Related Research Articles
Don Quixote is a Spanish epic novel by Miguel de Cervantes. It was originally published in two parts, in 1605 and 1615. Considered a founding work of Western literature, it is often labelled as the first modern novel and one of the greatest works ever written. Don Quixote is also one of the most-translated books in the world and one of the best-selling novels of all time.
Miguel de Cervantes Saavedra was an Early Modern Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel Don Quixote, a work often cited as both the first modern novel and "the first great novel of world literature". A 2002 poll of around 100 well-known authors voted it the "most meaningful book of all time", from among the "best and most central works in world literature".
The picaresque novel is a genre of prose fiction. It depicts the adventures of a roguish but "appealing hero", usually of low social class, who lives by his wits in a corrupt society. Picaresque novels typically adopt a realistic style. There are often some elements of comedy and satire. While the term "picaresque novel" was only coined in 1810, the picaresque novel originated in Imperial Rome during the 1st-2nd century CE, in particular with works such as the Satyricon of Petronius and later, and more particularly with authors such as Apuleius in Roman Numidia. It would see a revival in Spain during the Spanish Golden Age in 1554. Early Spanish contributors included Mateo Alemán and Francisco de Quevedo, who were influenced in particular by Apuleius' 2nd century work. Other notable ancient influences of the modern picaresque genre include Roman playwrights such as Plautus and Terence. The Golden Ass of Apuleius nevertheless remains, according to many scholars such as F. W. Chandler, A. Marasso, T. Somerville and T. Bodenmüller, the primary influence for the modern Picaresque genre. Subsequently, after the revival in Spain, the genre flourished throughout Europe for more than 200 years for the first time since the Roman period. It continues to influence modern literature.
Miguel de Unamuno y Jugo was a Spanish essayist, novelist, poet, playwright, philosopher, professor of Greek and Classics, and later rector at the University of Salamanca.
Juan Ruiz de Alarcón was a New Spain-born Spanish writer of the Golden Age who cultivated different variants of dramaturgy. His works include the comedy La verdad sospechosa, which is considered a masterpiece of Latin American Baroque theater.
Jane Elizabeth Lathrop Stanford was an American philanthropist and co-founder of Stanford University in 1885, along with her husband, Leland Stanford, in memory of their only child, Leland Stanford Jr., who died of typhoid fever at age 15 in 1884. After her husband's death in 1893, she funded and operated the university almost single-handedly until her unsolved murder by strychnine poisoning in 1905.
Félix Lope de Vega y Carpio was a Spanish playwright, poet, and novelist. He was one of the key figures in the Spanish Golden Age of Baroque literature. His reputation in the world of Spanish literature is second only to that of Miguel de Cervantes, while the sheer volume of his literary output is unequalled, making him one of the most prolific authors in the history of literature. He was nicknamed "The Phoenix of Wits" and "Monster of Nature" by Cervantes because of his prolific nature.
Garcilaso de la Vega, KOS was a Spanish soldier and poet. Although not the first or the only one to do so, he was the most influential poet to introduce Italian Renaissance verse forms, poetic techniques, and themes to Spain. He was well known in poetic circles during his lifetime, and his poetry has continued to be popular without interruption until the present. His poetry was published posthumously by Juan Boscán in 1543, and it has been the subject of several annotated editions, the first and most famous of which appeared in 1574.
La Galatea was Miguel de Cervantes’ first book, published in 1585. Under the guise of pastoral characters, it is an examination of love and contains many allusions to contemporary literary figures. It enjoyed modest success, but was not soon reprinted; its promised sequel was never published.
Tomás Carrasquilla Naranjo (1858 – 1940) was a Colombian writer who lived in the Antioquia region. He dedicated himself to very simple jobs: tailor, secretary of a judge, storekeeper in a mine, and worker at the Ministry of Public Works. He was an avid reader, and one of the most original Colombian literary writers, greatly influencing the younger generation of his time and later generations. Carrasquilla was little known in his time, according to Federico de Onís, a scholar of Carrasquilla's works. It was only after 1936, when he was already 78 years old, when he was awarded with the National Prize of Literature, that Carrasquilla got a national recognition. Tomás Carrasquilla Library Park is named in his honor.
Cide Hamete Benengeli is a fictional Arab Muslim historian created by Miguel de Cervantes in his novel Don Quixote, who Cervantes says is the true author of most of the work. This is a skillful metafictional literary pirouette that seems to give more credibility to the text, making the reader believe that Don Quixote was a real person and the story is decades old. However, it is obvious to the reader that such a thing is impossible, and that the pretense of Cide Hamete's work is meant as a joke.
Antonio Ponce de Santa Cruz (1561–1632) was the court physician in the royal courts of Philip III and Philip IV.
"The Circular Ruins" is a short story by Argentine author Jorge Luis Borges. First published in the literary journal Sur in December 1940, it was included in the 1941 collection The Garden of Forking Paths and the 1944 collection Ficciones. It was first published in English in View, translated by Paul Bowles. Since publication, it has become one of Borges' best-known stories.
Viaje del Parnaso is a poetic work by Miguel de Cervantes. It was first published in 1614, two years before the author's death.
Glass delusion is an external manifestation of a psychiatric disorder recorded in Europe mainly in the late Middle Ages and early modern period. People feared that they were made of glass "and therefore likely to shatter into pieces".
Novelas ejemplares is a series of twelve novellas that follow the model established in Italy. The series was written by Miguel de Cervantes between 1590 and 1612 and printed in Madrid in 1613 by Juan de la Cuesta. Novelas ejemplares followed the publication of the first part of Don Quixote. The novelas were well received.
"Rinconete y Cortadillo" is one of the twelve short stories included in Novelas Ejemplares, by Spanish writer Miguel de Cervantes. It describes the comical adventures of two petty criminals as they travel to Seville and are then taken in by the city's thieves' guild. Seville at the time was a rich city with marked social contrasts, being the entrepôt of Spain and the new world of the Americas.
"La cueva de Salamanca" is an entremés written by Miguel de Cervantes. It was originally published in 1615 in a collection called Ocho comedias y ocho entremeses nuevos, nunca representados.
La gitanilla is the first novella contained in Miguel de Cervantes' collection of short stories, the Novelas ejemplares.
"The Dialogue of the Dogs" is a short story originating from the fantasy world of Alférez Campuzano, a character from another short story, The Deceitful Marriage. Both are written by author Miguel de Cervantes. It was originally published in a 1613 collection of novellas called Novelas ejemplares.
References
- 1 2 3 4 de Cervantes, Miguel (1998). Exemplary Stories. Translated by Lipson, Lesley. Oxford. pp. xxi–xxii. ISBN 978-0-19-955500-0.
- 1 2 3 4 5 Gill Speak. "'El Licenciado Vidriera' and the Glass Men of Early Modern Europe." The Modern Language Review, vol. 85, no. 4, 1990, pp. 850–65. JSTOR. Accessed 24 July 2023.
- 1 2 3 4 5 6 7 Gwynne Edwards. "Cervantes’s 'El Licenciado Vidriera': Meaning and Structure." The Modern Language Review, vol. 68, no. 3, 1973, pp. 559–68. JSTOR. Accessed 24 July 2023.
- 1 2 3 Messick, Alan R. "Tomás Rodaja: A Clinical Case?" Romance Notes, vol. 11, no. 3, 1970, pp. 623–28. JSTOR. Accessed 24 July 2023.
- ↑ "Licenciado, -a". Real Academia Española . Archived from the original on 7 February 2008. Retrieved 13 September 2019.
- 1 2 Glannon, Walter. "The Psychology of Knowledge in 'El Licenciado Vidriera.'" Revista Hispánica Moderna, vol. 40, no. 3/4, 1978, pp. 86–96. JSTOR. Accessed 24 July 2023.
