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Empty Rooms | ||||
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Studio album by | ||||
Released | March 1970 | |||
Studio | De Lane Lea Studios, London; Advision Studios, London; Broadway Recording Studios, New York; Larrabee Sound Studios, Hollywood | |||
Genre | Blues | |||
Length | 46:29 | |||
Label | Polydor | |||
Producer | John Mayall | |||
John Mayall chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Empty Rooms is a studio album by English blues musician John Mayall, released in March 1970 on Polydor. It is a follow-up to the live album The Turning Point , released earlier in the year with the same musicians: Jon Mark on acoustic guitar, Johnny Almond on saxophones and flute, and Stephen Thompson on bass. John Mayall sings, plays harmonica, guitars and keyboards (including a Moog synthesizer). Former Canned Heat bassist Larry Taylor guests as second bass player on one track, "To a Princess," improvising with Thompson on an unusual bass duet. The absence of a drummer leaves the rhythm rather fluid and the resulting sound is unusual, even for a John Mayall album. The songs, all written by Mayall, mostly addressed his romance with photographer Nancy Throckmorton, a theme he would pursue further on USA Union . The album is dedicated to her.
Empty Rooms was the only known set of studio recordings by the Turning Point lineup, which broke up shortly after the album was recorded. Larry Taylor, however, would join Mayall as one of three American musicians (electric guitarist Harvey Mandel, also a former member of Canned Heat; and, electric violinist Sugarcane Harris would complete the new lineup) to join him for USA Union .
All songs written by John Mayall, except where indicated.
Chart (1970) | Peak position |
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Australia (Kent Music Report) [2] | 6 |
United Kingdom (Official Charts Company) | 9 |
Jon Mark and Johnny Almond would leave the group just after the recording of this album, to form the duo Mark-Almond.
John Mayall & the Bluesbreakers are an English blues rock band led by singer, songwriter, and multi-instrumentalist John Mayall. The band has been influential as an incubator for British rock and blues musicians. Many of the best known bands to come out of Britain in the 1960s and 1970s had members that came through the Bluesbreakers at one time, forming the foundation of British blues music that is still played heavily on classic rock radio. Among those with a tenure in the Bluesbreakers are Eric Clapton and Jack Bruce, Peter Green, Mick Fleetwood, and John McVie, Mick Taylor, Aynsley Dunbar, Jon Hiseman, Dick Heckstall-Smith and Tony Reeves, and numerous others.
John Mayall, OBE is an English blues singer, musician and songwriter, whose musical career spans over sixty years. In the 1960s, he was the founder of John Mayall & the Bluesbreakers, a band that has counted among its members some of the most famous blues and blues rock musicians.
Canned Heat is an American blues and rock band that was formed in Los Angeles in 1965. The group has been noted for its efforts to promote interest in blues music and its original artists. It was launched by two blues enthusiasts Alan Wilson and Bob Hite, who took the name from Tommy Johnson's 1928 "Canned Heat Blues", a song about an alcoholic who had desperately turned to drinking Sterno, generically called "canned heat". After appearances at the Monterey and Woodstock festivals at the end of the 1960s, the band acquired worldwide fame with a lineup of Hite (vocals), Wilson, Henry Vestine and later Harvey Mandel, Larry Taylor (bass), and Adolfo de la Parra (drums).
Crusade is the fourth album and third studio album by the British blues rock band John Mayall & the Bluesbreakers, released on 1 September 1967 on Decca Records. It was the follow-up to A Hard Road, also released in 1967. As with their two previous albums, Crusade was produced by Mike Vernon. The album was the first recordings of the then-18-year-old guitarist Mick Taylor.
Living the Blues is the third album by Canned Heat, a double album released in late 1968. It was one of the first double albums to place well on album charts. It features Canned Heat's signature song, "Going Up the Country", which would later be used in the Woodstock film. John Mayall appears on piano on "Walking by Myself" and "Bear Wires". Dr. John appears on "Boogie Music". The 20-minute trippy suite "Parthenogenesis" is dwarfed by the album-length "Refried Boogie", recorded live.
Mark–Almond was a jazz-influenced English pop group of the 1970s and early 1980s, sometimes also called The Mark-Almond Band. The core members were Jon Mark, who sang lead and played guitar, percussion, and harmonica and Johnny Almond who played saxophone, flute and bass flute and sang back-up. Various other musicians recorded and toured with the duo at various times, notably including drummer Dannie Richmond, a long-time associate of jazz bassist Charles Mingus.
The Turning Point is a live album by John Mayall, featuring British blues music recorded at a concert at Bill Graham's Fillmore East on 12 July 1969.
USA Union is a 1970 album by blues musician John Mayall, featuring Harvey Mandel on guitar, Larry Taylor on bass and Don "Sugarcane" Harris on violin. The album was recorded on July 27 & 28th, 1970 at Larrabee Studios in LA and released by Polydor later in the same year John Mayall - Discography.
When It All Goes South is the nineteenth studio album by American country music band Alabama, released in 2001. It produced the singles "When It All Goes South", "Will You Marry Me" and "The Woman He Loves". This became Alabama's final studio album of original materials until 2015's Southern Drawl. It ranked at No. 37 in Billboard Album Charts and No. 4 on Country Album Chart.
Back to the Roots is a 1971 double album by John Mayall released on Polydor. Recording sessions took place both in California and London where Mayall invited some former members of his band, notably guitarists Eric Clapton and Mick Taylor. At the end of the 1980s Mayall remixed some tracks and issued them along with some of the older material as Archives to Eighties. An expanded two-CD version of Back to the Roots now includes both the original and later remixed versions of the tracks.
Bottom Line is an album by British bluesman John Mayall with various musicians. It is the only Mayall album that has never been released on CD.
For the American band see Matthew Melton
Johnny Almond was a British saxophonist, who is best known for his recordings with the Alan Price Set, Fleetwood Mac, John Mayall and Mark-Almond.
Looking Back is the seventh album released by John Mayall in August 1969 by Decca Records. The album features songs by both John Mayall's Bluesbreakers and John Mayall solo work. The album reached No. 79 on the Billboard 200. Confusingly, there are two different albums with the title "Looking Back": a Decca UK release as a single album and a Decca Germany release as a double album. Later issues on CD would use the Deram label.
Non-Stop is the second album by the Brooklyn, New York band B. T. Express. Released in July 1975, the album reached number one on the Billboard R&B albums chart in the US.
Jon Mark was an English singer-songwriter and guitarist, best known for his recordings with Marianne Faithfull, Sweet Thursday, John Mayall and Mark-Almond. Mark, who received a Grammy in 2004, lived in Rotorua, New Zealand.
Howdy Moon was the sole album by the band Howdy Moon, released in 1974. The band included Valerie Carter, Richard Hovey and Jon Lind. The trio of friends moved to Los Angeles where they were signed by A&M Records and played at The Troubadour. Many of the musicians from the band Little Feat are featured on the album.
Primal Scream is the eighth jazz album by Canadian trumpeter Maynard Ferguson on Columbia Records. Primal Scream marks the beginning of the second phase of Ferguson's career with Columbia, where his live big band sound is set aside in favor of lavish studio productions. The album credits reveal an all-star ensemble made up of New York's finest musicians, along with backing vocalists and strings were recruited for this release.
Élan is the third album by Firefall, released in 1978. It featured the single "Strange Way" which reached #11 on the Billboard Hot 100 and #24 on the Adult Contemporary chart.