Edith Recovering Harold's Body after the Battle of Hastings | |
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Artist | Horace Vernet |
Year | 1827 |
Type | Oil on canvas, history painting |
Dimensions | 370 cm× 430 cm(150 in× 170 in) |
Location | Musée Thomas-Henry, Cherbourg |
Edith Recovering Harold's Body after the Battle of Hastings is an 1827 history painting by the French artist Horace Vernet. [1] It depicts the aftermath of the Battle of Hastings in 1066 during the Norman Conquest of England. The English monarch Harold Godwinson was defeated and killed in the fighting. It shows a famous scene as Edith the Fair, accompanied by some monks, scoured the battlefield for the fallen Harold. He is discovered in a broken palisade, a sheet hiding the face which has been disfigured by an arrow. [2]
British historical themes were very fashionable in France during the Restoration era, particularly those of Walter Scott. Vernet produced several paintings including this one. [3]
It was one of several historical paintings Vernet exhibited at the Paris Salon of 1827. [4] In 1828 it was exhibited in London at William Armfield Hobday's gallery in Pall Mall. [5] Today it is in the collection of Musée Thomas-Henry in Cherbourg. [6]
Émile Jean-Horace Vernet more commonly known as simply Horace Vernet, was a French painter of battles, portraits, and Orientalist subjects.
The Barrière de Clichy. Defence of Paris, 30 March 1814 is an oil-on-canvas painting by Horace Vernet from 1820. It shows a battle against Russian cossacks at the barrière de Clichy, highlighting the soldiers present but not engaged in fighting. Vernet's participation in this battle marked his only experience in active combat, which influenced his choice of subject matter for the remainder of his career.
The Battle of Friedland is an 1835 history painting by the French artist Horace Vernet. It depicts the Battle of Friedland fought on 14 June 1807 in East Prussia during the Napoleonic Wars. The battle was a decisive victory for French forces over their Russian enemies. At the subsequent Treaty of Tilsit, Napoleon was able to dictate peace terms to his beaten opponents. It is also sometimes known as Napoleon at the Battle of Friedland.
Joseph Vernet Tied to a Mast During a Storm is an 1822 history painting by the French artist Horace Vernet. It depicts a famous, possibly apocryphal, incident from the life of the artist's grandfather the marine painter Joseph Vernet who lashed himself to the mast of a ship in order to witness the effects of a storm. He had received a commission from Louis XV to paint a series of pictures depicting the ports of France and after departing Italy had run into a violent storm. As a rising artist Horace Vernet promoted his connection with his celebrated grandfather but quickly developed a reputation as a prolific and versatile painter in his own right.
The Battle of Jemmapes is an 1821 history painting by the French artist Horace Vernet. It depicts the Battle of Jemmapes fought on 6 November 1792 near Jemappes in modern-day Belgium. Stylistically it is part of the developing romantic movement in art.
L'Atelier is an 1821 painting by the French artist Horace Vernet. It depicts the interior of his Studio located on the Rue des Martyrs in Paris. It depicts Vernet in his studio with art students. The artist is shown fencing in the middle of the canvas, with an épée in one hand and a Palette in the other. To emphasise his lineage as a painter Vernet included a bust of his grandfather Joseph and a painting of his father Carle's painting The Triumph of Aemilius Paullus.
The Battle of Valmy is an 1826 history painting by the French artist Horace Vernet. It depicts the Battle of Valmy, one of the earliest battles of the French Revolutionary Wars fought on 20 September 1792. The revolutionary French troops defeated an advance by a coalition of Foreign forces under the command of the Duke of Brunswick.
The Battle of Montmirail is an 1822 history painting by the French artist Horace Vernet. It depicts the 1814 Battle of Montmirail during the Napoleonic Wars. It was one of four battle scenes Vernet painted on a commission by the Duke of Orleans, a cousin of Louis XVIII and himself a future monarch of France. Vernet received a total of thirty eight thousand francs for the four works. It depicts the Battle Montmirail, one of the final victories of the French emperor Napoleon. Fought on 11 February 1814 during the Six Days' Campaign, Napoleon's success there ultimately didn't prevent the fall of Paris and his abdication two months later.
The Siege of Antwerp is an 1840 history painting by the French artist Horace Vernet. It depicts the 1832 Siege of Antwerp when the French Army of the North besieged and captured the Dutch-held Antwerp Citadel in Belgium. The concluding stage of the Belgian Revolution it was a major foreign policy boost for the new July Monarchy of Louis Philippe I. The painting shows Marshal Gérard order the assault on the Citadel. He is accompanied by the Duke of Orléans and the Duke of Nemours, the two eldest sons of the king. To the left a group of soldiers drink and warm themselves by a fire while to the right a cantinière treats wounded troops.
The Battle of Fontenoy is an 1828 history painting by the French artist Horace Vernet. It depicts the Battle of Fontenoy fought on the 11 May 1745 in modern-day Belgium. Part of the War of the Austrian Succession, Fontenoy was a notable French victory over Allied forces under the command of Duke of Cumberland.
Portrait of Louise Vernet is a c.1830 portrait painting by the French artist Horace Vernet depicting his daughter Louise Vernet. While Vernet was known for his battle and history paintings, he also produced a number of portraits during his career.
Napoleon's Tomb' is an 1821 oil painting by the French artist Horace Vernet. An allegory, it depicts the apotheosis of the former emperor of France Napoleon following his death in exile on the island of Saint Helena. Although in reality Napoleon was buried by a stream in the Valley of the Tomb on the island, Vernet depicts it as a dramatic promontory with the wreckage of nearby ship bearing the names of some of his most famous victories. To the left of the tomb generals Charles Tristan and Henri Gatien Bertrand and his family who had accompanied Napoleon into exile are mourning. To the right several of his dead former Marshals and troops are gathered to welcome him.
Portrait of Jérôme Bonaparte is an 1811 portrait painting by the French artist François Gérard depicting Jérôme Bonaparte, then the King of Westphalia. The younger brother of Napoleon, Emperor of France, he had been placed on the throne of the newly-created Kingdom in 1807 and held it until it was dissolved following the Battle of Leipzig in 1813. He is presented in coronation robes. The same year Gérard helped secure a commission for the young artist Horace Vernet to paint an equestrian portrait of Jérôme.
Portrait of Carle Vernet is an 1804 portrait painting by the French artist Robert Lefèvre depicting his fellow painter Carle Vernet.
Raphael at the Vatican is an 1832 history painting by the French artist Horace Vernet. It depicts an encounter in Rome between the Renaissance artists Raphael and Michelangelo. It was inspired by a passage in the biography of Raphael written by Quatremère de Quincy. Raphael is shown at a makeshift easel drawing a peasant woman with her child and surrounded by a crowd of attentive students while Michelangelo is shown in the bottom left corner. Above them are Pope Julius II and Leonardo da Vinci.
The Dog of the Regiment Wounded is a 1819 oil painting by the French artist Horace Vernet. It shows a battle scene from the Napoleonic Wars in which a dog, a regimental mascot, has been wounded in the fighting and is being treated by two French bandsman, a bugler of the voltigeurs and a drummer of the grenadiers.
The Battle of Bouvines is an 1827 history painting by the French artist Horace Vernet. It depicts Philip II of France shortly before the Battle of Bouvines in 1214. A victory for Philip, the subsequent Truce of Chinon ended the Anglo-French War.
Louis-Philippe and His Sons Riding Out from Versailles is an 1846 oil-on-canvas painting by the French artist Horace Vernet. It features a group portrait of Louis Philippe I and his sons riding out from the Palace of Versailles. Versailles, once the residence of the House of Bourbon during the Ancien régime before the French Revolution, had been abandoned for several decades. During the July Monarchy Louis Philippe oversaw its restoration as a national museum. Vernet's painting commemorates its inauguration on 10 June 1837. The king rides out through the gates accompanied by his five sons the Duke of Orléans, the Duke of Nemours, the Prince of Joinville, the Duke of Aumale and the Duke of Montpensier. Orléans, the king's eldest son and heir, had subsequently died in a carriage accident in 1842.
Portrait of Marshal Saint-Cyr is an 1821 portrait painting by the French artist Horace Vernet. It depicts Laurent de Gouvion Saint-Cyr, a former Marshal of the Empire under Napoleon. In 1817 he was appointed as Minister of War during the post-war Restoration era.
The Death of Prince Poniatowski is an 1816 history painting by the French artist Horace Vernet. It depicts the death of the Polish general Józef Poniatowski at the Battle of Leipzig in October 1813. Recently promoted to the rank of Marshal of the Empire by Napoleon, Poniatowski was ordered to defend the city of Leipzig during the battle. He drowned in the River Elster after covering the chaotic attempt to break out following Napoleon's defeat.