ishi, believed, at the time Stewart was writing, to be the last of his tribe, who lived at Berkeley, where Stewart later taught. Ish is very similar to Ishi , and it also means "man", in the language of a man whose whole tribe was dead. Ishi's story parallels the Genesis and Earth Abides stories, telling of one who has to adapt to a changed world. [15]
Earth Abides belongs to the subgenre of apocalyptic science fiction featuring a universal plague that nearly wipes out humanity. Other examples include Mary Shelley's The Last Man (1826), Jack London's The Scarlet Plague (1912), Michael Crichton's The Andromeda Strain (1969), and Stephen King's The Stand (1978). [16]
Earth Abides also fits into the "post-apocalyptic" subgenre. It was published in 1949, four years after the end of World War II and in the earliest stages of the Cold War. It predates many similar novels including Alas, Babylon (1959), A Canticle for Leibowitz (1960), and The Last Ship [17] (1988). It is itself predated, however by The Machine Stops (1909) and René Barjavel's Ashes, Ashes (Ravage, 1943), among others.
As one reviewer notes, "there are no mutants, no warring tribes. I think the most refreshing aspect of this classic novel is just how human an approach Stewart applied to this story." [18]
According to WorldCat.org, there have been 28 editions of Earth Abides published in English. The book has been in print in every decade from 1949 to 2008.
James Sallis, writing in 2003 in the Boston Globe :
This is a book, mind you, that I'd place not only among the greatest science fiction but among our very best novels. Each time I read it, I'm profoundly affected, affected in a way only the greatest art — Ulysses, Matisse or Beethoven symphonies, say — affects me. Epic in sweep, centering on the person of Isherwood Williams, Earth Abides proves a kind of antihistory, relating the story of humankind backwards, from ever-more-abstract civilization to stone-age primitivism. [19]
Astounding reviewer P. Schuyler Miller identified the novel as one of the first regarding "a young and little understood science, the science of ecology." Miller praised Stewart for "the intricacy of detail with which he has worked out his problem in ecology" and for writing "quietly, with very few peaks of melodrama as seem necessary in much popular fiction." [20]
It was mentioned in a serious overview of modern science fiction, Contemporary Science Fiction by August Derleth, in the January 1952 edition of College English. Derleth called it an "excellent example" of the "utopian theme" of "rebuilding after a holocaust leaving but few survivors."
It was described as a persuasive answer to the question, "What is man," in the October, 1973 edition of Current Anthropology. The article "Anthropology and Science Fiction" [21] examines the nature of Science Fiction and its relationship to understanding people. The magazine concluded of Earth Abides that it shows ..."man is man, be he civilized or tribal. Stewart shows us that a tribal hunting culture is just as valid and real to its members as civilization is to us."
In the American Quarter article California's Literary Regionalism, Autumn 1955, George R. Stewart is seen as a "humanist in the old classical sense. His novels, Storm, Fire, East of the Giants, Earth Abides, demonstrate the complex interlocking of topography, climate, and human society; and their general tone is objective and optimistic."
In November 1950, the book was adapted for the CBS radio program Escape as a two-part drama starring John Dehner. [22] A television adaptation was released by Amazon MGM Studios in December 2024. [23]
The book makes a reference to Robinson Crusoe and The Swiss Family Robinson . Ish compares the situations within these books to what he is going through. He finds Robinson Crusoe less appealing, because "his religious preoccupations seemed boring and rather silly". [24] He looks at the ship in The Swiss Family Robinson as an "infinite grab-bag from which at any time they might take exactly what they wanted," [25] which is similar to the situation of those living after the Great Disaster.
Stewart also mentions Ecclesiastes 1:4 in the title and theme: "Men go and come, but Earth abides". [26]
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