Eric Ivan Rosse | |
---|---|
Born | Chicago, Illinois, U.S. |
Origin | San Francisco, California |
Genres | Pop, rock, television film |
Occupation(s) | Record producer, composer, songwriter, musician, mixer |
Instrument(s) | Keyboard, piano |
Years active | 1989–present |
Labels | Capitol Records |
Website | ericrosse |
Eric Ivan Rosse is an American composer, songwriter, record producer, and mixer.
Rosse started playing piano at age 8, eventually studying orchestration and arranging with Joe Rotundi, Sr. His style is influenced by soul, rock, art pop and classical music.
After playing in numerous bands as a keyboard player and singer, he expanded on his career by scoring TV and commercials; he then produced Tori Amos' albums Little Earthquakes [1] and Under the Pink .
Since then, he has been instrumental in projects as diverse as Sara Bareilles' album Little Voice , [2] Maroon 5, Birdy, Gavin DeGraw, Andra Day, Mary Lambert, [3] [4] and Benny Cassette.
Rosse has also worked with Pablo Alborán and Vanesa Martín Mata. He produced and composed Alborán's Terral , which received a Latin Grammy and Grammy nomination.
Rosse co-wrote with Steve Aoki and Louis Tomlinson penning the latter's solo debut single. The song is certified Gold and Platinum in several countries including reaching #1 on the US Dance/Electronic Sales Singles Billboard chart. [5]
Rosse was born in Chicago and began studying music at a young age starting with piano lessons. Through his training with Joe Rotundi Sr., he came to score an award-winning short film at the age of 17, Day's Last Rainbow, which was directed by James Herring. His first professional recording gig was at The Sound Factory in Hollywood, California, in 1980. Rosse was hired there to play electric piano on various R&B recordings, and continued gigging with various bands and musicians around Los Angeles until 1989, when he co-founded EMBR Music with his brother, Michael Carey. They operated for five years under the name EMBR, producing music spots for well-known media entities such as Coca-Cola, TDK, Anacin, Sega, Asics, NY Aids Awareness, NBC and CBS.
In 1994, Rosse began to focus heavily on album production, setting up his studio in unusual locations such as Taos and Santa Fe, New Mexico (where he produced Tori Amos' records), as well as Air Studios in London, where he produced projects for EMI-UK and Sony Music.
From 2002–2003, Rosse began working as an A&R consultant for Capitol Records.
Currently, Rosse resides in Los Angeles and continues to produce, compose, and mix.
Year | Artist | Album | Song | Credit | Record Company |
---|---|---|---|---|---|
1992 | Tori Amos | Little Earthquakes | Girl | Produced | Atlantic Records |
Precious Things | |||||
Tear in Your Hand | |||||
Little Earthquakes | |||||
1994 | Tori Amos | Under the Pink | God | Produced | Atlantic Records |
Cornflake Girl | |||||
Past the Mission ft. Trent Reznor | |||||
Pretty Good Year | |||||
1996 | Gus | Gus | Tomorrow Man | Produced/Engineered/Keyboards/Programming/Arrangements | Almo Sounds |
A Day's Pay | |||||
1997 | Critters Buggin | Host | Mullet Head | Produced/Engineered/Mixed/Keyboards/Programming | Loosegroove Records |
1998 | Tuatara | Trading with the Enemy | Negotiation | Mixed | Epic Records |
Critters Buggin | Bumpa | Trucker Beak | Produced/Engineered/Mixed/Keyboards/Programming | Loosegroove Records | |
2000 | Nash Kato | Debutante | Queen of the Gangsters | Produced/Engineered/Mixed/Keyboards/Programming | Loosegroove Records |
Debutante | |||||
Zooey Suicide | |||||
2002 | Aja Daashuur | Before the Beginning | Produced/Engineered/Keyboards/Programming | Extasy/Warner Bros. Records | |
Two Loons for Tea | Looking for Landmarks | Looking for Landmarks | Produced/Engineered/Mixed/Keyboards/Programming | Sarathan Records | |
Emily | |||||
Blue Suit | |||||
2003 | Lisa Marie Presley | To Whom It May Concern | Lights Out | Produced/Co-Wrote/Engineered/Keyboards/Programming/String Arrangements | Capitol Records |
SOB | |||||
The Road Between | |||||
Indifferent | |||||
Better Beware | |||||
Kristy Thirsk | Souvenir | Run Away | Produced | Pretty Noise | |
Home for Angels | |||||
2005 | Anna Nalick | Wreck of the Day | Breathe | Produced/Co-Wrote/Engineered/Mixed/Keyboards/Programming/String Arrangements | Columbia Records |
Satellite | |||||
Wreck of the Day | |||||
Paper Bag [ permanent dead link ] | |||||
Lisa Marie Presley | Now What | Turned To Black | Produced/Co-Wrote/Engineered/Keyboards/Programming | Capitol Records | |
Dirty Laundry | |||||
When You Go | |||||
Yellow to Blue | |||||
Nerina Pallot | Fires | Learning to Breathe | Produced/Engineered/Keyboards/Programming | Idaho Records/14th Floor Records | |
Heart Attack | |||||
2006 | Joanna Pacitti | This Crazy Life | This Crazy Life | Co-Wrote | UMG/Geffen Records |
Chris Isaak | Best of Chris Isaak | King Without A Castle | Produced/Engineered/Programming/Arrangements | Warner Bros. Records/Reprise Records | |
Want You to Want Me | |||||
Let's Have a Party | |||||
2007 | A Fine Frenzy | One Cell in the Sea | Almost Lover | Re-mixed | Virgin Records |
Sara Bareilles | Little Voice | Love Song | Produced/Engineered/Mixed/Keyboards/Programming/String Arrangements | Sony Records/Epic Records | |
Vegas | |||||
Between the Lines | |||||
Bottle It Up | |||||
City | |||||
2008 | Marc Broussard | Keep Coming Back | Man for Life | Co-Wrote | Atlantic Records |
David Archuleta | David Archuleta | Let Me Go | Produced/Engineered/Mixed/Keyboards/Programming/String Arrangements | Jive Records/Sony Records | |
Angels | |||||
The White Tie Affair | Walk This Way | Candle | Mixed/Programming | Sony Records | |
Price of Company | |||||
The Way Down | |||||
If I Fall | |||||
Anna Nalick | Shine EP | Produced | Epic | ||
George Stanford | Big Drop | Produced [6] | Mercury Records | ||
Matt Hires | Live from the Hotel Café | You Are The One | Produced | Atlantic Records | |
2009 | Chris Isaak | Mr. Lucky | Cheaters Town | Produced/Engineered/Mixed | Warner Bros. Records/Wicked Game/Reprise Records |
We Let her Down | |||||
Breakin Apart | |||||
Baby Baby | |||||
Landon Pigg | The Boy Who Never | Coffee Shop | Produced/Engineered/Mixed/Keyboards | RCA Records | |
Take a Chance | |||||
Matt Hires | Take Us to the Start | Honey, Let Me Sing You a Song | Produced/Co-Wrote/Engineered/Mixed/Keyboards/String Arrangements | F Stop/Atlantic Records/Warner Music Group | |
A Perfect Day [ permanent dead link ] | |||||
State Lines [ permanent dead link ] | |||||
You in the End | |||||
Out of the Dark | |||||
Listen to Me Now | |||||
Pick Me Up | |||||
"O Sunrise | |||||
2010 | Jason Castro | Jason Castro | You Can Always Come Home | Produced/Engineered/Mixed/Keyboards | Atlantic Records |
That's What I'm Here For | |||||
Brendan James | Brendan James | Anything For You | Co-Wrote | UMG/Decca Records | |
Matt Hires | A to B EP | Honey (cello version) | Produced/Co-Wrote/Engineered/Mixed/Keyboards/String Arrangements | Atlantic Records | |
Maroon 5 | Hands All Over | Produced | A&M/Octone Records | ||
2011 | Gin Wigmore | Gravel & Wine | The Devil In Me | Produced/Co-Wrote | UMG/Motown Records/Mercury Records |
Saturday Smile [ permanent dead link ] | |||||
Kevin Hammond | Kevin Hammon EP | The Way You Move | Produced/Recorded/Mixed/Keyboards/Programming | A&M/Octone Records | |
Broken Down | |||||
Just As I Thought | |||||
Gavin DeGraw | Sweeter [7] | Run Every Time | Produced/Recorded/Keyboards/Programming [8] | RCA Records | |
Where You Are | |||||
Graham Colton | Pacific Coast Eyes | A Day Too Late | Co-Wrote | Universal Republic | |
2012 | Delta Goodrem | Child of the Universe | The Hunters and The Wolves | Co-Wrote | Sony Records |
Lily Kershaw | Midnight in the Garden | Produced | Nettwerk Records | ||
2013 | Matt Hires | The World Won't last Forever, But Tonight We Can Pretend | All That's Left Is You | Produced/Co-Wrote/Engineered/Mixed/Keyboards/String Arrangements [9] | Atlantic Records/Warner Music Group |
Wishing On Dead Stars | |||||
Over You | |||||
A to B | |||||
I Am Not Here [ permanent dead link ] | |||||
Birdy | Fire Within | Heart of Gold | Musical Director/String Arrangements/Programming/Keyboards | Warner Music Group UK/14th Floor Records/Atlantic Records | |
Mary Lambert | Welcome to the Age of My Body EP | She Keeps Me Warm | Produced/Engineered/Mixed/Keyboards/Programming/String Arrangements [10] | Capitol Records | |
Body Love Part One | |||||
Christian Burns | Simple Modern Answers | We Are Tonight ft. Paul van Dyk | Co-Wrote | Armada Music | |
2014 | Mary Lambert | Heart on My Sleeve | Produced/Co-Wrote | Capitol Records | |
2014 | Pablo Alborán | Terral | Produced/Mixed/Keyboards/Programming/String & Horn Arrangements | Warner Music | |
2016 | Idina Menzel | idina. | Produced/Mixed/Co-Wrote | Warner Bros. Records | |
2017 | Idina Menzel | Beaches (Soundtrack from the Lifetime Original Movie) | Produced/Arranged/Co-Wrote | Warner Bros. Records |
Tori Amos is an American singer-songwriter and pianist. She is a classically trained musician with a mezzo-soprano vocal range. Having already begun composing instrumental pieces on piano, Amos won a full scholarship to the Peabody Institute at Johns Hopkins University at the age of five, the youngest person ever to have been admitted. She had to leave at the age of eleven when her scholarship was discontinued for what Rolling Stone described as "musical insubordination". Amos was the lead singer of the short-lived 1980s pop group Y Kant Tori Read before achieving her breakthrough as a solo artist in the early 1990s. Her songs focus on a broad range of topics, including sexuality, feminism, politics, and religion.
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