Antipop is the sixth studio album by American rock band Primus. It was released on October 19, 1999, through Prawn Song Records and Interscope Records. Produced by the band, Tom Morello, Stewart Copeland, Tom Waits, Matt Stone, and Fred Durst, it was the final release by the band before their hiatus from 2000 to 2003. It was also the last album with drummer Brain. The album received mostly positive reviews from critics.
The Beacon Street Collection is the second studio album by American rock band No Doubt. It was released independently on March 25, 1995, through the band's label Beacon Street Records. Produced by the band and recorded in a homemade studio in the garage of their house on Beacon Avenue in Anaheim, California, from which the album takes its name, The Beacon Street Collection was released during a period when the band was receiving little attention from their label Interscope Records, and were not getting a chance to record a second album, as the label was disillusioned with them after the commercial failure of their 1992 eponymous debut. No Doubt had written large numbers of songs and knew that they would not make it onto any Interscope album, so they built their own studio and recorded the album there. Two singles were released: "Squeal" and "Doghouse".
10cc are a British rock band formed in Stockport in 1972. The group initially consisted of four musicians – Graham Gouldman, Eric Stewart, Kevin Godley and Lol Creme – who had written and recorded together since 1968. The group featured two songwriting teams. Many regard Stewart and Gouldman as the predominant pop songwriters, and Godley and Creme as the more experimental half of 10cc. Some have described Godley and Creme’s songwriting as featuring art and cinematically inspired writing.
Unwritten Law is an American punk rock band formed in 1990 in Poway, California by drummer Wade Youman. The band has undergone multiple line-up changes, with Youman the sole remaining original member – however, he has left the group twice in its three-decade history. They are best known for their singles "Seein' Red" and "Save Me ," both of which peaked in the top 5 in the US Modern Rock charts and the former topping it. The band have also toured extensively both nationally and internationally, most notably as part of the Warped Tour. The band has released seven full-length studio albums to date; their most recent, The Hum, was released in 2022.
Unwritten Law is the third album by the San Diego-based punk rock band Unwritten Law, released in 1998 by Interscope Records. It was their first album to chart, reaching No. 16 on Billboard's Top Heatseekers chart. Music videos were filmed for the songs "Teenage Suicide", "California Sky", "Holiday", "Cailin", and "Lonesome". "Cailin" and "Lonesome" were released as singles, the former being Unwritten Law's first song to chart, reaching No. 28 on the Modern Rock Tracks chart.
Here's to the Mourning is the fifth studio album by American rock band Unwritten Law, released in 2005 by Lava Records. Much of the lyrics on the album were co-written by singer/songwriter Aimee Allen. She and singer Scott Russo soon began a romantic relationship and formed the side project Scott & Aimee. Allen and Linda Perry contributed to the writing of the album's lead single "Save Me ," which reached #5 on US modern rock charts. Overall the album reached #51 on the Billboard 200, becoming the highest-ranking album of the band's career. Songs featured in racing games include “Celebration Song”, which is featured on MX vs. ATV Unleashed and Need for Speed: Underground 2. and "F.I.G.H.T" which is featured on Burnout Revenge and Midnight Club 3: Dub Edition.
Three Dollar Bill, Y'all is the debut studio album by American nu metal band Limp Bizkit, released on July 1, 1997, through Flip and Interscope Records. It established the band's trademark sound with the singles "Counterfeit", which was influenced by hip hop and heavy metal, and "Faith", a cover of the 1987 song of the same name by George Michael. Limp Bizkit's rearrangement of the song incorporated scratching by DJ Lethal and heavier guitar playing by Wes Borland.
Robbin' the Hood is the second studio album by American ska punk band Sublime, released on March 1, 1994, on Skunk Records. It is noted for its experimental nature, low production values, and numerous samples and interpolations of other artists. It is their final studio album released in lead singer Bradley Nowell's lifetime.
In Search of the Lost Chord is the third album by the Moody Blues, released in July 1968 on the Deram label.
Pummel is the sixth studio album by the American punk rock band All, released April 4, 1995, through Interscope Records. It was the band's only album released through a major record label, and the first album recorded at The Blasting Room, a recording studio in Fort Collins, Colorado, built by the band members and financed with money acquired from their recording contract with Interscope.
Nobody's Fools is the sixth studio album by the British rock group Slade. It was released in March 1976 and reached No. 14 in the UK. The album was produced by Chas Chandler.
20th Century Masters – The Millennium Collection: The Best of Unwritten Law is a compilation album by the San Diego-based rock band Unwritten Law, released in 2006 by Interscope Records. It combines tracks from their two Interscope albums Unwritten Law and Elva. It was released without the knowledge or consent of the band, who had left the Interscope label in 2003. At the time of its release, the band was preparing their own "greatest hits" album, The Hit List, which was released in January 2007 and included songs spanning their entire career rather than just these two albums.
"Seein' Red" is a song by the San Diego-based rock band Unwritten Law, released as the second single from the band's 2002 album, Elva. It was written by singer Scott Russo and produced by Michael "Miguel" Happoldt. It became the highest-charting single of the band's career, holding the number one spot on Billboard's Modern Rock Tracks chart for four weeks between May and June 2002.
Daisy is the fourth studio album by American rock band Brand New, released September 22, 2009 on Interscope. Daisy was co-produced by both the band and their longtime producer Mike Sapone. Brand New recorded the album in Sapone's studio in Bethpage, New York between 2008 and 2009. The band looked to channel their live performances, as well as the noise of bands such as Fugazi, Polvo, Sonic Youth, My Bloody Valentine and The Jesus Lizard, in order to produce the raw and often chaotic sound of the album.
American rock band Unwritten Law has released seven studio albums, two live albums, two EPs, two video albums, eleven singles, one demo, and thirteen music videos.
"Up All Night" is a song by the San Diego-based rock band Unwritten Law, released as the first single from the band's 2002 album Elva. It was written by singer Scott Russo and produced by Michael "Miguel" Happoldt. It was their second song to chart, reaching number 14 on Billboard's Modern Rock Tracks chart.
"Rest of My Life" is a song by the San Diego-based rock band Unwritten Law. It originally appeared on their 2001 album Elva, but this version was not released as a single and did not chart. An alternate recording from their 2003 live acoustic album Music in High Places did chart, reaching #16 on Billboard's Modern Rock Tracks chart.
If Not Now, When? is the seventh studio album by American rock band Incubus, released on July 12, 2011 and named after the novel by Primo Levi. Preceded by the singles "Adolescents" and "Promises, Promises", the album represented the band's longest gap between studio albums at the time, and their final full-length release through long-time label Epic Records. Described by guitarist Michael Einziger as "a very straightforward, concise album," If Not Now, When? was recorded in the wake of an extended hiatus, and produced by frequent collaborator Brendan O'Brien. The album's cover features high wire artist Philippe Petit.
Marshall Goodman, known professionally as Ras MG is an American musician, songwriter and producer.
Doomsday Ballet is the third studio album by Australian band Bad Dreems. Released in October 2019, it peaked at number 38 on the Australian ARIA Albums Chart, their third consecutive album to reach the top 40.
