John Mayall discography | |
---|---|
![]() Mayall performing in 1970 | |
Studio albums | 36 |
EPs | 4 |
Live albums | 34 |
Compilation albums | 24 |
Singles | 44 |
Video albums | 4 |
The discography of English blues rock musician John Mayall, including the band John Mayall & the Bluesbreakers, consists of 35 studio albums, 34 live albums, 24 compilation albums, four extended plays (EPs), 44 singles and four video albums. Mayall's 38th studio album was released in 2022.
Mayall began his recording career in 1963 with the formation of John Mayall & the Bluesbreakers. After several early lineup changes and live debut John Mayall Plays John Mayall , the band released their self-titled debut studio album Blues Breakers with Eric Clapton in 1966, which featured guitarist Eric Clapton, bassist John McVie and drummer Hughie Flint. [1] The album reached number 6 on the UK Albums Chart and was certified gold by the British Phonographic Industry. [2] [3] With new guitarist Peter Green and drummer Aynsley Dunbar, A Hard Road followed in 1967. [4] It reached the UK Albums Chart top ten. [2] Crusade , featuring Mick Taylor on guitar and Keef Hartley on drums, [5] was released later in the year and peaked at number 8. [2] It was also the group's first release to chart in the US, reaching number 136 on the Billboard 200. [6]
Mayall's third release of 1967 was his debut solo studio album, The Blues Alone , [7] which managed only to reach number 24 in the UK and number 128 in the US. [2] [6] The band's second and third live albums, The Diary of a Band, followed in January 1968 (by which time McVie had left), [8] [9] both of which reached the UK top 30 and the US top 100. [2] [6] A fourth studio album, Bare Wires , was the band's most successful to date, peaking at number 3 on the UK Albums Chart and number 59 on the US Billboard 200. [2] [6] Shortly after the album's release, however, the Bluesbreakers fell apart as several members left, and the group was disbanded. [10] [11] Relocating to the US with Taylor, Mayall released Blues from Laurel Canyon later in 1968, [12] which reached number 33 on the UK Albums Chart and number 68 on the US Billboard 200. [2] [6]
Taylor left Mayall in June 1969 to join The Rolling Stones. [13] The frontman replaced him with Jon Mark and released the live album The Turning Point later in the year, [14] which was his first release to reach the US top 40 when it peaked at number 32. [6] It was also certified gold by the Recording Industry Association of America. [15] Compilation Looking Back was released around the same time, reaching number 14 in the UK and number 79 in the US. [2] [6] Empty Rooms followed in 1970, [16] which saw Mayall return to the UK top ten. [2] USA Union was released in the summer, featuring former Canned Heat members Harvey Mandel on guitar and Larry Taylor on bass, [17] which reached a career record number 22 on the US Billboard 200. [6] 1971's Back to the Roots peaked at number 31 in the UK and number 52 in the US. [2] [6]
Mayall continued to restructure his band and release new studio and live material throughout the 1970s and 1980s, with limited commercial success. In 1982 he returned to using the Bluesbreakers moniker, [18] and in 1993 he registered on the UK Albums Chart for the first time in more than 20 years when Wake Up Call reached number 61. [2] Since 2009, Mayall has been recording and touring under his own name, after retiring the Bluesbreaker name in late 2008. [19]
Title | Album details | Peak chart positions | Certifications | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
UK [2] | AUS [20] | BEL Fla. [21] | BEL Wal. [22] | CAN [23] | FRA [24] | GER [25] | NED [26] | NOR [27] | SWI [28] | US [6] | |||
Blues Breakers with Eric Clapton (with the Bluesbreakers) |
| 6 | — | — | — | — | — | — | — | — | — | — | |
A Hard Road (with the Bluesbreakers) |
| 10 | — | — | — | — | — | — | — | — | — | — | |
Crusade (with the Bluesbreakers) |
| 8 | — | — | — | — | — | — | — | 20 | — | 136 | |
The Blues Alone |
| 24 | — | — | — | — | — | — | — | — | — | 128 | |
Bare Wires (with the Bluesbreakers) |
| 3 | — | — | — | — | — | — | — | 9 | — | 59 | |
Blues from Laurel Canyon |
| 33 | — | — | — | 38 | — | 33 | — | — | — | 68 | |
Empty Rooms |
| 9 | 6 | — | — | 18 | — | 21 | — | 10 | — | 33 | |
USA Union | 50 | — | — | — | 18 | — | — | — | 20 | — | 22 | ||
Back to the Roots |
| 31 | 44 | — | — | 40 | — | — | — | — | — | 52 | |
Memories |
| — | — | — | — | — | — | — | — | — | — | 179 | |
Ten Years Are Gone |
| — | — | — | — | — | — | — | — | — | — | 157 | |
The Latest Edition |
| — | — | — | — | — | — | — | — | — | — | — | |
New Year, New Band, New Company |
| — | 87 | — | — | — | — | — | — | — | — | 140 | |
Notice to Appear |
| — | — | — | — | — | — | — | — | — | — | — | |
A Banquet in Blues |
| — | — | — | — | — | — | — | — | — | — | — | |
A Hard Core Package |
| — | — | — | — | — | — | — | — | — | — | — | |
Bottom Line |
| — | — | — | — | — | — | — | — | — | — | — | |
No More Interviews |
| — | — | — | — | — | — | — | — | — | — | — | |
Road Show Blues |
| — | — | — | — | — | — | — | — | — | — | — | |
Return of the Bluesbreakers (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | — | |
Chicago Line (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | — | |
A Sense of Place (with the Bluesbreakers) |
| — | — | — | — | — | — | — | 54 | — | — | 170 | |
Cross Country Blues (with the Bluesbreakers) |
| — | — | — | — | — | — | — | 54 | — | — | 170 | |
Wake Up Call (with the Bluesbreakers) |
| 61 | — | — | — | — | — | — | 73 | — | — | — | |
Spinning Coin (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | — | |
Blues for the Lost Days (with the Bluesbreakers) |
| 185 | — | — | — | — | — | — | — | — | — | — | |
Padlock on the Blues (with the Bluesbreakers and John Lee Hooker) |
| — | — | — | — | — | — | — | — | — | — | — | |
Along for the Ride (John Mayall & Friends) |
| 143 | — | — | — | — | — | 88 | — | — | 90 | — | |
Stories (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | — | |
Road Dogs (with the Bluesbreakers) |
| — | — | — | — | 187 | — | — | — | — | — | — | |
In the Palace of the King (with the Bluesbreakers) |
| — | — | — | — | — | 168 | — | — | — | — | — | |
Tough |
| — | — | — | — | — | 140 | — | — | — | — | — | |
A Special Life |
| — | — | 185 | — | — | — | — | — | — | — | — | |
Find a Way to Care |
| — | — | 82 | 125 | — | — | — | 41 | — | 86 | — | |
Talk About That |
| — | — | 74 | 166 | — | — | — | — | — | 84 | — | |
Nobody Told Me |
| — | — | 69 | 76 | — | 195 | 28 | 88 | — | 16 | — | |
The Sun Is Shining Down |
| — | — | — | 159 | — | — | 84 | — | — | 28 | — | |
"—" denotes a release that did not chart or was not issued in that region. |
Title | Album details | Peak chart positions | Certifications | |||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
UK [2] | AUS [20] | UK Amer. [29] | UK Blues [30] | UK Indie [31] | CAN [32] | GER [25] | NOR [27] | US [6] | US Blues [33] | |||
John Mayall Plays John Mayall (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | |
The Diary of a Band, Vol. 1 |
| 27 | — | — | — | — | — | — | — | 93 | — | |
The Diary of a Band, Vol. 2 |
| 28 | — | — | — | — | — | — | — | — | ||
The Turning Point |
| 11 | — | — | — | — | 48 | 18 | 17 | 32 | — | |
Live in Europe |
| — | — | — | — | — | — | — | — | 146 | — | |
Jazz Blues Fusion |
| — | 39 | — | — | — | — | — | — | 64 | — | |
Moving On |
| — | — | — | — | — | — | — | — | 116 | — | |
Lots of People |
| — | — | — | — | — | — | — | — | — | — | |
Primal Solos |
| — | — | — | — | — | — | — | — | — | — | |
The Last of the British Blues |
| — | — | — | — | — | — | — | — | — | — | |
Behind the Iron Curtain (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | |
The Power of the Blues (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | |
The 1982 Reunion Concert (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | |
Rock the Blues Tonight |
| — | — | — | — | — | — | — | — | — | — | |
Live at the Marquee 1969 |
| — | — | — | — | — | — | — | — | — | — | |
Time Capsule |
| — | — | — | — | — | — | — | — | — | — | |
UK Tour 2K |
| — | — | — | — | — | — | — | — | — | — | |
Boogie Woogie Man |
| — | — | — | — | — | — | — | — | — | — | |
Rolling with the Blues |
| — | — | — | — | — | — | — | — | — | — | |
No Days Off (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | |
70th Birthday Concert (with the Bluesbreakers and Friends (Eric Clapton, Mick Taylor, Chris Barber)) |
| — | — | — | — | — | — | — | — | — | 8 | |
Live: 1969 |
| — | — | — | — | — | — | 34 | — | — | — | |
Live from Austin, TX (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | |
In the Shadow of Legends (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | — | |
Live in London |
| — | — | — | — | — | — | — | — | — | — | |
Historic Live Shows, Vol. 1 |
| — | — | — | — | — | — | — | — | — | — | |
Historic Live Shows, Vol. 2 |
| — | — | — | — | — | — | — | — | — | — | |
Historic Live Shows, Vol. 3 |
| — | — | — | — | — | — | — | — | — | — | |
Blues Alive NYC 1976 |
| — | — | — | — | — | — | — | — | — | — | |
Live in 1967 (with the Bluesbreakers) |
| — | — | — | — | 32 | — | — | — | — | 4 | |
Live in 1967, Vol. 2 (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | 7 | |
Three for the Road |
| — | — | 24 | 4 | — | — | — | — | — | 8 | |
Live in 1967, Vol. 3 (with the Bluesbreakers) |
| — | — | — | — | — | — | — | — | — | 7 | |
"—" denotes a release that did not chart or was not issued in that region. |
Title | Album details | Peak chart positions | |||||
---|---|---|---|---|---|---|---|
UK [2] | UK Blues [34] | GER [25] | NOR [27] | US [6] | US Blues [33] | ||
Looking Back |
| 14 | — | 12 | 13 | 79 | — |
The World of John Mayall, Vol. 1 |
| — | — | — | — | — | — |
The World of John Mayall, Vol. 2 |
| — | — | — | — | — | — |
Thru the Years |
| — | — | — | — | 164 | — |
Beyond the Turning Point |
| — | — | — | — | — | — |
Down the Line |
| — | — | — | — | 158 | — |
The Best of John Mayall |
| — | — | — | — | — | — |
So Many Roads |
| — | — | — | — | — | — |
Blues Roots |
| — | — | — | — | — | — |
The John Mayall Story, Vol. 1 |
| — | — | — | — | — | — |
The John Mayall Story, Vol. 2 |
| — | — | — | — | — | — |
The Collection |
| — | — | — | — | — | — |
Archives to Eighties (featuring Eric Clapton and Mick Taylor) |
| — | — | — | — | — | — |
1966–1972 |
| — | — | — | — | — | — |
London Blues: 1964–1969 | — | — | — | — | — | — | |
Room to Move: 1969–1974 |
| — | — | — | — | — | — |
Stormy Monday |
| — | — | — | — | — | — |
As It All Began: 1964–69 (with the Bluesbreakers) |
| — | 12 | — | — | — | — |
Drivin' On: The ABC Years (1975–1982) |
| — | — | — | — | — | — |
Silver Tones: The Best of John Mayall & the Bluesbreakers (with the Bluesbreakers) |
| — | — | — | — | — | — |
The Masters: Soundtrack to the Film Turning Point |
| — | — | — | — | — | — |
Steppin' Out: An Introduction to John Mayall |
| — | — | — | — | — | — |
Rockin' the Roadshow |
| — | — | — | — | — | — |
Essentially John Mayall |
| — | — | — | — | — | — |
Live at the BBC (with the Bluesbreakers) |
| — | — | — | — | — | — |
So Many Roads: An Anthology (1964–1974) |
| — | — | — | — | — | 15 |
The First Generation 1965–1974 |
| — | — | — | — | — | — |
"—" denotes a release that did not chart or was not issued in that region. |
Title | EP details |
---|---|
All My Life (with the Bluesbreakers and Paul Butterfield) |
|
The John Mayall E.P. |
|
Broadcast 65 EP (with the Bluesbreakers) |
|
The Blues Breaker EP |
|
Title | Year | Chart positions | Album | |||
---|---|---|---|---|---|---|
AUT [36] | CAN [37] | NLD [38] | US [39] | |||
"Crawling Up a Hill" (with the Bluesbreakers) | 1964 | — | — | — | — | non-album singles |
"Crocodile Walk" (with the Bluesbreakers) | 1965 | — | — | — | — | |
"I'm Your Witchdoctor" (with the Bluesbreakers) | — | — | — | — | ||
"Lonely Years" (with Eric Clapton) | 1966 | — | — | — | — | |
"Key to Love" (with the Bluesbreakers) | — | — | — | — | Blues Breakers with Eric Clapton | |
"On Top Of The World" (with the Bluesbreakers) | — | — | — | — | Not issued | |
"Looking Back" (with the Bluesbreakers) | — | — | — | — | non-album singles | |
"Sitting in the Rain" (with the Bluesbreakers) | 1967 | — | — | — | — | |
"Suspicions" (with the Bluesbreakers) | — | — | — | — | Looking Back | |
"Jenny" | 1968 | — | — | — | — | |
"No Reply" (with the Bluesbreakers) | — | — | — | — | Bare Wires | |
"Broken Wings" (with the Bluesbreakers) | — | — | — | — | ||
"The Bear" | — | — | — | — | Blues from Laurel Canyon | |
"Walking On Sunset" | — | — | — | — | ||
"Don't Waste My Time" | 1969 | — | 54 | 37 | 81 | Empty Rooms |
"Don't Pick A Flower" | 18 | — | — | — | ||
"Room to Move" | 14 | 92 | 5 | 102 | The Turning Point | |
"Thinking of My Woman" | 1970 | — | — | — | — | Empty Rooms |
"Nature's Disappearing" | — | — | — | — | USA Union | |
"Took the Car" | — | — | — | — | ||
"Dream with Me" | 1971 | — | — | — | — | Back to the Roots |
"Prisons on the Road" | — | — | — | — | ||
"Play the Harp" | 1972 | — | — | — | — | Memories |
"Moving On" | — | — | — | — | Moving On | |
"Gasoline Blues" | 1974 | — | — | — | — | The Latest Edition |
"Let Me Give" | — | — | — | — | non-album single | |
"Step in the Sun" | 1975 | — | — | — | — | New Year, New Band, New Company |
"Sunshine" | 1976 | — | — | — | — | A Banquet in Blues |
"Bottom Line" | 1979 | — | — | — | — | Bottom Line |
"Falling" | — | — | — | — | No More Interviews | |
"The Last Time" (with the Bluesbreakers) | 1989 | — | — | — | — | Chicago Line |
"Fascinatin' Lover" (with the Bluesbreakers) | — | — | — | — | ||
"Sensitive Kind" (with the Bluesbreakers) | 1990 | — | — | — | — | A Sense of Place |
"Jacksonboro Highway" (with the Bluesbreakers) | — | — | — | — | ||
"Congo Square" (with the Bluesbreakers) | — | — | — | — | ||
"Mail Order Mystics" (with the Bluesbreakers) | 1993 | — | — | — | — | Wake Up Call |
"Ain't No Brakeman" (with the Bluesbreakers) | 1995 | — | — | — | — | Spinning Coin |
"Dead City" (with the Bluesbreakers) | 1997 | — | — | — | — | Blues for the Lost Days |
"Pride & Faith" (with the Bluesbreakers) | 2002 | — | — | — | — | Stories |
"World Gone Crazy" (split with Walter Trout) | 2014 | — | — | — | — | A Special Life |
"The Sum of Something" (live) | 2018 | — | — | — | — | Three for the Road |
"Big Town Playboy" (live) | — | — | — | — | ||
"Distant Lonesome Train" | — | — | — | — | Nobody Told Me | |
"What Have I Done Wrong" (featuring Joe Bonamassa) | — | — | — | — | ||
"—" denotes a release that did not chart or was not issued in that region. |
Title | Album details |
---|---|
Blues Alive (with the Bluesbreakers) |
|
Purely Music |
|
70th Birthday Concert (with the Bluesbreakers and Friends) |
|
The Godfather of British Blues/ The Turning Point |
|
John Mayall & the Bluesbreakers were an English blues rock band led by multi-instrumentalist, singer and songwriter John Mayall. The band has been influential as an incubator for British rock and blues musicians. Many of the best known bands to come out of Britain in the 1960s and 1970s had members that came through the Bluesbreakers at one time, forming the foundation of British blues music that is still played heavily on classic rock radio. Among those with a tenure in the Bluesbreakers are guitarists Eric Clapton, Peter Green and Mick Taylor, bassists John McVie, Jack Bruce and Tony Reeves, drummers Hughie Flint, Aynsley Dunbar, Mick Fleetwood and Jon Hiseman, and numerous others.
Fleetwood Mac, also known as Peter Green's Fleetwood Mac, is the debut studio album by British blues rock band Fleetwood Mac, released in February 1968. The album is a mixture of blues covers and originals penned by guitarists Peter Green and Jeremy Spencer, who also share the vocal duties. It is the only album by the band without any involvement of keyboardist/vocalist Christine McVie.
Savoy Brown were a British blues rock band formed in Battersea, southwest London, in 1965. Part of the late 1960s blues rock movement, Savoy Brown primarily achieved success in the United States, where they promoted their albums with non-stop touring. Founder, guitarist and primary songwriter Kim Simmonds was the sole constant member of the band from its formation in 1965 until his death in 2022.
L.A. Guns is the debut studio album by American glam metal band L.A. Guns. Recorded at The Village Recorder in West Los Angeles, it was produced by Jim Faraci and released on January 4, 1988, by Vertigo Records. The album is the only L.A. Guns release to feature drummer Nickey "Beat" Alexander, who was replaced by Steve Riley before it was released. "One More Reason", "Sex Action" and "Electric Gypsy" were released as the three singles from the album.
Blues Breakers, colloquially known as The Beano Album, is the debut studio album by the English blues rock band John Mayall & the Bluesbreakers, originally credited to John Mayall with Eric Clapton. Produced by Mike Vernon and released in 1966 by Decca Records (UK) and London Records (US), it pioneered a guitar-dominated blues-rock sound.
A Hard Road is the third album recorded by John Mayall & the Bluesbreakers, released in 1967. It introduced Peter Green on lead guitar following the departure of Eric Clapton, and also featured John McVie on bass, Aynsley Dunbar on drums and John Almond on saxophone. Tracks 5, 7 and 13 feature the horn section of Alan Skidmore and Ray Warleigh. Green additionally sings lead vocals on "You Don't Love Me" and "The Same Way". The cover art and the original LP sleeve design are by Mayall.
The discography of Ozzy Osbourne, an English heavy metal singer, consists of 13 studio albums, five live albums, seven compilation albums, five extended plays (EPs), 65 singles, nine video albums and 41 music videos. After being fired from Black Sabbath in 1979, Osbourne started his solo career with a band consisting of guitarist Randy Rhoads, bassist Bob Daisley and drummer Lee Kerslake. The group released their debut album Blizzard of Ozz in 1980, which reached number 7 on the UK Albums Chart, number 8 on the Canadian Albums Chart, and number 21 on the US Billboard 200. Singles "Crazy Train" and "Mr Crowley" reached the top 50 of the UK Singles Chart, and the album has been certified four times platinum by the Recording Industry Association of America (RIAA). 1981's Diary of a Madman reached the top 20 in the UK, Canada and the US, and was certified triple platinum by the RIAA. The album was the last to feature Daisley and Kerslake, both of whom were fired before its release and replaced by Rudy Sarzo and Tommy Aldridge, respectively, as well as the last to feature Rhoads, who died in a plane crash on 19 March 1982.
"Black Magic Woman" is a song written by British musician Peter Green, which first appeared as a single for his band Fleetwood Mac in 1968. Subsequently, the song appeared on the 1969 Fleetwood Mac compilation albums English Rose (US) and The Pious Bird of Good Omen (UK), as well as the later Greatest Hits and Vintage Years compilations.
The English-American hard rock band Whitesnake have released thirteen studio albums, nine live albums, twelve compilation albums, three box sets, two extended plays (EPs), 40 singles, nine video albums and 29 music videos. Formed in London in 1978 by vocalist David Coverdale, the band originally featured guitarists Micky Moody and Bernie Marsden, bassist Neil Murray, keyboardist Peter Solley and drummer Dave Dowle. The group's debut EP Snakebite was released in June 1978 and reached number 61 on the UK Singles Chart. After replacing Solley with Jon Lord, the band released their debut full-length album Trouble later in the year, which reached number 50 on the UK Albums Chart. 1979's Lovehunter reached number 29 on the chart. Lead single "Long Way from Home" charted at number 55.
Hughie Flint is an English retired drummer, known for his stint in John Mayall & the Bluesbreakers during the early 1960s, mainly for his contribution towards their album Blues Breakers with Eric Clapton (1966).
The discography of Guns N' Roses, an American hard rock band, consists of six studio albums, one live album, two compilation albums, five extended plays (EPs), 24 singles, ten video albums and 27 music videos. Guns N' Roses was formed in Los Angeles, California with an original recording lineup of lead vocalist Axl Rose, lead guitarist Slash, rhythm guitarist Izzy Stradlin, bassist Duff McKagan and drummer Steven Adler. After self-releasing the EP Live ?!*@ Like a Suicide in December 1986, the band signed with Geffen Records and released its debut studio album Appetite for Destruction the following July. It topped the US Billboard 200 and went on to become one of the best-selling albums of all time, with reported sales over 30 million units worldwide, 18 million of which are in the US. Three singles – "Welcome to the Jungle", "Sweet Child o' Mine" and "Paradise City" – reached the US Billboard Hot 100 top ten, with "Sweet Child o' Mine" topping the chart.
Live Johnny Winter And is an album by Johnny Winter, recorded with his group Johnny Winter And live during the fall of 1970 at the Fillmore East in New York City and at Pirate's World in Dania, Florida. It was released in March 1971.
Bare Wires is a studio album by John Mayall's Bluesbreakers, featuring Mick Taylor on guitar, Chris Mercer and Dick Heckstall-Smith on saxophones, Jon Hiseman on drums, Henry Lowther on cornet and violin, and Tony Reeves on bass. It was released in 1968 on Decca Records. The album was the last John Mayall studio album to feature the name "Bluesbreakers". The album was also Mayall's first successful U.S. album reaching #59 on the Billboard 200.
"Let's Stick Together" is a blues-based rhythm and blues song written by Wilbert Harrison. In 1962, Fury Records released it as a single. Harrison further developed the song and in 1969, Sue Records issued it as a two-part single titled "Let's Work Together". Although Harrison's original song did not appear in the record charts, his reworked version entered the U.S. Top 40.
Looking Back is the seventh album released by John Mayall in August 1969 by Decca Records. The album features songs by both John Mayall's Bluesbreakers and John Mayall solo work. The album reached No. 79 on the Billboard 200. Confusingly, there are two different albums with the title "Looking Back": a Decca UK release as a single album and a Decca Germany release as a double album. Later issues on CD would use the Deram label.
The discography of L.A. Guns, an American hard rock band, consists of 17 studio releases, 9 live albums, 13 compilation albums, 4 extended plays, 27 singles, 6 video albums and 25 music videos. After some early lineup changes, the group – consisting of vocalist Phil Lewis, lead guitarist Tracii Guns, rhythm guitarist Mick Cripps, bassist Kelly Nickels and drummer Nickey Alexander – signed with PolyGram and released its self-titled debut album in 1988. It reached number 50 on the US Billboard 200 and was certified gold by the Recording Industry Association of America (RIAA). Alexander was replaced by Steve Riley, and the 1989 follow-up Cocked & Loaded reached number 38 on the Billboard 200. The single "The Ballad of Jayne" gave L.A. Guns its debut on the Hot 100, reaching number 33.
The discography of Asleep at the Wheel (AATW), an American country band, consists of 26 studio albums, 16 live albums, 21 compilation albums, seven extended plays (EPs), 40 singles, four video albums and 19 music videos.
Life in the Jungle is the first solo album by American blues rock musician Walter Trout, credited to the Walter Trout Band. Recorded in the summer of 1989 following Trout's departure from John Mayall & the Bluesbreakers after four years, it was originally released that year in Scandinavia by Bozz, a sub-division of Swedish record label Electra. A full release across wider Europe and the UK followed in 1990, after Trout signed with Dutch record label Provogue Records.
Walter Trout is an American blues rock musician from Ocean City, New Jersey. After spells in Canned Heat and John Mayall & the Bluesbreakers in the 1980s, he started a solo career in 1989 and signed to Dutch label Provogue Records. His first three albums – Life in the Jungle, Prisoner of a Dream and Transition – all charted in the Netherlands, reaching numbers 51, 20 and 46, respectively, on the Dutch Albums Chart. Tellin' Stories was issued worldwide by Silvertone Records in 1994, registering at number 84 on the UK Albums Chart. Trout subsequently returned to Provogue and his albums continued to chart in the Netherlands.